N04_デジタルバンクを目指す北國銀行の挑戦とその歩み [Microsoft Japan Digital Days]日本マイクロソフト株式会社
株式会社北國銀行
システム部 部長
新谷 敦志 氏
日本マイクロソフト株式会社
エンタープライズ事業本部 金融サービス事業統括本部 カスタマーテクノロジーリード
赤間 信幸
北陸地方を拠点とする地方銀行である北國銀行。今年 5 月には、日本ユニシス様と共同で BankVision on Azure というフルバンキングシステムを国内初でクラウド稼働しました。しかし北國銀行にとって、それは通過点の一つでしかありません。北國銀行が本当に目指しているのは「真のデジタルバンク」であり、そのために過去 15 年以上をかけて様々な改革に取り組んできました。本セッションでは、北國銀行のシステム戦略、すなわちなぜこうした取り組みを行うのか、どうやって取り組んできたのか、そしてどこを目指しているのかについて紹介いたします。
【Microsoft Japan Digital Daysについて】
Microsoft Japan Digital Days は、お客様が競争力を高め、市場の変化に迅速に対応し、より多くのことを達成することを目的とした、日本マイクロソフトがお届けする最大級のデジタル イベントです。4 日間にわたる本イベントでは、一人一人の生産性や想像力を高め、クラウド時代の組織をデザインするモダンワークの最新事例や、変化の波をうまく乗り切り、企業の持続的な発展に必要なビジネスレジリエンス経営を支えるテクノロジの最新機能および、企業の競争優位性に欠かせないクラウド戦略のビジョンなどデジタル時代に必要な情報をお届けいたしました。(2021年10月11日~14日開催)
N04_デジタルバンクを目指す北國銀行の挑戦とその歩み [Microsoft Japan Digital Days]日本マイクロソフト株式会社
株式会社北國銀行
システム部 部長
新谷 敦志 氏
日本マイクロソフト株式会社
エンタープライズ事業本部 金融サービス事業統括本部 カスタマーテクノロジーリード
赤間 信幸
北陸地方を拠点とする地方銀行である北國銀行。今年 5 月には、日本ユニシス様と共同で BankVision on Azure というフルバンキングシステムを国内初でクラウド稼働しました。しかし北國銀行にとって、それは通過点の一つでしかありません。北國銀行が本当に目指しているのは「真のデジタルバンク」であり、そのために過去 15 年以上をかけて様々な改革に取り組んできました。本セッションでは、北國銀行のシステム戦略、すなわちなぜこうした取り組みを行うのか、どうやって取り組んできたのか、そしてどこを目指しているのかについて紹介いたします。
【Microsoft Japan Digital Daysについて】
Microsoft Japan Digital Days は、お客様が競争力を高め、市場の変化に迅速に対応し、より多くのことを達成することを目的とした、日本マイクロソフトがお届けする最大級のデジタル イベントです。4 日間にわたる本イベントでは、一人一人の生産性や想像力を高め、クラウド時代の組織をデザインするモダンワークの最新事例や、変化の波をうまく乗り切り、企業の持続的な発展に必要なビジネスレジリエンス経営を支えるテクノロジの最新機能および、企業の競争優位性に欠かせないクラウド戦略のビジョンなどデジタル時代に必要な情報をお届けいたしました。(2021年10月11日~14日開催)
Philosophical Foundations of Pattern Language Creation: Rooted in the "Scienc...Takashi Iba
Lightning Talk by Takashi Iba, Ph.D. in media and governance, Professor at Faculty of Policy Management, Keio University.
at the30th Conference on Pattern Language of Programs (PLoP2023), IL, USA, Oct. 25, 2023
Originally, the concept of pattern language was proposed by Christopher Alexander as a method for collaborative architectural design, and the philosophy behind it was presented in his books, such as "The Timeless Way of Buildings" and "The Nature of Order". However, after him, few people discuss philosophical examinations for pattern languages. Over the past seven years, I have intensively explored the potential for a "new academic discipline" rooted in pattern language, and its foundational contours are now becoming visible. Underpinning this discipline is Edmund Husserl's phenomenology, especially his concept of "Science of Essence." Reflecting upon our experiences, it becomes apparent that the creation of a pattern language aligns with the phenomenological method of "seeing of essence," positioning the pattern language as "essence descriptions". When looked at in reverse, my developing academic field of "Studies on Essence of Practices," is "Science of Essence" of practices grounded in phenomenology and the creation of pattern language is positioned as a primary research methodology including “seeing of essence”. In this talk, I will elucidate what exactly is being accomplished through the creation of a pattern language, with introducing the principles of phenomenology’s "Noesis" (acts of consciousness) and "Noema" (contents of consciousness) and the method of “seeing of essence”.
Exploring New Ways of Expressing and Delivering Pattern Languages: Endeavors ...Takashi Iba
Lightning Talk by Takashi Iba, Ph.D. in media and governance, Professor at Faculty of Policy Management, Keio University.
at the30th Conference on Pattern Language of Programs (PLoP2023), IL, USA, Oct. 25, 2023
In pattern languages of practices, the target readers are not limited to engineers or professionals. Instead, they span a broad spectrum of the general public, from children to the elderly. For example, our pattern languages of practices cover topics such as reading, learning, parenting while working, living naturally and creatively, living well with dementia, and realizing a good digital society. The intended audience for these patterns ranges from elementary school students to college students, parents in their child-rearing years, and the elderly aged 70 and above. Believing that we needed to go beyond traditional methods of delivering content, such as dense texts and diagrams in books, articles, or websites, we have sought new modes of expression over the past decade. In this talk, I will introduce our endeavors. They include "Pattern Cards" that facilitate reflection and dialogue, especially in workshops; "Pattern Objects" that embed pattern names and illustrations into everyday items; "Pattern Coins" that circulate within a community, inspiring practice; "Pattern Song" that weaves the important messages of patterns into lyrics; and "Pattern Manga" that tells a story expressing the effect of conducting certain patterns. By showcasing these new prototypes, I hope to inspire you and expand your horizons on how pattern languages can be expressed and delivered.
New Frontiers in Pattern Languages of Practices (Takashi Iba, PLoP2023)Takashi Iba
Lightning Talk by Takashi Iba, Ph.D. in media and governance, Professor at Faculty of Policy Management, Keio University.
at the30th Conference on Pattern Language of Programs (PLoP2023), IL, USA, Oct. 25, 2023
In this talk, I will present the new frontiers in pattern languages of practices. Historically, the concept of pattern languages originated in the 1970s as a design language for "Places" and was later applied to the domain of "Programs." Subsequently, it found applications in areas like education and organizational change, which can be considered as "Practices." In other words, the pattern language has evolved from Places, to Programs, and then to Practices. In the course of the development, we, Iba Lab and CreativeShift, Inc., have developed patterns across various fields within pattern languages of practices, writing over 3,000 patterns in more than 90 areas of practices over the past 20 years. Reflecting on our journey, we have identified five types within what is broadly labeled as "Practices": (1) Profession and Work, (2) Meta-Pattern Language, (3) Everyday Life, (4) Journey of Life, and (5) Forming Society. This talk will particularly focus on the last three types of pattern languages of practices — Everyday Life, Journey of Life, and Forming Society. We will share our own cases and experiences, including a pattern language for a good digital society, which was recently published by the Digital Agency of the Japanese Government.
作家、詩人、作曲家の発言と、クリストファー・アレグザンダーの思想、および老荘思想についての井筒俊彦の読み解きを手がかりとして
based on remarks by writers, poets, and composers; the thought of Christopher Alexander; and Toshihiko Izutsu’s Interpretation of Taoism
PUARL+BB2020 "A Pattern Language for Creating a City with Natural, Local and ...Takashi Iba
Misaki Yamakage, Sakie Namiki, Sawami Shibata, Kiyoka Hayashi, Takashi Iba, Mitsuhiro Yamazaki, "A Pattern Language for Creating a City with Natural, Local and Creative Elements: Learned from Portland, Oregon", PUARL+BB2020, Sep, 2020
Takashi Iba's Keynote at AsianPLoP2020: "Support for Living Better Throughou...Takashi Iba
Takashi Iba's Keynote "Support for Living Better Throughout the COVID-19 Situation with Pattern Languages: An Attempt at Pattern Translation to Another Domain and Pattern Language Remix" at AsianPLoP 2020: 9th Asian Conference on Pattern Languages of Programs, Sep 4th, 2020.
"Wholeness Egg: Designing a Living Workshop in light of Christopher Alexander...Takashi Iba
Konomi Munakata, Takashi Iba, "Wholeness Egg: Designing a Living Workshop in light of Christopher Alexander’s Design Theory", PUARL 2018 conference, Portland, USA, Oct. 2018
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This workshop introduces “Wholeness Egg” as an effective technique for designing “living” workshops. When designing a workshop, we are likely to set a specific goal, list up all the essential elements first and then simply integrate them together to make a program, to ensure that it can achieve the expected results. However, when it is designed and implemented just for pursuing the planners’ intended purpose, it is likely to fail in stimulating participants’ creative thinking and gaining “liveliness” in it. The feeling of “life” in design may sound very intuitive, and thus many people think that it is not something they can or should deal with when designing things or activities. But that is what the Austrian architect, Christopher Alexander has strengthened in his books about the beauty of buildings, “The Timeless Way of Building (1979)” and “The Nature of Order: An Essay of the Art of Building and the Nature of the Universe (2002)” after 27 years of research. He said, “All our work has to do with the creation of life and that the task, in any particular project, is to make the building (design) come to life as much as possible” (Alexander, 1979). Those two books explained what gives life, beauty and true functionality to our buildings and what must be done to create more life in our world. Taking his design theory to heart, how can we design a good workshop which is truly alive?
This method was therefore developed based on the Christopher Alexander’s ideas of “the whole and parts” and “Fifteen Fundamental Geometrical Properties (Alexander, 2002)” described in his publications. This method is named “Wholeness Egg”, as it puts significant emphasis on the “wholeness” of a design. In particular, it aims to design the activity by grasping its wholeness first and subsequently differentiating it into parts (Fig.1), taking account of “Fifteen Fundamental Properties (Alexander, 2002)” to ensure the coherence and quality of the entire activity. In this workshop, participants can experience the technique of the Wholeness Egg in designing their own workshops, and will become able to apply this methodology in designing own creative activities.
“Christopher Alexander’s Thought and Eastern Philosophy: Zen, Mindfulness and...Takashi Iba
Takashi Iba, Konomi Munakata, “Christopher Alexander’s Thought and Eastern Philosophy: Zen, Mindfulness and Egoless Creation with a Pattern Language”, PUARL 2018 conference, Portland, USA, Oct. 2018
We present that in order to realize “the process of creation of its own accord” put forward by Christopher Alexander, participation as ‘pure experience’ without thinking and analysis is necessary. This is a paradoxical but unique viewpoint; Alexander propose to create a ‘language’ (which is a tool for thinking) to share and follow spontaneous rules for generative process in Pure Experience. In this talk, we took up quotes of Christopher Alexander, Japanese Philosopher Kitaro Nishida, Ven. Ryodo Yamashita in Buddhism 3.0, and Zen Master Thich Nhat Hanh.
[PDF] http://web.sfc.keio.ac.jp/~iba/slides/201810PUARL_Eastern.pdf
1. 村上春樹の深い創造
- 日常から逸脱した世界はいかにして生まれるのか -
慶應義塾大学総合政策学部 教授 / 博士(政策・メディア)
Iba, Takashi
井庭 崇
2021年第10回村上春樹国際シンポジウム
村上春樹文学における「逸脱」(deviation)
Professor at Faculty of Policy Management, Keio University
Ph.D in Media and Governance
2. Takashi Iba
井庭 崇
博士(政策・メディア)
慶應義塾大学SFC 総合政策学部 教授
慶應義塾大学クリエイティブ・ラーニング・ラボ 代表
株式会社クリエイティブシフト 代表取締役社長
国際学術NPO組織 The Hillside Group 理事
一般社団法人 みつかる+わかる 理事
● 創造の研究
● 一人ひとりが持つ日常的な「自然な創造性」(Natural Creativity)の支援
● 「ナチュラルな創造社会」を支えるメディア(パターン・ランゲージ)をつくる
創造の哲学
Philosophy of Creation
創造実践学
Studies on Creative Practice
ナチュラルにクリエイティブに生きる未来社会学
Future Sociology for Natural & Creative Living
新しい学問をつくる
8. 深い創造の原理
1. 無我の創造
Principles of Deep Creation
製造ではなく有機的生成
対立を解消した調和的秩序
生命 = 生活 = 人生を
生きる創造
Creation in the several
layers of ‘life’
3. 未知なる冒険
2. 全体を育てる
4. 内側から感じる
6. あるべきかたち
5. 本質の磨き上げ
7. 生と創造の円環
Egoless Creation
Nurturing the Whole
True Adventure
Feeling from the Inside
What It Ought to Be
Polishing the Essence
Circular flow between
life and creation
Organic generation
rather than
factory production
Realizing harmonious
order by resolving
inner and external conflicts
10. 深い創造の原理
1. 無我の創造
Principles of Deep Creation
製造ではなく有機的生成
対立を解消した調和的秩序
生命 = 生活 = 人生を
生きる創造
Creation in the several
layers of ‘life’
3. 未知なる冒険
2. 全体を育てる
4. 内側から感じる
6. あるべきかたち
5. 本質の磨き上げ
7. 生と創造の円環
Egoless Creation
Nurturing the Whole
True Adventure
Feeling from the Inside
What It Ought to Be
Polishing the Essence
Circular flow between
life and creation
Organic generation
rather than
factory production
Realizing harmonious
order by resolving
inner and external conflicts
11. 深い創造の原理
1. 無我の創造
Principles of Deep Creation
製造ではなく有機的生成
対立を解消した調和的秩序
生命 = 生活 = 人生を
生きる創造
Creation in the several
layers of ‘life’
3. 未知なる冒険
2. 全体を育てる
4. 内側から感じる
6. あるべきかたち
5. 本質の磨き上げ
7. 生と創造の円環
Egoless Creation
Nurturing the Whole
True Adventure
Feeling from the Inside
What It Ought to Be
Polishing the Essence
Circular flow between
life and creation
Organic generation
rather than
factory production
Realizing harmonious
order by resolving
inner and external conflicts
29. 深い創造の原理
1. 無我の創造
Principles of Deep Creation
製造ではなく有機的生成
対立を解消した調和的秩序
生命 = 生活 = 人生を
生きる創造
Creation in the several
layers of ‘life’
3. 未知なる冒険
2. 全体を育てる
4. 内側から感じる
6. あるべきかたち
5. 本質の磨き上げ
7. 生と創造の円環
Egoless Creation
Nurturing the Whole
True Adventure
Feeling from the Inside
What It Ought to Be
Polishing the Essence
Circular flow between
life and creation
Organic generation
rather than
factory production
Realizing harmonious
order by resolving
inner and external conflicts
30. 深い創造の原理
1. 無我の創造
Principles of Deep Creation
製造ではなく有機的生成
対立を解消した調和的秩序
生命 = 生活 = 人生を
生きる創造
Creation in the several
layers of ‘life’
3. 未知なる冒険
2. 全体を育てる
4. 内側から感じる
6. あるべきかたち
5. 本質の磨き上げ
7. 生と創造の円環
Egoless Creation
Nurturing the Whole
True Adventure
Feeling from the Inside
What It Ought to Be
Polishing the Essence
Circular flow between
life and creation
Organic generation
rather than
factory production
Realizing harmonious
order by resolving
inner and external conflicts
31. つくっている対象になりきって、その内側から感じる
内側から感じる
Feeling from the Inside
深い創造の原理 4
製造ではなく有機的生成
Organic generation rather than factory production
Becoming the object you are creating and feel it from the inside.
Principle of Deep Creation #4
34. つくっている対象になりきって、その内側から感じる
内側から感じる
Feeling from the Inside
深い創造の原理 4
製造ではなく有機的生成
Organic generation rather than factory production
Becoming the object you are creating and feel it from the inside.
Principle of Deep Creation #4
39. 創造の制約・ルールを手がかりに、パズルのピースをはめて詰めていく
あるべきかたち
What It Ought to Be
深い創造の原理 6
対立を解消した調和的秩序
Realizing harmonious order
by resolving inner and external conflicts
Using the constraints and rules of creation as a guide,
fit and fill the pieces of the puzzle.
Principle of Deep Creation #6
41. 創造の制約・ルールを手がかりに、パズルのピースをはめて詰めていく
あるべきかたち
What It Ought to Be
深い創造の原理 6
対立を解消した調和的秩序
Realizing harmonious order
by resolving inner and external conflicts
Using the constraints and rules of creation as a guide,
fit and fill the pieces of the puzzle.
Principle of Deep Creation #6
42. 深い創造の原理
1. 無我の創造
Principles of Deep Creation
製造ではなく有機的生成
対立を解消した調和的秩序
生命 = 生活 = 人生を
生きる創造
Creation in the several
layers of ‘life’
3. 未知なる冒険
2. 全体を育てる
4. 内側から感じる
6. あるべきかたち
5. 本質の磨き上げ
7. 生と創造の円環
Egoless Creation
Nurturing the Whole
True Adventure
Feeling from the Inside
What It Ought to Be
Polishing the Essence
Circular flow between
life and creation
Organic generation
rather than
factory production
Realizing harmonious
order by resolving
inner and external conflicts
43. 深い創造の原理
1. 無我の創造
Principles of Deep Creation
製造ではなく有機的生成
対立を解消した調和的秩序
生命 = 生活 = 人生を
生きる創造
Creation in the several
layers of ‘life’
3. 未知なる冒険
2. 全体を育てる
4. 内側から感じる
6. あるべきかたち
5. 本質の磨き上げ
7. 生と創造の円環
Egoless Creation
Nurturing the Whole
True Adventure
Feeling from the Inside
What It Ought to Be
Polishing the Essence
Circular flow between
life and creation
Organic generation
rather than
factory production
Realizing harmonious
order by resolving
inner and external conflicts
44. 創造が自分を更新し、生命・生活・人生(life)が
創造の土壌となるような円環を生きる。
生と創造の円環
Circular flow between life and creation
深い創造の原理 7
生命 = 生活 = 人生を生きる創造
Creation in the several layers of ‘life’
Creating renews one’s Self, and living in a circular flow where life as
an organism, lifestyle, and lifetime become the earth of creation.
Principle of Deep Creation #7
46. 創造が自分を更新し、生命・生活・人生(life)が
創造の土壌となるような円環を生きる。
生と創造の円環
Circular flow between life and creation
深い創造の原理 7
生命 = 生活 = 人生を生きる創造
Creation in the several layers of ‘life’
Creating renews one’s Self, and living in a circular flow where life as
an organism, lifestyle, and lifetime become the earth of creation.
Principle of Deep Creation #7
47. 深い創造の原理
1. 無我の創造
Principles of Deep Creation
製造ではなく有機的生成
対立を解消した調和的秩序
生命 = 生活 = 人生を
生きる創造
Creation in the several
layers of ‘life’
3. 未知なる冒険
2. 全体を育てる
4. 内側から感じる
6. あるべきかたち
5. 本質の磨き上げ
7. 生と創造の円環
Egoless Creation
Nurturing the Whole
True Adventure
Feeling from the Inside
What It Ought to Be
Polishing the Essence
Circular flow between
life and creation
Organic generation
rather than
factory production
Realizing harmonious
order by resolving
inner and external conflicts
77. 深い創造の原理
1. 無我の創造
Principles of Deep Creation
製造ではなく有機的生成
対立を解消した調和的秩序
生命 = 生活 = 人生を
生きる創造
Creation in the several
layers of ‘life’
3. 未知なる冒険
2. 全体を育てる
4. 内側から感じる
6. あるべきかたち
5. 本質の磨き上げ
7. 生と創造の円環
Egoless Creation
Nurturing the Whole
True Adventure
Feeling from the Inside
What It Ought to Be
Polishing the Essence
Circular flow between
life and creation
Organic generation
rather than
factory production
Realizing harmonious
order by resolving
inner and external conflicts
80. 村上春樹の深い創造
- 日常から逸脱した世界はいかにして生まれるのか -
慶應義塾大学総合政策学部 教授 / 博士(政策・メディア)
Iba, Takashi
井庭 崇
2021年第10回村上春樹国際シンポジウム
村上春樹文学における「逸脱」(deviation)
Professor at Faculty of Policy Management, Keio University
Ph.D in Media and Governance