الوطن في شعر شعراء المملكة العربية السعودية: عبد السلام هاشم حافظ نموذج الشاعر العربي المتميز (1) - Home in the Poetry of Saudi Arabia Poets: Abdus-Salam Hafeth an Example of a Distinguished Arab (1)
ملخص:
الشعر العربي الفصيح هو أحد اهم المرتكزات الادبية لجميع انواع الأدب في جميع البلدان والأقاليم العربية منذ عصر ما قبل الإسلام. هذه الدراسة عبارة عن محاولة لإلقاء الضوء على بعض الجوانب الأدبية للشعر العربي السعودي الحديث مع التركيز على مفهوم الوطن كتوضيح لمكانة الشعر العربي السعودي الحديث في إشارة خاصة للشاعر السعودي المعاصر عبد السلام هاشم حافظ.
قد يكون من البديهي أن تطور الشعر العربي في العصر الحالي بين الشعراء والكتاب والنقاد العرب هو مقياس إيجابي، ومن الطبيعي أن يعمم الأمر والسياق نفسه عن الشعر السعودي المعاصر من حيث كونه جزء من الشعر العربي الواسع ومتطابقاً معه نظرًا لأنه يعتبر بطبيعة الحال مقياساً أساسياً ومتصل بالشعر العربي، من خلال ذلك كله يسعى الباحث إلى توضيح فِكرُ الشاعر عبد السلام هاشم حافظ في تصوير مدينته المجيدة كممثل لعشقه للوطن الكبير - المملكة العربية السعودية.
تبدأ الدراسة بمقدمة موجزة عن الشعر العربي ووسيطه الأساسي المتمثل في اللغة العربية المجيدة، ثم تمضي قدماً تحليلياً لاستعراض مكانة وَمَلَكَةُ الشاعر السعودي عبد السلام هاشم حافظ، بعد ذلك، تجسد الدراسة موقفاً تحليلياً وناقداً للأربعة الابيات الأولى من قصيدة حافظ، التي تحمل عنوان ’الشوق، يا وطني‘ ، مع التركيز على مفهوم الوطن كونه الموضوع الرئيس في هذه الدراسة، وتنتهي الدراسة بالتوصيات، ان جدت، ثم خاتمة موجزة.
ABSTRACT:
Classical Arabic poetry is the core of all categories of literature in all Arabic lands, territories, and realms since the age of pre-Islam. This study is an attempt to shed light on some literary facets of modern Saudi Arabic poetry focusing on the concept of homeland as an illustration of the standing of modern Saudi Arabic poetry with a particular indication to a contemporary Saudi poet, Abdus-Salam Hashem Hafeth. It can be right that the progress of Arabic poetry in the present age, among Arab poets, writers, and critics has a positive measure. It is true to generalize that the same would be identical to current innovative Saudi poetry given that it is naturally considered a principal, commanding, and uninterrupted measure of Arabic poetry. The researcher endeavors to illustrate the poet's intellectuality in depicting his glorious city as a representative of his adoration for the big home - the Kingdom of Saudi Arabia. The study commences with a concise introduction. Then, it analytically moves ahead to inspect the noteworthy Saudi poet – Abdus-Salam Hashem Hafeth. After that, the study portrays a critical-analytical attitude to the first four-verse lines of the poem of Hafeth, ‘Nostalgia, Oh my Home’, focusing on the concept of home as its principal theme. In conclusion, the study ends with a concise assumption and recommendations.
Keywords: Abdus-Salam Hashem Hafeth, Al Madinah Al Monawarah, Arabic literature, Arabic poetry, home in poetry, Kingdom of Saudi Arabia, Saudi poetry,
Home in the Poetry of Saudi Arabia Poets: Abdus-Salam Hafeth an Example of a ...Al Baha University
المستخلص:
تهدف هذه الدراسة، التي تحمل عنوان
" Home in the Poetry of Saudi Arabia Poets: Abdus-Salam Hafeth an Example of a Distinguished Arab (2)"،
إلى إلقاء الضوء على بعض الجوانب الأدبية في الشعر العربي السعودي الحديث، مع التركيز على مفهوم الوطن كمثال على مكانة الشعر السعودي الحديث، في إشارة خاصة إلى الشاعر السعودي المعاصر عبد السلام هاشم حافظ، يسعى الباحث إلى إظهار فطنة وملكة الشاعر من خلال إبراز مدينته الرائعة، المدينة المنورة، كرمز لحبه للوطن الجلل الجليل - المملكة العربية السعودية، تبدأ الدراسة بمقدمة موجزة عن الشعر العربي ولغته العربية الفصحى. ثم تعرض الدراسة صورة رمزية للشاعر السعودي المتميز عبد السلام هاشم حافظ والشعر السعودي بشكل عام، بعد ذلك، تتبنى الدراسة نهجًا تحليليًا نقديًا لمتنن الدراسة المتمثل في شرح عدد من الابيات الشعرية – من البيت الشعري الخامس الى الثامن من قصيدة حافظ، "الشوق يا وطني"، مع التركيز على مفهوم الوطن باعتباره الموضوع الجوهري وكذلك التطرق الى موهبة الشاعر في استخدام اللغة العربية كلغة عظيمة وجليلة، في النهاية، ينتهي البحث بالفرضيات والتوصيات، ان وجدت.
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Abstract
This study aims to shed light on some literary aspects of modern Saudi Arabic poetry, focusing on the concept of homeland as an example of the standing of modern Saudi poetry, with a specific reference to a contemporary Saudi poet, Abdus-Salam Hashem Hafeth. The researcher seeks to show the poet's intellect by showing his gorgeous metropolis as a symbol of his love for the grand home - the Kingdom of Saudi Arabia. The study begins with a brief introduction to Arabic poetry and its language. Then it gives a symbolic picture of the outstanding Saudi poet – Abdus-Salam Hashem Hafeth and Saudi poetry in general. Following that, the study takes a critical-analytical approach to the second four verse lines of Hafeth's poem, 'Nostalgia, Oh my Home,' focusing on the concept of home as its main theme as well talent of the poet in using the grand Arabic language. Eventually, the research is concluded with a short premise and comments.
Mua'llagat Zohayr ibn Abi Solma: Elegant Piece of Arabic Poetry (1) - معلقة ز...Al Baha University
Zohayr ibn Abi Solma is identified as an eminent poet who produced poetry distinguished with preeminence in courtly and virtuous love. The study employs an analytical and critical methodology, attempting to elucidate the influence of virtuous love narrated by the poet in the first verse lines of his great Mua'llagah. It employs the critical-descriptive-analytical approach. It commences with a terse introductory synopsis shedding light on the importance of classical Arabic language and its involvement with poetry. It goes on to shed light on Zohayr ibn Abi Solma, the person and the poet. The next section is dealing with selected verse lines from Al-Mualagah of Zohayr. The paper attempts to prove, via poetry of Zohayr ibn Abi Solma, the greatness of the Arabic classical poetry and demonstrate the aptitudes of the poet through his Mua'llagah. It is divided into four parts. The first part deals with the greatness of Arabic language then it moves to the second part that focuses of Arabic Poetry: Treasure of Wisdom. The third part sheds light on the poet's Courtly Love and the last main part goes with analytical and critical endeavor to the first ten verse lines of Al-Mua'llagah of Zohayr. It comes to an end with a conclusion.
MODERN SAUDI POETRY: MOHAMMAD HASAN AWWAD’S NIGHT AND ME, IN BALANCE - الشعر ...Al Baha University
الشعر العربي هو جوهر كل الأنواع الأدبية في جميع الدول العربية، وتناغما مع هذا التعميم، من المنطقي أن يكون تطور الشعر في العصر الحديث، بين جميع العرب، يعتبر مدلول ومقياس إيجابي. بناء على هذا البرهان، يمكن القول بنفس المقياس على الأدب السعودي الحديث باعتباره جزءًا جوهرياً مكمل للشعر العربي. حاول الباحث في هذا البحث تبين بعض الجوانب والنقاط الأدبية للشعر العربي الحديث في المملكة العربية السعودية كنموذج على سمو الشعر العربي، مع استشهاد خاص بشاعر سعودي معاصر، وتبدأ الدراسة بمقدمة عن الشعر العربي في الجزيرة العربية. في الجزء الأول من الدراسة، يشير الباحث إلى أهمية الشعر العربي كأحد الأنواع الأدبية العربية، أما الجزء الثاني فيتناول الشعر والحركة الأدبية في المملكة العربية السعودية باعتباره المحور الرئيسي للدراسة، بعد ذلك ، تتقدم المهمة للتعامل مع نموذج الشعر العربي الحديث في المملكة، ومن ثمَ ينتقل البحث للتعامل مع نموذج ومثال للشعر العربي الحديث في المملكة، وهو محمد حسن عواد كشاعر ثائر معاصر وصاحب شعر صارخ، ثم يلقي الباحث الضوء على عدد من الأبيات المختارة لإحدى قصائد عوّاد ’أنا والليل‘، ولتي يتناولها الباحث تحليلاً ونقداً، وتنتهي الدراسة بمناقشة وخاتمة موجزة. الكلمات المفتاحية: الأدب العربي، الحداثة، الشعر العربي، الشعر الحر، سمو، المملكة العربية السعودية
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Arabic poetry is the heart of all types of literature in all Arabic realms. Consistent with this generalization, it can be right that the development of poetry in the modern age, among Arabs, is a positive measure. In that argument, the same would be focused on modern Saudi literature since it is typically considered a central, authoritative, and undivided part of Arabic poetry. In this paper, the researcher has attempted to illustrate some literary aspects of modern Arabic poetry in the Kingdom of Saudi Arabia as an instance of the greatness of Arabic poetry with a particular reference to a contemporary Saudi poet. The study starts with an introduction to the condition of poetry in Arabia. In the first section of the study, the researcher points up the importance of Arabic poetry as an Arabic literature genre. The second section deals with poetry and literary movement in Saudi Arabia as the central section of the investigation. After that, the task moves ahead to deal with a model of modern Arabic poetry in the kingdom, Mohammad Hasan Awwad, a modernized rebellious poet with stark poetry, then the researcher, analytically and critically, sheds light on some selected verses of one of the poems of Awwad, Night and Me. The study finishes with a discussion and a brief conclusion. Keywords: Arabic literature, Arabic poetry, free verse, greatness, Kingdom of Saudi Arabia, modernism.
The Influence of Ibrahim Khafaji as Arabic Lyric Poet - تأثير إبراهيم خفاجي: ...Al Baha University
This document summarizes the influence of Ibrahim Khafaji as an Arabic lyric poet in Saudi Arabia. It begins with an introduction to Arabic poetry as a prominent genre in ancient and modern Arabic literature. It then provides a brief overview of contemporary poetry in Saudi Arabia and its development. The document focuses on analyzing Khafaji's contributions as a significant modern Saudi poet, examining one of his poems in detail. It concludes by emphasizing the importance of Arabic poetry in recording Arab history and culture.
Hassan ibn Thabit: An Original Arabic Tongue (2) حسان بن ثابت: لسان عربي أصيل Al Baha University
As it is suggested and recommended in the first part of a previous paper that carries the same title, this paper is a continuous effort not to claim to be wide-ranging in mastering a poetic piece as one sort of expressive manuscript in Arabic but an impartial effort through analytical assessment of a poem. The study is limited to a few selected verses of Hassan ibn Thabit poem named ‘Al Alef rhymed (قافية الألف).’ It is a representative of the Arabic tongue and its magnificence. It is a piece of poetry that cannot be examined and scrutinized in a short paper like this.
The study focuses, with analysis, on six verse lines – 17/22 – of Hassan ibn Thabit's poem mentioned above. It employs an analytical and critical method, makes an effort to illustrate the inspiration of Arabic poetry as a means of the tongue and its grandeur and glory. The study initiates with an introduction raising the importance of Arabic classical poetic tongue. Then it goes go forward to give a picture of Hassan ibn Thabit as a man and a poet. The researcher, then, shifts to the foremost segment of the study, attempting to bring an interpretation to some selected verses of Hassan’s above-mentioned long poem. The paper reaches its conclusion by a concise discussion and recommendatory afterword.
Thu Al-Ausb’a Al-'Adwani: An Arabic Poet of Acuity with Eternal Arguments - ...Al Baha University
This document provides an overview of the Arabic poet Thu Al-Ausb'a Al-'Adwani. It discusses his life, noting he was from the powerful tribe of Adwan. The document analyzes some of Thu Al-Ausb'a's poetry, highlighting his wisdom and perspectives. It also provides context on the importance of poetry in pre-Islamic Arabic culture and how poets like Thu Al-Ausb'a helped establish classical Arabic.
The Influence of the Arabic Language: The Muwashshah of Ibn Sahl Al-Andalusi ...AJHSSR Journal
ABSTRACT: The muwashahat were the product of the popular Arabic literary tradition, but their progress is associated with social factors in the Andalusi setting. This article is an attempt to study the inspiration of the Arabic language focusing on a literary genre like the Arabic Andalusian Muwashshah as a legacy of the graceful language. The paper constitutes an endeavor to assess the motivation and influence of the Arabic tongue on the literary practice of Andalusia with reference to the muwashshah particularly a piece of poetry of the same genre by a leading poet, Ibrahim Ibn Sahl Al-Ishbili Andalusi. The researcher, in this paper, undertakes to show the perspicacity of some verses of Ibn Sahl as a case of the elegance of the Arabic tongue. Ibn Sahl‟s muwashshah is worthy of being not given enough attention principally his poetry as a legacy of the dignified Arabic tongue in a part of the European continent.As a suitable approach, the researcher applies the descriptive-analysis. The article commences with a succinct exploratory framework on the importance of the Arabic language and its bond with poetry because poetry is thejewelry of Knowledge. The next point gives a justified illustration on the Muwashshah as an impact of Arab Muslims. Then, it moves progressively to present some crucial notions on the poet Ibn Sahl Al Andalusi. After that, the study attempts to give an analysis on one of the muwashshah, trying to probe the depth of the language the poet applied. Through this portion, the researcher tries to find out the influence of the Arabic tongue and to exemplify the aptitudes of Ibn Sahl through lyrics. The article finishes with a concise conclusion précising the complete analysis and commenting on the recommendations if the researcher may recommend.
The Eminence of Poetic Arabic Language: Lamiyyat Al Arab of Ash-Shanfara Exam...Al Baha University
إن أهمية اللغة العربية تعود إلى كونها واحدة من أكثر اللغات وضوحاً في تألقها وقدرتها المتكررة على التكيف مع عدد لا يحصى من العلوم والمعارف الأخرى، وصلت اللغة العربية إلى الإبداع والأصالة في مختلف مجالات الأدب المختلفة التي يكون فيها الشعر أعظم ما يكون.
تهدف الورقة البحثية إلى إمعان النظر في الصور الرمزية والبلاغية والجمالية في قصيدة "لامية العرب" للشنفرى والتي يتبع فيها الباحث المنهج النقدي الاستدلالي والاستقرائي الذي يركز بشكل تحليلي على الأبيات العشرة الأولى من القصيدة، وتحاول الدراسة أن تكشف تحليلا بتعمق للصفات الجمالية والمواضيع الشعرية وكذلك الصور الرمزية والاستعارية في القصيدة، حيث تبدأ الدراسة بمقدمة عن الجزيرة العربية ولغتها العربية الشعرية ثم تنتقل لإلقاء الضوء على الشاعر الشنفرى كشاعر عربي عظيم، تختتم بتحليل وتعليقات على قصيدة "لامية العرب" التي تحاول ابراز القيم العربية الأصلية، والاصيلة والأخلاق والمبادئ في عصر ما قبل الإسلام التي تحتوي عليها.
The significance of the Arabic language holds back from its being one of the most explicit languages in its brilliance and its repeated ability to adapt to countless other sciences and knowledge. The Arabic language has reached creativity and originality in different fields of literature in which the greatest is poetry.
The paper aims at scrutinizing the figurative, rhetorical and aesthetic images in Lamiyyat Al Arab by Ash-Shanfara in which it follows the deductive, inductive critical approach focusing analytically on the first ten verses of the poem. Applying the historical-analytical method, the study attempts to reveal in the in-depth analysis of the aesthetic qualities and poetic issues as well as the figurative images in the poem. It commences with an introduction on Arabia and Poetic Language then moves to shed light on the protagonist-poet Ash-Shanfara as a great Arabic poet to be concluded with analysis and comments on the poem Lamiyyat Al-Arab trying to find out the original Arab values, morals, ethics, and tenets in the pre-Islam era it contains.
Home in the Poetry of Saudi Arabia Poets: Abdus-Salam Hafeth an Example of a ...Al Baha University
المستخلص:
تهدف هذه الدراسة، التي تحمل عنوان
" Home in the Poetry of Saudi Arabia Poets: Abdus-Salam Hafeth an Example of a Distinguished Arab (2)"،
إلى إلقاء الضوء على بعض الجوانب الأدبية في الشعر العربي السعودي الحديث، مع التركيز على مفهوم الوطن كمثال على مكانة الشعر السعودي الحديث، في إشارة خاصة إلى الشاعر السعودي المعاصر عبد السلام هاشم حافظ، يسعى الباحث إلى إظهار فطنة وملكة الشاعر من خلال إبراز مدينته الرائعة، المدينة المنورة، كرمز لحبه للوطن الجلل الجليل - المملكة العربية السعودية، تبدأ الدراسة بمقدمة موجزة عن الشعر العربي ولغته العربية الفصحى. ثم تعرض الدراسة صورة رمزية للشاعر السعودي المتميز عبد السلام هاشم حافظ والشعر السعودي بشكل عام، بعد ذلك، تتبنى الدراسة نهجًا تحليليًا نقديًا لمتنن الدراسة المتمثل في شرح عدد من الابيات الشعرية – من البيت الشعري الخامس الى الثامن من قصيدة حافظ، "الشوق يا وطني"، مع التركيز على مفهوم الوطن باعتباره الموضوع الجوهري وكذلك التطرق الى موهبة الشاعر في استخدام اللغة العربية كلغة عظيمة وجليلة، في النهاية، ينتهي البحث بالفرضيات والتوصيات، ان وجدت.
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Abstract
This study aims to shed light on some literary aspects of modern Saudi Arabic poetry, focusing on the concept of homeland as an example of the standing of modern Saudi poetry, with a specific reference to a contemporary Saudi poet, Abdus-Salam Hashem Hafeth. The researcher seeks to show the poet's intellect by showing his gorgeous metropolis as a symbol of his love for the grand home - the Kingdom of Saudi Arabia. The study begins with a brief introduction to Arabic poetry and its language. Then it gives a symbolic picture of the outstanding Saudi poet – Abdus-Salam Hashem Hafeth and Saudi poetry in general. Following that, the study takes a critical-analytical approach to the second four verse lines of Hafeth's poem, 'Nostalgia, Oh my Home,' focusing on the concept of home as its main theme as well talent of the poet in using the grand Arabic language. Eventually, the research is concluded with a short premise and comments.
Mua'llagat Zohayr ibn Abi Solma: Elegant Piece of Arabic Poetry (1) - معلقة ز...Al Baha University
Zohayr ibn Abi Solma is identified as an eminent poet who produced poetry distinguished with preeminence in courtly and virtuous love. The study employs an analytical and critical methodology, attempting to elucidate the influence of virtuous love narrated by the poet in the first verse lines of his great Mua'llagah. It employs the critical-descriptive-analytical approach. It commences with a terse introductory synopsis shedding light on the importance of classical Arabic language and its involvement with poetry. It goes on to shed light on Zohayr ibn Abi Solma, the person and the poet. The next section is dealing with selected verse lines from Al-Mualagah of Zohayr. The paper attempts to prove, via poetry of Zohayr ibn Abi Solma, the greatness of the Arabic classical poetry and demonstrate the aptitudes of the poet through his Mua'llagah. It is divided into four parts. The first part deals with the greatness of Arabic language then it moves to the second part that focuses of Arabic Poetry: Treasure of Wisdom. The third part sheds light on the poet's Courtly Love and the last main part goes with analytical and critical endeavor to the first ten verse lines of Al-Mua'llagah of Zohayr. It comes to an end with a conclusion.
MODERN SAUDI POETRY: MOHAMMAD HASAN AWWAD’S NIGHT AND ME, IN BALANCE - الشعر ...Al Baha University
الشعر العربي هو جوهر كل الأنواع الأدبية في جميع الدول العربية، وتناغما مع هذا التعميم، من المنطقي أن يكون تطور الشعر في العصر الحديث، بين جميع العرب، يعتبر مدلول ومقياس إيجابي. بناء على هذا البرهان، يمكن القول بنفس المقياس على الأدب السعودي الحديث باعتباره جزءًا جوهرياً مكمل للشعر العربي. حاول الباحث في هذا البحث تبين بعض الجوانب والنقاط الأدبية للشعر العربي الحديث في المملكة العربية السعودية كنموذج على سمو الشعر العربي، مع استشهاد خاص بشاعر سعودي معاصر، وتبدأ الدراسة بمقدمة عن الشعر العربي في الجزيرة العربية. في الجزء الأول من الدراسة، يشير الباحث إلى أهمية الشعر العربي كأحد الأنواع الأدبية العربية، أما الجزء الثاني فيتناول الشعر والحركة الأدبية في المملكة العربية السعودية باعتباره المحور الرئيسي للدراسة، بعد ذلك ، تتقدم المهمة للتعامل مع نموذج الشعر العربي الحديث في المملكة، ومن ثمَ ينتقل البحث للتعامل مع نموذج ومثال للشعر العربي الحديث في المملكة، وهو محمد حسن عواد كشاعر ثائر معاصر وصاحب شعر صارخ، ثم يلقي الباحث الضوء على عدد من الأبيات المختارة لإحدى قصائد عوّاد ’أنا والليل‘، ولتي يتناولها الباحث تحليلاً ونقداً، وتنتهي الدراسة بمناقشة وخاتمة موجزة. الكلمات المفتاحية: الأدب العربي، الحداثة، الشعر العربي، الشعر الحر، سمو، المملكة العربية السعودية
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Arabic poetry is the heart of all types of literature in all Arabic realms. Consistent with this generalization, it can be right that the development of poetry in the modern age, among Arabs, is a positive measure. In that argument, the same would be focused on modern Saudi literature since it is typically considered a central, authoritative, and undivided part of Arabic poetry. In this paper, the researcher has attempted to illustrate some literary aspects of modern Arabic poetry in the Kingdom of Saudi Arabia as an instance of the greatness of Arabic poetry with a particular reference to a contemporary Saudi poet. The study starts with an introduction to the condition of poetry in Arabia. In the first section of the study, the researcher points up the importance of Arabic poetry as an Arabic literature genre. The second section deals with poetry and literary movement in Saudi Arabia as the central section of the investigation. After that, the task moves ahead to deal with a model of modern Arabic poetry in the kingdom, Mohammad Hasan Awwad, a modernized rebellious poet with stark poetry, then the researcher, analytically and critically, sheds light on some selected verses of one of the poems of Awwad, Night and Me. The study finishes with a discussion and a brief conclusion. Keywords: Arabic literature, Arabic poetry, free verse, greatness, Kingdom of Saudi Arabia, modernism.
The Influence of Ibrahim Khafaji as Arabic Lyric Poet - تأثير إبراهيم خفاجي: ...Al Baha University
This document summarizes the influence of Ibrahim Khafaji as an Arabic lyric poet in Saudi Arabia. It begins with an introduction to Arabic poetry as a prominent genre in ancient and modern Arabic literature. It then provides a brief overview of contemporary poetry in Saudi Arabia and its development. The document focuses on analyzing Khafaji's contributions as a significant modern Saudi poet, examining one of his poems in detail. It concludes by emphasizing the importance of Arabic poetry in recording Arab history and culture.
Hassan ibn Thabit: An Original Arabic Tongue (2) حسان بن ثابت: لسان عربي أصيل Al Baha University
As it is suggested and recommended in the first part of a previous paper that carries the same title, this paper is a continuous effort not to claim to be wide-ranging in mastering a poetic piece as one sort of expressive manuscript in Arabic but an impartial effort through analytical assessment of a poem. The study is limited to a few selected verses of Hassan ibn Thabit poem named ‘Al Alef rhymed (قافية الألف).’ It is a representative of the Arabic tongue and its magnificence. It is a piece of poetry that cannot be examined and scrutinized in a short paper like this.
The study focuses, with analysis, on six verse lines – 17/22 – of Hassan ibn Thabit's poem mentioned above. It employs an analytical and critical method, makes an effort to illustrate the inspiration of Arabic poetry as a means of the tongue and its grandeur and glory. The study initiates with an introduction raising the importance of Arabic classical poetic tongue. Then it goes go forward to give a picture of Hassan ibn Thabit as a man and a poet. The researcher, then, shifts to the foremost segment of the study, attempting to bring an interpretation to some selected verses of Hassan’s above-mentioned long poem. The paper reaches its conclusion by a concise discussion and recommendatory afterword.
Thu Al-Ausb’a Al-'Adwani: An Arabic Poet of Acuity with Eternal Arguments - ...Al Baha University
This document provides an overview of the Arabic poet Thu Al-Ausb'a Al-'Adwani. It discusses his life, noting he was from the powerful tribe of Adwan. The document analyzes some of Thu Al-Ausb'a's poetry, highlighting his wisdom and perspectives. It also provides context on the importance of poetry in pre-Islamic Arabic culture and how poets like Thu Al-Ausb'a helped establish classical Arabic.
The Influence of the Arabic Language: The Muwashshah of Ibn Sahl Al-Andalusi ...AJHSSR Journal
ABSTRACT: The muwashahat were the product of the popular Arabic literary tradition, but their progress is associated with social factors in the Andalusi setting. This article is an attempt to study the inspiration of the Arabic language focusing on a literary genre like the Arabic Andalusian Muwashshah as a legacy of the graceful language. The paper constitutes an endeavor to assess the motivation and influence of the Arabic tongue on the literary practice of Andalusia with reference to the muwashshah particularly a piece of poetry of the same genre by a leading poet, Ibrahim Ibn Sahl Al-Ishbili Andalusi. The researcher, in this paper, undertakes to show the perspicacity of some verses of Ibn Sahl as a case of the elegance of the Arabic tongue. Ibn Sahl‟s muwashshah is worthy of being not given enough attention principally his poetry as a legacy of the dignified Arabic tongue in a part of the European continent.As a suitable approach, the researcher applies the descriptive-analysis. The article commences with a succinct exploratory framework on the importance of the Arabic language and its bond with poetry because poetry is thejewelry of Knowledge. The next point gives a justified illustration on the Muwashshah as an impact of Arab Muslims. Then, it moves progressively to present some crucial notions on the poet Ibn Sahl Al Andalusi. After that, the study attempts to give an analysis on one of the muwashshah, trying to probe the depth of the language the poet applied. Through this portion, the researcher tries to find out the influence of the Arabic tongue and to exemplify the aptitudes of Ibn Sahl through lyrics. The article finishes with a concise conclusion précising the complete analysis and commenting on the recommendations if the researcher may recommend.
The Eminence of Poetic Arabic Language: Lamiyyat Al Arab of Ash-Shanfara Exam...Al Baha University
إن أهمية اللغة العربية تعود إلى كونها واحدة من أكثر اللغات وضوحاً في تألقها وقدرتها المتكررة على التكيف مع عدد لا يحصى من العلوم والمعارف الأخرى، وصلت اللغة العربية إلى الإبداع والأصالة في مختلف مجالات الأدب المختلفة التي يكون فيها الشعر أعظم ما يكون.
تهدف الورقة البحثية إلى إمعان النظر في الصور الرمزية والبلاغية والجمالية في قصيدة "لامية العرب" للشنفرى والتي يتبع فيها الباحث المنهج النقدي الاستدلالي والاستقرائي الذي يركز بشكل تحليلي على الأبيات العشرة الأولى من القصيدة، وتحاول الدراسة أن تكشف تحليلا بتعمق للصفات الجمالية والمواضيع الشعرية وكذلك الصور الرمزية والاستعارية في القصيدة، حيث تبدأ الدراسة بمقدمة عن الجزيرة العربية ولغتها العربية الشعرية ثم تنتقل لإلقاء الضوء على الشاعر الشنفرى كشاعر عربي عظيم، تختتم بتحليل وتعليقات على قصيدة "لامية العرب" التي تحاول ابراز القيم العربية الأصلية، والاصيلة والأخلاق والمبادئ في عصر ما قبل الإسلام التي تحتوي عليها.
The significance of the Arabic language holds back from its being one of the most explicit languages in its brilliance and its repeated ability to adapt to countless other sciences and knowledge. The Arabic language has reached creativity and originality in different fields of literature in which the greatest is poetry.
The paper aims at scrutinizing the figurative, rhetorical and aesthetic images in Lamiyyat Al Arab by Ash-Shanfara in which it follows the deductive, inductive critical approach focusing analytically on the first ten verses of the poem. Applying the historical-analytical method, the study attempts to reveal in the in-depth analysis of the aesthetic qualities and poetic issues as well as the figurative images in the poem. It commences with an introduction on Arabia and Poetic Language then moves to shed light on the protagonist-poet Ash-Shanfara as a great Arabic poet to be concluded with analysis and comments on the poem Lamiyyat Al-Arab trying to find out the original Arab values, morals, ethics, and tenets in the pre-Islam era it contains.
A Voice of Arabs Taabbata-Sharran: A Bandit by Name a Poet of Pride - صوت من...Al Baha University
The magnitude of the Arabic language holds back from its being one of the unblemished languages in its brilliance and its reiterated capability to adapt to countless different sciences and knowledge. The Arabic language has reached creativity and ingenuity in diverse fields and genres of literature in which the supreme is poetry. This article attempts to present the inner landscapes of Taabbata-Sharran and his profession placing him in the context of both his social milieu and his age.
The paper aims at studying the figurative, allegorical and appealing images in Al-Gafiah of Taabbata-Sharran in which it follows the inferential inductive critical methodology concentrating analytically on his Al-Gafiah poem. The study attempts to divulge in the analysis the appealing qualities and poetic matters as well as the rhetorical images in it with particular reference to the first ten verse lines. The article begins with an introduction to Arabia and the Arabic Poetic Language then shifts to shed light on the poet Taabbata-Sharran as a great poet of Arabia, the center of the Arabic language. It is concluded with a brief examination and comments on the poem Al-Gafiah trying to catch on the original Arab ideals, morals, integrity, and beliefs in the pre-Islamic Epoch it contains.
Hassan ibn Thabit: An Original Arabic Tongue (1) حسان بن ثابت: لسان عربي أصيل Al Baha University
حسان بن ثابت واحد من أعظم الشعراء الذين عاشوا خلال عصرين متميّزين للأمة العربية في الجزيرة العربية، الفترة ما قبل الإسلامية والحقبة الإسلامية، قدم حسان خلالها صور حلو الشمائل عن العرب قبل الإسلام وبعده، في هذه الورقة الأدبية، يحاول الباحث سبر غور عمق الشعر العربي عند حسان بن ثابت كأنموذج على عظمة اللغة الشعرية العربية. يستحق الشاعر، حسان بن ثابت، دراسة أدبية، مركزاً، بشكل رئيسي على شعره كنوع من التراث والموروث للغة العربية الفصحى.
تعاملاً مع واحدة من القصائد الشهيرة لحسان بن ثابت، فإن هذه الورقة البحثية تستخدم الأسلوب التحليلي النقدي، والذي تبدأ بمقدمة موجزة عن الشعر العربي ثم تنتقل الورقة لإلقاء الضوء على العرب واللغة الشعرية العربية، ثم يلقي الباحث الضوء على الشاعر حسان بن ثابت، صاحب الملكات اللغوية العربية الغير عادية، وبعد ذلك، تنتقل الدراسة لتركز بشكل أوسع على التحليل والوصف لأول سِتة عشر بيتاً شعرياً من قصيدة حسان بن ثابت الشهيرة المعروفة باسم (قافية الألف). هذا الجزء هو الجزء الرئيسي التي تحاول الدراسة إثباتها من خلال شعر حسان بن ثابت، وتختتم هذه الورقة البحثية بملخص نهائي قصير.
Hassan ibn (son of) Thabit is one of the greatest poets who lived within two distinguished ages of the Arabic nations in Arabia, the pre-Islamic period and the Islamic period. He presented graceful pictures of Arabs before Islam and after Islam. In this literary paper, the investigator attempts to probe the depth of the Arabic poetry of Hassan ibn Thabit as an instance of the magnitude of Arabic poetic tongue. The poet Hassan ibn Thabit deserves a literary investigation paying attentiveness mostly to his poetry as a tradition and legacy of the classical Arabic poetic language.
In dealing with one of the famous poems of Ibn Thabit, the paper operates the critical-analytical method. It starts with a succinct introduction about Arabic poetry then the paper progresses to illuminate Arabs and Arabic poetic tongue. Subsequently, the researcher goes to shed light on the poet, Hassan ibn Thabit as a poet of an unusual Arabic language. After that, it goes on to focus more with analysis and wasf (description) on the first sixteen verse lines of Hassan ibn Thabit's renowned poem known as the Alef rhymed (قافية الألف). This part is the central division of the study in which it attempts to verify via the poetry of Hassan Ibn Thabit. The paper is ended with a short conclusion.
At The Threshold Of World Literature Ahmad ShawqiAshley Carter
Ahmad Shawqi was the most celebrated Arabic poet of the early 20th century in Egypt and other Arab countries, achieving fame and the title of "prince of the poets" through his neoclassical poems composed in classical Arabic styles for the Egyptian public sphere and Khedival court. However, Shawqi's adherence to traditional poetic forms led younger poets to launch a critical campaign against him, initiating a major literary confrontation over the value of his poetry and the future of Arabic letters. The controversy surrounding Shawqi highlights his position at the threshold of world literature, as his nationalizing project for Arabic poetry prevented it from fully
Preserving Heritage: The Role of Arabic Literature in Cultural Identityabdulshaikh5253
Arabic literature stands as a testament to the enduring richness and depth of the Arab world's cultural heritage. Spanning centuries of history, Arabic literature has served as a reservoir of wisdom, creativity, and imagination, offering insights into the diverse experiences, values, and aspirations of Arab societies.
Famous Arabic Literature and its Impact on Arabic Language Learningabdulshaikh5253
Arabic literature boasts a rich and diverse heritage that spans centuries, encompassing a wide range of genres, themes, and styles. From poetry to novels, Arabic literature has captivated readers around the world with its eloquence, depth, and cultural significance
The Contribution of Arab Muslims to the Provencal Lyrical Poetry: the Troubad...Al Baha University
This study is a historical-analytical attempt to demonstrate the influence and contribution of Arab Islamic Mawashahat and Zajal on the Provencal lyrical poets – the Troubadours that sprang in south of France during the eleventh century. The study consists of three parts in which the first part represents the main part. It sheds light on the influence of Muwashashah and Zajal on the poetry of troubadours.
The second part deals with the nature of troubadours and their relation with the poetry of Muwashashah and Zajal. It is supported with five troubadour poets. The last part goes back to the beginning of the European Renaissance in the twelfth century. The European Renaissance started in Italy decades after translations of Islamic heritage, literature and science from Arabic into Latin then from Latin to other European languages. The eighth through the eleventh centuries witnessed the glorious ages of Islamic civilization and sciences in which great portion of it was shifted to Italy during and after the crusades. Thence, different parts of Europe were enlivened with the movement of translation and multi travels and cultural exchange. One of the changing factors is poetry as a branch of literature.
Modern Saudi Poetry: Mohammad Hasan Awwad’s Night and Me, in Balance - الشعر ...Al Baha University
This document discusses Arabic poetry, particularly modern Saudi poetry. It begins by highlighting the importance of poetry in Arabic literature and pre-Islamic Arabian society. It then examines the development of poetry and literary movements in Saudi Arabia. The main section analyzes selected verses from the poem "Night and Me" by modern Saudi poet Mohammad Hasan Awwad, praising his rebellious style. It concludes by affirming the ongoing greatness of Arabic poetry.
This document summarizes a research article analyzing the influence of the medieval Persian poet Hafiz on modern Iranian society and culture. It discusses how Hafiz's poetry has been deeply influential in Iran for centuries, viewed as encapsulating Iran's national spirit. It explores how Hafiz remains profoundly meaningful to Iranians of all backgrounds due to his symbolic and enigmatic language allowing for varied interpretations. The consistency of Persian literature and culture, including the ongoing prominence of Hafiz's works, has provided stability throughout Iran's history amid political changes.
The Study of Parallels in the Development of Persian and Russian Folklore
Vitaly N.Suprunenko & Julia P. Drobatuhina,
Methodological Department for the School Program, LLC "Sun School", Russian Federation
The present paper addresses the interrelation between folklore and literature in Iran and Russia in different periods of their cultural evolution, and identifies the commonalities and peculiarities of this development. The study of the interaction between Persian folklore and classical literature in the age of Persia's Islamization, has led to the hypothesis of similar processes taking place in the development of oral tradition in Russia. Using historical and typological research methods, this study refers to the Russian folklore of the 20th century and presents a contrastive-comparative analysis of small genres in the oral tradition, literature and their sources in folklore. Moreover, it calls attention to the specific features of new genres which are derived from the existing («classical») genres, and looks into the prospects for their further existence and research. Considering the experience of classical Persian literature and folklore this research identifies a number of identical features in the oral tradition of both countries, as well as common factors impacting the emergence of new genres in the so-called «post-folklore» in Russia. In this regard, it is necessary to draw attention to the specifics of West Asian culture: the common inherent features in the human worldview that clearly manifested in folklore. The knowledge of folklore and history of Iran would help the Russian citizens to bring the cultures closer together, to understand the worldviews of Iranian and Tajik people, to form new relationships with representatives of other nations in a multicultural world.
Keywords: Persian folklore, Russian folklore; Islamization of literature; folklorization of literary texts; Iranian and Russian cultural cooperation
The Seventh International Conference on Languages, Linguistics, Translation and Literature
11-12 June 2022 , Ahwaz
For more information, please visit the conference website:
WWW.LLLD.IR
This document analyzes the poem "Heydar Babaya Salam" by Muhammad Hussein Shahriar. It discusses how the poem reflects both mythical and folklore elements of the poet's world. While written in a literary form, the poem draws heavily from folklore in its language, style, and content. The poem became hugely popular and helped establish Shahriar's reputation as a poet writing in the native Azerbaijani language. It is seen as exemplifying his skill in adapting folklore traditions to modern poetry.
Sindhi literature is very old and rich, with the earliest references found in 8th century Arab writings. Sindhi was one of the first languages the Quran was translated into. Many famous Sindhi poets like Bhagu Bhan enriched the language with mystic, romantic and epic poetry during the 8th-15th centuries. Modern Sindhi literature began with the British conquest of Sindh in 1843, bringing printing presses and new genres. The language has a variety of poetic forms and genres explored by legendary poets like Shah Abdul Latif Bhitai, whose work tells histories of sacrifice and explores Sufism. Sindhi literature continues to be promoted through organizations that aim to preserve the language and culture
Hook Arabic poetry is more than 1500 years old. It existed befo.docxsalmonpybus
Hook:
Arabic poetry is more than 1500 years old. It existed before Islam which is 1444 years old.
(Margoliouth,1)
Background:
Arabs use poetry as a type of communication, expressing opinions, emotions and ideas.
(Margoliouth,1). In this paper I will be discussing the political and the social affect of Arabic poetry in the eras of Pre Islam, after Islam and after the western interaction. Each era has its own features, genres and subjects of poetry. However, they all share the same purpose and effect over the political and social situation of the region.
Thesis statement: Comment by Ju-A Hwang: What you wrote here is not a thesis statement. It's rather a hook with brief background information. What's your stance on this topic? As you learned in this class, the thesis statement should be the answer to your research question.
Write one or two sentences in a "statement", not in a question format.
On one hand, no doubt that Arabic culture has poetry as a part of its structure especially when poets need their voices to reach to the authorities and people when it comes to sharing their political opinions and conflicts as well as the social situations between them. On the other hand, this practice carries weight over time and can become into generational long-lived arguments. In this paper I will be arguing the fact that this way of communication was pretty effective and enriched the culture and the society significantly even though it went though some turning points that caused it structural changes that didn’t change its meaningful purpose.
Research question:
How did Arabic poetry influence the social and political situations in the eras of pre, after Islam and the Western imperialism?
Counter argument:
Opposing argument: Arabic literature has been transmitted verbally from mouth to mouth which makes it an unreliable source of information (Monroe,3).
Concession: It’s right that the poetries and literature in general has been delivered for us from one mouth to another which makes it a doubtful source to depend on but with then most of our humanity's history was delivered to us verbally which leads to that we don’t have any history before writing.
Refutation: Arabic poetry has a specific structure to be written in which every chosen word is structured based on its letters and number of syllabus and there is a whole science behind this called Arud. In other words, it’s hard for someone to change or update a poetry into new words or meanings because it must be weighed in a specific way that I will discuss more in the first draft. (Ziadeh ,1).
Main idea 1:
Arabic poetry started before the beginning of Islam, and it used to be written about different topics than modern poetry such as wisdom and social situations and there are some evidence for its existence during that period in which we know for sure when the very beginning of it was. (Dover, 42).
Evidence 1:
Arabs used to have the greatest poems the seven
Mu'.
Nuance, Change, Challenge and Networks in the Translation of Religious Poetry...Elizabeth Rainey
This document summarizes the challenges and processes involved in co-translating a religious poem by Emirati poet Ousha al Suwaidi from Arabic to English. It involved negotiating appropriate terminology and form through a network of Emirati actors. While an initial translation was produced, further consultation was advised. Issues around avoiding misrepresentation, respecting cultural and religious norms, and gaining necessary approvals from copyright holders and key figures emerged. The need for ongoing refinement through Emirati networks and specialists was highlighted to ensure a faithful yet accessible transmission of the original work.
This document provides an overview of Arabian and Persian literature. It discusses:
1. The origins and development of Arabic literature from pre-Islamic poetry to its golden age during the Abbasid period.
2. The major genres and forms of Arabic literature including poetry, prose, and anthologies. Famous works mentioned are the Mu'allaqat and Maqamat.
3. The decline after the fall of Baghdad but continued historical and biographical writings.
4. The modern renaissance period beginning in the late 19th century with educational and intellectual reforms.
This document provides context about poetry from the North-East region of India and focuses on the poet Kynpham Sing Nongkynrih. It discusses how English poetry developed in the North-East, noting that Welsh missionaries introduced the Roman script for local languages in the 19th century. This led to the development of literature in both local languages and English. It provides background on Nongkynrih, a poet from Meghalaya who writes in both the Khasi language and English. The document examines debates around Indian English poetry and its relationship to regional cultures. It analyzes two of Nongkynrih's English poems to understand how poetry from the North-East fits within the construct
The Thousand and One Nights: Sources, Transformations, and Relationship with ...Encyclopaedia Iranica
This document announces a conference on "The Thousand and One Nights: Sources, Transformations, and Relationship with Literature, the Arts and the Sciences" to be held at Harvard University and the Institut National des Langues et Civilisations Orientales in April 2015. The conference will explore the Nights' interactions with Arabic literature, Antoine Galland's 17th century French translation, the Nights' influence on world literature and other art forms, and opportunities to study the Nights through other academic disciplines. Paper proposals are invited for four panels focusing on these topics.
The Kingdom of Saudi Arabia is the largest country in the Arabian Peninsula by land area. It was founded in 1932 by King Abdulaziz. Saudi Arabia has a high income economy and is one of the most powerful countries in the world due to its large oil exports. [END SUMMARY]
Educational system in the Time of the ProphetMuQeet
The document discusses the educational system in pre-Islamic and early Islamic Arabia during the time of the Prophet Muhammad. It notes that pre-Islamic Arabia had a highly developed language, literature, and culture which provided a strong foundation. Schools existed, even for girls, and literary gatherings were regularly held. The Makkan city of Mecca was a center of learning. When Islam began, the first revelation received emphasized the importance of reading and writing. During his time in Mecca, the Prophet Muhammad focused on teaching the basic principles of Islam through recitation and explanation of the Quran. In Medina, the system expanded with the establishment of formal schools and arrangements made for teaching a variety of subjects.
This document defines literature and Afro-Asian literature. It discusses how early humans started recording their experiences and perceptions in writing, which may have been the beginning of literature. Only writing that closely reflects the human experience can be considered literature. It then defines Afro-Asian literature as writing by those of mixed African-Arab or African-Asian ethnicity that mirrors the customs, traditions, philosophies, and experiences of developing nations in those regions. Afro-Asian literature is important because it teaches about other cultures while also reflecting the history and struggles of those nations and peoples.
Arabic Contemporary Poetic Drama Ali Ahmed Ba Kathir A Pioneer - المسرح الشعر...Al Baha University
Many central playwrights significantly contributed to the progress and advancement of Arabic drama. They were apt to achieve dramatic illustrations in several Arabic countries all the way through ages and places. Still, this study attempts to shed light on an innovator poet-dramatist who represents many cultures and experiences. It aims at displaying the most significant features of renovation associated with the development of the modern Arabic poetic drama that employs history and social problems to present a vision for Arabic literature in the contemporary age. The researcher adopts the critical-descriptive approach in analyzing the poet-dramatist, Ali Ahmad Ba-Kathir, and two of his poetic dramas. It is mapped with an introductory overview dealing with a concise notion of drama, concentrating predominantly on poetic drama. The foremost part copes with the developer and pioneer Ali Ahmad Ba-Kathir, focusing on his thoughts and experiences in the field. The paper, then, moves ahead to deal with two verse plays as a model of his craftsmanship and mastery. After that, the study finishes with a brief argument and/or recommendations and an end.
On the Poetry of The Dog Beneath the Skin - حول الشعر في مسرحية: ’الكلب المتن...Al Baha University
تعتبر مسرحية ’الكلب المتنكر تحت الجلد‘ هي أولى المسرحيات التي اشترك في تأليفها كل من ’ويستن هيو اُودن‘ (Wystan Hugh Auden) و ’كريستوفر إيشروود‘ (Christopher Isherwood)، وهذه المسرحية تعتبر مسرحية شعرية تُحدِث لدى المؤلفين تحدٍ من أجل النجاح لسببين؛ الأول كون هذه المسرحية تكتب شعراً، والسبب الثاني كونها مشتركة في التأليف وما يصاحب ذلك من صعوبة، الدراسة من خلال الشريكين في التأليف، تحاول أن تعرض إلى أي حد استطاعا إنجاز نوع من النجاح في تعاملهما مع مسرحيةٍ شعريةٍ، الدراسة أيضاً تسعى إلى اقتفاء الخصائص الشعرية في مسرحية ’الكلب المتنكر تحت الجلد‘ وتسعى إلى التحقق من القدرة والامكانية في تأليف مسرحية شعرية بالمشاركة، ويتخذ هذا البحث طابع الدراسة التحليلية النقدية كنهج حول مسرحية اشترك في تأليفها كل من ’إيشروود و اُودن‘.
هذه الدراسة تتعقب بإيجاز نشأة وتطور المسرح الشعري منذ نشأته حتى القرن العشرين مروراً بنوعية التعاون في التأليف بين ’إيشروود و اُودن‘، وتُختَتَم في جزئها الرئيسي باستنباط وتحليل الخصائص والعناصر الشعرية في مسرحية ’الكلب المتنكر تحت الجلد‘.
The Dog Beneath the Skin is the first play to be coauthored between Wystan Hugh Auden and Christopher Isherwood. It is a play written in verse, which creates a challenge of success for the dramatists for two reasons, the first is that it deals with verse, the second it is collaborative. The study through the collaborators, trying to show, to what extent, both achieved attainment in dealing with verse drama. This study also endeavors to trace the poetic features in The Dog Beneath the Skin and to attempt proving the capability and controllability in writing successful drama in verse through collaboration. This paper is done by using an analytic-critical method. It is an approach to a drama shared by both Auden and Isherwood.
The study tersely traces the growth and elaboration of poetic drama until the twentieth century. It goes through the sort of collaboration between Auden and Isherwood. It is concluded by examining and analyzing, its central part, the poetic features and essentials in the play The Dog Beneath the Skin.
Judgmental Point of View on Marlowe’s Doctor Faustus (1) وجهة نظر ناقدة حول م...Al Baha University
The Elizabethan poet-dramatist Christopher Marlowe is one of the most distinguished literary figures who put a touchable print and significantly contributed to the English literature through various masterpieces such as The Tragical History of the Life and Death of Doctor Faustus. The main character is Doctor Faustus, who surpasses in many fields of learnings but unfortunately, he detours his track searching for unlimited power and influence. The paper attempts to shed light on some critical and condemnatory points of view on Elizabethan theater with particular reference to Doctor Faustus as a person of extravagant ambition, an experienced philosopher who rejects natural sciences to metaphysical powers. This task might be extended with more investigations to deal with the two broad points fully; the Elizabethan theater and Doctor Faustus. This study comes to an end with a concise summary as an initial conclusion.
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A Voice of Arabs Taabbata-Sharran: A Bandit by Name a Poet of Pride - صوت من...Al Baha University
The magnitude of the Arabic language holds back from its being one of the unblemished languages in its brilliance and its reiterated capability to adapt to countless different sciences and knowledge. The Arabic language has reached creativity and ingenuity in diverse fields and genres of literature in which the supreme is poetry. This article attempts to present the inner landscapes of Taabbata-Sharran and his profession placing him in the context of both his social milieu and his age.
The paper aims at studying the figurative, allegorical and appealing images in Al-Gafiah of Taabbata-Sharran in which it follows the inferential inductive critical methodology concentrating analytically on his Al-Gafiah poem. The study attempts to divulge in the analysis the appealing qualities and poetic matters as well as the rhetorical images in it with particular reference to the first ten verse lines. The article begins with an introduction to Arabia and the Arabic Poetic Language then shifts to shed light on the poet Taabbata-Sharran as a great poet of Arabia, the center of the Arabic language. It is concluded with a brief examination and comments on the poem Al-Gafiah trying to catch on the original Arab ideals, morals, integrity, and beliefs in the pre-Islamic Epoch it contains.
Hassan ibn Thabit: An Original Arabic Tongue (1) حسان بن ثابت: لسان عربي أصيل Al Baha University
حسان بن ثابت واحد من أعظم الشعراء الذين عاشوا خلال عصرين متميّزين للأمة العربية في الجزيرة العربية، الفترة ما قبل الإسلامية والحقبة الإسلامية، قدم حسان خلالها صور حلو الشمائل عن العرب قبل الإسلام وبعده، في هذه الورقة الأدبية، يحاول الباحث سبر غور عمق الشعر العربي عند حسان بن ثابت كأنموذج على عظمة اللغة الشعرية العربية. يستحق الشاعر، حسان بن ثابت، دراسة أدبية، مركزاً، بشكل رئيسي على شعره كنوع من التراث والموروث للغة العربية الفصحى.
تعاملاً مع واحدة من القصائد الشهيرة لحسان بن ثابت، فإن هذه الورقة البحثية تستخدم الأسلوب التحليلي النقدي، والذي تبدأ بمقدمة موجزة عن الشعر العربي ثم تنتقل الورقة لإلقاء الضوء على العرب واللغة الشعرية العربية، ثم يلقي الباحث الضوء على الشاعر حسان بن ثابت، صاحب الملكات اللغوية العربية الغير عادية، وبعد ذلك، تنتقل الدراسة لتركز بشكل أوسع على التحليل والوصف لأول سِتة عشر بيتاً شعرياً من قصيدة حسان بن ثابت الشهيرة المعروفة باسم (قافية الألف). هذا الجزء هو الجزء الرئيسي التي تحاول الدراسة إثباتها من خلال شعر حسان بن ثابت، وتختتم هذه الورقة البحثية بملخص نهائي قصير.
Hassan ibn (son of) Thabit is one of the greatest poets who lived within two distinguished ages of the Arabic nations in Arabia, the pre-Islamic period and the Islamic period. He presented graceful pictures of Arabs before Islam and after Islam. In this literary paper, the investigator attempts to probe the depth of the Arabic poetry of Hassan ibn Thabit as an instance of the magnitude of Arabic poetic tongue. The poet Hassan ibn Thabit deserves a literary investigation paying attentiveness mostly to his poetry as a tradition and legacy of the classical Arabic poetic language.
In dealing with one of the famous poems of Ibn Thabit, the paper operates the critical-analytical method. It starts with a succinct introduction about Arabic poetry then the paper progresses to illuminate Arabs and Arabic poetic tongue. Subsequently, the researcher goes to shed light on the poet, Hassan ibn Thabit as a poet of an unusual Arabic language. After that, it goes on to focus more with analysis and wasf (description) on the first sixteen verse lines of Hassan ibn Thabit's renowned poem known as the Alef rhymed (قافية الألف). This part is the central division of the study in which it attempts to verify via the poetry of Hassan Ibn Thabit. The paper is ended with a short conclusion.
At The Threshold Of World Literature Ahmad ShawqiAshley Carter
Ahmad Shawqi was the most celebrated Arabic poet of the early 20th century in Egypt and other Arab countries, achieving fame and the title of "prince of the poets" through his neoclassical poems composed in classical Arabic styles for the Egyptian public sphere and Khedival court. However, Shawqi's adherence to traditional poetic forms led younger poets to launch a critical campaign against him, initiating a major literary confrontation over the value of his poetry and the future of Arabic letters. The controversy surrounding Shawqi highlights his position at the threshold of world literature, as his nationalizing project for Arabic poetry prevented it from fully
Preserving Heritage: The Role of Arabic Literature in Cultural Identityabdulshaikh5253
Arabic literature stands as a testament to the enduring richness and depth of the Arab world's cultural heritage. Spanning centuries of history, Arabic literature has served as a reservoir of wisdom, creativity, and imagination, offering insights into the diverse experiences, values, and aspirations of Arab societies.
Famous Arabic Literature and its Impact on Arabic Language Learningabdulshaikh5253
Arabic literature boasts a rich and diverse heritage that spans centuries, encompassing a wide range of genres, themes, and styles. From poetry to novels, Arabic literature has captivated readers around the world with its eloquence, depth, and cultural significance
The Contribution of Arab Muslims to the Provencal Lyrical Poetry: the Troubad...Al Baha University
This study is a historical-analytical attempt to demonstrate the influence and contribution of Arab Islamic Mawashahat and Zajal on the Provencal lyrical poets – the Troubadours that sprang in south of France during the eleventh century. The study consists of three parts in which the first part represents the main part. It sheds light on the influence of Muwashashah and Zajal on the poetry of troubadours.
The second part deals with the nature of troubadours and their relation with the poetry of Muwashashah and Zajal. It is supported with five troubadour poets. The last part goes back to the beginning of the European Renaissance in the twelfth century. The European Renaissance started in Italy decades after translations of Islamic heritage, literature and science from Arabic into Latin then from Latin to other European languages. The eighth through the eleventh centuries witnessed the glorious ages of Islamic civilization and sciences in which great portion of it was shifted to Italy during and after the crusades. Thence, different parts of Europe were enlivened with the movement of translation and multi travels and cultural exchange. One of the changing factors is poetry as a branch of literature.
Modern Saudi Poetry: Mohammad Hasan Awwad’s Night and Me, in Balance - الشعر ...Al Baha University
This document discusses Arabic poetry, particularly modern Saudi poetry. It begins by highlighting the importance of poetry in Arabic literature and pre-Islamic Arabian society. It then examines the development of poetry and literary movements in Saudi Arabia. The main section analyzes selected verses from the poem "Night and Me" by modern Saudi poet Mohammad Hasan Awwad, praising his rebellious style. It concludes by affirming the ongoing greatness of Arabic poetry.
This document summarizes a research article analyzing the influence of the medieval Persian poet Hafiz on modern Iranian society and culture. It discusses how Hafiz's poetry has been deeply influential in Iran for centuries, viewed as encapsulating Iran's national spirit. It explores how Hafiz remains profoundly meaningful to Iranians of all backgrounds due to his symbolic and enigmatic language allowing for varied interpretations. The consistency of Persian literature and culture, including the ongoing prominence of Hafiz's works, has provided stability throughout Iran's history amid political changes.
The Study of Parallels in the Development of Persian and Russian Folklore
Vitaly N.Suprunenko & Julia P. Drobatuhina,
Methodological Department for the School Program, LLC "Sun School", Russian Federation
The present paper addresses the interrelation between folklore and literature in Iran and Russia in different periods of their cultural evolution, and identifies the commonalities and peculiarities of this development. The study of the interaction between Persian folklore and classical literature in the age of Persia's Islamization, has led to the hypothesis of similar processes taking place in the development of oral tradition in Russia. Using historical and typological research methods, this study refers to the Russian folklore of the 20th century and presents a contrastive-comparative analysis of small genres in the oral tradition, literature and their sources in folklore. Moreover, it calls attention to the specific features of new genres which are derived from the existing («classical») genres, and looks into the prospects for their further existence and research. Considering the experience of classical Persian literature and folklore this research identifies a number of identical features in the oral tradition of both countries, as well as common factors impacting the emergence of new genres in the so-called «post-folklore» in Russia. In this regard, it is necessary to draw attention to the specifics of West Asian culture: the common inherent features in the human worldview that clearly manifested in folklore. The knowledge of folklore and history of Iran would help the Russian citizens to bring the cultures closer together, to understand the worldviews of Iranian and Tajik people, to form new relationships with representatives of other nations in a multicultural world.
Keywords: Persian folklore, Russian folklore; Islamization of literature; folklorization of literary texts; Iranian and Russian cultural cooperation
The Seventh International Conference on Languages, Linguistics, Translation and Literature
11-12 June 2022 , Ahwaz
For more information, please visit the conference website:
WWW.LLLD.IR
This document analyzes the poem "Heydar Babaya Salam" by Muhammad Hussein Shahriar. It discusses how the poem reflects both mythical and folklore elements of the poet's world. While written in a literary form, the poem draws heavily from folklore in its language, style, and content. The poem became hugely popular and helped establish Shahriar's reputation as a poet writing in the native Azerbaijani language. It is seen as exemplifying his skill in adapting folklore traditions to modern poetry.
Sindhi literature is very old and rich, with the earliest references found in 8th century Arab writings. Sindhi was one of the first languages the Quran was translated into. Many famous Sindhi poets like Bhagu Bhan enriched the language with mystic, romantic and epic poetry during the 8th-15th centuries. Modern Sindhi literature began with the British conquest of Sindh in 1843, bringing printing presses and new genres. The language has a variety of poetic forms and genres explored by legendary poets like Shah Abdul Latif Bhitai, whose work tells histories of sacrifice and explores Sufism. Sindhi literature continues to be promoted through organizations that aim to preserve the language and culture
Hook Arabic poetry is more than 1500 years old. It existed befo.docxsalmonpybus
Hook:
Arabic poetry is more than 1500 years old. It existed before Islam which is 1444 years old.
(Margoliouth,1)
Background:
Arabs use poetry as a type of communication, expressing opinions, emotions and ideas.
(Margoliouth,1). In this paper I will be discussing the political and the social affect of Arabic poetry in the eras of Pre Islam, after Islam and after the western interaction. Each era has its own features, genres and subjects of poetry. However, they all share the same purpose and effect over the political and social situation of the region.
Thesis statement: Comment by Ju-A Hwang: What you wrote here is not a thesis statement. It's rather a hook with brief background information. What's your stance on this topic? As you learned in this class, the thesis statement should be the answer to your research question.
Write one or two sentences in a "statement", not in a question format.
On one hand, no doubt that Arabic culture has poetry as a part of its structure especially when poets need their voices to reach to the authorities and people when it comes to sharing their political opinions and conflicts as well as the social situations between them. On the other hand, this practice carries weight over time and can become into generational long-lived arguments. In this paper I will be arguing the fact that this way of communication was pretty effective and enriched the culture and the society significantly even though it went though some turning points that caused it structural changes that didn’t change its meaningful purpose.
Research question:
How did Arabic poetry influence the social and political situations in the eras of pre, after Islam and the Western imperialism?
Counter argument:
Opposing argument: Arabic literature has been transmitted verbally from mouth to mouth which makes it an unreliable source of information (Monroe,3).
Concession: It’s right that the poetries and literature in general has been delivered for us from one mouth to another which makes it a doubtful source to depend on but with then most of our humanity's history was delivered to us verbally which leads to that we don’t have any history before writing.
Refutation: Arabic poetry has a specific structure to be written in which every chosen word is structured based on its letters and number of syllabus and there is a whole science behind this called Arud. In other words, it’s hard for someone to change or update a poetry into new words or meanings because it must be weighed in a specific way that I will discuss more in the first draft. (Ziadeh ,1).
Main idea 1:
Arabic poetry started before the beginning of Islam, and it used to be written about different topics than modern poetry such as wisdom and social situations and there are some evidence for its existence during that period in which we know for sure when the very beginning of it was. (Dover, 42).
Evidence 1:
Arabs used to have the greatest poems the seven
Mu'.
Nuance, Change, Challenge and Networks in the Translation of Religious Poetry...Elizabeth Rainey
This document summarizes the challenges and processes involved in co-translating a religious poem by Emirati poet Ousha al Suwaidi from Arabic to English. It involved negotiating appropriate terminology and form through a network of Emirati actors. While an initial translation was produced, further consultation was advised. Issues around avoiding misrepresentation, respecting cultural and religious norms, and gaining necessary approvals from copyright holders and key figures emerged. The need for ongoing refinement through Emirati networks and specialists was highlighted to ensure a faithful yet accessible transmission of the original work.
This document provides an overview of Arabian and Persian literature. It discusses:
1. The origins and development of Arabic literature from pre-Islamic poetry to its golden age during the Abbasid period.
2. The major genres and forms of Arabic literature including poetry, prose, and anthologies. Famous works mentioned are the Mu'allaqat and Maqamat.
3. The decline after the fall of Baghdad but continued historical and biographical writings.
4. The modern renaissance period beginning in the late 19th century with educational and intellectual reforms.
This document provides context about poetry from the North-East region of India and focuses on the poet Kynpham Sing Nongkynrih. It discusses how English poetry developed in the North-East, noting that Welsh missionaries introduced the Roman script for local languages in the 19th century. This led to the development of literature in both local languages and English. It provides background on Nongkynrih, a poet from Meghalaya who writes in both the Khasi language and English. The document examines debates around Indian English poetry and its relationship to regional cultures. It analyzes two of Nongkynrih's English poems to understand how poetry from the North-East fits within the construct
The Thousand and One Nights: Sources, Transformations, and Relationship with ...Encyclopaedia Iranica
This document announces a conference on "The Thousand and One Nights: Sources, Transformations, and Relationship with Literature, the Arts and the Sciences" to be held at Harvard University and the Institut National des Langues et Civilisations Orientales in April 2015. The conference will explore the Nights' interactions with Arabic literature, Antoine Galland's 17th century French translation, the Nights' influence on world literature and other art forms, and opportunities to study the Nights through other academic disciplines. Paper proposals are invited for four panels focusing on these topics.
The Kingdom of Saudi Arabia is the largest country in the Arabian Peninsula by land area. It was founded in 1932 by King Abdulaziz. Saudi Arabia has a high income economy and is one of the most powerful countries in the world due to its large oil exports. [END SUMMARY]
Educational system in the Time of the ProphetMuQeet
The document discusses the educational system in pre-Islamic and early Islamic Arabia during the time of the Prophet Muhammad. It notes that pre-Islamic Arabia had a highly developed language, literature, and culture which provided a strong foundation. Schools existed, even for girls, and literary gatherings were regularly held. The Makkan city of Mecca was a center of learning. When Islam began, the first revelation received emphasized the importance of reading and writing. During his time in Mecca, the Prophet Muhammad focused on teaching the basic principles of Islam through recitation and explanation of the Quran. In Medina, the system expanded with the establishment of formal schools and arrangements made for teaching a variety of subjects.
This document defines literature and Afro-Asian literature. It discusses how early humans started recording their experiences and perceptions in writing, which may have been the beginning of literature. Only writing that closely reflects the human experience can be considered literature. It then defines Afro-Asian literature as writing by those of mixed African-Arab or African-Asian ethnicity that mirrors the customs, traditions, philosophies, and experiences of developing nations in those regions. Afro-Asian literature is important because it teaches about other cultures while also reflecting the history and struggles of those nations and peoples.
Arabic Contemporary Poetic Drama Ali Ahmed Ba Kathir A Pioneer - المسرح الشعر...Al Baha University
Many central playwrights significantly contributed to the progress and advancement of Arabic drama. They were apt to achieve dramatic illustrations in several Arabic countries all the way through ages and places. Still, this study attempts to shed light on an innovator poet-dramatist who represents many cultures and experiences. It aims at displaying the most significant features of renovation associated with the development of the modern Arabic poetic drama that employs history and social problems to present a vision for Arabic literature in the contemporary age. The researcher adopts the critical-descriptive approach in analyzing the poet-dramatist, Ali Ahmad Ba-Kathir, and two of his poetic dramas. It is mapped with an introductory overview dealing with a concise notion of drama, concentrating predominantly on poetic drama. The foremost part copes with the developer and pioneer Ali Ahmad Ba-Kathir, focusing on his thoughts and experiences in the field. The paper, then, moves ahead to deal with two verse plays as a model of his craftsmanship and mastery. After that, the study finishes with a brief argument and/or recommendations and an end.
Similar to الوطن في شعر شعراء المملكة العربية السعودية: عبد السلام هاشم حافظ نموذج الشاعر العربي المتميز (1) - Home in the Poetry of Saudi Arabia Poets: Abdus-Salam Hafeth an Example of a Distinguished Arab (1) (20)
On the Poetry of The Dog Beneath the Skin - حول الشعر في مسرحية: ’الكلب المتن...Al Baha University
تعتبر مسرحية ’الكلب المتنكر تحت الجلد‘ هي أولى المسرحيات التي اشترك في تأليفها كل من ’ويستن هيو اُودن‘ (Wystan Hugh Auden) و ’كريستوفر إيشروود‘ (Christopher Isherwood)، وهذه المسرحية تعتبر مسرحية شعرية تُحدِث لدى المؤلفين تحدٍ من أجل النجاح لسببين؛ الأول كون هذه المسرحية تكتب شعراً، والسبب الثاني كونها مشتركة في التأليف وما يصاحب ذلك من صعوبة، الدراسة من خلال الشريكين في التأليف، تحاول أن تعرض إلى أي حد استطاعا إنجاز نوع من النجاح في تعاملهما مع مسرحيةٍ شعريةٍ، الدراسة أيضاً تسعى إلى اقتفاء الخصائص الشعرية في مسرحية ’الكلب المتنكر تحت الجلد‘ وتسعى إلى التحقق من القدرة والامكانية في تأليف مسرحية شعرية بالمشاركة، ويتخذ هذا البحث طابع الدراسة التحليلية النقدية كنهج حول مسرحية اشترك في تأليفها كل من ’إيشروود و اُودن‘.
هذه الدراسة تتعقب بإيجاز نشأة وتطور المسرح الشعري منذ نشأته حتى القرن العشرين مروراً بنوعية التعاون في التأليف بين ’إيشروود و اُودن‘، وتُختَتَم في جزئها الرئيسي باستنباط وتحليل الخصائص والعناصر الشعرية في مسرحية ’الكلب المتنكر تحت الجلد‘.
The Dog Beneath the Skin is the first play to be coauthored between Wystan Hugh Auden and Christopher Isherwood. It is a play written in verse, which creates a challenge of success for the dramatists for two reasons, the first is that it deals with verse, the second it is collaborative. The study through the collaborators, trying to show, to what extent, both achieved attainment in dealing with verse drama. This study also endeavors to trace the poetic features in The Dog Beneath the Skin and to attempt proving the capability and controllability in writing successful drama in verse through collaboration. This paper is done by using an analytic-critical method. It is an approach to a drama shared by both Auden and Isherwood.
The study tersely traces the growth and elaboration of poetic drama until the twentieth century. It goes through the sort of collaboration between Auden and Isherwood. It is concluded by examining and analyzing, its central part, the poetic features and essentials in the play The Dog Beneath the Skin.
Judgmental Point of View on Marlowe’s Doctor Faustus (1) وجهة نظر ناقدة حول م...Al Baha University
The Elizabethan poet-dramatist Christopher Marlowe is one of the most distinguished literary figures who put a touchable print and significantly contributed to the English literature through various masterpieces such as The Tragical History of the Life and Death of Doctor Faustus. The main character is Doctor Faustus, who surpasses in many fields of learnings but unfortunately, he detours his track searching for unlimited power and influence. The paper attempts to shed light on some critical and condemnatory points of view on Elizabethan theater with particular reference to Doctor Faustus as a person of extravagant ambition, an experienced philosopher who rejects natural sciences to metaphysical powers. This task might be extended with more investigations to deal with the two broad points fully; the Elizabethan theater and Doctor Faustus. This study comes to an end with a concise summary as an initial conclusion.
Eliot’s Treatment of the Chorus: A Steady Logical Structure (1): The Rock and...Al Baha University
This study is an investigative method on Thomas Stearns Eliot’s multipart theatrical development and progress in the use of a very ancient dramatic technique. It is the implementation of the chorus in his dramas. The paper is an attempt to shed light on the way Eliot employs the technique of the chorus into his plays. The study tries to track the procedure of Eliot in applying the chorus in his plays, tracing the development he reached with particular reference to The Rock and Murder in the Cathedral as Case in Point and as an imitation of the ancient Greek style and device. It equally, sheds light on the traditional Greek dramas from which Eliot hunted his themes. The study -analytically and critically – starts with an introduction on Eliot and his theory on the chorus. Then the task moves ahead to deal with the usage of the chorus in The Rock. After that, the work shifts to the second point that investigates the play Murder in the Cathedral and to be followed by the conclusion.
Milton’s Samson Agonistes: A Renaissance Image of Man - مسرحية شمشون اقونيستس...Al Baha University
جون ميلتون يعتبر شاعرا اكثر من كونه كاتب مسرحي، لهذا السبب فان شعره قد اخذ حيزا كبيرا من الدراسة والتمحيص والتحليل و/أو النقد لكن لم يعطى ذلك الاهتمام في مسرحيته، تحاول هذه الدراسة إلقاء الضوء على "سامسون اقونيستس" لميلتون كمسرحية أكثر من كونها قصيدة شعرية، الدراسة تستخدم النهج التحليلي والفلسفي والأدبي لأحد أبرز الشخصيات الأدبية في العصر التطهيري البيروتاني، جون ميلتون ومسرحيته "سامسون اقونيستس" كصورة أو مفهوم رجل عصر النهضة التي كثيرون ينسبون ارتباط ميلتون كأخر شخصية ادبية لهذا العصر، يستهل البحث بموضوع المعرفة – سواء المعرفة السماوية أو البشرية (من وجهة نظر ميلتون) وردة فعل الانسان فيما يتعلق بتلك المعرفة، الدراسة تحاول في هدفها ان تؤكد وتبرز النقائص المألوفة و اللافتة للنظر مثل المعاناة وسوء الحظ، الزوجة الغير ملائمة، المهمة الفاشلة والورطة بين كل من ميلتون وبطل مسرحيته، "سامسون".
الدراسة هي عبارة عن عملية تتبعيه لعصر "ميلتون" وأفكاره المعكوسة في مسرحيته " سامسون اقونيستس"، تحاول الدراسة إلقاء الضوء على كيفية توظيف ميلتون تقنياته الأدبية النابغة في المسرحية الشعرية قيد الدراسة، تستهل الدراسة بمقدمة متبوعة بالفقرة الأولى مفهوم رجل عصر النهضة ثم تتطرق الى معاينة المعاناة وسوء الحظ وبعد ذلك يتبع بوصف لمرئيات ميلتون نفسه حول المرأة كنتيجة لبغضه زوجته التي لم تعش معه، في القسم التالي تتبع تحليلي لمفاهيم المهمة الفاشلة والمأزق المصور في ذهن ميلتون عن نفسه وبطل مسرحيته.
John Milton is a poet more than a dramatist, hence, his poetry is plentifully studied, examined, analyzed, and/or criticized but his drama is sparsely done. This study tries to shed light on Samson Agonistes as drama. It is an analytical, philosophical and literary approach of one important figure in The Puritan age, John Milton, and his play as an image of the Renaissance man. The study takes up the theme of knowledge—divine or human knowledge and man’s reaction apropos that. The current study tries in its aim to highlight the frequent remarkable demerits such as misfortunes and suffering, unfortunate wife, unsuccessful mission, and plight between Milton and Samson. It is a pursuing process for Milton's age, and thoughts reflected in his work, Samson Agonistes. The study also attempts to shed light on how Milton employs his genius literary techniques in this verse play. The study starts with an introduction followed by the concept of the Renaissance man. The paper deals with views of misfortunes and suffering thereafter, it depicts Milton’s views concerning women as a result of his hatred to his wife. The research pursues analytically the concepts of ineffective mission, and plight imaged by Milton about himself and Samson, his main character of the play.
Eliot’s Treatment of the Chorus: A Steady Logical Structure (2) The Family Re...Al Baha University
This study is a follow up investigative method on T. S. Eliot’s complex theatrical growth and progress in the handling of a very ancient dramatic technique. It is the functioning of the chorus in his dramas. The study is a continuous attempt to shed light on the means Eliot employs the technique of the chorus into his dramas. The study tries to track the procedure of Eliot in employing the chorus in his plays, tracing the development he reached with particular reference to The Family Reunion and The Cocktail Party as Case in Point and comparing Eliot’s imitation of the ancient Greek technique and device in these two plays. The study – analytically and critically – commences with an introduction on Eliot and his theory on the importance of the chorus. Then the task moves ahead to manage and analyze the usage of the chorus in The Family Reunion. Subsequently, the work shifts to the second point that investigates the play The Cocktail Party and to be followed by a conclusion.
Milton’s On His Blindness: Eye Sight or Heart Vision - ’حول قصيدة ميلتون في ا...Al Baha University
John Milton, in his Sonnet 16 'On his Blindness,' meditates on the disturbing effect blindness has had on his whole life and literary works. He compares his lost vision with 'light spent' and grieves not the handicap in itself but the restrictions it carries out on his work as a literary figure, particularly a poet. His poetic skill is significant to him that he describes it as that one talent,' signifying it is the only talent that is of importance.
This study is an attempt to analyze the concepts of blindness, sight, light, vision, and obedience with particular reference to his poem, sonnet 18 or 'On his blindness.' It starts with an introduction to John Milton as a poet. After that, it shifts to discuss the concept of Vision or Sight. Then, the study goes on to deal with the concept of obedience. Next, it sheds light on the concepts of Blindness and Light. Afterward, the task moves to close with a conclusion. In this paper, the researcher applies the critical-analytical approach.
Eliot’s Treatment of the Chorus: A Steady Logical Structure (3) The Confident...Al Baha University
This study is a scrutiny investigative approach on T. S. Eliot’s complex dramaturgical development and progress in the implementation of a very olden dramatic practice. It is the operational of the chorus in Eliot’s verse dramas. This analysis is the third continuous effort to track the treatment that he employs in dealing with the chorus from antiquity to a modern approach. The study tries to pursue the procedure of Eliot in using the chorus in his dramas, tracing the progress Eliot reached with particular reference to his two final plays The Confidential Clerk and The Elder Statesman as Case in Point. The study uses descriptive-analytical and critical methodology. It begins with a brief outline of Eliot and his theoretical views on the merits and demerits of the chorus in drama. Then the task moves ahead to examine and analyze Eliot's usage of the chorus in The Confidential Clerk. Later, the work moves to the next part that explores the play The Elder Statesman. The study ends with discussion, conclusion, and recommendations if there is any.
الملك لير والمهرج لشكسبير: تبادل الأدوار - Shakespeare’s King Lear and the Fo...Al Baha University
السلوك الطبيعي والمقبول هو أن أي الملك يفترض أن يسلك سلوك الملوك وفي المقابل فالمهرج، من الطبيعي أن يظهر من سلوكه نوع من السذاجة والحمق والفكاهة، لكن الفكرة في مسرحية ’الملك لير‘ King Lear لوليام شكسبير معكوسة، كقارئ للمسرحية، أعتقد أن ’لير‘ هو الملك ويفترض أن يتصرف كملك يتمثل المسئولية والواجب وفقاً لمنصبه، من المتوقع أن يكون سلوك المهرج ينم عن أنشطة فكاهية ومسلية.
تهدف هذه الدراسة، في محاولة، لسبر غور مفهوم ’انعدام العقلانية‘ ومقابلها ’الحكمة‘ من أجل إظهار الأدوار العميقة المقلوبة للشخصيتين الرئيسيتين ’لير‘ و’المهرج‘؛ يُعنى بالدراسة إيضاح السلوك الهزلي الفكاهي في شخصية الملك ’لير‘ وفي المقابل إبراز السلوك الحكيم والمتبصر لدى شخصية ’المهرج‘ من خلال إتباع المنهج التحليلي الناقد.
الدراسة تُستهلُ بمقدمةِ موجزةِ عن شكسبير وعن مسرحيتهِ ’الملك لير، King Lear، ثم تقومُ الدراسةُ في الجزءِ الرئيسي الأول بالتعليقِ تحليلياً عن سلوكياتِ ’لير‘ كشخصيةٍ هزليةٍ تمزجُ بين السخريةِ والتصرفِ الغير ملائم، ثم تُتبعُ بالجزءِ الرئيسي الثاني الذي يَتمحورُ حولَ أوجه الحكمة في سلوكيات شخصية ’المهرج‘، ومن ثم تنتهي بخاتمةٍ موجزةٍ.
The natural and accepted behavior is that a king should behave like a king. In a different way, a fool might show the conduct of a comedian or a silly person, but the notion in Shakespeare’s King Lear can be seen reversing. As a reader of the play, I believe that Lear is a king and should show responsibility and obligation according to his title. It is expected that the Fool behaves with amusing and humorous activities.
This study aims to explore the concepts of ‘irrationality’ and its conflicting ‘wisdom’ to illustrate the profound inverted roles of the two major characters ‘Lear and the Fool’. Through an analytical and critical examination, the study is meant to expose the comic conducts of King Lear and on the other side, the wisdom sides of the Fool.
The paper starts with an introduction about Shakespeare and the sources of the play, then analytically comments, in its first central part, on the behavior of Lear as a comic person mixing hilarity and inconvenient conduct. It is followed by the second central part which deals with the aspects of wisdom in the behavior of the Fool. Then the paper ends with a concise conclusion.
Emily Dickinson's I Died for Beauty: Saying too Much Using Few Terminologies ...Al Baha University
Emily Dickinson had a distinct talent for capturing the core of an event or emotion in her written expression. She is likened to a genius. She wrote hundreds of well-defined poems. This study attempts to spur the depth of one of the resounding poems, ‘I Died for Beauty.’ The paper tries to prove the greatness of the poem, Dickinson, in revealing too much using few words. The study starts with an introduction about the poet, then shifts to the next main point – critical-analytical description of the three-stanza poem, illustrating its style, themes, symbols, and the study ends with a brief conclusion and recommendation if there is any.
Critical Reflections on Frost’s The Road Not Taken - تأملات ناقدة حول قصيدة ف...Al Baha University
This document appears to be the cover of an academic journal on social sciences published by the Arab Center for Democracy and Strategic Studies in Berlin, Germany. It lists the editorial board which includes professors and researchers from Algeria, Egypt, Tunisia, Yemen, Saudi Arabia, Iraq, Sudan, Palestine and Libya. It states that the journal publishes peer-reviewed original research papers in Arabic, English and French on topics related to social sciences. It provides instructions that submitted works must be original and unpublished elsewhere, and authors must confirm that the content is their own work.
Contemporary Drama in the Arab World: Commencement and Evolution (1) المسرح ا...Al Baha University
Drama has echoed and paralleled the life, customs, conduct, and general living traditions of society from its dim commencements on the ancient auditoriums and the banks of the Nile in olden Egypt approximately six thousand years ago. Drama is an advanced and simple means of recording and documenting human effort. There are many central playwrights significantly contributed to the progress and evolution of Arabic drama and theater and tended to perform dramatic representations within many Arabic countries throughout time and place.
This study is an attempt to shed light on two pioneer dramatists who were the first innovators, paving the way for the development of Arabic drama and theater. The first is the Lebanese Marun An-Naqqash, and the second is the Syrian Ahmad Abu Khalil Al-Qabbani. The paper is analytically and critically charted with an introduction. Then, it deals with a brief notion on the meaning of drama, focusing mainly on poetic drama and the origin and development of Arabic Drama. The central part copes with the two pioneers, An-Naqqash, and Al-Qabbani, shedding light on the struggle they made to give life to a very famous genre called drama. The paper reaches the end with a brief conclusion and recommendations if any.
The Conflict of Virtue and Corruption in Shaw's Major Barbara: A Perspective ...Al Baha University
This study focuses on analyzing the conflict between good and evil, and to ascertain the importance of justice and rights in society through a crucial factor that touches all people – poverty and wealth. It aims to detect the measure of the Islamic hints of George Bernard Shaw with particular reference to one of his great plays, Major Barbara, which focused on economy, money, and poverty. The paper begins with a general introduction about some social and dramatic philosophical indications of George Bernard Shaw. After that, it shifts to shed light on (1) the perspective of the dramatist, Bernard Shaw, on the contrastive concept of Good against Evil and (2) the analysis on the central part of the study illustrating the perspectives of the play. Then the paper ends with a summary of the results and a discussion of the study to be followed by the conclusion. The study applies the deductive, critical, and analytical approach as a suitable method of literary research.
Plath's Mirror a Reflection of her Life - قصيدة المرآة لبلاث انعكاس لحياتهاAl Baha University
This document lists the names and affiliations of members of the board of directors and advisory board of the Democratic Arabic Center in Germany. It includes 17 names with their academic titles and affiliations listed as universities and research centers in countries including Algeria, Morocco, Iraq, Jordan, Saudi Arabia, Turkey, Iran and others.
The Eagle: Tennyson's Magnificence Six lines profoundly show Probing, Perpetu...Al Baha University
Irrespective of that, Winter is a short poem; however, it bears inside profound, interesting meanings and connotations. It is composed of eighteen lines at the end of the comic play Love’s Labour’s Lost. Its significance might be looked at from two sides; the first is the meaning of the natural season, winter, and how such time of year is described in this poem. The second side goes with the sort of used verse and its technique, style, and devices.
This study intends to explore the perceptions of descriptions, pictures, and metaphors behind this poem. Through an analytical and critical examination and scrutiny, the study tries to present the verse and poetic concepts that Shakespeare applied in the lines of this very short poem. The study starts with an introduction about Shakespeare, the poet, and dramatist, then critically, it comments on appreciating the profound elements of the poem. Afterward, the study moves ahead to deal with some verse elements such as rhythm, the use of meters, and other devices.
Ibn Duufayl’s Hayy ibn Yaqthan A Mission for Certainty - حيُ بن يقظان لابن طف...Al Baha University
This document appears to be the table of contents or editorial board for an academic journal on social sciences and strategic studies published by the Arab Center for Democracy and Strategic Studies in Berlin, Germany. It lists over 50 names, their academic affiliations and countries, who seem to make up the journal's editorial board and scientific committee. The journal is titled "International Scientific Refereed Social Sciences Periodical" and is issue number 19 published in June 2021.
The Elder Statesman: Eliot’s Ultimate Modernity - رجل الدولة العجوز: حداثة إل...Al Baha University
في مقالاته وكتاباته النقدية، كان T. S. Eliot مهتماً بإمكانية كتابة مسرحيات شعرية للجمهور المعاصر، هذه الدراسة هي محاولة لتقصي قدرة ونجاح إليوت في التعامل مع اللغة بأسلوب حديث في كتابة مسرحية ’رجل الدولة العجوز‘ للقراء والمشاهدين المعاصرين، تتلمس الدراسة قدرة الشاعر والكاتب المسرحي T. S. Eliot في التلاعب بالتقنيات اللفظية اللازمة لكتابة لمسرحية الحديثة والهامة للمتفرجين والقراء في العصر الحديث والاستشهاد بمسرحية ’رجل الدولة العجوز‘ The Elder Statesman، لأن هذه المسرحية هي آخر مسرحية أنتجها T. S. Eliot، يحاول الباحث، من خلالها، تسليط الضوء على قدرة T. S. Eliot في ابتكار أسلوب وخطاب غزير في معناه، والذي يجعل المسرحية ذات طبيعة تلقائية عند الأشخاص المعاصرين، تبدأ الدراسة بمقدمة عامة موجزة عن T. S. Eliot، يتبعها تحليل وصفي ناقد للمسرحية والذي يركز في الغالب على الأسلوب الحديث الذي اعتمده الكاتب المسرحي وعلى وجه الخصوص تعامله مع اللغة، ثم يتبع ذلك مناقشة موجزة للباحث، وتختتم الدراسة بخاتمة تحليلية نقدية. In his critical essays and reviews, T. S. Eliot was preoccupied with the possibility of writing poetic plays for contemporary audiences. This study is an attempt to disclose, to what extent, Eliot succeeded in using modern language and style in The Elder Statesman to contemporary readers and audiences. The study touches on the ability of Eliot in manipulating techniques necessary for modern theatre and modern spectators/readers with reference to The Elder Statesman. Because this play is the last one that Eliot produced, the researcher tries to shed light on the ability of Eliot in creating a style and profuse speech, making the play spontaneous to the contemporary people. It begins with a brief general introduction about T. S. Eliot, to be followed by a descriptive-critical analysis of the play focusing mostly on the modern style the dramatist adopted particularly the language, and then a brief discussion follows. The study is concluded with a critical-analytical conclusion.
The Merits of Shakespeare's The Tempest as a Poem - إمكانية إعتبار مسرحية ’ال...Al Baha University
The Tempest is one of the greatest comic plays of the English writer William Shakespeare. The significance of this play, I feel, is not only being a drama but also poetic. This study attempts to disclose the poetic elements of the play as proof to be called a long poem. The paper is an attempt to show the formations of poetry in the play and to ascertain the dominance of verse such as blank verse in Shakespeare’s time, which was introduced in place of the rhyme, and poetic variations such as accent variation, inversion, deletion of syllables, and additional syllables.
The researcher applies the critical and analytical approach as a literary technique of the study. The paper starts with an introduction about Shakespeare and the composing of The Tempest; then, it sheds light briefly on some verse instances. Afterward, the point is shifted to illustrate the core of the study Discussion on Making Verse in which the researcher sheds light on some essential poetic elements such as blank verse, normal variations, and sporadic variations as instances proofing his arguments.
Considerations on W. B. Yeats's ailing to Byzantium - تأملات أدبية في قصيدة ’...Al Baha University
Yeats’s poem, Sailing to Byzantium, is a prominent poem about the contrastive relationship between youth and aged people. It is a speculative piece of poetry that might sanction critics to profoundly contemplate the various contrasts in life between the natural elements and the symbolical elements. The poem Sailing to Byzantium is constructed in reality, though it has to relocate outside reality to afford an element of a life that is sovereign of the other.
The study intends to review the depth of some essential contrastive themes of Sailing to Byzantium such as youth, age, death, nature, abstraction, and art. The paper starts with a brief introduction, and then to be followed by a section about the poet W. B. Yeats. It moves ahead to reconnoiter the scope of the mentioned important themes in the poem, Sailing to Byzantium. After that, the study's process shifts to the section of discussion and then a brief conclusion. In this literary task, the researcher employs the descriptive-critical-analytical maneuver.
الملخص:
قصيدة ’ييتس‘ الإبحار الى بيزنطة‘ تعتبر قصيدة بارزة عن العلاقة التباينية بين فئة الشباب وبين المعمرين من الناس، إنها قطعة شعرية تأملية والتي تتيح للنقاد التمعن بعمق حول التناقضات المختلفة في الحياة – بين العناصر الطبيعية والعناصر الرمزية، قصيدة ’الإبحار الى بيزنطة‘ بناها الشاعر على وقائع حقيقة، وبرغم ذلك فيمكن بنائها خارج نطاق الواقع لتُقدم عُنصرً من عناصرِ الحياةِ والذي يمكن اعتباره أسمى من الآخر.
تهدف الدراسة إلى استعراض عمق عدد من الموضوعات الأساسية والمتناقضة في قصيدة ’الإبحار إلى بيزنطة‘ مثل الشباب، العمر، الموت، الطبيعة، التجريد والفن، حيث تبدأ الورقة بمقدمة موجزة ، ثم تُتبع بجزئية عن الشاعر وليام بتلر ييتس (W. B. Yeats)، ومِن ثمَ تمضي الدراسة قدماً لاستكشاف نطاق الموضوعات المهمة والمستوحاة من قصيدة ’الإبحار إلى بيزنطة‘، وبعد ذلك تتحول عملية الدراسة والتحليل الى جزئية المناقشة، والتي تُتبع بخاتمة موجزة، في هذه العمل البحثي، يستخدم الباحث منهج الوصف والنقد والتحليل.
Murder in the Cathedral is the first complete play written by T. S. Eliot which deals with an ancient and medieval theme and a plot of the twelfth century. The story was written by poet-dramatists as Tennyson with his play named Becket and Christopher Fry who wrote Curtmantle, both wrote the story of Thomas Becket but such plays were not successful in the nineteenth and twentieth centuries because the authors used a language too far remote from their own time.
This study attempts to show the challenges faced T. S. Eliot in writing an ancient anecdote with a modern and contemporary language for contemporary people. The research is an analytical and critical attempt that tries to display, to what extent, Eliot thrived in writing the play in a language close to the language of his own people. It comprises an introduction shedding light on the historical background then is followed by critical and analytical views on the events of the play presenting first the events before the action. The process shifts to the next part illustrating the action, focusing on the use of language of the play, with special focus on the structure and style.
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A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
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Natural birth techniques - Mrs.Akanksha Trivedi Rama University
الوطن في شعر شعراء المملكة العربية السعودية: عبد السلام هاشم حافظ نموذج الشاعر العربي المتميز (1) - Home in the Poetry of Saudi Arabia Poets: Abdus-Salam Hafeth an Example of a Distinguished Arab (1)
1. International Journal of Applied Research in Social Sciences, Volume 4, Issue 4, June 2022
Dahami, P.No. 147-157 Page 147
HOME IN THE POETRY OF SAUDI ARABIA POETS:
ABDUS-SALAM HAFETH AN EXAMPLE OF A
DISTINGUISHED ARAB (1)
Dr. Yahya Saleh Hasan Dahāmi1
1
Associate Professor,
English Department – Faculty of Languages and Humanities,
Future University – Sana'a, Yemen
Currently: English Department –Faculty of Science and Arts –
Al Baha University, KSA
ORCID: https://orcid.org/0000-0003-0195-7878
Google Scholar: https://scholar.google.com/citations?hl=en&user=CO2Ot6IAAAAJ
___________________________________________________________________________
*Corresponding Author: Dr. Yahya Saleh Hasan Dahāmi
Corresponding Author Email: dahami02@gmail.com
Article Received: 16-05-22 Accepted: 10-06-21 Published: 15-06-22
Licensing Details: Author retains the right of this article. The article is distributed under the terms of
the Creative Commons Attribution-Non Commercial 4.0 License
(http://www.creativecommons.org/licences/by-nc/4.0/) which permits non-commercial use,
reproduction and distribution of the work without further permission provided the original work is
attributed as specified on the Journal open access page.
___________________________________________________________________________
ABSTRACT
Classical Arabic poetry is the core of all categories of literature in all Arabic lands, territories,
and realms since the age of pre-Islam. This study is an attempt to shed light on some literary
facets of modern Saudi Arabic poetry focusing on the concept of homeland as an illustration of
the standing of modern Saudi Arabic poetry with a particular indication to a contemporary
Saudi poet, Abdus-Salam Hashem Hafeth. It can be right that the progress of Arabic poetry in
the present age, among Arab poets, writers, and critics has a positive measure. It is true to
generalize that the same would be identical to current innovative Saudi poetry given that it is
naturally considered a principal, commanding, and uninterrupted measure of Arabic poetry.
The researcher endeavors to illustrate the poet's intellectuality in depicting his glorious city as
OPEN ACCESS
International Journal of Applied Research in Social Sciences
P-ISSN: 2706-9176, E-ISSN: 2706-9184
Volume 4, Issue 4, P.No. 147-157, June 2022
DOI: 10.51594/ijarss.v4i4.337
Fair East Publishers
Journal Homepage: www.fepbl.com/index.php/ijarss
2. International Journal of Applied Research in Social Sciences, Volume 4, Issue 4, June 2022
Dahami, P.No. 147-157 Page 148
a representative of his adoration for the big home - the Kingdom of Saudi Arabia. The study
commences with a concise introduction. Then, it analytically moves ahead to inspect the
noteworthy Saudi poet – Abdus-Salam Hashem Hafeth. After that, the study portrays a critical-
analytical attitude to the first four-verse lines of the poem of Hafeth, ‘Nostalgia, Oh my Home’,
focusing on the concept of home as its principal theme. In conclusion, the study ends with a
concise assumption and recommendations.
Keywords: Abdus-Salam Hashem Hafeth, Al Madinah Al Monawarah, Arabic Literature,
Arabic Poetry, Home in Poetry, Kingdom of Saudi Arabia, Saudi poetry.
___________________________________________________________________________
INTRODUCTION
According to several critics, many contemporary Saudi poets moved and were stimulated to an
impressive category of poetry. It is termed the nationalist poetry that covers the magnificence,
brilliance, and grandeur of the nation as well as the passion of its people. The powerful nation
is the one that grips the possessions of progress, that is the way the Kingdom of Saudi Arabia
has been delivering and offering public schooling, learning, and teaching with all their protocols
free, not only that but also remunerates students and scholars in universities. The Kingdom paid
enormous care to its constituents as the foundation and fountain of civilization, intelligence,
and wisdom.
Consequently, the result or the outcome is positively crucial in all types of sciences, the applied
and the social or humanities. Literature has a great portion. Saudi poets appreciated creating
poetry about the grandeurs of nationalism. Nationalism is “a spirit represented in the love of
the homeland, infatuation with it, working for it, defending it and preserving it and runing in
the souls. To it, people are endeared by self-sacrifice, surrender, and altruism. Loyalty raises it
to the ranks of the righteous and the ranks of heroes” (Sayed, 2006, p. 15). It is poetry that
depicts and renders citizens’ difficulties, passion, nostalgia, challenges, affection, and even
worries. Poets make their poems to reveal ambitions, optimism, and their elucidations of
national concerns. They are persuasive, powerful, and forceful.
The revival and awakening of the Kingdom of Saudi Arabia have embarked on the call and
urge of Muhammad ibn Abdul Wahab, the Imam of renovation. The inspiration for such appeal
is observed in the Saudi literature such as rhetoric, and poetry. It is also seen in the writings of
different literary genres by various Saudi writers and literary individuals. Several young and
old people activated their hunger for thought, renovation, and revitalization via their pens under
the king's sagacious sustenance. Those literary figures had great occasions and chances to start
writing in diverse fields of literature, for instance, criticism of its different types, and many
other varieties of thought, intelligence, and literature, particularly classical Arabic poetry.
The foremost influences and encouragements of this renaissance or revival can be
comprehended as education, historical, and enlightening. One of the most crucial factors of
such revival is magazines and newspapers, which were spread in most of the big cities of the
kingdom. Saudi philosophers, scholars, writers, and critics are inspired by the magazines and
newspapers, which revealed ways for books from abroad. Because of the expansion,
elaboration, and progress of the Kingdom of Saudi Arabia in all phases and sides of life, several
features motivated the resurgence of poetry, such as printing presses, media, radio, libraries,
literary clubs, and some other common inspirations on literature progress.
3. International Journal of Applied Research in Social Sciences, Volume 4, Issue 4, June 2022
Dahami, P.No. 147-157 Page 149
Several Saudi poets have powered perception, thoughts, thinking, and representation from
antique poetry. Saudi poems matured and developed along with economic and national growth.
Before all of that, there were other central inspirations in the revival of Saudi poetry, like the
Holy Qur'an, the Hadiths of the Prophet, and the ancient literature ... also include modern
literature, where the impact of all the doctrines, poetic movements, and trends that emerged
in the Arab countries after the contemporary renaissance, such as migration literature and
free verse. The influence of all these movements appeared in Arab and Saudi poetry
(Dahāmi, 2021a).
Arabic Poetry: The Artery of the Arabic Tongue
Classical Arabic poetry is a strengthened and central language at all altitudes and genres of
literature, in which human advancement and cultivation are based, as the nation's integrity lies
in the erudition of its literary tongue. Classical Arabic poetry has made the Arabic tongue an
inexhaustible, bottomless, and endless intention, with its wealth of description, correlations,
and profound connotations that made it grander to other tongues. “Arabic verse was countless
in number and is transmitted from mouth to mouth” (Dahami, 2015). It is said that poetry is the
tongue of superiority among the clans and kinfolks in the past via their mastery of the standard
Arabic tongue. The Arabs, all over Arabia, ancient and modern, overestimated Arabic poems,
since it is the bequest that they have received. Most of the tribes and clans in Arabia were skilled
in delivering poems and therefore acquired the morality of authority among others.
Arabic poetry has a pronounced appeal to its hearers and connoisseurs since every person who
listens to satisfactory Arabic poetry is captivated and pleased. The fascination is obvious
whether the listener is, notable or below, rich or poor. It can be stated that the aspiration for the
poetic uniting of the trustworthy Arab poet lies in the appetite and affection for the Arabic
tongue, and it should be observed that Arabic poems are of various natures. They are countless
as they begin to be conveyed from a person to a person and from one generation to another.
Many critics, poets, and scholars recognize that poetry in the Arabic tongue is full of delight
and euphoria that shook the approaches of conscience via tongue and its abundant and graceful
terminologies. Poetry portrays a necessary role in Arab society. Such is the magnificence of the
Arabic expression and inflection with its compound and gorgeous movements, with its
perpetual and unceasing dependence on phonetic associations in addition to the profundity of
its connotations. Modern Arab poets frequently maintain that Arabic poems have key positions
in the arising renovations of cultures and people.
Historically, the inkling of poetry as an art is developed through the mastery and artistry of
Arab poets. The poet, since before Islam, is the prophet of his clan, their guardian in peace, and
their supporter in a fight. The whole clan was gratified to reveal the advent of a poet, protector
of its concords, and singer of its grandness and glory. Arabic poetry is an official measure to
record Arabs’ glorious, splendid, and wonderful manners.
Critics such as Ibn Khaldoun highlight that poetry for Arabs is an unmatched deed. History and
experience are associated, and it is similarly the dominant reference point for wisdom,
experience, knowledge, insight, and erudition. To repeat Ibn Khaldoun 1958, “(Poetry) in the
Arabic language is remarkable in (its) manner and powerful in (its) way” (p. 373). The leads
and clannish descents with the praise of morals and respect values for instance tolerance,
generosity, courage, boldness, and cordiality. The Arabic language was and still is the impetus
4. International Journal of Applied Research in Social Sciences, Volume 4, Issue 4, June 2022
Dahami, P.No. 147-157 Page 150
and stimulus for the development of many sciences, particularly the sciences of literature and
language.
The classical Arabic tongue is abounding with proverbs, intelligence, knowledge, and insight.
It is an uncontaminated illustration of the classic of Arab integrity, which devotes itself to the
Arabic expression muruwwa. Correspondingly, the opinion is supported that the “classical
Arabic poetry is the literary canon from which medieval Arab linguists, genealogists, and other
scholars take evidentiary verses (shawiihid) to support their arguments. In this way ancient
poetry ‘judges’ many a scholarly case” (Dahāmi, 2020; Gruendler, 2002, p. 257). Lying on that,
it can be identified that the passion for a poetical arrangement is affectionate in the Arabic
tongue.
Conception of Home
The poet Abdus-Salam Hashem Hafeth, whose nickname is Al-Madani, refers to his birth and
life in Al-Madinah. In his poetry, he took care a lot of the concept of homeland and was
concerned about its high and dear stature. “It is important to point out that the existence of the
homeland in the modern poem was paralleled by a richer presence of the mother Arab poem,
which, since its ancient history, devoted itself to the place” (Aal Hammadi, 2015). There is no
doubt that the meaning of homeland carries deep sorrows for those with abundant feelings,
which turn into images and metaphorical drawings in the minds of his listeners and readers of
his poetry.
Therefore, the poetic image is considered by all poets, in particular by the Arab poets. They are
capable of classical Arabic and possess the most important and most distinguished elements of
poetry in achieving the creative aesthetic. The poetic image is a cornerstone of basic literary
work. The poetic image is also one of the building blocks on which the poet leans and relies on
conveying the faculties of his thoughts, emotions, and feelings.
When the poet resorts to the image and the symbol, he seeks from this to create a kind of
influence on the conscience and the reputation of the recipient of his poetry. In addition, the
poetic image makes the listener lives the experience that the poet draws and expresses, and the
listener interacts with it negatively or positively, whether the expressed experience stems from
the poet himself or the outer world. In general, he senses it and brings it to his surroundings, so
he gathers its elements and does not disperse them. The poet lives with it internally and merges
with it. Then he expresses it in the form of a picture or a drawing and transmits it to the receiver
to make him participate in being affected by what he draws and turns it into a story with an
experience the poet shares with the homeland and those who live on this homeland. See more
at (Sayed, 1999, p. 355).
Abdus-Salam Hafeth: Arabic Saudi Poet Adores the Homeland
Abdus-Salam Hashem Hafeth is one of the poets who accompanied the beginning of the modern
literary awakening in the Kingdom of Saudi Arabia. Hafeth was born in the shadows of Al-
Madinah but the date of birth is not confirmed. There are those who said he was born in the
year 1929, and others said in 1927. He grew up and was educated in the traditional school
known as Al-Kuttab as was the custom of the educational process in various aspects of the
Arabian Peninsula. At an early age, he was able to memorize parts of the Holy Qur’an. He
traveled to a number of sheikhs and preservers of the Hadith of Prophet Mohammad. His
brilliance was apparent as he inquired of professors and scholars. Abdus-Salam benefited from
their knowledge in a number of multiple and important sciences for society, which had a great
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and positive impact on building its fabric and linguistic and literary unity from the beginning.
In addition, He was helped by his various readings and interpretation, besides his work in the
field of education and literature.
Abdus-Salam Hafeth is a creative poet and writer, born, educated, and raised in one of the
holiest and purest places on earth. In this tender city, Al Madinah, he drew his inspiration from
its sacred environment. Hafeth is considered one of the leading modernist thought leaders in
the Kingdom of Saudi Arabia. He is one of the pillars of the literary movement in the Kingdom,
who is hoped to bear its literary and cultural fruits, which is closely linked to one of the
important entities that is the Arabic language.
Despite the great difficulties that stood before him, he was not defeated, but he began to satisfy
his inclinations and satisfy his literary desires through reading and writing. Abdus-Salam
Hafeth was influenced by his private studies through several symbols of the Arab literary and
cultural movement, such as Al-Rafi'i, Jubran, Ali Mahmoud Taha, and many others.
Undoubtedly, the wide knowledge and acquisition of many types of literary understanding
made his intellectual faculties free and unrestricted as a result of the diversity of sources and
intellectual awareness that he acquired.
However, despite this, he does not compromise the rules associated with the transcendence of
the Arab traditions that were brought by the true religion. Abdus-Salam Hafeth has written
many articles that were published in the most important and famous literary newspapers, such
as the Saudi newspaper Al-Bilad, as well as Al-Manhal magazine, which was issued from
Makkah Al-Mukarramah.
Abdus-Salam Hafeth excelled in many branches of literature and culture and has written many
books. One of his productions is the historical literary publication entitled Al-Madinah Al-
Monawarah in History. Another literary production is a poetic epic entitled Raheb Al-Fikr (The
Monk of Thought) and In the Mihrab, as well as dozens of other literary, historical, cultural,
and societal contributions. Many critics comment that Hafeth's poetic style tends to be renewed
in which the topics of poetry revolved mainly around the problems of the East and the
development of treatments. One of the topics that took a wide space in his poetry is the quest
for transcendence in order to reach a better life for humanity. Another space is about the
homeland.
It is the love of the homeland that carries inside the poet abundant feelings that fill the hearts
of every human being towards their homeland. “The phenomenon of nationalism is a general
human sensation. The Arab poet has preserved for us many creative texts that testify to the
poets' affection for their homelands, for example, the poem of Malik ibn Ar-Raib, in which he
laments himself the time his death approached when he was far from his homeland. It is a
picture of the Arab associated with a place, which is the homeland” (Anabtawi, 2016, p. 61).
However, only the capable poet can reveal this love and that fondness who can bring what is in
the heart to the page of history. It is Abdus-Salam Hafeth who owns these faculties through
which he proclaims his love for his dear homeland, the Kingdom of Saudi Arabia. Hafeth wrote
many patriotic poems that testify to the length of his writing, particularly in poetry.
Arabic poetry is considered one of the oldest and deepest poetic springs among Arab poets,
including the poets of Hejaz until words and meanings became among the most prominent
features of Arabic poetry for all purposes. There is a permanent correlation between language
and poetry, such as the connection between a mother and her infant. Throughout history and
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time, the nature of the relationship between language and poetry was not shaky or weak, but
rather a close relationship, linked to an integrative relationship. Neither poetry is useful without
the language, nor does language dispense with poetry, its beauty, its symbolism, and the depth
of its meanings that spread its goals.
Poetry occupies a strong position among poets and among the rulers of people, and the same
among the common people who love beauty. It is able to serve the language in many
circumstances, in peace and the hours of battle, in glorification and pride in the homelands.
“Poets focus on the homeland as a major poetic representation, which represents the identity
that an individual feels through belonging to when the poet sings about home, glorifies it and
highlights its beauty and pride” (Ash-Shams, 2021, p. 19). It may be said that the national trend
and the concerns and love of the homeland according to the poet Abdus-Salam Hafeth takes a
wide space at the expense of many intellectual trends until the end of his life. Abdus-Salam
Hashem Hafeth died in 1995 in Al-Madinah, at the age of sixty-eight.
Nostalgia, Oh my Home: The Poem Analysis
The human being is associated with his home and place of residence, where he/she constantly
evokes the avenues of his childhood and youth. The association and devotion are an innate
tenderness and a congenital tendency. It may be said that the affinity to the homeland is formed
with man and grows with him so that it becomes part of his cognizance. The extrapolation of
the Arab human heritage divulges the association that takes multiple dimensions of contrast.
There is a kind of relationship that shows the side of respect, admiration, and love, and there is
another side that shows pain, nostalgia, and eagerness. Many Arabic poems - one of them is the
poem under study - represent this relationship with its various and varied forms and dimensions,
which imply nostalgia for the homeland.
Abdus-Salam Hafeth's poetry carries feelings of love, pride, and admiration for his homeland.
The poem begins with the word (يِناَط ْوَأ َو يِقاَبال ى َوَهال ُّرِس َو ي ِ
ارَد), which bears his thoughts, and it
is a reference to the status of Al-Madinah and its remarkable history. In this poem, feelings of
love and nostalgia for the homeland ignite at the time the poet is away from home for long or
short periods, and a reason or more. It generates a feeling of alienation and nostalgia then
fondness. In his poem entitled ‘The Nostalgia, Oh my Home’ the poet sings:
1
ي ِ
ارَد .
ُّرِس َو
ى َوَهال
يِقاَبال
يِناَط ْوَأ َو
اَي
َةَبْيَط
ِ
ورُّنال
اَي
ي ِوحُر
( يِناَدْجِو َو
Hafeth, 1993, p. 592
)
1. My home and the secret of the lasting fondness and my homeland
Oh Teebah of light, oh my soul and my sentiment
In the first verse line of the poem of Abdus-Salam Hashem Hafeth, the poet commences his
thoughts with fondness, obsession, and infatuation with his home. In fact, it is not only his own
home but also the home of all who possess such an ascending dream for a dignified country,
city, town, or even village. The poet, like many of the great ancient poets of the period before
Islam, makes the first word of the line to mention ()الدار addar referring to the house, the home,
or the dwelling place. The ancient great poets, particularly the poets of Al-Mua'llagat used to
mention, in the introductory lines, the houses, and homes of their beloved and dear ones. Zohayr
ibn Abi Solma is one of the most important poets of the Pre-Islam age. He is an obvious example
who mentioned the place of dwelling in his first line of Al-Mua'llagah. “Al-Mua'llagah of
Zohayr starts with the following line” (Dahāmi, 2021b).
ِـمَّلَكَت ْمَل ٌَـةنْمِد ىَف ْوَأ ِمُأ ْنِمَأ
( ِـمَّلَثَتُمالَف ِاج َُّّردالـ ِةَناَم ْـوَحِب
Az-Zawzani, 2011, p.72
)
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These ash-covered ruins, that did not talk to me, in Hawmanat Al-Darraj and Al-Mutathallami,
where they ever the dwelling place of Um Awfa (Maso'd, 2013)
Zohayr ibn Abi Solma commences this poem like all of the pre-Islamic poets, who, in the
opening of their poems, used to stand on the remnants of a beloved. The poet asks about the
homes and lands of Umm Awfa in which he points out the years that have passed. These years
passed to the degree that Umm Awfa no longer identifies [with] him and their virtual and
platonic relationships. The lands that were inhabited by Umm Awfa are names of belonging the
poet wanted to make a piece of touchable evidence about his kinsmanship (Dahāmi, 2021b).
Furthermore, “Umm Aufa, whom our poet calls at the opening of his Mua’llagah, is the first
wife of the peacemaker poet. All of the children Zohayr had had from her having died either at
the time of giving birth or at a young age” (Dahāmi, 2019a). The second instance is Tarafah
ibn Al-A’bd. He is “one of the greatest Arab poets ever” (Dahāmi, 2018). In his Mua’llaqah,
he says:
ِةَق ْرَيِب ٌلالْطَأ ولة ِلخ
ِدَمْهَث
في ِمْش َوْال اقيَبَك ُحوُلَت
( ِدَيْال ِ
ِرهظا
Az-Zawzani, 2004, p. 71; Ibn Al-A’bd, 2003,
p. 25
)
The remains of Khawlah’s dwelling in the stony track of Thahmad that shines like a tattoo on
the surface of the hand.
Tarafah speaks about his beloved's ruins symbolized by the vestiges of tattoo marks on
the surface of a girl’s hands. Readers look to share the poet's bafflement, anxiety, and
astonishment over the traces of the dwellings. Such dwellings are in tune with what
occupies the mind and heart of the poet. Al-Atlal refers to ruins, relics, traces, or remains
of the beloved's abandoned place (Dahāmi, 2018).
The next example is Al-Harith ibn Hillizah who refers to ()الدار addar in the second line of his
Mua’llagah saying:
َـانَل ٍدـْهَع َدْعَب
ُبِب
ِةـَق ْر
ـاَّمَش
َـىنْدَأَف َء
َـاه ِ
ارَيِد
ُءاَصَْلخال
(Ibn Hillizah, 2020, p. 13; Az-Zawzani, 2011,
p.153)
After sweet times we spent together in Bargat Shama; her home came closer to Al-Khulsa,
It is natural that the majority of the great poems of pre-Islam contain a sort of pain as a
result of parting, valedictory, or departure. The reader/critic easily find[s] censure,
condemnation, blame, or admonition. Bargat Shama ( ِةـَق ُْربِب
َءـاَّمَش ) and Al-Khulsa
(ُءاَصَْلخ)ال are places, which denote the places they used to meet in their earlier years of
courtly love among dignified people. We might conceive that the area of the beloved
Asma is near these mentioned places. Not only that but also the poet refers to the new
residence of his beloved as the new place called Al-Khulsa after she used to dwell in
the old place of Bargat Shama ( ِةـَق ُْربِب
َءـاَّمَش ) (Dahāmi, 2019b).
Among the other examples is Mua’llagat A’mru ibn Kolthoum who mentions in the eighth
verse line:
ُْتب ِ
َرش ْدَق ٍ
َأسك َو
ِكَبَلْعَبِب
َقْشَمِد في ى َرْخُأ َو
( ينا ِ
ر ِ
اصَق َو
Al Qurashi, 2016, p. 117
)
Several times, we drank, in Baalbek, others in Damascus and Cacerin.
Confirming being a rational man and brave, the poet says that he is accustomed to the drink
because has drunk several times in different cities and places such as Baalbek and Damascus
(Dahāmi, 2019c).
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Abdus-Salam Hafeth does the same but with different dimensions. He glorifies his own home,
his own love, and his own loyalty. In this first line, the poet passionately expatiates his thoughts
deeply to expose his inner thoughts about his city, Al Madinah Al Monawarah, the second holy
city in Saudi Arabia.
The poet imagines that he is conversing with his home. The dialogue is conceived through the
second hemistich when the poet addresses his soul saying (يِناَدْجِو َو ي ِوحُر اَي ِ
ورُّنال َةَبْيَط اَي), ‘Oh
Teebah1
of light, oh my soul and my sentiment’. In his speech about Al Madinah, the poet
expresses that his home is protected inside himself. It is his essence, infatuation, and delight. It
is an ascending reaction and sincere feeling about the love of home. From this point, critics
might understand that home is not something external but, on the contrary, internal.
Furthermore, it can be both internal and external. The poet continues his argument by revealing
(يِناَط ْوَأ َو يِقاَبال ى َوَهال ُّرِس َو ي ِ
ارَد), ‘My home and the secret of the remaining craving and my
homeland’. This part of the verse line indicates that the poet, Hafeth, shows great and deep
passion and sentiment before mentioning his city, which reflects that his home is valuable to
an incomparable degree. Al Madinah for the poet, as a part of the great country, is not only the
dwelling place but also it is the secret of the desire. It is a profound feeling for the whole country
that is represented in the city.
ي ِ
ارَد
ُّرِس َو
ى َوَهال
يِقاَبال
َو
يِناَط ْوَأ
اَي
َةَبْيَط
ِ
ورُّنال
َي
ا
ي ِوحُر
يِناَدْجِو َو
dari wasirr alhawaa albaqi wa awtani ya taybat alnnur ya ruhi wawijdani
As it is the nature of poetry, there should be an indication of the poetical devices. No poetry
without rhythm, cadence, tone, foot, alliteration, assonance, consonance, intonation, or some
of them. In this first line, we can discover inner rhythm as in the words (ي ِ
ارَد) dari, which means
‘my home’, (يِقاَب)ال albaqi, the remaining, (يِناَط ْ)أو awtani, my homelands, and (ي ِوحُ)ر ruhi my
soul, in which the reader/listener with a sensitive ear to music can realize variation of repeated
alliteration. The rhythmical beat is in the last sound of all these examples.
2
ُق ْوَّشال .
َي
ا
اَم
َّرَمَأ
َق ْوَّشال
ِف
ي
ِيدِبَك
ىَلَع
َانِتَنِيدَم
َو
َِنكْسَمال
يِناَحال
2. Longing, O how longing is unsweetened in my liver
Over our city and the affectionate dwelling
The second verse line of the poem is associated with the first but with a deeper connotation.
Longing naturally is sweet but the poet, Abdus-Salam Hafeth, depicts a contrary picture of the
result of yearning. According to the poet, yearning is gloomy because of the deep fondness and
feeling inside his heart. Sadness, which the poet suffers, is due to remoteness. The poet is
traveling away from his city and kingdom. The poet shows a sort of wonder, bewilderment, and
perplexity, however, the reason behind that is not clear. The reader/listener might realize that
the fondness of the poet is austere. The austerity is a picture over his city and the affectionate
dwelling, Al Madinah but still, there is a bit of ambiguity since the real reason is veiled. The
ambiguity might be disclosed in the next line/s.
3
ٌماَع .
ْكَأ َو
ُرَث
ْدَق
َو
ىَّل
ُْتد ِ
ز َو
ى ًوَج
يِف
َرْصِم
ًاب ِ
َرتْغُم
ُق ْوَّشوال
َأ
يِنَانْض
3. A year and more has passed, emotional state has increased
Moved abroad to Egypt, the fondness has languished me.
1
Teebah is one of the names of Al Madinah Al menorah and the Arabic meaning refers to goodness.
9. International Journal of Applied Research in Social Sciences, Volume 4, Issue 4, June 2022
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Yes, it is in this third verse line of the poem of Abdus-Salam Hashem Hafeth in which the
ambiguity is revealed. The poet is out of the country for more than a year. Such remoteness
from home created a state of homesickness, missing, and yearning. The time spent in Egypt
increased the poet's agony because there is an obstacle that prevents him from feeling glad in
his home, the city, and the country. Egypt is a very attractive, fascinating, and charming
country. Nevertheless, all such positive qualities of the place he dwells in, his love and passion
for his birth city surpasses all other glories.
4
ُلَِقنُأ .
َف ْرَّطال
َْنيَأ
ُ؟لْهَألا
َْنيَأ
؟ُمُه
يِلْهَأ
َانُنِط ْوَم َو
يِلَاغال
ي؟ِناَدْجِو َو
I move the eye, where are the families? Where are they?
My family, our precious home, and my affection, where?
One of the most significant verse lines of the poem is this verse line. It presents the focal and
crucial theme of the love, admiration, and appreciation of home – Al Madinah and the kingdom.
Al Madinah is the small dwelling place and the kingdom is the big home. In this fourth line, we
can find the climax of the action. It is an inner action dealing with the feeling and sentiments.
The action starts with the moves and winkles of the eye. The eyes twinkled here and there
searching for a sign to guide him grasping traces of the family and home.
The poet knows but the state of love and longing creates inside him a sentimental state
expressing his spirit and inner emotions toward his home. It is an obvious declaration to
measure the profundity and depth of the poet's reaction toward home. The reader of the line
might conceive that there are two kinds of the eye. The first is the concrete eye, which people
see by it. The second is hidden which not many people can use but the learned, erudite, and
wise ones. Abdus-Salam Hafeth is one of them.
Abdus-Salam Hashem Hafeth is a prominent Saudi and Arabic poet. The proof is not only
his deep connotations, passion, and feeling but also his skill with poetic devices.
ُلَِقنُأ
َف ْرَّطال
َْنيَأ
ُ؟لْهَألا
َْنيَأ
؟ُمُه
يِلْهَأ
َانُنِط ْوَم َو
يِلَاغال
ي؟ِناَدْجِو َو
anqqilu attarf ayn alahlu? ayn humu? ahli wa mawtinuna alghali wa wijdani?
In this verse line, we find a metaphorical portrait comparing the eye with an instrument. The
eye can be moved and controlled searching for something hidden or unseen. The poet, Hafeth,
did not use the word eye as a direct sensation but replaced it with a symbolic one ( َف ْرَّط)ال attarf
that refers to the sight resulting from seeing. In addition, we can find total alliteration in the
interrogative word (َْنيَأ) ayn of the first hemistich as well as in the conjunction ( َ)و wa which
means and. In addition, we find rhythmical semi alliteration in sounds like (ُلْهَأل)ا alahlu and
(يِلْهَأ) ahli.
CONCLUSION
Home is a crucial theme in Arabic poetry in general and in Saudi poetry in particular. Abdus-
Salam Hashem Hafeth's poetry has presented and proved that it carries feelings of pride, and
admiration for the homeland. Al-Madinah is a remarkable city in history, consequently, the
poet, via his poem, bears his thoughts and it is a reference to the status of home-loving. In this
poem, feelings of love for the homeland are provoked and aroused when Abdus-Salam Hafeth
is away from home whatever the reason or the period is. In his poem entitled ‘The Nostalgia,
Oh my Home’, the poet has generated a feeling of alienation and homesickness then longing.
10. International Journal of Applied Research in Social Sciences, Volume 4, Issue 4, June 2022
Dahami, P.No. 147-157 Page 156
The poem concludes with a fondness for the city and the big home, the kingdom. Abdus-Salam
Hafeth via poetry has presented fulfillment and hegemony of phraseology with the vivacity of
eagerness and vision, particularly the point, which deals with home and nationalism.
Commonly, the poem of Hafeth could be assessed as one of the praiseworthy connotations of
Saudi poetry. The poem comprises stimulating contemporary approaches to Saudi and Arab
poetry concerning nationality and love of home within the modern age. The poem of Abdus-
Salam Hashem Hafeth is measured as one of the admirable significances of the poetic efforts
in Saudi Arabia. ‘The Nostalgia, Oh my Home’ contains an exciting contemporary viewpoint
among the Saudi versifiers during the twentieth and twenty-first centuries.
Recommendation
One of the negative points faced by the researcher is the scantiness of references and materials
in English about the poet and his poetry irrespective of the fact that Abdus-Salam Hashem
Hafeth is a prominent national poet of Saudi Arabia. The poetry of Abdus-Salam Hafeth is
considered among the great heritage of the nation. It is recommended that the literary works of
Hafeth need to be paid with great consideration through investigations and studies. Researchers
are requested to do further analysis on the poet and his poetry owing to the worth of examining
the mind of Abdus-Salam Hafeth as a great Arabic poet representing an example of the Saudi
pioneers who contributed to the evolution of the Saudi Arabic poetry.
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