1. J. S. Bach Research Paper
During this Essay I will discuss the employment situation of J.S. Bach, With reference to aspects of patronage, Social status and/or pedagogy. I will
also include some analysis of the relationship between J.S. Bach's working conditions and aspects of his compositional output. Bach is The beginning
and end of all music." (Max Regar, German composer)
It has been said by many critics that Johann Sebastian Bach is one of the most influential composers of all time. It is evident that in Bach's lifetime,
excluding Opera, he seemed to master almost every genre of music existing in his lifetime as well as helping to invent several new ones, the most
recognisable of these creations was the keyboard sonata. However, soon after Bach's ... Show more content on Helpwriting.net ...
He finally seemed to be treated with more respect. His new employer, Prince Leopold loved music and Bach was a highly valued member of his
entourage. During his time in Cöthen Bach focused more on composing secular cantatas. In 1720 Bach first wife Maria Barbera passed away.
Shortly after the passing of his first wife he met his second wife Anna Magdalena Wilken who was also employed to the court in Cöthen. Records
differ however it is though that Anna was employed either as a singer or musician. 6 months after their wedding Bach left Cöthen moved on to his
next work opportunity in Leipzig in May
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2. The History Of Bach And The Baroque Era
Transitioning from the Renaissance Era to Baroque Era introduced a new approach musical styles, such as concerto and sonata. Coming from the
Portuguese term barroco, or "oddly shaped pearl", the Baroque Era was heavily influenced with the Catholic Church from the early 1600s to the
1700s. The Renaissance Era focuses on the exploration, discovery and rebirth; on the contrary, the Baroque Era focuses on the Catholic Church and
its exaggerated expressions. The Baroque Era came out with European Western compositions that most of us are familiar with today, such as
Pachelbel's Canon and Vivaldi's Four Season. Along with the eras well known compositions, the Baroque Era also included well known composers
like Vivaldi and Handel. However, J.S. Bach is perhaps the greatest composer of all times during the Baroque Era with famous pieces such as Toccata
and Fugue in D Minor, Mass in B Minor and Brandenburg Concerto. J.S. Bach, short for Johann Sebastian Bach, is a prominent composer during the
Baroque Era. Bach was born in Eisenach, Thuringia, Germany on March 31, 1685. He is the youngest son of his parents, Johann Ambrosius Bach and
Elizabeth Lammerhirt Bach. Because he came from seven generations of musicians, it was not unusual that Bach became a musician and composer
himself. In fact, Bach's father and brother are both church organist. Although Bach is well known for his organ skills, his musical career did not start
with an organ. In fact, it started with violin lessons with
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3. The History of the Piano Essay
The History of the Piano
The history of the piano, and his technique born, of course in close relation with the others keyboard instruments especially with the clavichord, his
predecessor. The transition from the clavichord to the piano bring to us very interesting information about piano technique and the problems that the
musician from that time had to confront.
The piano technique, the works for piano, the composers, recitals, auditions and all around the piano history have absolute relation with the
manufacture and progress of the instrument construction and the possibilities that the piano could give to pianist and composers.
At the same time the piano was showing up, a new music style was emerging. It was the homophonic style, ... Show more content on Helpwriting.net ...
The piano had been invented in Italy but the rest of Europe would be in charge of the manufacture and development of the instrument. The first big
difference from manufacturers appeared between England and Vienna's pianos. The Viennese was light in action, with relatively little carrying
power, and virtually no pressure was needed to depress the keys. The English piano was bigger, more heavily strung, more brilliant and not so easily
to manipulate. Also it have to be added that in German was almost unknown the use of pedal whereas in England pianist had adopted an own style
where included the use of a large pedal.
During the development of the piano, it took pianist time to forgot about harpsichord or clavichord technique and concentrate on what the piano had to
offer. This involved complete reorientation in fingering, in touch, in the basic philosophy of sound. J S Bach and maybe Domenico Scarlatti had
probably worked out the basic principles of modern fingering, but Carl Philipp Emanuel Bach and Johann Christian Bach were who had a real contact
with the new instrument. They composed and codified keyboard technique of their times.
Mozart knew stein's pianofortes in one of his tours in 1777 and he was very surprised, he adopted immediately starting to compose for pianoforte since
that year. He had a Clavichord technique but he was fascinated with it and
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4. Johann Sebastian Bach Essay
Johann Sebastian Bach was one of the greatest composers in Western musical history. More than 1,000 of his compositions survive. Some examples are
the Art of Fugue, Brandenburg Concerti, the Goldberg Variations for Harpsichord, the Mass in B
–Minor, the motets, the Easter and Christmas
oratorios, Toccata in F Major, French Suite No 5, Fugue in G Major, Fugue in G Minor ("The Great"), St. Matthew Passion, and Jesu Der Du Meine
Seele. He came from a family of musicians. There were over 53 musicians in his family over a period of 300 years.<br><br>Johann Sebastian Bach was
born in Eisenach, Germany on March 21, 1685. His father, Johann Ambrosius Bach, was a talented violinist, and taught his son the basic skills for
string playing. Another ... Show more content on Helpwriting.net ...
In Weimar, he assumed the post of organist and concertmaster in the chapel. He remained in Weimar for nine years, and there he composed his first
wave of major works, including organ showpieces and cantatas.<br><br>By this stage in his life, Bach had developed a reputation as a brilliant, yet
inflexible, musical talent. His qualities on the organ was unequaled in Europe, in fact, he toured regularly as a solo virtuoso. His growing mastery of
compositional forms, like the fugue and the canon, was already attracting interest from the musical establishment – which, in his day, was the Lutheran
church. But, like many people of great talent, he was never very good at playing the political game, and consequently suffered drawbacks in his
career. He was passed over for a major position, which was Kapellmeister (Chorus Master) of Weimar, in 1716. Partly in reaction to this situation, he
left Weimar the following year to take a job as court conductor in Anhalt–Cothen. There, he slowed his writings of church cantatas, and instead
concentrated on instrumental music. His time Anhalt–Cothen in period produced, along with other masterpieces, the Brandenburg
Concerti.<br><br>While at Cothen, Bach's wife, Maria Barbara, died. Bach remarried soon after to Anna Magdalena and went ahead with his work.
He also went ahead in the baby making department, producing 13 children with his new wife – six of which survived
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5. E Bach 's Influence On The Empfindsam Style And Future...
C.P.E Bach's Influence on the Empfindsam Style and Future Composers Carl Phillip Emmanuel Bach is listed in many history books as an important
transitional composer between the baroque style and the classical style without giving specific reasons why. This essay focuses on the significant
contributions C.P.E Bach made tomusic theory and the way music was performed. This essay will also cover his influence on the emerging
empfindsam style and the inspiration he gave his musical successors, such as Haydn and Mozart.
C.P.E Bach believed music should achieve a connection with listeners on the emotional level. He himself was influenced by the Enlightenment and it
came out in his view of music and his very individual compositional style. He ... Show more content on Helpwriting.net ...
His sonatas effectively capture the idea of continuously changing emotions, which is a key feature of empfindsam style. C.P.E. Bach's genius in his
contributions to keyboard playing and composition are often skimmed over. He is gets lost in the transition between his father J.S. Bach to Haydn
and Mozart. By the time Haydn and Mozart came to the forefront of the new classical music Bach's fingering for scales and fundamental bass was
widely used. C.P.E. Bach did not agree with many of the existing treatises on music theory including a leading music theorist Rameau. His largest
disagreement was with Rameau's ideas on fundamental bass. Fundamental bass is what is known as the root of chords today. Bach recognized that
there were more chords than Rameau having only one root but having several qualities. Lester says that Rameau's ideas are regarded as an important
predecessor to music theory but is criticized about his idea that chords had two different roots (157). According to Mitchell, William J., Bach
recognized twenty chords some of which are variations of chords including subtypes and chromatic alterations. Bach also disagreed with Rameau on the
behavior of chords. He believed that the intervals in the transitions between chords were important beyond the base notes of the chords. He emphasized
context and
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6. Johann Sebastian Bach Research Paper
Johann Sebastian Bach was a German composer and musician of the Baroque period. He was born on July 28th, 1750. Bach was born in Eisenach, in
Germany, into a great musical family. His father Johann Ambrosius Bach was the director of the town musicians, and all of his uncles were
professional musicians. It is believed that his father probably taught him to play the violin and harpsichord, and his brother Johann Christoph Bach
taught him the clavichord and exposed him to much contemporary music. At age seven, Bach went to went to school where he received religious
instruction and studied Latin and other subjects. His Lutheran faith would influence his later musical works. By the time he turned 10, Bach found
himself an orphan after the death ... Show more content on Helpwriting.net ...
However there is no clear evidence that Anna Magdalena composed music, nor that she studied a string instrument. Jarvis reports when he was
studying the works in his youth he sensed that they differed from other music by Bach. The lead to these accusations can be caused by the idea that
feminism and equality is to be promoted through history and currently. The idea of speculation if in fact true is due to the fact women were underrated
and not deemed worthy to write and publish music unlike men in the history of music. Like many previous female musicians whom had to publish
under male names and titles. As Amy Beth Kirsten has said "A classical–music world dominated by the past will, inevitably, be one dominated by men.
Instead of trying to invent a female Bach in prior centuries, let's seek her in the
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7. J.S. Bach Flute Sonata in B Minor (Bwv 1030): the...
J.S. Bach Flute Sonata in B minor (BWV 1030): the development of the Baroque Flute, the flautists and the music Johann Sebastian Bach (J.S. Bach)
is no doubt one of the greatest composers of all times. He composed many works for flute including works for solo flute, flute with harpsichord and/or
continuo and, two flutes and harpsichord. However, there has been a controversy, over theflute works, whether they were composed solely by the
composer, assisted by someone or under the guidance of J.S. Bach. In addition, some scholars doubted that some of works are not written for flute and
they are actually transcribed for flute by the composer. Especially, the Sonata in B minor (BWV 1030) raises most number of controversies.
The J.S. Bach ... Show more content on Helpwriting.net ...
There are, generally speaking, eight different kinds of flutes including concert flute, descant flute and flute d'amour. Different kinds of flutes appeared
in different pitches.5 In the music that Bach wrote for flute, he did not, like all the composers at that period of time, specify the type of flute they
writing for. In addition, there is a possibility that different flutes were used in different performances. All flutes were written as if they were in the key
of D especially in the first quarter of the 18th century. As a result, it is difficult to judge which flute the composer had in mind from the music.6 In the
journal "J. S. Bach's Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology" by Robert L. Marshall, he suggests:
"It is still widely believed that Bach wrote eight works for the solo flute. But the view that has prevailed among Bach specialists for the past fifteen
years is that the rather similar Sonatas for flute and harpsichord obbligato in G Minor (BWV I020) and E Flat Major (BWV io31) were probably
composed by someone else–most likely Carl Philipp Emanuel Bach––and that the Sonata in C Major for flute and continuo (BWV 1033) was written
by one–or two–of Bach's students (one of them, again, might have been Emanuel Bach), presumably in part under the composer's active supervision
and intervention." 7
This suggestion probably comes from the lack of normal musical style in his writing. Moreover, his writing shows no
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8. Music At The Blasius Church
Bach was able to convince the church and town government at MГјhlhausen to fund an expensive renovation of the organ at the Blasius Church. In
1708 Bach wrote Gott ist mein König, a festive cantata for the inauguration of the new Council, which was published at the Council 's expense. In
1708, Bach left MГјhlhausen, returning to Weimar this time as an organist. In 1714 he became the Director of Music at the ducal court, where he had
an opportunity to work with a large, well–funded contingent of professional musicians. Bach and his wife moved into a house close to the ducal
palace. Later the same year, their first child, Catharina Dorothea, was born, and Maria Barbara 's elder, unmarried sister joined them. She remained
to help run the household until her death in 1729. Three sons were also born in Weimar: Wilhelm Friedemann, Carl Philipp Emanuel and Johann
Gottfried Bernhard. Johann Sebastian and Maria Barbara had three more children who however did not live to their first birthday, including twins
born in 1713. Bach 's time in Weimar was the start of a sustained period of composing keyboard and orchestral works. He attained the proficiency and
confidence to extend the prevailing structures and to include influences from abroad. He learned to write dramatic openings and employ the dynamic
motor rhythms and harmonic schemes found in the music of Italians such as Vivaldi, Corelli, and Torelli. Bach absorbed these stylistic aspects in part
by transcribing Vivaldi 's string and
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10. Keyboard Sonata And Scarlatti Similarities
The pieces Sonata in A Major, H. 186, Wq. 55/4, keyboard sonata, excerpt: Second movement (1765) by Carl Philipp Emanuel Bach and Sonata in
D Major, K. 119, keyboard sonata (ca. 1740s) by Domenico Scarlatti are both very unique pieces. Both Carl Philipp Emanuel Bach and Domenico
Scarlatti were keyboard composers during their time in the 1700's. Both of their pieces have more similarities then they do differences. One similarity
that stands out the most in these two pieces is that they are both keyboard played sonatas. Both pieces are in major key and have a very unique
melody. Even thought Domenico Scarlatti's piece is a little more disjointed or harsh sounding, it still has a soothing melody in the majority of its
course. Both Carl Philipp
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11. A Music Faculty Recital At Prince George 's Community College
"A Music Faculty Recital" at Prince George 's Community College was actually the very first concert I've been to that included Baroque style. The
environment created a nostalgic yet modern and elegant mood; something that made you feel like you were in the late 1700's yet still in modern times.
The songs were mostly enjoyable and we 're all well played. This concert included an ensemble: the flute, the cello, the piano, and the harpsichord.
Peggy Bair, who played the flute, was very enthusiastic. Irma Cripe, who played the cello, was quiet for the first part of the concert but gradually
became more important throughout the concert. And lastly, the virtuous Gary Kirkeby, who played the piano and harpsichord, served as the backbone
of all parts of the concert and made this concert very enjoyable.
When the concert first began, the three instrumentalists walked with energy despite their age. The first song, "Sonata I in G–Major Op. 2, Nr. 1" by
Michel Blavet, was a Baroque Sonata. There were five movements and was played by the harpsichord, flute, and cello. All movements of the song were
polyphonic because of the three instruments that had different parts and equal importance. In the first movement, I noticed that the flute tended to rise
in pitch. In the second movement, I noticed that the melodies often repeated. Throughout the rest of the song the tempo changed from fast to slow and
the flute would usually take the lead. On the last movement, the cello and the harpsichord
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12. Franz Joseph Haydn's Music
Franz Joseph Haydn (1732–1809), is one of the eminent composers of the Classical period. "He is best known for his symphonies and string quartets,
which established standards of quality, style, content, form, and expressivity that other composers emulated." Haydn spent most of his career serving
the EsterhГЎzy family (1761–90), which isolated him from the music world, but forced him to become original, as he himself wrote. Carl Philipp
Emanuel Bach (1714–1788) greatly influenced Haydn. He was fascinated by the expressive style of C. P. E. Bach, and adopted its passionate quality.
The majority of Haydn's keyboard compositions are sonatas. His other keyboard works include piano trios, theme and variations, dances, fantasias, and
capriccios.... Show more content on Helpwriting.net ...
In Carnaval, although Schumann mentioned that the music was written first and the title chosen afterwards, the titles express his intimate world and
musical thoughts. Many titles are representative of real life people. Chiarina is a portrait of Clara Wieck, and Estrella is Ernestine. His friends and
musical contemporaries are Chopin and Paganini. Some imaginary characters also participate in Schumann's visionary world. Pierrot, Arlequin, and
Pantalon and Colombine are the characters from the Italian Commedia dell'Arte. Florestan and Eusebius are his alter egos. These real and not real
characters reflect Schumann's personal fantasies, and his aspiration of escaping from reality, even if it is only done
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13. Conflicting Artistic Styles In The Enlightenment
Conflicting Artistic Styles in the Enlightenment The Enlightenment era spanned from the latter half of the 1600s to the end of the 1700s and was a
time of monumental shifts in political ideology and social structure. Although some forms of art, especially music, did not become emotional vehicles
of individual experience until the Romantic period, the art of the Enlightenment certainly reflected the changing social climate of the era and the
political views of the artists. A prime example of the portrayal of social life in the arts during the Enlightenment is in the conflict between the Rococo
and Neo–Classical movements. Not only is Rococo art and architecture aesthetically pleasing, but during the eighteenth century this type of artwork
helped the nobility momentarily forget about the brooding societal climes in which they lived. The mood of Rococo artwork is often carefree (though
sometimes tinged with a bit of sadness), the color hues are muted, and the subjects are usually aristocratic figures enjoying various hobbies. Style galant
and Empfindsamkeit are two... Show more content on Helpwriting.net ...
The textbook states that "The aims and ideals of the Roman Republic– freedom, opposition to tyranny, valor–...became a characteristic of the art of the
French revolution." Specifically, Neo–Classical artists emphasized a "balance between emotion and restraint" (p. 568). Thus, Neo–Classicism was one
way in which the lower classes of Europe identified with the worldview of the ancient Romans as they sought to better their position in society.
Classical music, which is characterized by the expression of emotion in a thoughtful, structured manner, was one result of the Neo–Classical movement.
The Classical tradition gave rise to the symphonic form, which was perfected by the now–famous composers Franz Joseph Haydn and Wolfgang
Amadeus
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14. Classical music concert report
MUAR 211 Concert Report 1 McGill Baroque Orchestra and McGill Cappella Antica I attended the concert of McGill Baroque Orchestra and
McGill Cappella Antica on Wednesday, February 19, 2014, at 7:30 p.m. What special about this concert was the guest conductor and solo violinist
Adrian Butterfield. The performed pieces were Welcome to all the pleasures, Leclair's Violin Concerto in A major, Locatelli's Introduzione teatrale
in G major, C. P. E. Bach's Sinfonia in C major and My heart is inditing. The venue was Redpath Hall of McGill University. The program began with
Welcome to all the pleasures, which is an ode written for the Saint Cecilia Day, composed by the English Baroque composer Henry Purcell in 1683. It
opens with a symphony... Show more content on Helpwriting.net ...
3 in D Major. The string arrangements in the beginning show similarities with J. S. Bach's popular work. In this movement, there is a slow theme in
minor mode, which keeps coming back in different variations. Thus, I think this movement is in the rondo form. After adagio, the mood of the piece
gets "brighter". Allegretto is in the minuet form and it is build upon themes similar to each other. These themes consist of parallel and contrasting
melodies. Texture–wise this symphony is homophonic. One can hear the different dynamics, but clearly it is not what this piece was written for.
Speed and virtuosity is in the foreground. After Adrian Butterfield showed the audience his virtuosic abilities, he turned his face again to the
orchestra and Cappella Antica joined them for the second time. We were back to Henry Purcell with My heart is inditing, Z. 30. This piece is at a
moderate tempo and has polyphonic as well as melismatic choral parts. They closed the anthem with a magnificent "Alleluia" part. The McGill
Baroque Orchestra is a typical Baroque orchestra consists of eight violin players, of which the half played violin I and the other half violin II; three
violists, two cellists, a violone player, two harpsichord and an organ, which were played by five different performers, and, of course, the guest
conductor and the solo violinist Adrian Butterfield. They were accompanied by a choir of male and female singers
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15. Johann Sebastian Bach Research Paper
Johann Sebastian Bach was the last baroque in Germany. Bach was born in March 21st,1685 in Eisenach,Thuringia in Germany. He died in the
evening on July 28th,1750, after a quater to nine, in the 65th year of his life. Bach was buried in St.John's cementery which stood one block outside
the town's Grimma Gate in the absence of any tombstone his grave was soon forgotten. The bones were laid to rest in a stone sarcophagus next to the
poet Gellert in the vaults of the Johanniskirche, and many people went to pay homage. To his tomb until the church was destroyed by bombs in World
War 2. Once more his remains were rescued and in 1949 buried, this time in the altar–room of the Thomaskirche where they remain to this day. Johann
Sebastian Bach came ... Show more content on Helpwriting.net ...
Bach family throughout Thuringia had held positions such as organists, town instrumentalists or cantors, and the family named enjoyed a wide
reputation for musical talent. Bach was the youngest out of the 18 kids. At an early age Johann Sebastian Bach lost a sister and later a brother. When
he was 9 years old his mother died, barely 9 months later his father died. Johann Sebastian and one of his brothers, Johann Jakob were taken into the
home of their great uncle Johann Christoph who had recently married and settled down at Ohrdruf, a small town thirty miles south–east of Eisenach. At
the end of 1703, 18 year old Sebastian took up his post at the small town of Amstadt. Bach arrived at Muhlhausen, a small Thuringian town, proud of
its ancient foundation and independence to take up the post of organist to the town. Shortly after his arrival, he brought his cousin Maria Barbara Bach
from Amstadt, and on October 17th 1707, he married her at the small church in the picturesque little village of Doomheim. Maria Barbara come of a
broneh of the musical Bach family, her father being organist at
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16. How Did Joseph Haydn Develop Music During The 18th Century
Joseph Haydn, in full Franz Joseph Haydn (born March 31, 1732, Rohrau, Austria–died May 31, 1809, Vienna), wan an Austrian composer who was
one of the most influential composers in aiding the development of the Classical style in music during the 18th century. He helped establish the forms
and styles for the string quartet and the symphony.
Haydn, from a young age, displayed unusually great musical gifts, and a cousin who was choirmaster in the nearby city of Hainburg offered to take
him and train him. Haydn, not yet six years old, left home, never to return to his humble cottage except for rare visits.
His life changed significantly when he was eight years old. The musical director of St. Stephen's Cathedral in Vienna observed the boy on a
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17. Johann Sebastian Bach Essay
Johann Sebastian Bach was born into a family of musicians. It was only natural for him to pick up an instrument and excel in it. His father taught
him how to play the violin and harpsichord at a very young age. All of Bach's uncles were professional musicians, one of them; Johann Christoph
Bach introduced him to the organ. Bach hit a turning point in his life when both of his parents died at the age of ten years old. Bach's older brother
Johann Christoph Bach took him in and immediately expanded his knowledge in the world of music. He taught him how to play the clavichord and
exposed him to great composers at the time. At the age of fourteen, Bach and his good friend George Erdmann were awarded a choral scholarship to
the prestigious... Show more content on Helpwriting.net ...
He began to write preludes for organs but did not cover large– scale organization, when two melodies interact at the same time. A few years after
playing for the church, Bach made a visit to Dieterich Buxtehude in Lubeck. This visit reinforced Bach's style in music with the works he has made. In
1706 Bach decided that he wanted to further his career in music and made the first change by leaving his organ playing position at the church and took
upon a new position in Munhlhausen at the St. Blasius as an organist there (Johann Sebastian BACH). This change was for the best because the church
was larger and located in a city that was important to the north. A few months after being an organist at the St. Blasius church he married his second
cousin Maria Barbara Bach. After a year of Bach being a organist for St. Blasius, he was offered a better position in Weimar. Bach took the offer with
pride and became their new court organist and concertmaster at the ducal court. Johann and Maria Bach decided to start their family, after their first
born child, Marias unwed sister moved into their home to help with raising their children. Maria and Johann Bach had a total of seven children. The
gifted musically talented family continued as two of Bach children, Wilhelm Friedemann Bach and Carl Philipp Emanuel Bach became vital composers
following the baroque period. Bach's position in Weimar
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18. How Did Beethoven Influence The World
Beethoven is one of the best composers we have ever had. Many say that he composed his best works after going deaf. He was born to Johann and
Maria Magdalena van Beethoven on December 16,1770 in Bonn, Germany. His father was the one who taught him piano and violin and mistreated
him in the process. Beethoven was a average student and left school at the age of eleven. Beethoven studied with many tutors and then eventually left
Bonn to make something of himself. Beethoven left Bonn only to come and care for his sickening mother. Soon after his mother died and a later
later his father died as well. After leaving Bonn to pursue a career he started selling his works to publishers. By 1794 Beethoven made a name a name
for himself in society. He... Show more content on Helpwriting.net ...
Not only was he influenced by other composers but also by many musical styles. One such influence was french music. The french revolution was not
only famous in Bonn but also in Beethoven compositions as marches. Carl Philipp Emanuel Bach was not only known to Beethoven but also to
Mozart and Hadyn who Beethoven was influenced by. Just as emotion was a strong characteristic in Carl Philipp Emanuel Bach's work it was even
stronger in Beethoven's. Here is a quote by Julian Medforth Budden expressing the influences of Beethoven,"Rooted in the Classical traditions of
Joseph Haydn and Mozart, his art reaches out to encompass the new spirit of humanism and incipient nationalism expressed in the works of Goethe and
Friedrich von Schiller, his elder contemporaries in the world of literature; the stringently redefined moral imperatives of Kant; and the ideals of the
French Revolution, with its passionate concern for the freedom and dignity of the individual".
Beethoven's Symphony No. 5 is considered one of his masterpieces. It took Beethoven about four years to create the piece. He started it at the most
productive part of his life and pieces likes the opera delayed the progress.The first movement is the shortest he's composed ever.
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19. Essay on Johann Sebastian Bach
Johann Sebastian Bach
Johann Sebastian Bach was a German organist, composer, and musical scholar of the Baroque period, and is almost universally regarded as one of the
greatest composers of all time. His works, noted for their intellectual depth, technical command, and artistic beauty, have provided inspiration to nearly
every musician after him, from Mozart to Schoenberg.
J. S. Bach was born in Eisenach, Germany, March 21, 1685. Bach's uncles were all professional musicians ranging from church organists and court
chamber musicians to composers. His father, Johann Ambrosius Bach, was the town piper in Eisenach, a post that entailed organizing all the secular
music in town as well as participating in church music at the direction ... Show more content on Helpwriting.net ...
In June 1707 he moved to St Blasius, MГјhlhausen, and four months later he married his cousin Maria Barbara Bach, with whom he had seven
children, including Wilhelm Friedemann and Carl Philipp Emanuel. Bach was appointed organist and chamber musician to the Duke of Saxe–Weimar
in 1708, and in the next nine years he composed many of his finest works and became known as a leading organist (p. 315, The New Grove
Dictionary of Music and Musicians, Vol. 2).
In 1717, Bach was appointed Kapellmeister at Köthen but was refused permission to leave Weimar. He was eventually allowed to leave but only
after being held prisoner by the duke for almost a month. Bach's new employer, Prince Leopold, was a talented musician who loved and understood
the art. Since the court was Calvinist, Bach had no chapel duties and instead concentrated on composition. In this period he wrote his violin concertos
and the six Brandenburg Concertos, as well as numerous sonatas, suites and keyboard works (p. 164, Baker's Biographical Dictionary of Musicians,
Vol. 1)
In 1720 Maria Barbara died while Bach was visiting Karlsbad with the prince. In December of the following year, Bach married Anna Magdalena
Wilcke, daughter of a court trumpeter at Weissenfels. A week after Bach was married Prince Leopold also married. Unfortunately, the prince's bride
lacked interest in the arts which eventually
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20. Essay Classical Music
Classical Music
n : traditional genre of music conforming to an established form and appealing to critical interest and developed musical taste [syn: serious music]
Classical music, as the name suggests, is a well–established kind of music, at least in the West. Classical music concerts take place in every cultural
center, and they take many forms, from a solo to large symphonic orchestras, from a sonata to an opera. This kind of music has many fans, especially
among circles of intellectuals. But how did this great kind of music start? What made the great composers compose? And how was this all used before
the time of recorded music and portable mp3 players? These are the questions we are going to examine today. ... Show more content on Helpwriting.net
...
The wealthy family provided him with his own small orchestra, and this gave him the opportunity to produce very many compositions. He was
inspired by every day events, such as the times of day to write the triptych "Morning, Noon and Evening", and by the seasons to compose "The
Seasons". He also composed the well–known symphony "Farewell", to give the Esterhazy Prince a hint: that he was holding the musicians for too
long, and he had to give them some time off.
All his music was for the ears of a small, privileged audience, primarily for their own amusement.
However, not all the great composers worked for wealthy families. Wolfgang Amadeus Mozart, a younger composer who Haydn considered as his
only true peer in music wanted his music to last in time, and be heard by larger groups of people. This led him to produce many operas, and also
religious music. He was inspired by ancient Greek and Roman history and mythology, but also by comic events of the every day life. However, he
did not enjoy the same funding as Haydn, because of lack of a permanent (wealthy) audience, and also because of the war that broke out in Europe at
the time.
Mozart's probably most famous composition is his unfinished "Requiem", which legend holds he wrote for his own death. Mozart's compositions
were mainly played (and still are) either to amuse people (comic operas), or as religious music. Some of his
22. Bach; Brandenberg Concertos Essay
The Brandenburg Concertos
One of the most profoundly inspired and masterful composers in history, Johann Sebastian Bach (1685 – 1750), was born into a musical family in
Eisenach, Germany. Born into a musical family his father, Johann Ambrosius Bach, was a talented violinist, and taught his son the basic skills of
string–playing. Another relation, the organist at Eisenach's most important church, intructed the young boy on the organ.
In 1695, Johann Sebastian was orphaned; he went to live with his older brother, Johann Christoph, in Ohrdruf. Johann Christoph was a professional
organist, and continued his younger brother's education on that instrument, as well as on the ... Show more content on Helpwriting.net ...
The same year, he married his cousin Maria Barbara Bach.
Again caught up in a running conflict between factions of his church, Bach fled to Weimar after one year in Muhlhausen. In Weimar (1708–1717), he
assumed the post of organist and concertmaster in the ducal chapel. He remained in Weimar for nine years, and there he composed his first wave of
major works.
By this stage in his life, Bach had developed a reputation as a brilliant musical talent. His profiency on the organ was unequalled in Europe and he
toured regularly as a solo virtuoso. In 1717, Bach left Weimar to take a job as a court conductor in Anhalt–Cothen (1717–1723). There is where he
started concentrating on instrumental music. The Cothen period produced, among other masterpieces, the Brandenburg Concerti.
While at Cothen, Bach's wife, Maria Barbara, died. Bach remarried soon after to Anna Magdalena and forged ahead with his work. He also forged
ahead in the child rearing department, producing 13 children with his new wife, six of whom survived childhood, to add to the four children he had
raised with Maria Barbara. Several of these offspring would become fine composers in their own right, particularly three sons, Wilhelm Friedmann, Carl
Philipp Emanuel and Johann Christian.
After conducting and composing for the court orchestra at Cothen for seven
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24. Johann Sebastian Bach, And His Legacy And Lasting Impact...
There is a natural question that almost every single person has wondered on; "Will what I do in my life matter? Do I have an impact beyond my
small corner of the universe?" Few ponder that more than Artists, those who create, whatever the medium. Deep down we all want to know that our
work has made an impact. If the impact of one's work is to be measured by both quality and quantity, there are few people in history who have had as
great significance as Johann Sebastian Bach. Bach's works broke numerous compositional limits of the time, and are of such a quality that they are still
performed and enjoyed today, two hundred and sixty–three years after his death. In this paper, I will be writing about two main points: the life of
Johann Sebastian Bach, and his legacy and lasting impact after his death. Johann Sebastian Bach was born in the town of Eisenach, which was the
capital of Saxe–Eisenach , on March 21st, 1685. Bach was born into a musical family, his father, Johann Ambrosius Bach, serving as the director of
Eisenach's musicians, and his numerous uncles being professional musicians. It is believed that Johann Ambrosius was the one who taught Johann
Sebastian violin, as well as the fundamentals of music theory. One of his uncles, Johann Christoph Bach (not to be confused with one of Johann
Sebastian's brothers), introduced Johann Sebastian to the Organ. Following his mother's death in 1694, and his father's death shortly after, Johann
Sebastian moved in with one of his
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26. Mozart Accomplishments
Despite his genius, Wolfgang Amadeus Mozart was not primarily regarded for innovating compositional styles, but rather, his greatest achievements
were taking styles to an unattainable level. One case in particular is his mastery of a style developed by a composer he held with the highest regards –
Johann Christian Bach. J.C. Bach's own innovations laid the groundwork for the prodigious Mozart to develop a uniquely distinctive style of
composing. Through a glance at the concerto genre of the 18th century, an explanation of J.C. Bach's own development as a composer, and a
comparison of Mozart's set of three early concertos, K.107 to the corresponding Opus 5 Clavier Sonatas by Johann Christian Bach, a comprehension of
how J.C. Bach provided Mozart... Show more content on Helpwriting.net ...
5, No. 2. In the first movement there are two clear themes. The first theme is more rhythmical while the second theme is more lyrical. This is as if J.C.
Bach is foreshadowing the Viennese Sonata. What Mozart does to highlight this difference is he adds more notes to the first three chords to create a
grander sound followed by an ostinato in the second violin to give the first theme a greater rhythmic drive. To contrast the full sound produced by all
instruments, he introduces the second theme with only the keyboard. The lack of orchestra directs the attention to the pure lyrical melody of the
second theme. Two important elements he takes the liberty of adding are an extended tutti from mm.8–28, 70–74, 143–152 and a cadenza at after
measure 147 for the soloist. These cadenzas were most likely added since Mozart would often choose the K.107 concertos to perform with orchestra.
Therefore, it is only fitting for him to insert one considering the fact that he is regarded as the best improviser. The second movement conveys
elegance as it switches back and forth between duple and triplet rhythms in the melody while always being accompanied with a steady left hand.
Mozart brings out the elegance of this movement by using the second violin again as a steady repeating triplet figure to allow the melody to float on
top. However, when the soloist enters, he writes off beat ornamentations for the violins.
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