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Film Poster Analysis Two 
The poster above promotes ā€˜A Nightmare on Elm Streetā€™, a well-known classic Slasher 
horror. I wanted to make my horror film similar to a classic Slasher, so ā€˜A Nightmare on 
Elm Streetā€™, as the King of Slasher, has been an inspiration to me as a media practitioner. 
This is why I have decided to analyse this poster. 
This poster follows the general and layout conventions of a film poster. The image 
dominates and fills the frame and presents the audience with a visual insight into what 
the filmā€™s narrative is about. In keeping with the conventions of most Slasher Film 
Posters, only the antagonist is showcased to the audience; this is the only character the 
audience really need to know about when a film is first promoted. This is because when 
Slasher fans see Freddie Crougar, they would instantly recognise him and know this is a
poster for A Nightmare on Elm Street, which could help to draw in the audience if they 
are fans of this particular franchise or of the Slasher sub-genre of horror in general. When 
the audience see this poster, due to the character of Freddie dominating the image, they 
will see many clues that will instantly allow them to know it is a Slasher film and that it 
follows the classic conventions of Slasher; revealing genre and sub-genre is a convention 
of film posters. Other text-based conventions feature also, in the form of the filmā€™s title, 
tagline and institutional information. This poster generally follows typical layout 
conventions of film posters. The title is placed below the main image for example, whilst 
institutional information is situated at the very bottom of the poster. 
The image used on this poster is a medium shot of Freddie Crougar. As Freddie Crougar is 
a classic representation of the Slasher sub-genre, the audience would instantly recognise 
him. The symbiotic link between the old Freddie Crougar, and the new one featured in 
this film poster is maintained through the same mise-en-scene. The image alone is 
enough to inform the audience that it is promoting a Slasher film. Freddie Crougar is one 
of the most well known and popular Slasher Antagonists that his presence alone will be 
effective enough to promote the film and its sub-genre. This mise-en-scene used on this 
poster is simple yet effective. This reinforces the idea that featuring Freddie Crougar is 
enough to make this poster effective. The image is dominated mainly by the colours 
Black and Red. Back lighting is used to emphasise Freddieā€™s face and to draw attention to 
how horrific his appearance is. The use of the red-tint to the poster combined with the 
back lighting creates a look of fire. This gives the audience an insight to the narrative as it 
links with Freddieā€™s past and how he became the monster he is today. It also links in with 
the idea of death and hell. This is an effective feature on the poster as the link to hell 
could be said to reflect the evil that lies within Freddie, whilst also insinuating to the 
audience that the victims in the film are going to be put through hell by Freddie, and 
there is no escape as he is blocking the light. This also suggests that Freddieā€™s presence 
means that all the warmth and brightness in the victimsā€™ lives is being taken away. The 
use of textured black background coming from the top corners is equally effective, as it 
replicates the smoke created by the fire. This adds to the overall feel of fire and hell, 
making the poster seem more terrifying and unnerving at the same time. It could also be 
said that the smoke surrounding Freddie could represent the way in which Slasher 
antagonists hide in the shadows and have a certain enigma attached to them. The fact 
that the smoke appears to be closing in on Freddie could be said to symbolise how the 
darkness is enclosing on the Protagonists and that there is no escape. The idea of fire is 
further presented to the audience through Freddieā€™s costume; the audienceā€™s attention is 
particularly drawn to a hole in his jumper, due to the light catching it and the black frayed 
edges of the hole suggest that it has been burnt. This further reinforces Freddieā€™s back-story 
and helps to give an understanding to the audience of how he became like this, 
whilst on a deeper level reflecting the tarnished appearance of his soul. His jumper is red 
which adds to the overall appearance of the poster and indicates the dangerousness of
this persona. The way the darkness appears to be surrounding Freddie creates the 
appearance that he is coming out of the background, that the darkness comes directly 
from within Freddie himself. It also gives the audience another insight into the narrative 
as it creates the idea that when it becomes dark, and the victims are asleep, Freddie 
comes out of the darkness to torment them. Freddie is presented wearing a large 
rimmed fedora hat, which covers the top half of his face. This allows Freddie to come 
across as a more conventional Slasher killer as itā€™s like his face is being covered by a mask. 
This adds to the fear of the audience, as they cannot see his face fully. It could also 
indicate the idea that he remains hidden and only comes out at night. In the image we 
see that he wears a sinister and twisted half smile, even though he is not directly looking 
at the audience, which creates fear for the audience through the suggestion that 
although they cannot see him, he can see them. This also hints at the narrative slightly; 
how the victims only see him when they are unconscious so donā€™t directly see him in the 
flesh. This idea is further emphasised by his body language. He has his arms crossed, with 
his hands on top of each other, which reflects the idea that he is sinister and calculating 
as is plotting something. The positioning of his arms is also effective in exposing how he 
has knives for fingers. Like in many conventional Slasher Film posters, the audienceā€™s 
attention is directed to Freddieā€™s weapon. A successful use of lighting helps to emphasise 
the edge and the sharpness of the weapon. This makes the knife look even more 
dangerous and severe and more terrifying as it looks like it can cause some real damage. 
The use of lighting is very effective in directing the audienceā€™s attention to how the 
antagonist disposes of his victims. This is a common convention of Slasher film posters as 
it helps to promote the sub-genre. The very effective positioning of the knife-finger 
makes it appear to be a natural part of Freddieā€™s hand, which could indicate that he and 
his weapon are one and that killing is intrinsic and comes naturally to Freddie. Only part 
of Freddieā€™s weapon is actually shown, as Slasher fans would know he has a hand of five 
knives, which he uses to torment his victims. The fact that only one knife is shown 
reinforces the idea that, because A Nightmare on Elm Street is such a well -known 
Slasher, only part of Freddieā€™s weapon is necessary to promote the film. 
The title of the film, ā€˜A Nightmare on Elm Streetā€™ anchors the image and further enhances 
the audienceā€™s understanding that this is a horror film poster. As ā€˜A Nightmare on Elm 
Streetā€™ is such a well-known Slasher, when the audience see the title they will instantly 
recognise it as a new version and want the see the film, full of intrigue to find out 
whether this newer version is as good as or even better than the original. The title gives 
the audience an insight to the narrative as the word ā€˜Nightmareā€™ suggests horror and 
fear, and also relates to the fact that the victims are tormented by Freddie when they are 
sleeping. The rest of the title informs the audience of the location of the film. ā€˜Elm Streetā€™ 
suggests that the film will be set in a suburban town and street and that this is where 
most of the action will take place. There is lots of potential for the title to provoke fear in 
this respect. The audience will be reminded of the fact that terror and evil can lurk in
places that should be welcoming and safe and where they spend and good proportion of 
their time ā€“ their street, their home. The title itself is presented in a red, uppercase serif 
font. The use of the title presented in red, I have noticed, appears to be a convention of 
film posters promoting Slasher horrors. This may be due to the fact that the red 
represents the mass of blood that will be featured throughout the film. It helps to anchor 
the poster as a Slasher horror. It also means that the title of the film stands out in the 
frame and the audienceā€™s eyes will be drawn to it. This is an important feature as the title 
of the film is the most important text in the frame. The use of uppercase helps to 
represent the fact that Freddie is solid and undefeatable. On part of the title, there is a 
small smudge of red on the bottom of the text. This gives the audience more insight into 
the narrative as they look like clouds. Clouds are associated with dreaming but the red 
colour of them suggests to the audience that the protagonistā€™s dreams are going to be 
far from light, happy and peaceful, but will instead be dangerous and sinister. It could 
even be said that the red marks resemble blood splatters, a direct link to the blood-shed 
and killing that takes places within the film. With this in mind, it is interesting that the sit 
this at the base of the word ā€˜Nightmareā€™, as this reflect that this killing and blood -spill 
takes place when the victims are asleep. 
A tagline features just above the title of the film. Its power to attract attention is 
heightened by its colour and the fact it is presented in an uppercase serif font. In 
accordance with conventions, the tagline helps to further anchor the image and give an 
insight into the narrative of the film just before the audience see the title of the film. The 
tagline, Welcome to Your New Nightmare, is very effective in drawing in the audience. 
The use of Direct Address heightens fear and helps to reinforce the idea that the 
audience are next on Freddieā€™s hit list. The terror generated by this will make the 
audience want to watch the film. The use of the word ā€˜Welcomeā€™ is very ironic as the 
protagonistā€™s and the audiencesā€™ experience is going to be far from warm and welcoming 
and is likely to be one that they want to escape from rather than be embraced by. The 
reference to ā€˜Nightmareā€™ is, of course, a direct link to the title and to the fact that Freddie 
hunts his victims as they sleep, a time when they are most vulnerable, thus turning their 
dream into a nightmare. A full stop is placed at the end of the tagline. The use of a full 
stop is very effective as it suggests to the audience that this is the end for the victims; 
there is no way of escaping their ā€˜Nightmareā€™. The tagline also further anchors the image 
by informing the audience that Freddie Crougar is the Nightmare and that there is no way 
to escape him. 
The poster also features institutional information and the date of release. This is typical 
of a film poster because the audience need to know when the film will be released and 
also some information about the producers. However, institutional information is 
presented at the bottom of the frame in a small font as it is not extremely important. 
Whereas, the release date is placed underneath in a slightly bigger font and in red. This 
makes the release date grab attention more effectively, without taking up much space
on the frame. The positioning of it at the very bottom is important as it is the last thing 
the audience see. This means it will stay in their mind. After being drawn in by the poster 
as a whole and persuaded to watch it, they will know when they can. 
This poster effectively promotes ā€˜A Nightmare on Elm Streetā€™. It draws in the audience 
and gives them an insight into the narrative without giving too much away. This film 
poster is a clear example of simplicity being the best way to create effect.

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Film Poster Analysis - A Nightmare on Elm Street

  • 1. Film Poster Analysis Two The poster above promotes ā€˜A Nightmare on Elm Streetā€™, a well-known classic Slasher horror. I wanted to make my horror film similar to a classic Slasher, so ā€˜A Nightmare on Elm Streetā€™, as the King of Slasher, has been an inspiration to me as a media practitioner. This is why I have decided to analyse this poster. This poster follows the general and layout conventions of a film poster. The image dominates and fills the frame and presents the audience with a visual insight into what the filmā€™s narrative is about. In keeping with the conventions of most Slasher Film Posters, only the antagonist is showcased to the audience; this is the only character the audience really need to know about when a film is first promoted. This is because when Slasher fans see Freddie Crougar, they would instantly recognise him and know this is a
  • 2. poster for A Nightmare on Elm Street, which could help to draw in the audience if they are fans of this particular franchise or of the Slasher sub-genre of horror in general. When the audience see this poster, due to the character of Freddie dominating the image, they will see many clues that will instantly allow them to know it is a Slasher film and that it follows the classic conventions of Slasher; revealing genre and sub-genre is a convention of film posters. Other text-based conventions feature also, in the form of the filmā€™s title, tagline and institutional information. This poster generally follows typical layout conventions of film posters. The title is placed below the main image for example, whilst institutional information is situated at the very bottom of the poster. The image used on this poster is a medium shot of Freddie Crougar. As Freddie Crougar is a classic representation of the Slasher sub-genre, the audience would instantly recognise him. The symbiotic link between the old Freddie Crougar, and the new one featured in this film poster is maintained through the same mise-en-scene. The image alone is enough to inform the audience that it is promoting a Slasher film. Freddie Crougar is one of the most well known and popular Slasher Antagonists that his presence alone will be effective enough to promote the film and its sub-genre. This mise-en-scene used on this poster is simple yet effective. This reinforces the idea that featuring Freddie Crougar is enough to make this poster effective. The image is dominated mainly by the colours Black and Red. Back lighting is used to emphasise Freddieā€™s face and to draw attention to how horrific his appearance is. The use of the red-tint to the poster combined with the back lighting creates a look of fire. This gives the audience an insight to the narrative as it links with Freddieā€™s past and how he became the monster he is today. It also links in with the idea of death and hell. This is an effective feature on the poster as the link to hell could be said to reflect the evil that lies within Freddie, whilst also insinuating to the audience that the victims in the film are going to be put through hell by Freddie, and there is no escape as he is blocking the light. This also suggests that Freddieā€™s presence means that all the warmth and brightness in the victimsā€™ lives is being taken away. The use of textured black background coming from the top corners is equally effective, as it replicates the smoke created by the fire. This adds to the overall feel of fire and hell, making the poster seem more terrifying and unnerving at the same time. It could also be said that the smoke surrounding Freddie could represent the way in which Slasher antagonists hide in the shadows and have a certain enigma attached to them. The fact that the smoke appears to be closing in on Freddie could be said to symbolise how the darkness is enclosing on the Protagonists and that there is no escape. The idea of fire is further presented to the audience through Freddieā€™s costume; the audienceā€™s attention is particularly drawn to a hole in his jumper, due to the light catching it and the black frayed edges of the hole suggest that it has been burnt. This further reinforces Freddieā€™s back-story and helps to give an understanding to the audience of how he became like this, whilst on a deeper level reflecting the tarnished appearance of his soul. His jumper is red which adds to the overall appearance of the poster and indicates the dangerousness of
  • 3. this persona. The way the darkness appears to be surrounding Freddie creates the appearance that he is coming out of the background, that the darkness comes directly from within Freddie himself. It also gives the audience another insight into the narrative as it creates the idea that when it becomes dark, and the victims are asleep, Freddie comes out of the darkness to torment them. Freddie is presented wearing a large rimmed fedora hat, which covers the top half of his face. This allows Freddie to come across as a more conventional Slasher killer as itā€™s like his face is being covered by a mask. This adds to the fear of the audience, as they cannot see his face fully. It could also indicate the idea that he remains hidden and only comes out at night. In the image we see that he wears a sinister and twisted half smile, even though he is not directly looking at the audience, which creates fear for the audience through the suggestion that although they cannot see him, he can see them. This also hints at the narrative slightly; how the victims only see him when they are unconscious so donā€™t directly see him in the flesh. This idea is further emphasised by his body language. He has his arms crossed, with his hands on top of each other, which reflects the idea that he is sinister and calculating as is plotting something. The positioning of his arms is also effective in exposing how he has knives for fingers. Like in many conventional Slasher Film posters, the audienceā€™s attention is directed to Freddieā€™s weapon. A successful use of lighting helps to emphasise the edge and the sharpness of the weapon. This makes the knife look even more dangerous and severe and more terrifying as it looks like it can cause some real damage. The use of lighting is very effective in directing the audienceā€™s attention to how the antagonist disposes of his victims. This is a common convention of Slasher film posters as it helps to promote the sub-genre. The very effective positioning of the knife-finger makes it appear to be a natural part of Freddieā€™s hand, which could indicate that he and his weapon are one and that killing is intrinsic and comes naturally to Freddie. Only part of Freddieā€™s weapon is actually shown, as Slasher fans would know he has a hand of five knives, which he uses to torment his victims. The fact that only one knife is shown reinforces the idea that, because A Nightmare on Elm Street is such a well -known Slasher, only part of Freddieā€™s weapon is necessary to promote the film. The title of the film, ā€˜A Nightmare on Elm Streetā€™ anchors the image and further enhances the audienceā€™s understanding that this is a horror film poster. As ā€˜A Nightmare on Elm Streetā€™ is such a well-known Slasher, when the audience see the title they will instantly recognise it as a new version and want the see the film, full of intrigue to find out whether this newer version is as good as or even better than the original. The title gives the audience an insight to the narrative as the word ā€˜Nightmareā€™ suggests horror and fear, and also relates to the fact that the victims are tormented by Freddie when they are sleeping. The rest of the title informs the audience of the location of the film. ā€˜Elm Streetā€™ suggests that the film will be set in a suburban town and street and that this is where most of the action will take place. There is lots of potential for the title to provoke fear in this respect. The audience will be reminded of the fact that terror and evil can lurk in
  • 4. places that should be welcoming and safe and where they spend and good proportion of their time ā€“ their street, their home. The title itself is presented in a red, uppercase serif font. The use of the title presented in red, I have noticed, appears to be a convention of film posters promoting Slasher horrors. This may be due to the fact that the red represents the mass of blood that will be featured throughout the film. It helps to anchor the poster as a Slasher horror. It also means that the title of the film stands out in the frame and the audienceā€™s eyes will be drawn to it. This is an important feature as the title of the film is the most important text in the frame. The use of uppercase helps to represent the fact that Freddie is solid and undefeatable. On part of the title, there is a small smudge of red on the bottom of the text. This gives the audience more insight into the narrative as they look like clouds. Clouds are associated with dreaming but the red colour of them suggests to the audience that the protagonistā€™s dreams are going to be far from light, happy and peaceful, but will instead be dangerous and sinister. It could even be said that the red marks resemble blood splatters, a direct link to the blood-shed and killing that takes places within the film. With this in mind, it is interesting that the sit this at the base of the word ā€˜Nightmareā€™, as this reflect that this killing and blood -spill takes place when the victims are asleep. A tagline features just above the title of the film. Its power to attract attention is heightened by its colour and the fact it is presented in an uppercase serif font. In accordance with conventions, the tagline helps to further anchor the image and give an insight into the narrative of the film just before the audience see the title of the film. The tagline, Welcome to Your New Nightmare, is very effective in drawing in the audience. The use of Direct Address heightens fear and helps to reinforce the idea that the audience are next on Freddieā€™s hit list. The terror generated by this will make the audience want to watch the film. The use of the word ā€˜Welcomeā€™ is very ironic as the protagonistā€™s and the audiencesā€™ experience is going to be far from warm and welcoming and is likely to be one that they want to escape from rather than be embraced by. The reference to ā€˜Nightmareā€™ is, of course, a direct link to the title and to the fact that Freddie hunts his victims as they sleep, a time when they are most vulnerable, thus turning their dream into a nightmare. A full stop is placed at the end of the tagline. The use of a full stop is very effective as it suggests to the audience that this is the end for the victims; there is no way of escaping their ā€˜Nightmareā€™. The tagline also further anchors the image by informing the audience that Freddie Crougar is the Nightmare and that there is no way to escape him. The poster also features institutional information and the date of release. This is typical of a film poster because the audience need to know when the film will be released and also some information about the producers. However, institutional information is presented at the bottom of the frame in a small font as it is not extremely important. Whereas, the release date is placed underneath in a slightly bigger font and in red. This makes the release date grab attention more effectively, without taking up much space
  • 5. on the frame. The positioning of it at the very bottom is important as it is the last thing the audience see. This means it will stay in their mind. After being drawn in by the poster as a whole and persuaded to watch it, they will know when they can. This poster effectively promotes ā€˜A Nightmare on Elm Streetā€™. It draws in the audience and gives them an insight into the narrative without giving too much away. This film poster is a clear example of simplicity being the best way to create effect.