1. NARIMAN
DOSSANHAI
GANDHI
ARCHITECT , ARTIST , SCULPTOR
"...THE REALITY OF
ARCHITECTURE IS NOT
CONTAINED IN THE ROOF
AND WALLS, BUT IN THE
SPACE WITHIN. IT IS THE
SPACE THAT IS."
2. Pen name : Nari
Born : January 1, 1934, Surat , India.
Nationality : Indian
Education : Sir J . J . College of
Architecture,Mumbai.
Career : Worked for the American Ar.
Warren Weber.
3. Known for his highly innovative works in organic architecture.
Nari completed his schooling at St. Xavier's High School, Mumbai.
He travelled to USA to apprentice with Frank Lloyd Wright at the Taliesin and spent
five years there.
After Wright's death in 1959, Nari left Taliesin and studied pottery at the Kent State
University for two years.
While working in India, Nari continued to work on
Wright's ideology of organic architecture and further
developed his own unique style with a subtle influence of local climate and culture.
INTRODUCTION
4. PHILOSOPHY
His works display a distinctive organice character.
Nari’s works display highly skilled craftsmanship and structural
ingenuity.
His architecture seeks inspiration from NATURE while accepting nature
as his guide.
Most of Gandhi’s buildings in the countryside are exercises in
balancing acts to hold roofs up and unique ways in ferrying loads down
to the ground
5. WORK STYLE
BRICK , STONE , STEEL AND TIMBER AS STRUCTURAL MATERIALS.
GREY KOTA STONE FLOORING. POLISHED TEAK WOOD CEILINGS.
SLANTING WINDOWS AND LEATHER FURNITURE.
JAIPURI CHUNNA WAS USED FOR WALLS
COCONUT AND ALMOND TREES COVER THE ENTIRE SITE .
PAINTINGS , SCULPTURES AND POTTERY IS USED EXTENSIVELY.
LOW HEIGHT FURNITURE
DIM LIGHTING , WHICH IS NOT HARSH
TERRACOTTA MURALS ARE USED .
6. SOME
WORKS MOUNTAIN LODGE FOR JAL GOBHAI AT LONAVALA
RESIDENCE FOR ASHA PAREKH AT JUHU, MUMBAI
FARM HOUSE FOR S H DAYA AT ALIBAG
RESIDENCE FOR S H DAYA AT MADH ISLAND, MUMBAI
RESIDENCE FOR KISHORE BAJAJ AT KARJAT
RESIDENCE FOR RUSTOM MEHTA AT KORLAI, ALIBAG
RESIDENCE FOR SHREYA AND KISHOR DALAL AT AWAS, ALIBAG
MAUSOLEUM AT KOLGAON NEAR AHMEDNAGAR
GATEWAY TO MOSQUE AT KOLGAON
TEJANI HOUSE AT LONAVALA
PATEL RESIDENCE AT SURAT
JAIN HOUSE AT LONAVALA
DAWOOD SHOE HOUSE, MUMBAI
7. GOBHAI MOUNTAIN LODGE
(1964 – 1965 )
LOCATION : NEAR TUNGARLI DAM, LONAVALA, MAHARASTRA.
BUILDING TYPE : RESIDENTIAL.
FIRST PROJECT BY ARCHITECT NARI GANDHI.
THE LODGE IS LOCATED ON AN INACCESSIBLE CLIFF
TOP; IT’S A VERY REMOTE LOCATION NEAR AN
ELEVATED DAM RESERVOIR.
THE LODGE REMAINS DIFFICULT TO ACCESS EVEN WITH
A HEAVY VEHICLE.
HERE TOO HE DEVELOPS HIS GEOMETRY FROM THE
NATURE OF TWO DISTANT VIEWS-THE RAJMACHI
HILLTOP FORT AND THE VALVAN LAKE BELOW.
8. THE ARCHITECT USED THE EAST-
WEST MERIDIAN AS A CENTRAL
DIVISOR OF THE SITE , AND USED
A 30/60 TRAINGLE AS THE FORM
GENERATOR FOR THE HOUSE
ALONG THIS MERIDIAN.
THE CONTOURS OF THE SITE
PLAYED A MINOR ROLE,BUT THIS
TRAINGULAR LAYOUT WAS
INTENDED TO MAXIMIZE THE HEAT
AND, LIGHT OF THE SUN ALONG
THE SITE.
9. WALLS :
LARGE STONE WERE PLACED WITHIN WOODEN FORMWORK,
WITH THE MORE FLAT/FINISHED SIDES OF THE STONES FACING
OUTWARDS.
FOR THIS LOCALLY QUARRIED STONES WERE USED.
ROOF:
ITS ROOF COSISTS OF WOODEN TRUSSES AND STEEL.
THESE DEEP ROOF OVERHANGS PROTECTED FROM THE REGIONAL HEAVY
RAINS.
THE ROOF BEAMS ARE SET AT 30 DEGREES WHILE THE ROOF PANELS ARE
OPENINGS :
WITHIN THE ANGLES OF THE TRAINGULAR PLAN, OPENINGS WERE ALIGNED TO VIEWS OF THE
THENEARBY RESERVOIR AND VALLEY, AND DISTANT RAJMACHI FORT.
LIGHT AND VENTILATION:
THE DESIGN ALLOWS MAXIMUM SUNLIGHT INTO THE INTERIOR
SPACES……WITHIN THE LODGE ,THE MAIN LIVING AREAS WERE
EXPOSED TO MAXIMUM SUNLIGHT .
11. JAIN HOUSE, LONAVLA (1989 – 1992 )
GENERAL VIEW OF THE JAIN BUNGALOW, LOOKING AT
THE SLOPING ROOFS SET IN THE UNDULATING TERRAIN.
IT HAS A TOTAL OF 9 ROOMS : A PRAYER ROOM, A
LIVING ROOM, A CARD ROOM ,A DINING ROOM, A
KITCHEN AND FOUR BEDROOM.
STRUCTURE CONSIST OF STONE MASONARY WALLS OF
VARYINF SIZES AND COLORS.
A SINGLE LARGE ROOF PLANE, DOTTED WITH DORMER
WINDOWS AND COVERED WITH MANGALORE TILES.
INTERNAL COURTS ON DIFFERENT LEVELS ARE
COVERED IN TRANSPARENT CORRUGATED ROOFING
SHEETS.
12.
13. Exterior view of the garage showing the play of mangalore-tiled
sloping roofs, supported by steel members on the ground
Exterior view looking upwards at the entrance facing balcony
and Mangalore-tiled roof
14. view of the steel truss-supported roof that follows
the terraced landscaping on site
The external wall is made of hand-dressed stone arranged in
random rubble masonry
15. Interior view of the bedroom wall showing the exposed truss overhead and
elongated polygonal openings set in dressed stone masonry
Interior view looking towards the card room with a
hemispherical grilled opening
16. Interior view looking at the flight of
stairs leading to the main living
spaces of the house
Detail view of the staircase with the
curvilinear forms of openings, pots,
and arches around it