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Nari gandhi
1. "...the reality of
architecture is not
contained in the
roof and walls, but
in the space within.
It is the space
that is."
- Nari Gandhi
PRESENTED BY:-
AMAN KUMAR GUPTA
2. Nari Gandhi (1934-1993) was an Indian
architect known for his highly innovative
works in organic architecture.
Nariman (Nari) Dossabhai Gandhi was born
in 1934 in Surat to a Zoroastrian Parsi
family from Bombay.
Nari completed his schooling at St. Xavier's
High School, Mumbai, and studied
architecture at Sir J. J. College of
Architecture, Mumbai for five years in early
1950s.
He travelled to USA to apprentice with Frank
Lloyd Wright at the Taliesin and spent five
years there.
After Wright's death in 1959, Nari left
Taliesin and studied pottery at the Kent
State University for two years.
3. While working in India, Nari continued to work on
Wright's ideology of organic architecture and further
developed his own unique style with a subtle
influence of local climate and culture.
He ceaselessly continued to work on Wright's idea
of 'flowing space'.
Nari worked without an office and rarely made any
drawings for any of his projects.
Nari spent a lot of time on his sites and worked
closely with the craftsmen and often participated in
the construction process himself.
Also known as ‘Howard Roark of India’.
4. Using a wooden stick as his pencil, he sketched
on the ground to explain his plan.
If he wasn’t happy with a construction, he would
immediately tear it down !
His works display a distinctive organic character.
They appear to have evolved as a response to the
context, remaining strongly rooted to the site and
being very well connected to the surroundings.
Nari's works display highly skilled craftsmanship
and structural ingenuity.
5. Each building designed by Nari is as an
example of unconventional thinking in
architecture.
He created built spaces that remained
forever connected to their un-built
surroundings allowing sunlight and wind
to interact with the inside and animate
the space with time.
Each house is a series of dialogs
between the built and the unbuilt.
6. He has stacked earthen pots to construct arches
out of them and built stairs out of brick arches.
Throughout his works you see extraordinary use
of stone, brick, wood, glass and leather.
Nari rejected conventional ideas and paradigms
and introduced his own through his work.
Through his work, he started 'rethinking' about
standardised practices and set up his own.
When you visit any one of his houses, you will
notice an evident 're-thinking' of the arrangement
of various functions within the house.
7. CONSTRUCTION
Extensive use of :
Brick Arches
Buttresses
Stone Masonry
He is seen using local materials, as well as design components
into new forms and merging them beautifully with nature.
Each of the structures Gandhi built were products of happy
marriage between art and architecture.
8. VARIOUS PROJECTS
• Dawood Shoes Office – Mumbai
• Gobhai Mountain Lodge –
Lonavala
• Jain Bungalow – Lonavala
• Korlai Bungalow – Korlai
• Madh Island House – Madh
Island
• Moondust Residence –Madh
Island
• Revdanda House – Revdanda
• Tungarli Bungalow - Lonavala
44. Detail of the concentric landscaping done using inverted terracotta pots in a
concrete bed
45. Detail of the inverted terracotta pots beside an old iron
gate
46. Detail of the moss-covered water channel used for
irrigation
47.
48. Exterior view of sea-facing elevation of bungalow; the barrel-vaulted bedrooms are visible in center and at
right. Under the main roof of the bungalow is the arched pavilion
49. Exterior view of bungalow taken from the wall of the compound (the sea is located at
right).
The vault of one bedroom is visible at center right. Steps lead up from the garden to
the main living area
50.
51. Exterior view taken from the rear garden (the sea is located at left).
One bedroom is visible at lower left; at center is the main arched pavilion with its sloping roof
52. Exterior detail view of the sea-facing elevation of the arched pavilion.
Below the ridge line of the roof is a balcony leading to the interior loft. The pavilion itself is supported by an
arcade on the lower level; openings in the walls are filled with colored glass
53. side view of pavilion,
showing the corbelled
buttresses abutting the
arcade. Arcade handrail is
detailed to echo the
buttresses.
Stairwell at the far corner.
54. view of the arcade of the pavilion, viewed from within the pavilion.
The stairwell opening, under a projecting roof, is visible at left
55. view of the living space of the arched pavilion, defined between the two
arches.
A staircase (at left) leads to the overhead viewing room/loft
56. view from within the pavilion, looking at the roof with its steel rafters
supporting the wooden layer of the Mangalore-tiled roof
57. view of the pavilion looking at the circular dining area, showing the chairs
with different leg heights designed for the split-level floor
58. view of upper level of pavilion, facing the overhead viewing room.
Balconies in the viewing room face the beach and the backyard
59. view of the ground floor of pavilion, facing the backyard.
At left is built-in seating area complete with integrated handrail
60. View of a bedroom (below, at right) from the stairwell of the arched
pavilion
61. View from within the arcade, at ground level.
The volume of a vaulted bedroom intersects with the volume of the kitchen and the landscaping platforms of the
garden
76. elliptical opening in the barrel vault from above; interior floor visible through opening
77. Front view of the barrel vault with stonework that integrates large boulders and plants
78. Detail view of the chipped stonework and larger stones, cladding the vault
79. Detail view of interior wall surface, showing chipped stonework with clay faces
80. Interior view from the dining vaulted space overlooking triangular gates
with encroaching boulders in foreground and vegetation beyond
81. Interior view from the dining vaulted space looking inwards at the stone table and the glass chipped bathroom
at left
82. Interior view of a mother-of-pearl awning covering a massive stone facing a stone platform opposite the
bathroom
83. Interior view of the bathroom and kitchen platform taken from the dining barrel-vaulted space
84. Interior detail view of the bathroom, showing flat chips of glass - similar to the stonework outside –
and circular mosaic tiles with intermediary stone arches
106. Exterior view of the house taken from the lowest end of the slope.
The external wall is made of hand-dressed stone arranged in random rubble
masonry
107. Interior view of the bedroom wall showing the exposed truss overhead and elongated
polygonal openings set in dressed stone masonry
113. Detail view of chipped stonework used for cladding wall surfaces
114. Interior view looking at the flight of stairs
leading to the main living spaces of the
house
Detail view of the staircase with the curvilinear forms
of openings, pots, and arches around it
115. Detail view of the skylit court and its chipped stonework, with built-in planter beds
surrounded by circular openings and a blue glass-chipped hemisphere