This film pitch proposes a period drama set in 1605 London around the Gunpowder Plot, focusing on how the actions of plot leaders John Grant and Robert Catesby affected their families. The film would follow Grant and Catesby's wives and children as they deal with the social disruption and changes to family life caused by their husbands' rebellion and punishments. Key themes are rebellion, social disruption, and family. The film would be shot on location in London with costumes reflecting the upper-class Tudor era characters. Potential lead actors are named and character descriptions provided.
The universe of The Simpsons is wide. It is formed by hundreds of characters, each one with a very defined profile. Its objective: to parody entirely to the society. We can find for almost any situation a character who gives life to the series. To analyze the influence of the program The Simpsons in the society is of vital importance, since with this essay it is tried to evidence the unknown contents that are sent to the viewers, in this case to the young people and as these influence in their behavior and their relation with society.
The tone of the series has undergone transformations, being missed by many the most acid tone of the first seasons, as well as their stories more based on the own characteristics of the main characters. The change can be noticed even in the drawing. The first issues surprised by their hard outlines, almost childish strokes, that contrasted with the sharpness of the proposal. They did not need a more sophisticated package. Now, on the contrary, we can see how the series was based on the best techniques of animation in 3D. Its writers define themselves for the most part on the left or, as they say in the U.S.A., “liberals”, and that is reflected in the type of humor, that without becoming radical always reveals the nonsense of the system. The series always tried to connect with the reality. The name of the city, Springfield, is not coincidence. There are at least five Springfields in the U.S.A. The location on the map is never revealed in the series. The intention is to represent any family and any city. The satire helps to show by the absurd one the madness of this world. One more personage is the television: It is a member more of the family, wanted and respected by all. Bart, a problematic boy whose behavior is also a product of the environment. Homer is the typical American average, at the most gross better, with a great heart and a big stomach. Marge assumes the traditional familiar values, even at the cost of her personal annulment.
If we go out on the street, we find a corrupt police officer, as well as incompetent. The local politician, robbing with his best smile. School education is unable to connect with its students: an ingenuous director and a totally apathetic teaching staff. In the work place appears Mr. Burns, perfect archetype of the capitalist. On television, Krusty, a clown who instead of making children smile and excite, directs a millionaire industry of entertainment, merchandising and hamburgers. The children are saved, but only in part. Each shows how society affects him: the twin sisters reproducing the status quo; Milhouse accepting failure before it happens; Nelson trying to return the slap. Bart always brandishes his rebelliousness (I would say that he is among the healthiest of the show) and Lisa, she is the thinking exception. Most of the time, she is the one that defends some principle against all Springfield, but even she falls into American topics.
The universe of The Simpsons is wide. It is formed by hundreds of characters, each one with a very defined profile. Its objective: to parody entirely to the society. We can find for almost any situation a character who gives life to the series. To analyze the influence of the program The Simpsons in the society is of vital importance, since with this essay it is tried to evidence the unknown contents that are sent to the viewers, in this case to the young people and as these influence in their behavior and their relation with society.
The tone of the series has undergone transformations, being missed by many the most acid tone of the first seasons, as well as their stories more based on the own characteristics of the main characters. The change can be noticed even in the drawing. The first issues surprised by their hard outlines, almost childish strokes, that contrasted with the sharpness of the proposal. They did not need a more sophisticated package. Now, on the contrary, we can see how the series was based on the best techniques of animation in 3D. Its writers define themselves for the most part on the left or, as they say in the U.S.A., “liberals”, and that is reflected in the type of humor, that without becoming radical always reveals the nonsense of the system. The series always tried to connect with the reality. The name of the city, Springfield, is not coincidence. There are at least five Springfields in the U.S.A. The location on the map is never revealed in the series. The intention is to represent any family and any city. The satire helps to show by the absurd one the madness of this world. One more personage is the television: It is a member more of the family, wanted and respected by all. Bart, a problematic boy whose behavior is also a product of the environment. Homer is the typical American average, at the most gross better, with a great heart and a big stomach. Marge assumes the traditional familiar values, even at the cost of her personal annulment.
If we go out on the street, we find a corrupt police officer, as well as incompetent. The local politician, robbing with his best smile. School education is unable to connect with its students: an ingenuous director and a totally apathetic teaching staff. In the work place appears Mr. Burns, perfect archetype of the capitalist. On television, Krusty, a clown who instead of making children smile and excite, directs a millionaire industry of entertainment, merchandising and hamburgers. The children are saved, but only in part. Each shows how society affects him: the twin sisters reproducing the status quo; Milhouse accepting failure before it happens; Nelson trying to return the slap. Bart always brandishes his rebelliousness (I would say that he is among the healthiest of the show) and Lisa, she is the thinking exception. Most of the time, she is the one that defends some principle against all Springfield, but even she falls into American topics.
In a theater located on the outskirts of a Manhattan neighborhood known as Satan’s Circus, the rise of the curtain signals the start of certain entertainments that the well-bred do not discuss. A quick perusal of the theater program provides patrons with a map to the highest seats and basest behavior - the Third Tier.
Heritage Media are Producers & Executive Producers with offices in London UK & Estepona Spain. Heritage Media offer private clients the opportunity to invest in UK film productions.
www.heritagemedia.es
In a theater located on the outskirts of a Manhattan neighborhood known as Satan’s Circus, the rise of the curtain signals the start of certain entertainments that the well-bred do not discuss. A quick perusal of the theater program provides patrons with a map to the highest seats and basest behavior - the Third Tier.
Heritage Media are Producers & Executive Producers with offices in London UK & Estepona Spain. Heritage Media offer private clients the opportunity to invest in UK film productions.
www.heritagemedia.es
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2. Plot/Narrative
Our film is set in the Tudor era based around the Gun Powder Plot and
how the actions of the men involved affected their families, focusing on
their children.
The main story highlights the two ring leaders of the gun powder plot
criminals , John Grant and Robert Catesby and how their different
punishments changed the lives of their children and families.
3. Genre/Themes
The genre is Period Drama and the target audience is university
students. The themes of the film are rebellion, social disruption, and
family life. These are reflected in the Gun Powder Plot criminals causing
a rebellion against the king, social disruption within the families and
how their lives have changed due to the events, this also links in with
family life and how that has changed due to the Gun Powder Plot and
the criminals involved.
4. Practicalities
LOCATION:
Mainly filmed in London. On a closed set to ensure historical
detail in the set.
This picture shows Tudor London
and this is how the set will look.
Costumes:
The costumes of the cast will be traditional Tudor
clothes. As the characters are upper class their clothes
will need to reflect this.
5. Cast
• John Grant=Tom Hiddleston (Husband)
• Mary Grant=Emily Blunt (Wife)
• Phyllis Grant=Millie Bobby Brown (Daughter)
• Robert Catesby=Henry Cavill (Husband)
• Elizabeth Catesby=Rachel Weisz (Wife)
• Bartholomew Catesby=Thomas Brodie-Sangster (Older Son)
• Tobias Catesby=Oscar Lloyd (Younger Son)
6. Characters
• Characters
Grant Family:
John – Age 36, married to Mary, one daughter Phyllis ,works as land owner, fairly wealthy. Character traits- determined,
stubborn, fundamentalist.
Mary – Age 27, married to John , one daughter Phyllis, land owners wife. Character traits – motherly, brave, cunning.
Phyllis – Age 12, daughter of John and Mary, quite highly educated. Due to circumstances of the film – Character traits-
withdrawn, shy, nervous. Does not cope well with her father’s crimes, terrified that he is in the Tower of London, removes
herself from society.
Cavill Family:
Robert – Age 39,married to Elizabeth, 2 sons – Bartholomew and Tobias, Wealthy merchant. Character traits – broody, hot headed,
devious.
Elizabeth – Age 34 ,married to Robert, 2 sons , wife of merchant, high education, shunned by her family for marrying a lower status man.
Character traits – snobby, assertive, hot headed.
Bartholomew – Age 16, son of Robert and Elizabeth, some education but cares for his younger brother mostly. Character traits – timid,
protective, analytical. Does not cope well with his father’s crime, feels shunned by society and neglected but tries to fit in.
Tobias – Age 9, son of Robert and Elizabeth, lower education, mostly neglected by his parents, looks up to his older brother as a role
model. Character traits – loud, dare devil, protective. Was not close with his father, wants to show empathy towards his father but does
not know how, secretly does not mind that his father is gone.
7. Setting
• The setting of the film is London 1605, in the Tudor era.
• Tudor times were very hard on the poor as they had no money or land.
• The country was also very dirty as hygiene was low, therefore disease and
illness spread quickly.
• We choose this setting because it portrays how difficult life was for the
people living in London and how an uprising was not unexpected.
• The lighting of the setting will be quite dark as to create a tense/moody
atmosphere. This atmosphere will reflect how the characters feel about
their lives in the film and shows the depressive feeling of the country.
8. Inspiration for our film
We gained inspiration for our film from recent
period drama films like Sherlock Holmes (2009)
and Les Misérables (2012). These both revolve
heavily around the time period in which they are
set and we aim to provide the same amount of
context in our film.
Other older time period dramas include
Titanic (1997) and Braveheart (1995) which
use events from history to progress their
story.
9. Advertisement
Our film we be advertised in large cities/towns on animated
billboards & large company buildings. We will also advertise our
film on public transport like trains, buses, taxis and bus stops as
well as radio advertisement and trailers on the internet and
social media.