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Andrew Goodwin was a director of Music, and was an
Organist for thirty seven years at Bangor Cathedral. He
states that there are five key aspects of a music video
we as the audience tend to look out for.

Here I have discussed the ways in which our music
video has followed or challenged his ideas...
Narrative and performance was high key in planning and constructing our music video.
  Within my research into Goodwin’s points and general viewing I found that we tend to
  only get a gist of the meaning of the song, which enables us to make up our own idea if
                                      what it being told.

  Goodwin explains that music videos should ignore common narrative as it is important
                              in their role of advertising.

   Our quirky video follows this conventional role as it is emphasising its surrealism. He
   also comments on the fact that lip synching remains the heart of music videos, as the
      audience need to believe it is real. I am glad we followed this convention as the
   performance parts would not have been as respected. Below are examples of how we
                               made our products ‘quirky’.

                                        The fake clouds
                                        and sun with
                                        the bright blue
                                        ‘sky’ sits well
                                        with our stop
                                        motion

We did have our artist lip
synching, but we varied it by                                          The birds are a great
adding lyrics to this brightly                                         touch to the magazine
coloured sheet emphasising                                             advert, making it
the lyrics.                                                            different but highlighting
                                                                       her natural nature.
The lyrics relating to our visuals were very illustrative. ‘we have only
 ever touched, when there is no one else around’ the idea of touching but
 them not knowing as it is seen on split screen only by the audience.




 Fitting together ‘like a make shift puzzle’- split screen also represents this,
 and the green screen. There are lots of words within the lyrics that relate to
 them being in a bed, for example; ‘waking’ ‘lying down’ ‘still lay here’
 ‘when I stayed the night’. We conventionally related the lyrics to the visuals
 as this, included with our performance section, was what our audience
 looked for in this narrative genre.
We related the music to the visuals by a visual representation of the
      guitar, and by cutting on the beat. The song has a continuous beat and
      is very snappy, so this is why we used stop motion, which challenged
      the convention. Stop motion was also used to illustrate our artists
      quirky character which is unconventional in her genre.
Continuity was used to make our
product professional and for our
audience to easily recognise our
artist and her genre- this is
conventional for artists in this
genre, e.g. Taylor Swift




   As the guitar has strong
   references in the music         We agreed that it made the video more visually
   video, we decided to use        interesting. As a guitar is used in the song, we
   continuity and bring it in      decided to bring this feature in to the performance
   our ancillary products. For     part of the video with our artist, which is very
   our digi-pack we used           conventional for the folk genre. This connotes how
   three very different images     she is still focussed more on the music, even when
   of her guitar                   she is being shown.
We did try to sell the brand identity through
 close-ups of our artist, with her visual motif
 repeated. This was also selling her quirky
 personality also. This is conventional for the
 pop-folk genre. With these close-ups the
 audience are able to identify with her.




  A subtle visual motif was the effect of
  mirroring/symmetry used across all of our
  products. The most obvious representations
  would be the music video where they are doing
  the same routine and Eliza Mindel mirrored on
  her magazine advert. On our 6 sided digi-pack
  we chose 3 images of guitars to be included.
Although this is very personal to the spectator, we
           chose not to follow this convention and use
           Intertextuality as our artist is her own person and we
           wanted the audience to engage with her and not other
           references.

Here we used layering and
fading in and out whilst she is
performing. The contrast is
good in this scene, making our
artist look bold, making the
audience attracted to her
persona and interesting take
on pop-folk.
Voyeurism is used discreetly as we watch her perform,
but we did not follow the convention of getting
pleasure out of viewing the female body as that is
attracting the wrong type of audience.
This camera angle reflects how the audience re being
voyeuristic, but not in obtrusive way. She is showing
shy-ness, but we are able to identify with her.
The genre of Characteristics we used related to pop-
          folk, where we were able to view her performing with
          an instrument, but also be lead by narrative. This also
          included the portrayal of love and innocence.




The guitar is a main focus across               The narrative and performance used
our products, purely because it                 in our music video is conventional
has strong references to our                    for pop and folk which is why we
artists genre and music abilities.              included both. This made our video
                                                entertaining to see both areas.
                                                Innocence was portrayed through all
                                                of the products, especially through
                                                clothing...
Media music video evaluation
Media music video evaluation

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Media music video evaluation

  • 1.
  • 2. Andrew Goodwin was a director of Music, and was an Organist for thirty seven years at Bangor Cathedral. He states that there are five key aspects of a music video we as the audience tend to look out for. Here I have discussed the ways in which our music video has followed or challenged his ideas...
  • 3. Narrative and performance was high key in planning and constructing our music video. Within my research into Goodwin’s points and general viewing I found that we tend to only get a gist of the meaning of the song, which enables us to make up our own idea if what it being told. Goodwin explains that music videos should ignore common narrative as it is important in their role of advertising. Our quirky video follows this conventional role as it is emphasising its surrealism. He also comments on the fact that lip synching remains the heart of music videos, as the audience need to believe it is real. I am glad we followed this convention as the performance parts would not have been as respected. Below are examples of how we made our products ‘quirky’. The fake clouds and sun with the bright blue ‘sky’ sits well with our stop motion We did have our artist lip synching, but we varied it by The birds are a great adding lyrics to this brightly touch to the magazine coloured sheet emphasising advert, making it the lyrics. different but highlighting her natural nature.
  • 4. The lyrics relating to our visuals were very illustrative. ‘we have only ever touched, when there is no one else around’ the idea of touching but them not knowing as it is seen on split screen only by the audience. Fitting together ‘like a make shift puzzle’- split screen also represents this, and the green screen. There are lots of words within the lyrics that relate to them being in a bed, for example; ‘waking’ ‘lying down’ ‘still lay here’ ‘when I stayed the night’. We conventionally related the lyrics to the visuals as this, included with our performance section, was what our audience looked for in this narrative genre.
  • 5. We related the music to the visuals by a visual representation of the guitar, and by cutting on the beat. The song has a continuous beat and is very snappy, so this is why we used stop motion, which challenged the convention. Stop motion was also used to illustrate our artists quirky character which is unconventional in her genre. Continuity was used to make our product professional and for our audience to easily recognise our artist and her genre- this is conventional for artists in this genre, e.g. Taylor Swift As the guitar has strong references in the music We agreed that it made the video more visually video, we decided to use interesting. As a guitar is used in the song, we continuity and bring it in decided to bring this feature in to the performance our ancillary products. For part of the video with our artist, which is very our digi-pack we used conventional for the folk genre. This connotes how three very different images she is still focussed more on the music, even when of her guitar she is being shown.
  • 6. We did try to sell the brand identity through close-ups of our artist, with her visual motif repeated. This was also selling her quirky personality also. This is conventional for the pop-folk genre. With these close-ups the audience are able to identify with her. A subtle visual motif was the effect of mirroring/symmetry used across all of our products. The most obvious representations would be the music video where they are doing the same routine and Eliza Mindel mirrored on her magazine advert. On our 6 sided digi-pack we chose 3 images of guitars to be included.
  • 7. Although this is very personal to the spectator, we chose not to follow this convention and use Intertextuality as our artist is her own person and we wanted the audience to engage with her and not other references. Here we used layering and fading in and out whilst she is performing. The contrast is good in this scene, making our artist look bold, making the audience attracted to her persona and interesting take on pop-folk.
  • 8. Voyeurism is used discreetly as we watch her perform, but we did not follow the convention of getting pleasure out of viewing the female body as that is attracting the wrong type of audience. This camera angle reflects how the audience re being voyeuristic, but not in obtrusive way. She is showing shy-ness, but we are able to identify with her.
  • 9. The genre of Characteristics we used related to pop- folk, where we were able to view her performing with an instrument, but also be lead by narrative. This also included the portrayal of love and innocence. The guitar is a main focus across The narrative and performance used our products, purely because it in our music video is conventional has strong references to our for pop and folk which is why we artists genre and music abilities. included both. This made our video entertaining to see both areas. Innocence was portrayed through all of the products, especially through clothing...