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 Camera on wheels.
 Moves with the action.
e.g: the tricycle scene in “the shining”
 Hand held camera.
 Follows the action.
 Can give a jerky feeling to a scene which makes
the audience feel like they are there.
 Good for POV shots.
e.g: the attic scene in the excorsist.
 Camera lens zooms towards or away from the
subject.
 Can be dramatic if done quickly.
 If done slowly, can give a more dreamy mood.
e.g: csi strip strangler intro.
 Camera on a crane.
 Looks down on the action.
 The shot can move dramatically from ground
level to a birds eye view or vice versa.
e.g: a touch of evil intro.
 Camera pivots.
 Follows action.
 Tracks in & zooms out at the same time.
 Creates dramatic effect and helps with focusing
suspense.
e.g: the ‘get out of the water’ scene from jaws.

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Camera movement

  • 1.
  • 2.  Camera on wheels.  Moves with the action. e.g: the tricycle scene in “the shining”
  • 3.  Hand held camera.  Follows the action.  Can give a jerky feeling to a scene which makes the audience feel like they are there.  Good for POV shots. e.g: the attic scene in the excorsist.
  • 4.  Camera lens zooms towards or away from the subject.  Can be dramatic if done quickly.  If done slowly, can give a more dreamy mood. e.g: csi strip strangler intro.
  • 5.  Camera on a crane.  Looks down on the action.  The shot can move dramatically from ground level to a birds eye view or vice versa. e.g: a touch of evil intro.
  • 6.  Camera pivots.  Follows action.
  • 7.  Tracks in & zooms out at the same time.  Creates dramatic effect and helps with focusing suspense. e.g: the ‘get out of the water’ scene from jaws.