Global Copyright Challenges: 2011 Special Libraries Association Conference

SLA 2011 International Chapters Session Global Copyright Challenges Mike Linksvayer VP, Creative Commons 2011-06-14 / Philadelphia commons.wikimedia.org/wiki/File:ApprenticesLibrary_Philadelphia.png  ·  Public Domain
 
What Shall We Drink? by Magnus Bredenbek (1934) From the collection of the San Francisco Public Library. I waive any copyright claim I may have in this image and dedicate my copyright interest in the image to the public domain. I also believe that the book depicted in the image is in the public domain, though I do not warrant that it is. The book was published between 1923 and 1963, so the author was required to renew the copyright 28 years after publication to prevent it from entering into the public domain. My search of the copyright renewals database (http://collections.stanford.edu/copyrightrenewals/) indicates that the copyright in this book was not renewed. –  MetaGrrrl,  flickr.com/photos/dinah/2893796625
copyright daily challenge for librarians, libraries, budgets global additional challenges: more complexity, often fewer resources it’s getting worse...
For obvious reasons there has been a lot of attention paid to the Georgia State copyright infringement case recently.  In that litigation three academic publishers are asking a judge to fiercely  restrict academic fair use  in favor of a pay-per-use system that, in my opinion, disregards the expressed intent of Congress in the 1976 Copyright Act and  is foreign to the purposes of that law.  The trial was completed yesterday, and a decision from the judge can be expected over the summer. But in our justifiable anxiety about that case, we should not miss the fact that is is only one part of an overall strategy to  undermine the educational exceptions to copyright ; yesterday the publishing community opened a second front in their attack on education by issuing a statement of principles designed to  hobble inter-library loan . ...
First, they would  forbid ILL across national borders without specific permission  (paid, of course) from the publisher. Second, they would make digital delivery entirely the province of the publishers (for a fee, undoubtedly).  Libraries would not be able to e-mail a journal article to a patron , even though nothing in the current law forbids such a practice. Third, it would impose a vague standard of “due diligence” — language not found in the law — on all document delivery for “private, non-commercial use.”  Presumably this is the thin end of a wedge to  attack all private research use  for which permission fees are not paid. ...
It is important to understand that such a standard would give the United States the most restrictive copyright law in the world, and it would do so without the intervention of Congress. ... Open access alternatives seem more and more to be not just a nice alternative, but the only path scholarly communications has left to survival. –  Kevin Smith, Scholarly Communications Officer, Duke University,   blogs.library.duke.edu/scholcomm/2011/06/09/a-second-front/
∴  creative commons . org non-profit organization foundation, corporate, individual supporters 100+ global affiliate institutions
sharing infrastructure respect the law, build a sustainable and scalable society  legal and technical tools enabling effective “some rights reserved” and “no rights reserved” culture, education, public sector, science...
wikipedia
 
 
 
 
 
 
 
 
 
 
 
 
 
<rdf:RDF xmlns=&quot;http://creativecommons.org/ns#&quot; xmlns:rdf=&quot;http://www.w3.org/1999/02/22-rdf-syntax-ns#&quot;> <License rdf:about=&quot;http://creativecommons.org/licenses/ by-nc-sa /3.0/&quot;> < permits rdf:resource=&quot;http://creativecommons.org/ns# Reproduction &quot;/> < permits rdf:resource=&quot;http://creativecommons.org/ns# Distribution &quot;/> < requires rdf:resource=&quot;http://creativecommons.org/ns# Notice &quot;/> < requires rdf:resource=&quot;http://creativecommons.org/ns# Attribution &quot;/> < prohibits rdf:resource=&quot;http://creativecommons.org/ns# CommericialUse &quot;/> < permits rdf:resource=&quot;http://creativecommons.org/ns# DerivativeWorks &quot;/> < requires rdf:resource=&quot;http://creativecommons.org/ns# ShareAlike &quot;/> </License> </rdf:RDF>
<span xmlns:cc=&quot;http://creativecommons.org/ns#&quot; xmlns:dc=&quot;http://purl.org/dc/elements/1.1/&quot;> <span rel=&quot; dc:type &quot; href=&quot; http://purl.org/dc/dcmitype/Text &quot;  property=&quot; dc:title &quot; > My Book </span> by  <a  rel=&quot; cc:attributionURL &quot; property=&quot; cc:attributionName &quot; href=&quot; http://example.org/me &quot;> My Name </a>  is licensed under a  <a  rel=&quot; license &quot; href=&quot; http://creativecommons.org/licenses/by/3.0/ &quot; >Creative Commons Attribution 3.0 License</a>.  <span  rel=&quot; dc:source &quot; href=&quot; http://example.net/her_book &quot; /> Permissions beyond the scope of this license may be available at <a  rel=&quot; cc:morePermissions &quot; href=&quot; http://example.com/revenue_sharing_agreement &quot;>example.com</a>. </span>
Cologne-based libraries release 5.4 million bibliographic records via CC0 The British Library releases 3 million bibliographic records into the public domain using CC0 University of Michigan Library adds 700k bibliographic records to the public domain via CC0 CERN Library releases its book catalog into the public domain via CC0...
Open Access metadata One means to better deal with increasing global copyright challenges (the more you know about a work, the easier it is to determine what you can do with it)
Open Access education (the more you teach others about copyright and OA...)
 
Open Access activism (more OA, less challenge: practice, policy, advocacy)
 
Thank you! links:  con vey your self to http://creativecommons.org (Creative Commons NGO) “ Opening” the Special Library: Open Source, Open Content, Open Data and More (session tomorrow 10am)
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Global Copyright Challenges: 2011 Special Libraries Association Conference

  • 1. SLA 2011 International Chapters Session Global Copyright Challenges Mike Linksvayer VP, Creative Commons 2011-06-14 / Philadelphia commons.wikimedia.org/wiki/File:ApprenticesLibrary_Philadelphia.png · Public Domain
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  • 3. What Shall We Drink? by Magnus Bredenbek (1934) From the collection of the San Francisco Public Library. I waive any copyright claim I may have in this image and dedicate my copyright interest in the image to the public domain. I also believe that the book depicted in the image is in the public domain, though I do not warrant that it is. The book was published between 1923 and 1963, so the author was required to renew the copyright 28 years after publication to prevent it from entering into the public domain. My search of the copyright renewals database (http://collections.stanford.edu/copyrightrenewals/) indicates that the copyright in this book was not renewed. – MetaGrrrl, flickr.com/photos/dinah/2893796625
  • 4. copyright daily challenge for librarians, libraries, budgets global additional challenges: more complexity, often fewer resources it’s getting worse...
  • 5. For obvious reasons there has been a lot of attention paid to the Georgia State copyright infringement case recently. In that litigation three academic publishers are asking a judge to fiercely restrict academic fair use in favor of a pay-per-use system that, in my opinion, disregards the expressed intent of Congress in the 1976 Copyright Act and is foreign to the purposes of that law. The trial was completed yesterday, and a decision from the judge can be expected over the summer. But in our justifiable anxiety about that case, we should not miss the fact that is is only one part of an overall strategy to undermine the educational exceptions to copyright ; yesterday the publishing community opened a second front in their attack on education by issuing a statement of principles designed to hobble inter-library loan . ...
  • 6. First, they would forbid ILL across national borders without specific permission (paid, of course) from the publisher. Second, they would make digital delivery entirely the province of the publishers (for a fee, undoubtedly). Libraries would not be able to e-mail a journal article to a patron , even though nothing in the current law forbids such a practice. Third, it would impose a vague standard of “due diligence” — language not found in the law — on all document delivery for “private, non-commercial use.” Presumably this is the thin end of a wedge to attack all private research use for which permission fees are not paid. ...
  • 7. It is important to understand that such a standard would give the United States the most restrictive copyright law in the world, and it would do so without the intervention of Congress. ... Open access alternatives seem more and more to be not just a nice alternative, but the only path scholarly communications has left to survival. – Kevin Smith, Scholarly Communications Officer, Duke University, blogs.library.duke.edu/scholcomm/2011/06/09/a-second-front/
  • 8. ∴ creative commons . org non-profit organization foundation, corporate, individual supporters 100+ global affiliate institutions
  • 9. sharing infrastructure respect the law, build a sustainable and scalable society legal and technical tools enabling effective “some rights reserved” and “no rights reserved” culture, education, public sector, science...
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  • 24. <rdf:RDF xmlns=&quot;http://creativecommons.org/ns#&quot; xmlns:rdf=&quot;http://www.w3.org/1999/02/22-rdf-syntax-ns#&quot;> <License rdf:about=&quot;http://creativecommons.org/licenses/ by-nc-sa /3.0/&quot;> < permits rdf:resource=&quot;http://creativecommons.org/ns# Reproduction &quot;/> < permits rdf:resource=&quot;http://creativecommons.org/ns# Distribution &quot;/> < requires rdf:resource=&quot;http://creativecommons.org/ns# Notice &quot;/> < requires rdf:resource=&quot;http://creativecommons.org/ns# Attribution &quot;/> < prohibits rdf:resource=&quot;http://creativecommons.org/ns# CommericialUse &quot;/> < permits rdf:resource=&quot;http://creativecommons.org/ns# DerivativeWorks &quot;/> < requires rdf:resource=&quot;http://creativecommons.org/ns# ShareAlike &quot;/> </License> </rdf:RDF>
  • 25. <span xmlns:cc=&quot;http://creativecommons.org/ns#&quot; xmlns:dc=&quot;http://purl.org/dc/elements/1.1/&quot;> <span rel=&quot; dc:type &quot; href=&quot; http://purl.org/dc/dcmitype/Text &quot; property=&quot; dc:title &quot; > My Book </span> by <a rel=&quot; cc:attributionURL &quot; property=&quot; cc:attributionName &quot; href=&quot; http://example.org/me &quot;> My Name </a> is licensed under a <a rel=&quot; license &quot; href=&quot; http://creativecommons.org/licenses/by/3.0/ &quot; >Creative Commons Attribution 3.0 License</a>. <span rel=&quot; dc:source &quot; href=&quot; http://example.net/her_book &quot; /> Permissions beyond the scope of this license may be available at <a rel=&quot; cc:morePermissions &quot; href=&quot; http://example.com/revenue_sharing_agreement &quot;>example.com</a>. </span>
  • 26. Cologne-based libraries release 5.4 million bibliographic records via CC0 The British Library releases 3 million bibliographic records into the public domain using CC0 University of Michigan Library adds 700k bibliographic records to the public domain via CC0 CERN Library releases its book catalog into the public domain via CC0...
  • 27. Open Access metadata One means to better deal with increasing global copyright challenges (the more you know about a work, the easier it is to determine what you can do with it)
  • 28. Open Access education (the more you teach others about copyright and OA...)
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  • 30. Open Access activism (more OA, less challenge: practice, policy, advocacy)
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  • 32. Thank you! links: con vey your self to http://creativecommons.org (Creative Commons NGO) “ Opening” the Special Library: Open Source, Open Content, Open Data and More (session tomorrow 10am)