Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
The Post War Era
1. The Post War Era
The zeitgeist of the post war era was change, encompassing both personal, social and political
transformation explored by composer's experimentation with form and subject matter. The dominant
discourse of power during the Cold War was the ideological conflict between Capitalism and
Communism. The dominant ways of thinking were profoundly challenged by the emergence of an
alternative, youth–driven culture. A composer's disillusionment with the world in the 'After the
Bomb' period acted as a catalyst for them to not only challenge ways of thinking but also the
traditional form of literature. The era saw widespread criticism of government systems and of the
military–industrial complex as hegemonic ideas about "America" were being questioned. There was
a widespread perception that society had lost touch with the cornerstone of American values and
pillars of democracy and it was the role of the writers, filmmakers and poets to recapture its
emphasis on idealism rights and liberty and challenge the world that rejected these ideals. The texts
which challenged the values and ways of thinking of the time coupled with their exploration of
universal themes and the victims perspective enables these texts to continue to hold enormous
significance and influence in today's society. Accordingly a sense of discomfort pervades
confronting texts of the era as composers experiment with subject matter by amplifying humanity's
growing dissension with towards the values and ideas that shaped
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2.
3.
4.
5. Dr. Strange Love Conspiracy Theory
I must say that Dr. Strange Love is my favorite movie we have watched thus far.
There are many interesting aspects to this movie. First I found it interesting that the paranoid ultra–
nationalist Brigadier General, Who orders the nuclear strike is named Jack D Ripper. When read and
when spoken the name sounds incredibly similar to serial killer "Jack the Ripper." I truly don't think
this was coincidental. The movie was filmed at Shepperton Studios near London, Whitechapel , the
neighbor in which the serial killer mostly stalked is also in London. Perhaps this was Kubrick's way
of framing members of the military industrial complex during the Cold War as serial killers. Instead
of brandishing surgical knives, they are detonating nuclear weapons. This theory is furthered by the
fact that President Muffley refers to Ripper as a psychopath and repeatedly uses the term mass
murder. Furthermore, in a scene with Mandrake, Ripper states he denies women his "essence." The
physical nature of sexual intercourse and his wariness of it, drives Ripper's irrational impulse to
guard the purity of his bodily fluids against ideological incursion. It seems that Ripper's conspiracy
theory is born of misogyny. This is intriguing because Jack the Ripper exclusively killed women
involved in ... Show more content on Helpwriting.net ...
The hyper masculine characters are oversexed, and their appetites reveal them to be psychologically
disturb individuals. All three are American military men, and they share a deep distrust of
communists and communism. Their paranoia, leads them to contemplate unthinkable actions.
Conversely , the emasculated characters are sexually impotent and unable to prevent the fallout
which results from their counterparts' ill placed sexual energy, finally opting to join them instead.
Interestingly enough out of the three main emasculated characters, two are
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6.
7.
8.
9. Kubbrick Dr Strangelove
Kubrick dramatizes the absurdity of Cold War Logic throughout the whole movie Dr. Strangelove.
In the pre film lecture we talked about the two cornerstone ideas in Cold War America. First,
democracy was the "highpoint of human history" and things were based on technological advances.
Second, was that communism was the only real danger to America which is why mutually assured
destruction (MAD) was created. In this particular scene, Kubrick is using the doomsday machine as
a direct representation of MAD. They describe the machine as essentially having a mind of its own;
once it is triggered it cannot be untriggered. The absurdity of this whole idea is that if one side
believes the other will attack, they start a nuclear war. Once a nuclear war
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10.
11.
12.
13. How To Enter Major King Kong
Enter Major T. J. Kong the pilot and commander of the B–52 bomber. His name is obviously an
allusion to the gigantic ape King Kong, which is an expression of his primitive nature. Kong is an
archetype of the American masculinity, the Texan "cowboy". Although he lacks any binary opposite
his role is pivotal. Upon receiving Ripper's orders Kong removes his helmet and dons a "cowboy"
hat this reflects his reckless personality that ultimately leads to disaster. Although it is clear that his
plane will not make it to the designated target, Kong is intent on carrying out his orders. Kong is last
seen hurtling towards earth on the phallic nuclear bomb yelling in an orgasmic fashion, followed by
mushroom clouds that communicate sexual
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14.
15.
16.
17. Summary Of Cat's Cradle And Dr. Strangelove
In the 20th century, the shadow of the Cold War hung over the world, dividing it politically and
therefore creating palpable tension. In addition to this tense atmosphere, great advances occurred in
science and technology, such as the space race and numerous inventions which launched the world
into the scientifically advanced age in which we now live. However, the abilities of these break
throughs also had negative capabilities which caused great paranoia throughout the world in the 20th
c. In both the novel Cat's Cradle and the film Dr. Strangelove, the creators Vonnegut and Kubrick,
respectively, highlight the multifaceted power of scientific progress in the context of satirical pieces
of entertainment which are intended to make their audiences aware of problems in the 20th c. world
and hopefully spark change. Vonnegut cleverly utilizes satirical elements such as exaggeration,
farce, and parody, to get across to his readers the power of science and the importance of
understanding humans' roles in it. Towards the beginning of the novel, the invention ice–nine is
introduced as having been created by Felix Hoenikker and is described just as a group of girls
dressed in white comes to Dr. Breed's office and sings "O Little Town of Bethlehem" with
importance placed on the line "The hopes and fears of all the years are here with us tonight"
(Vonnegut 47). By pointing out the contrast between the almost angelic singers and the scientists in
the office, Vonnegut is able
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18.
19.
20.
21. Symbolism In Dr Strangelove
Stanley Kubrick's, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, is a
political satire of the Cold War that displays the fear of nuclear devastation after World War II,
which created an atmosphere of suspicion, with everyone prepared and waiting for the bomb to
drop. Kubrick's film portrays a worst–case scenario in which humans become the victims to the
machines of destruction they have created and depend on for safety. At a time when the whole
country was terrified of the Soviet Union, Kubrick's film portrayed the issue through humor, instead
of fear. Through the link of symbolism between a male's ego and the underlying sexual nature of
war, a relationship between Stanley Kubrick's satirical film and the realities of ... Show more content
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Strangelove or: How I Learned to Stop Worrying and Love the Bomb challenges the beliefs of war
and equates war to a mockery created by sexually crippled men. The most symbolic scene in the
film, one that truly exemplifies what Kubrick was trying to show his audience, is the famous "riding
of the bomb" scene in which actor Slim Pickens howls with satisfaction and lust as he plummets
toward earth with an atomic bomb firmly between his legs. Kubrick's effect is to make the audience
want to see that bomb dropped which is the climax with Kong riding it. His mind far from fear or
doubt, he is exhilarated. The imagery of straddling the bomb, the intensity and satisfaction with
which he dislodges the bomb and ensures not only his own destruction but also those around him.
Dr. Strangelove, whose name captures the essence of the film is sexually awakened and regains the
ability to walk. The "strange love" in this movie is actually the love for the bomb, or the lust of one
country for the
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22.
23.
24.
25. Dr Strangelove Cold War
Dr. Strangelove is a comedy about the Cold War intended for a young adult or adult audience due to
the topic of the Cold War not being understood easily by children. The reason for creating this film
is for the comedic spin on a very serious historical event, making it truly a one of a kind movie. The
point that this director was trying to make was that anything could be seen as funny with the right
wording. This could be seen as controversial because war is not something that should be taken
lightly, but the way this movie was written was only exaggerating the Cold War and tweaking the
ending where everyone was doomed. This was a good strategy in making a movie in this style as
opposed to seemingly making fun of the Cold War and those involved. As I have stated before, the
main subject of this movie is the Cold War. I did have previous knowledge of this subject such as it
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Strangelove is a fantastic, must–see movie. The whole script is witty and well–written with lines
such as "Gentlemen! You can't fight in here! This is the War Room!" and "Well, I've been to one
world fair, a picnic, and a rodeo, and that's the stupidest thing I ever heard come over a set of
earphones." Not only is the script amazing, but Peter Sellers acting is fantastic! He plays Mandrake,
President Muffley, and Dr. Strangelove, yet differentiates each character perfectly as to create the
illusion of three entirely different people. Every actor plays their part almost perfectly. The only
drawback of the entire movie would be when the ambassador of the Soviet Union started taking
pictures, there was an opportunity for more conflict, but that never went anywhere. It seemed almost
as if that scene wasn't supposed to make the final cut, seeing as it went nowhere. Besides that only
fatal flaw, Dr. Strangelove is incredible. I would definitely recommend this movie to anyone who
wants a fun comedy to watch. Its witty script and impeccable actors makes Dr. Strangelove a must–
see
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26.
27.
28.
29. Dr. Strangelove Satire
What will happen if a nuclear bomb explodes during the Cold War? Will the world be set on track to
chaos? The answer to these two questions can be found in the 60's classic, a movie that depicts an
imaginary nuclear war between the USSR and the USA, Dr. Strangelove (1964). Direted by Stanley
Kubrick and filmed during the height of the Cold War, Dr. Strangelove is a political satire that
reflects the tension between the two superpowers at the time through its satirical plot and ironical
lines. On the surface, Dr. Strangelove conveys how the explosion of a nuclear bomb triggers a chain
of hilarious reactions from the two superpowers. However, through the three forms of satire:
monologues, parodies, and narratives, the film enables its viewers to not only question themselves ...
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Satire is a common literature technique when used correctly unveils a certain degree of truth beneath
the apparent context. As Gilbert Highet points out in the chapter "Introduction to Satire" of Anatomy
of Satire "satire is the most original, challenging, memorable forms (of literature)" (Highet 3). It is a
form in which a character, an incident or a setting are held up to ridicule. Satire frequently uses
irony or sarcasm to illustrate the author's view on some modern–day issues. According to Highet,
satire can be one of three forms: monologues, parodies, and narratives. Monologue is a form of
satire that focuses on the satirist himself whom is often the main focus of the picture. The satirist
states his opinion on an issue and allows himself to be ridiculed by the viewers. Parody is a form of
satire that conceals itself form the viewers. It can be an imitation of a certain type of character or
role model. The original character that parody tends to imitate is usually one that possesses a solemn
and serious personality. By emulating and sometimes over–stressing details in the original role,
parody not only produces
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30.
31.
32.
33. Stanley Kubrick's Dr. Strangelove Essay
Review of Dr. Strangelove, Or: How I learned to Stop Worrying and Love the Bomb (1964)
Stanley Kubrick is infamous for his witty films that satire governmental and societal actions though
history. In this film, Dr. Strangelove, Or: How I learned to Stop Worrying and Love the Bomb
(1964), Kubrick is once again directing a film that is a biting, sardonic comedy that pokes fun at the
nuclear fears of the 1950s. The screenplay for the movie was written by Stanley Kubrick and Terry
Southern, and was based on the novel Red Alert written by Peter George. In this film, which is
classified as a black comedy/fantasy, technology runs amok and takes over society and mankind.
The irony of the situation, however, became apparent when shortly after ... Show more content on
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Another such loaded name is Jack D. Ripper, which is the name of the US Air Force's Strategic Air
Command's Commanding Officer. The name is symbolic of an infamous English serial killer. By
placing this name with a senior commander in the US Military, Kubrick is attempting to show the
bloodlust that he perceived the US Military's higher levels to have during that time towards the
USSR. Yet another suggestive name is the name of another General in the US Military. This
symbolism is slightly more subtle, because "buck" signifies a male animal, and turgid is a word
meaning swollen. This name shows Kubrick's suggestion that the US Military had an inflated sense
of self–worth during this era. These names serve to both show the director's opinions of individuals
and systems of the time period, but also makes the connection in the viewer's mind from the male
obsession with sex to the male obsession with war.
The next vehicle Kubrick uses to convey his thoughts on the matter is distortion of history. This is
not, however, a vulgar distortion of history intended to misinform the viewer. Instead it is a
purposeful distortion of history through which Kubrick can present a hypothetical situation in order
to get a point across. In factual history, nothing of the sort ever happened as it is portrayed in the
movie. In fact, Columbia
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34.
35.
36.
37. What Is Dr. Strangelove?
Dr. Strangelove is, science fiction, black comedy war film about what could possible happen if the
wrong person where to push the wrong button. U.S. Air Force General Jack Ripper, played by
Sterling Hayden, goes completely insane sending his bomber wing to destroy the U.S.S.R. The U.S.
President Merkin Muffley, played by Peter Sellers, meets with his advisors in an attempt to stop the
bombers from hitting their targets. The President soon learns that he will not be able to stop the
bombers unless he receives the recall code. However, only Gen. Ripper knows the recall code and is
reluctant to giving it up. He also discovers that if the U.S.S.R. is hit by nuclear weapons, it will
trigger a "Doomsday Machine" destroying all plant and animal life
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38.
39.
40.
41. How Does Harry Tttle Use Dark Humor In Brazil
Dr. Strangelove and Brazil both portray the future, while also adding humor to the plot. These
movies are futuristic, but more like dystopia movies in my opinion. These movies use dark humor to
get their point across. Dark humor is a delicate balancing act expertly courting elements of comedy
and woe (Robinson). Brazil is a futuristic bureaucracy. The government is fighting against a group
of terrorist, who frequently bomb and terrorize the city–state. In the beginning of the movie, a fly
gets into a tele–printer and changes up the last name of Harry Tuttle to Harry Buttle. Harry Tuttle is
a handyman who illegally works on air condition units. While setting up Christmas decorations with
his family, Harry Buttle is arrested instead of Tuttle. ... Show more content on Helpwriting.net ...
Including One scene where Sam goes to his mother's best friend's funeral. At this funeral, Sam finds
his mom, who now looks younger and similar to Jill surrounded by a group of juvenile lovers. She
refuses to help Sam and pretends not to be his mother. Sam ends up falling into Mrs. Terrain
bottomless coffin. He then continues to run from the police in the streets that resemble the concrete
and brick walls that were in his dream. Sam soon finds himself surrounded by police and the
imaginary monster in his dreams. His only way escaping is by climbing up old–flex ducts as those
running the world of Brazil (IMDB). He finds Jill driving a truck and trailer, and they leave the city
together. They end up settling on the country side, free from their past lives. However, it is quickly
revealed all of Sam's events since his arrest, including his happy ending, was all in Sam's head. In
the final scene, two faces are facing right in front of the camera. One face is Jack's and the other face
is Mr. Helpmann. Mr. Helpmann is a wheelchair– bound man who works as the Deputy Minister of
the Ministry of information and also the highest official you will see all movie. Apparently Sam's
escape from the Ministry of Information and the scenes following were Sam's dream's, while he was
being tortured by Jack. They realize that Sam is already too far gone from the torture to reveal any
more information. Jack leaves Sam there
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42.
43.
44.
45. Examples Of Parody In Dr Strangelove
Dr.Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a film about what could
happen if the wrong person pushed the "button", It mocks Cold War fears of a nuclear battle
between the Soviet Union and the United States. Kubrick's intension for the movie is to deliver his
viewpoint on vague the American conflict with Russia. The whole point of the Cold War was to
shock the opposing country into submission by building a stronger nuclear–powered program and
intimidating them by saying the Americans will put it to use. This fear is the base of Kubrick's film,
and is included when the President is eager to let one of the Air Force's bombers be ruined, killing
its crew members, to prevent Russia's "Doomsday Machine" from going off and sending the world
into a nuclear winter. Kubrick felt that this ... Show more content on Helpwriting.net ...
The most perceptible case of this is through the choice of names for his characters. These characters
are all male, military characters whose names convey some sort of sexual innuendo or meaning with
them. One example of how he uses sexual parody is in the beginning of the movie, the opening
credit plays over film of a bomber aircraft being refueled in mid–air during flight. The connection
between the two planes is the first symbols that connect sexuality to the military mentality that
continues reproduces war around the world. Another example is Ripper's Cigar that represents the
world nuclear destruction directly because of his sexual dysfunction, which he faults upon a
conspiracy due to this paranoia about socialists. The cigar is a traditional Freudian phallic
representation and the limp quality of Ripper's stogie represents the flaccid state of not just his
sexuality, but also his mind. Kubrick produces an anti–war satire that covertly conveys the
importance of sexual expression while hilariously depicting the unimportance of war and
destructiveness that ravaged the saneness of the 1960s American
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46.
47.
48.
49. Dr. Strangelove And The Veldt: An Analysis
Exploratory Paper There are many different stances one could take on the subject "Unimpeded
technological progress is good for society.". One could agree with Stanley Kubrick's Dr.
Strangelove, and Bradbury's The Veldt and claim that technology is dangerous and will inevitably
fall into the wrong hands one day. Another stance would be with Spike Jonze's Her, which brings
forth the opinion that technology is both good and bad. Finally, one's opinion could lie with George
Saunder's "Offloading for Mrs. Schwartz" and claim technology is a good thing. While I can see
where both Saunders and Kubrick are coming from, my own opinion is more closely represented by
Jonze. I believe that technology can be both good and bad, and that its rapid growth can be both
helpful and harmful to those around us. In the movie, Dr. ... Show more content on Helpwriting.net
...
Schwartz." The author is a man who is living a very depressing life, having fought with and lost the
love of his life Elizabeth he now spends his days running a "module" shop which takes people to a
virtual reality. Throughout the story the narrator takes care of an older woman who is bedridden
named Mrs. Schwartz, he often takes his equipment to her house since she cannot leave her house
and be active. One day he accidentally takes an intruder's memories and after selling them he starts
making enough money to care for Mrs. Schwartz more often. In the end, he takes a few of Mrs.
Schwartz memories but he doesn't want to leave her a shell so he offloads his own memories and
takes away his own suffering. Saunders uses his story as a positive examples of technological
advancement, in his story many people are negatively affected by their memories and being able to
offload them gives them another chance. In his work Saunder's writes; "Memories shmemories, I
think, I'll get some new ones. These old ones give me no peace." (Par. 44) which is an example of
how offloading helped the narrator get rid of harmful
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50.
51.
52.
53. Essay on Stanley Kubrick: Artist, Explorer and Pioneer
Stanley Kubrick: Artist, Explorer and Pioneer
Introduction
The line between art and entertainment has become malleable in the last century. Critics of fine art
define its quality by its message, innovation and complexity. Both are founded on intent to
communicate. Art seeks to engage the viewer and generally attempts to tap into more complicated
and rarer emotions. (Krush Web Site) Stanley Kubrick uses the medium of film to convey an
understanding of the world around him. I see his work as art rather than entertainment and I propose
his inclusion in Howard Gardner's model of Multiple Intelligences. The basis of my argument lies in
analysis of his work ethic, complexities, innovations and communication skills.
Background ... Show more content on Helpwriting.net ...
He subsequently sold this photo to Look magazine and his life as a photojournalist had begun. It was
a great career move for the dropout, since the end of the second world war in 1945 brought
thousands of GIs back to the states, it was impossible for Stanley to gain acceptance into a
university.
While at Look magazine Kubrick's curiosity, stamina and suggestions led to world travel and
prestige as the magazine's best photographer. In his spare time he read on an extremely wide range
of literature (this exploring nature is inherent in Kubrick, from his childhood through his later
years). He had a very analytical mind – facts and ideas interested him and could broaden his
understanding of the world around him. This was evident in the pictures he took – from the choice
of camera angle, to the subject, to the themes he chose to explore. The world eclectic is perfect for
Stanley Kubrick.
At 18 he married a high school acquaintance – Toba Metz. She would be the first of 3 wives he
would encounter. They moved to Grenwich Village in 1949. It was there that Kubrick could further
use his talents to hone a lifestyle that stressed independence and perfection. At nights he would play
chess for money at Washington Square and in the day he could study film at the Museum of Modern
Art in New York. Still, he was not comfortable in the structure of a school – his nature was to
observe and explore. Informal screenings and conversations provided the information he was
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54.
55.
56.
57. Strangelove Attitudes Towards The Atomic Bomb And Cold War
Anja Muller
Professor Cody Eldredge
PS 1600: Issues in World Politics
Oct. 10, 2017
Dr. Strangelove, Attitudes Towards the Atomic Bomb and Cold War
Less than two years after the United States society had been scared almost to death by the Cuban
Missile Crisis, 1964 the movie Dr. Strangelove was released to the movie theatres and showed the
country the end of the world. Advertised as the film of the era, Dr. Strangelove severely teased the
President, the entire military defense establishment, and the rhetoric of the Cold War. At that time,
the nation that was living through the stress of the nuclear arms race, and had confronted the real
outlook of nuclear war. The satiric treatment of the nation's leaders was a release from deep doubts
and pressures. The Cold War is well–known not only for its long assignation among the two super
powers, the U.S. and the Soviet Union, but also because of the delicate physical pressure that
nuclear power brought to the global stage.
Viewed, however, in its context of the Cold War and nuclear proliferation, the conditions of the Cold
War made it different than former international wars, because it was the first conflict that could
hypothetically lead to enormous, global destruction. Without the hazards of nuclear power, the Cold
War wouldn't have differed much from previous historical conflicts between powerful states. Stanley
Kubrick's 1964 political satire, Dr. Strangelove or: How I Learned to Stop Worrying and Love the
Bomb, is a hurtful
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58.
59.
60.
61. Dr. Strangelove: Movie Analysis
Dr. Strangelove is one of the many masterpieces made by the great Stanley Kubrick. The movie was
made in 1964 at the Shepperton Studios in London, UK. The time the movie was made is of great
importance, in fact, it was made only two years after the Cuban Missile Crisis. Kubrick pictures, in
an extremely comical yet somewhat serious way, what the world would look like after one of the
two forces (U.S vs. USSR) was triggered in initializing nuclear warfare.
General Jack Ripper is an obsessively paranoid, crazy, right–wing commander that deeply believes
in the idea that the Russians have been fluoridating the water Americans have been consuming in
order to affect their "preciously body fluids". For this reason, he deems necessary to intervene and
stop such action. This is achieved by sending a nuclear attack on Russia, Ripper uses his position of
Air Force General to create such an attack that cannot be reversed by the politicians in D.C., leaving
them only the choice of either fully committing to the attack or trying to resist to Russia's retaliation.
Ripper closes off any contact with the base and orders the soldiers at the base to fire at anybody who
tries to get into the base. In the meantime, word gets to Washington and the main figures of the
country, including the President, meet in the War ... Show more content on Helpwriting.net ...
Strangelove is black comedy in its purest form and the director achieves this by following a very
unique yet effective style, in this style, we can find plenty of components that make this movie of
the greatest Hollywood movies ever made.
First, the mise–en–scène is fundamental. This can be noted when we look at the first shots of the Air
Force base from where General Ripper will send his attack, everything is there for a reason. The
billboard saying "Peace is Our Profession" is a clear joke given the actions of the General. The
mise–en–scene is a tool given to the audience to help them understand the perspective of the movie
from Kubrick's very point of
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62.
63.
64.
65. Kubrick's Use Of Satire In Dr. Strangelove
In 1964 with the cold war and Cuban missile crisis still fresh in the minds of many, Stanley Kubrick
masterpiece Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb focuses on the
terrifying newer technology of the hydrogen bomb and the fear that comes in congruence with
having such powerful weaponry. This comes with an oddly comedic twist. Kubrick dared to make a
movie about what would happen if the wrong person presses the wrong button. The dark satire
throughout the movie is kept fresh with a large array of superb comedy acts throughout. It all begins
with Group Captain Lionel Mandrake (Peter Sellers) being called and ordered to put the base of
Burpelson Air Force Base by Brigadier General Jack D. Ripper (Sterling Hayden) who on his own
initiative calls orders for the bombing of Russia and informs his planes commanded by T.J. "King"
Kong (Slim Pickens) that are carrying hydrogen bombs to initiate "Wing attack plan R". All planes
commence the attack planned on Russia and are ordered to switch their radios to a specific station
that can only be communicate with others that know the secret code. Group Capitan Lionel
Mandrake shortly finds out that there has actually been no war called upon from the pentagon and
begins to ... Show more content on Helpwriting.net ...
Furious about the orders tries to begin to get ahold of Brigadier General Jack D. Ripper and Soviet
ambassador Alexei De Sadeski to contact Soviet premier Dimitri Kissov to inform and help try to
brace for the impending attack. After an intense conversation the premier informs President Muffley
that the nation has a "Doomsday Device" which would detonate if any attacks were to fall upon the
continent and that it can not be deactivated to prevent such disaster because it will detonate if
tampered
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66.
67.
68.
69. The Importance Of Masculine And Feminine In Dr. Strangelove
Anu Karavadi
Professor Morgan
AMS 421
3 November 2016
1554
The Importance of Masculine and Feminine in Dr. Strangelove
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) is a dark comedy
film by Stanley Kubrick. The film deals with nuclear war which was a hot topic during the 50 's and
60 's. Americans were very paranoid about communists and nuclear war at this time. This film
shows how ridiculous the paranoia about nuclear war through a sexual relationship allegory. The
allegory deals with the masculine and the feminine. The masculine is an important part of the
nuclear war efforts while the feminine takes a backseat. The feminine is displayed in men as a
negative. The sexual allegory becomes funny through ... Show more content on Helpwriting.net ...
Strangelove are all shown as weak and impotent. The characters are either physically handicapped
or just weak minded. Mandrake and President both are represented as meek while Dr. Strangelove is
physically impaired in a wheelchair with a prosthetic arm. These characters are all hesitant in some
way to wage war which is shown as a negative. They are seen as incapable when it comes time to
take control of the situation. Mandrake couldn 't stop Jack D. Ripper from launching the nuke. The
President couldn 't seize control over his own army. Dr. Strangelove couldn 't control his arm at the
very end. These are all deliberate to show their submissive femininity.
The president and Mandrake are both feminine in their demeanor and personality. They don 't want
to go to war, but they also cannot take control and stop the war. This can be seen as the female of the
relationship not wanting sex. This leads those "masculine" men frustrated. The masculine characters
in the film, Buck and Jack D. Ripper, are quite enthusiastic for nuclear war and sex. Their desire for
sex and war allows them to go forward in the war effort in an energetic manner.
Buck is always energetic when talking about the war, so much so, that he literally fights in the war
room. Buck wrestles with the Russian diplomat due to his enthusiasm for war and his sexual
frustration. This causes the president to say "There is no fighting in the war room." The movie uses
this line for
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70.
71.
72.
73. Dr Strangelove Cold War
The movie Dr. Strangelove was released in January 1964. According to Maland, it satirizes "anti–
Communist paranoia", the public's "inability to realize the enormity of nuclear war", "various
nuclear strategies", and "the blind faith modern man places in technological progress". The movie
enjoyed a popular reception; by the end of 1964, Dr. Strangelove "had earned $4.15 million in
rentals in the US, and was listed by Variety as the fourteenth highest grossing film of the year." Did
the popular reception of the movie mean that the public did not support their governments' policies?
This essay shows that the public supported their governments' policies and argues that the movie
remains and will continue to be relevant in the near future.
Before ... Show more content on Helpwriting.net ...
While viewers felt that the movie was disturbing, they still found it enjoyable. This is illustrated in
Decter's review, who mentioned that a few people felt that they were free from the tense situation of
the Cold War during the movie but realized that they were still stuck in such a situation after the
movie. The use of dark comedy to trivialize current affairs gives people an opportunity to forget
about their worries temporarily. Hence, the fact that the movie was disturbing explains why the
movie was so popular.
Dr. Strangelove nowadays is considered to be an excellent political satire. Ebert wrote in 1999 that
"Kubrick made what is arguably the best political satire of the century, a film that pulled the rug out
from under the Cold War". Rothkopf wrote in 2014 that "By a whopping margin, this is Kubrick's
most radical film and greatest dramatic gamble." As nuclear weapons are still being developed, the
threat of nuclear weapons is being taken
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74.
75.
76.
77. Dr. Strangelove: Caution And Deterrence In Dr Strangelove
The film Dr. Strangelove addresses the notion that nuclear weapons don't necessarily lead to caution
and deterrence by superpowers, especially if they are not aware of the capabilities of one another. If
the Soviets doomsday device was made known to all, it could have been a form of risk–based or
punishment–based strategy deterrence since it had the capability to kill all life on earth. These
societal costs, with mass civilian casualties, would be too high for another country to ever want to
engage in nuclear war with the Soviets. The problem that arose in this film was communication, the
Soviets did not tell the rest of the world they had this capability and thus it was unable to act as a
form of deterrence. The notion that mutual second strike capability can also act as a form of
deterrence is only effective when the other state knows the extent to which one can retaliate. Since
General Ripper is not aware that the Soviets possess a doomsday device, he has no reservations
about initiating a nuclear strike. Additionally, some U.S. officials also advocate to let the nuclear
attack against the Russians playout since they are unaware of their retaliation abilities. An important
aspect of the ... Show more content on Helpwriting.net ...
This can be compared to the game of chicken, the credibility of either side is very high and the
intentions are clear since alternatives are limited. Credibility has three facets; capabilities,
commitment, and communication. In the film, the U.S. has both the capabilities and the
commitment, since it is almost impossible to call off the air attack. However, both the U.S. and the
USSR are lacking in the communication component. This could led to a perceived lack of credibility
on the soviets side; since the first time they speak of the doomsday device is when they are under
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78.
79.
80.
81. Satire In Dr Strangelove
Stanley Kubrick film, Dr. Stangelove, or: How I learned to Stop Worrying and Love the Bomb,
presents a sarcastic comedy about a commander of a U.S. Air Force Base, General Jack D. Ripper,
who diverts his B–52 bombers from airborne alert to an attack on the Soviet Union with nuclear
weapons. "Some way into his work on the script, however, Kubrick realized the story was too
appalling for serious treatment and decided to recast it as an out–and–out satire" (Bromwich).
Kubrick could have kept the film in a serious tone most people wouldn't even have the interest in
watching it because the world is more interested in something that would make them laugh but also
something that will catch their attention. Throughout the film, there were many patterns ... Show
more content on Helpwriting.net ...
Civilian and military relations are important because it determines who controls the armed forces
and the extent to which the armed forces control the country. During the film, Dr. Strangelove, asked
the question, "Is the President in control of the U.S.' nuclear weapons?" Most military personnel are
not okay with the fact that when something occurs like the Civil War that they cannot make a
decision themselves, instead they have to wait for the President to come up with a plan and then
they are to execute whatever the President decides. Generals Turgidson and Ripper do not seem to
respect the President. During the film the President wanted to talk and figure out a plan before he
decides if taking out 90 percent of the civilian population is something he wanted to happen while
he is the president. Civilians often think twice about what to do when something bad happens but
military personal are prompt with taking action when something happens. During the film when
crew members received word from the base that they were set for "Wing Attack Plan R", and Major
Kong said, "Folks back home is counting on ya and by golly we aren't about to let them down'
showed that the first thought on their mind was civilians and other people before themselves. No
one ever thinks twice about why the military did this or did that. People often think the military
cares only about themselves but it can be shown by the crew members that that is not true. The
military is often put into situations where they have to quickly make a decision and not think twice
about it. This can be hard to do but the military always tries to do what seems to be the best not only
for others such as civilians but also themselves. Another scene in the film is right after the base got
notified of a possible attack, it is said over the intercom "Our nation is counting on you and I know
you won't let them down". This scene again
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82.
83.
84.
85. Dr Strangelove Essay
Stanley Kubrick's sexual parody, Dr. Strangelove or: How I Learned to Stop Worrying and Love the
Bomb, illustrates an unfathomed nuclear catastrophe. Released in the midst of the Cold War, this
1964 film satirizes the heightened tensions between America and Russia. Many sexual insinuations
are implemented to ridicule the serious issue of a global nuclear holocaust, in an effort to countervail
the terror that plagued America at that time. Organizing principles, such as Kubrick's blunt political
attitudes about the absurdity of war and the satirical genre, are echoed by the film style of his anti–
war black comedy, Dr. Strangelove. The black comedy follows the story of a paranoid U.S. Air
Force Commander, General Ripper, who irrationally ... Show more content on Helpwriting.net ...
From the beginning, the viewer is informed that the bombers have two hours before they attack, and
the almost continuous temporal relation between plot time and real time evokes suspense. For
instance, in the "War Room", the large map of Russia that displays the progress of the planes
towards their targets coincides with actual screen time, creating increased anticipation and
consternation.
The majority of the film's sound is derived exclusively from diegetic speech and sound effects that
bolster its overall realism. However, the first instance of nondiegetic sound occurs in the opening
credits when a male narrator provides rudimentary background information on the "Doomsday
Device". This voice–over narration stimulates the suspense of the narrative while providing the
spectator with unrestricted information by revealing more insight than the characters know at this
point. The ensuing credits sequence incorporates the song "Try a Little Tenderness" which
communicates the idea that men should be tender with their women. The romantic song is cunningly
integrated with the image of two B–52 bombers connecting, as one refuels the other. The sequence
is suggestive of romance and the physical act of love. Following Dr. Strangelove's infamous speech
at the conclusion of the film, a montage of nuclear bombs detonating is shown with Vera Lynn's
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86.
87.
88.
89. Essay on Satire and Black Humor in Dr. Strangelove
Even though Stanley Kubrick's Dr. Strangelove, or: How I Learned to Stop Worrying and Love the
Bomb screened in the midst of the sobering Cold War, critics were keen on praising the film for its
mastery of humor applied to such a sensitive matter. The film is exceedingly loaded with metaphors,
innuendos, and allusions that nothing can be left undissected or taken for face value; the resulting
effect is understood to be part of Kubrick's multifarious theme. Kubrick has stated that what began
as a "the basis for a serious film about accidental war " eventually birthed an absurd and farcical
classic comedy. The director fuses together irony, satire, and black humor to create a waggish piece
but most of all the situation of the times and its ... Show more content on Helpwriting.net ...
In fact, sex weaves itself into the entire film: the survival kit the bombers are given contains female
articles and prophylactics, the opening scene is of two planes "mating ", and the missiles themselves
become phallic when Major Kong rides one like a thrilled cowboy. Kubrick's intent to mix in sex
with the looming war plot is compelling because these two acts are primitive characteristics that are
still inherently man: the desire to fornicate and the desire to compete/kill. Why audiences should
find this uproarious despite the serious matter at hand is exactly because war and lust are crude
leftovers despite millenniums of evolution; it is pathetically instinctual that humans create trouble
regardless of their intellectual genius. Kubrick employs all techniques of humor but most notably
black humor, parody, and irony. Each character is employed to be the amplified version of their
real–world counterparts. Americans are military cowboys, Russians are haughty drunks, scientists
are insane, and the only woman in the film happens to be a sexy secretary. Regarding the culture of
nuclear threat that was present during the time of this film, the characters were necessarily
exaggerated to satirize the political dynamics permissible by the
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90.
91.
92.
93. Waiting For Godot And Dr Strangelove Essay
"Significant texts in any period arise from particular ways of thinking and possess an enduring
relevance." Following the dropping of the atomic bombs at the end of World War Two, global
consciousness began to slowly change due to the realisation that civilisation could be destroyed at
the press of a button. Texts that are able to grasp these changes, depicting their immediate context
while also reflecting on universal questions, possess enduring value. Waiting for Godot, the 1952
stage play by Samuel Beckett, challenged the idea of human purpose and also questioned the
relevance of scripture and religious institutions. Similarly, Plath, in Ariel, a collection of poems
posthumously published in 1965, challenged the same ideas, especially ... Show more content on
Helpwriting.net ...
The montage is accompanied by a non–diegetic string arrangement of the song "Try a Little
Tenderness". Kubrick specifically creates an overt sexual innuendo to make light of great fear. This
foreshadows the rest of the movie where frequent sexual themes and comedic tropes are utilised to
undermine previously unquestioned figures of authority. Beckett's opening also foreshadows the rest
of the play, as the setting begins the continual challenge of the institutional idea of human purpose,
as it accentuates the lack of meaning – an idea also extended by the characters. When Estragon
struggles to take off his boot, he mutters "Nothing to be done", which Vladimir mistakes for
existential discourse and replies with "I'm beginning to come around to that opinion. All my life I've
put it from me." Beckett uses verbal irony to show how the most simple statement could be
mistaken as a philosophical pondering on existence, which in–turn is designed to pose the question
of whether individuals truly have an essence. Similarly, Kubrick uses absurdist humour to force a
questioning of what had been the bedrock of the western world: the political sphere. President
Muffley, himself named after pubic hair wigs, attempts to avert atomic bombs being dropped on
Russia and desperately calls the Chairman of the USSR. However he proceeds to waste time
commenting on the good phone connection,
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94.
95.
96.
97. Dr Strangelove Meaning
In his 1964 film Dr. Stangelove or: How I Learned to Stop Worrying and Love the Bomb, Stanley
Kubrick by no means chose the title unintentionally or without plenty of deliberation. While it may
seem odd that the title's namesake character, Dr. Strangelove, is only in a few scenes and could even
be written off by some as a minor character, his importance to the film is nothing short of crucial
and presents a much deeper meaning when considering his significance.
In only his second speaking appearance, the first of which doesn't occur until over halfway through
the film at the 51:07 mark, Dr. Strangelove at 1:27:41 begins to discuss with the President the idea
of preserving a "nucleus of human specimens." On the surface this may seems like something any
sort of 'doomsday prepper' would consider, but the character of Dr. Strangelove makes the meaning
much deeper and darker. When talking through his idea of mineshaft ... Show more content on
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Strangelove continues on about his plan for the mineshaft colonies, discussing the prospect of
greenhouses for plant life and animals for breeding and slaughter (a word which he very deliberately
enunciates), he states that there would be room for several hundred thousand of "our people." The
methodical word choice of "our people" could be taken to mean simply Americans, but also could be
another allusion to the Doctor's Nazi past. The implication of Nazi ideals is further alluded to when
the discussion of who would be saved comes up, and Dr. Strangelove advocates that "it would be
absolutely vital that our top government and military men be included to foster and impart the
required principles of leadership and tradition." This is no doubt a reference to the Nazi eugenics
programs from WWII which tried to create a 'pure' race. This is further evident through the arousal
of all the men, even the Soviet ambassador, when the notion of 10 women to every man is suggested
as
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98.
99.
100.
101. Kubbrick's Theory Of Brinksmanship
An alternate title for Kubrick's film was Dr. Doomsday or: How to Start World War III Without
Even Trying. A title bluntly stating what the actual title infers – that America and the Soviet Union
had both taken brinksmanship way too far, and were both one slip of the hand away from killing off
the entire human race. By portraying the film in a very comedic fashion, Kubrick was able to show
just how ridiculous it was that we allowed the nuclear clock to come only one minute from
midnight.
Imagine two men playing chicken – both driving as fast as they can (obviously in muscle cars) set
on a collision course for each other. This encapsulates the theory of brinksmanship, or trying to
achieve an advantageous outcome by pushing dangerous events to ... Show more content on
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Strangelove is the commentary between General Turgidson and President Muffley. In one line
Turgidson says to Muffley, "Mr. President, I'm not saying we wouldn't get our hair mussed. But I do
say... no more than ten to twenty million killed, tops." In this scene, General Turgidson is trying,
unsuccessfully, to convince President Muffley to send all of his nuclear arsenal following the plane
sent by General Ripper. To which President Muffley naturally responds, "I will not go down in
history as the greatest mass murderer since Adolf Hitler!" If you have seen the movie, you know that
Turgidson delivers these lines in an optimistic, bordering on giddy tone. Moreover, Turgidson's tone
not only exemplifies the absurdity of the whole situation, but also brings up a very interesting point
about the power of a nuclear bomb. Calling ten to twenty million people dead "acceptable losses" is
pretty unbelievable when re–examined. That's one third of the total lives lost in WWII in the blink
of an eye. Really, the only reason ten to twenty million dead could ever be considered "acceptable,"
is when you are dealing with nuclear warfare – something easily capable of wiping all life from the
face of the earth. This comical commentary between Turgidson and Muffley shows just how abstract
the idea of killing that many people must have been to our leaders, and just how distanced from their
constituents
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102.
103.
104.
105. Dr Strangelove Analysis
The movie Dr. Strangelove is a comedic movie but the issius it brings to light were very serious at
the time and issues concerning nuclear war are still very present in our lives today. The cold war was
a scary time for the world people and it's speculated to be the closest humankind has ever come to
becoming obsolete. There was lots of fear and suspension expression in the movie and that was
similar to how it was in real life during the cold war. Although there are some ridiculous aspects of
the film Dr. Strangelove it underlines something that could have happened extremely easily during
this time. In Dr. Strangelove the world is at the brink of becoming completely decimated by the
USSR's and the United states nuclear arsenals. When watching the movie you may find some parts
of it ridiculous but most of the movie is accurate to what was going on in our military and
government at this time just made more dramatic. At this time the lives of millions were in the hands
of just a few men high up in the military and government. Any wrong action or statement by them
could end up starting a nuclear war. It's not crazy to think that one rouge commander under all the
stress and suspicion going on from the red scare would order an attack on the USSR during this
time. There was a lot of conspiracies going around about communist schemes to infect the united
states such as the one that putting fluoride in the water was a way the communists were attacking the
USA. With conspiracies
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106.
107.
108.
109. Dr. Strangelove
What I Learned Since I Stopped Worrying and Studied the Movie: A Teaching Guide to Stanley
Kubrick 's Dr. Strangelove
Dan Lindley, University of Notre Dame
ABOUT THE AUTHOR
Dan Lindley is assistant professor in international relations and security studies at the University of
Notre Dame. Lindley worked for several arms control and research organizations in Washington,
D.C. before receiving a Ph.D. from MIT. Lindley has published and spoken on U.N. peacekeeping,
internal conflict, the Cyprus problem and Greco–Turkish relations, collective security, the U.S.
intervention in Panama, the role of ideas in international politics, and SDI contracting.
Introduction
John Pike, former director of space policy at the Federation of ... Show more content on
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A doomsday machine fits the bill. Ruling out "human meddling" is crucial because one must make
credible the incredible threat of suicide. Dr. Strangelove explains this logic:
President Merkin Muffley: "But, how is it possible for this thing to be triggered automatically, and at
the same time impossible to untrigger?" (54:42)
Strangelove: Mr. President, it is not only possible, it is essential. That is the whole idea of this
machine, you know. Deterrence is the art of producing in the mind of the enemy ... the fearto attack.
And so, because of the automated and irrevocable decision making process which rules out human
meddling, the doomsday machine is terrifying. It 's simple to understand. And completely credible,
and convincing.
Although it may not be fair to condemn the automated–response doomsday device on the basis of a
single slip–up, the film invalidates the wisdom of that machine by highlighting its dangers. Would
any state cede control of its weapons to computers and sensors?6So the problem remains: how to
make the incredible credible. A fallback strategy is to introduce illogic and uncertainty into nuclear
strategy and nuclear command and control. Akin to throwing the steering wheel out the car window
when engaged in a game of chicken, delegating to base commanders the authority to issue strikes
decentralizes military control and makes retaliation more likely.
Deterrence is enhanced if nuclear bombs might explode whenever a
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110.
111.
112.
113. Tales of a Strange Love in Dr. Strangelove Essay
Tales of a Strange Love in Dr. Strangelove
Dr. Strangelove , filmmaker Stanley Kubrick's nuclear war satire, portrays America's leaders as
fumbling idiots and forces American viewers to question the ability of their government.
Dr. Strangelove's cast explores the quirks and dysfunctional personality traits that a layperson would
find far–fetched in a person of power. The characters are diverse yet unified in their unfailing
stupidity and naivete. The film's hysterical dialogue sheds a darkly comic light at the most ironic of
times–war. This film came out at a height of paranoia of the nuclear age and the Cold War, just after
the Cuban Missile Crisis. It depicts a horrible, tragic incident in which a breach in the ... Show more
content on Helpwriting.net ...
The American President does not mince words (and one is lead to believe he lacks the capacity to do
so) in telling Dimitri, the Russian leader, of the soon–to–be exploding bomb. Listening to only one
side of the telephone conversation, the viewer finds humor as the two bicker as playing children
would: "I'm sorry too, Dimitri. I'm very sorry. All right! You're sorrier than I am! But I am sorry as
well. I am as sorry as you are, Dimitri. Don't say that you are more sorry than I am, because I am
capable of being just as sorry as you are. So we're both sorry, all right?" Adding humor to this
already silly monologue is an American general's immature sparring with a Russian ambassador,
which leads the President to bark ironically "You can't fight in here; this is the War Room!"
Meanwhile, nearly out of fuel, the commissioned aircraft must carry out its orders sooner than
planned. Major Kong, the plane's pilot, after delivering a powerful speech on the importance of that
day's events and the heroism shown by his cohorts, makes final preparations for the dropping of the
bomb. Finding that the bomb door circuits are out of order, Kong retires to bottom of the aircraft for
emergency reparations. Kong straddles the warhead, splicing circuits and correcting the problem. He
then opens the bomb doors manually. He eyes the target below and realizes that a movement to
dismount the bomb would cause it to be dropped late, and thus miss its intended point of detonation.
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114.
115.
116.
117. Dr. Strangelove Notes Essay
Dr. Strangelove:
Air Force General, Jack D. Ripper, orders his troops to attack a Soviet base. President Muffley
brings in the Russian ambassador to the War Room General Turgidson doesn't trust Ambassador de
Sadesky.
Thinks he is a spy. Russians have a doomsday device that will destroy the planet if they are attacked.
General Turgidson wishes America had a doomsday device.
ProQuest Document:
On the Cuban Missile Crisis, "The situation would be even graver if there were any LeMay
counterparts on the Soviet side. Each side might increase its alert levels to protect its forces, but the
other side would see it as preparation for war and be increasingly tempted to launch a preemptive
strike (page 5)" "The security dilemma ... Show more content on Helpwriting.net ...
LeMay: "If I see that the Russians are amassing their planes for an attack... I'm going to knock the
shit out of them before they take off the ground. I don't care, it's my policy (LeMay qtd. in Lindley
4)
Cold War:
"'Dr. Strangelove' states quite boldly that man is not able to control the nuclear bomb (page 442
paragraph 11)." "It is a dismal, depressing, 'sick' picture of the state of man and of government that
this film gives, and it it not very much alleviated by the fact that it is presented as a howling joke
(page 442 paragraph 13)."
Cinema Vol 2:
"Kubrick's work reveals deeper evidence of the personal involvement which distinguishes the true
auteur. His develpment has been remarkably consistent through an apparently heterogeneous range
of projects, and each film's meaning becomes more confidently definable when one places it in
relation to its fellows (page 561 paragraph 2)." "A number of Kubrick's movies before Strangelove
are explicitly 'humanitarian', consciously dedicated to protest against inhumanity, and Strangelove
itself has been read similarly (page 561 paragraph 3)." "The much more polished work of Dr.
Strangelove– which follows a strict scheme in which real time and cinematic time coincide,
118. analysing an intricate network of interconnecting operations without recourse to doubling back–
perhaps indicates Kubrick's own retrospective dissatisfaction with the time–scheme of The Killing
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119.
120.
121.
122. Use Of Satire In Dr Strangelove
The Stanley Kubrick film, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb,
uses the rhetorical device of satire to raise the issue of the Soviet–American arms race throughout
the film. A satire uses humor, irony, and sarcasm to "expose and discredit vice or folly" (Merriam–
Webster, 2018). Mutually assured destruction was believed to be the end result of a nuclear war
between the two world powers and Kubrick's film pokes fun at this absurd conclusion. The Soviet–
American arms race was an intense time period in history that caused American citizens to fear for
their lives, but the film decides to satirize the issue to show audiences that it is absurd to believe that
it would ever come to down to complete annihilation of the ... Show more content on
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Strangelove, an ex–Nazi scientist counseling the President and the generals in the war room, having
a mechanical arm "with a mind of its own" (Manos, 1). The arm abruptly snapped into a Nazi salute
and Dr. Strangelove seemed to fight against his own arm that began to strangle him. The madness of
the nuclear arms race and the real danger of starting a world war is intensely ridiculed with such
foolishness.
In another scene of the film, the President of the United States made a phone call to the Russian
Premier to warn him about the nuclear bombers that cannot be recalled. During this phone call, the
two men quarreled over who was sorrier to the other about the pressing matter. As long as the two
men both know that they are both very sorry and it is nothing personal, everything is just fine–even
though millions of lives are about to be taken. This is a prime example of the dark humor utilized
throughout the movie.
The issue of the nuclear arms race between the Soviets and the Americans proved to be a dangerous
time for the people of that era. Americans feared for their lives because the thought of human
extinction seemed possible with the threat of a nuclear war. Dr. Strangelove mocks the people's fears
by using dark humor throughout the film. The movie depicts impending doom as a result of the Cold
War but because it is a satire, it makes the audience want to laugh at the
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123.
124.
125.
126. Kubrick's Use Of Satire In Dr. Strangelove
In 1964 with the cold war and Cuban missile crisis still fresh in the minds of many, Stanley Kubrick
masterpiece Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb focuses on the
terrifying newer technology of the hydrogen bomb and the fear that comes in congruence with
having such powerful weaponry. This comes with an oddly comedic twist. Kubrick dared to make a
movie about what would happen if the wrong person presses the wrong button. The dark satire
throughout the movie is kept fresh with a large array of superb comedy acts throughout. It all begins
with Group Captain Lionel Mandrake (Peter Sellers) being called and ordered to put the base of
Burpelson Air Force Base by Brigadier General Jack D. Ripper (Sterling Hayden) who on his own
initiative calls orders for the bombing of Russia and informs his planes commanded by T.J. "King"
Kong (Slim Pickens) that are carrying hydrogen bombs to initiate "Wing attack plan R". All planes
commence the attack planned on Russia and are ordered to switch their radios to a specific station
that can only be communicate with others that know the secret code. Group Capitan Lionel
Mandrake shortly finds out that there has actually been no war called upon from the pentagon and
begins to ... Show more content on Helpwriting.net ...
Furious about the orders tries to begin to get ahold of Brigadier General Jack D. Ripper and Soviet
ambassador Alexei De Sadeski to contact Soviet premier Dimitri Kissov to inform and help try to
brace for the impending attack. After an intense conversation the premier informs President Muffley
that the nation has a "Doomsday Device" which would detonate if any attacks were to fall upon the
continent and that it can not be deactivated to prevent such disaster because it will detonate if
tampered
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127.
128.
129.
130. Dr.Strangelove Film Analysis Essay example
Introduction
In 1964, Stanley Kubrick released Dr. Strangelove or: How I learned to stop worrying and love the
bomb to both critical and commercial praise. The historical context surrounding the film's release
was at the height of the Cold War, just over a year after the Cuban Missile Crisis as the Vietnam War
was beginning to escalate. While based on a more serious book, Red Alert by Peter George, it was
soon transformed into a black comedy that parodied the absurdity of global nuclear destruction and
the mentality of the Cold War. While not as overtly anti–war as his third film Paths of Glory,
Kubrick still manages to show the ridiculousness of nuclear war while linking two basic male
instincts together, sex and the desire to kill. ... Show more content on Helpwriting.net ...
Ripper's paranoia about denying women his 'essence" clarifies the connection between war and sex.
While Strangelove admits that women are essential to the survival of mankind, the motivations of
women are suspicious. Ripper's decision to attack Russia when he was unprovoked is symbolic of
his fear of being attacked. He has become paranoid that the same infringement he performs on
others might fall on him. The constant waiting creates a life of its own within his mind and a sense
of deep apprehension that the same people he has abused will take their revenge. In his office,
Ripper is usually shot in high contrast lighting. A lighting effect that is shown largely in melodramas
and tragedies to show, evil, fear and the unknown, all of which the character embodies. The
overbearing masculinity of most of the characters is balanced by Mandrake and the Presidents, who
are decidedly feminist when handling the conflicts and attitudes about war. Mandrake plays a
passive role when dealing with Ripper. He listens to Rippers outrageous ideas, being careful not to
upset him. He is also very reluctant to help fire Rippers machine gun and tries desperately to
convince him to recall the planes or hand over the code. The President tries every possible
diplomatic solution to quell the military problem. He speaks to the Russian Premier in a feminist
manner to try and avoid confrontation. His approach to the
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131.
132.
133.
134. Use Of Parody In Dr Strangelove
To show satire in Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb, director
Stanley Kubrick uses parody, exaggeration, and incongruity. One effective method Kubrick uses is
parody. In the movie, Kubrick plays on actors and typical stereotypes. Major Kong, as played by
Louis Burton Lindley, Jr. or Slim Pickens, is a play on the American Cowboy. When Major Kong
goes down to the bombs to open the doors he gets dropped with the bomb. As he is seen leaving the
plane, Major Kong rides the bomb as if it were a bull in a rodeo. From Major Kong's heavy accent
to his cowboy, Major Kong is the stereotypical American Cowboy. Kubrick also plays on the Nazi
scientist who were sought after in WWII. Dr. Strangelove is a play on Werhner von Braun, a Nazi
scientist. While in the war room, Dr. Strangelove suggests a backup plan for if the doomsday device
was fired. During his speech, his hand keeps doing a Nazi salute as he struggles to suppress it. This
is a parody because during this time the US looked passed their Nazi ways due to their intelligence
needed for the space program. ... Show more content on Helpwriting.net ...
While naming the contents of the survival kit, Major Kong lists a gun, ammo, rations, antibiotics,
bible, money, chewing gum, lipstick, and stockings. The begining contents are reasonable but he
then goes on to list things that have no place in a survival kit. Later, while in the war room, the
general tells the president if they fired all their missiles they would prevail and suffer only modest
and acceptable casualties. The general later describes these casualties as only ten to twenty million
people killed. If the president were to only kill ten to twenty million people he would be known as
the greatest mass murderer since Adolf
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135.
136.
137.
138. Dr Strangelove Themes
The Cold War was a period from 1947 to 1991 that adhered erratic tension and constant threat of
nuclear conflict between the two remaining superpowers that emerged from WWII, the U.S. and the
Soviet Union. The 1964 film Dr. Strangelove or: How I Learned to Stop Worrying and Love the
Bomb, directed by Stanley Kubrick, depicts the overlying themes of the Cold War in a comedic
fashion. This film's full embodiment of the Cold War is seen through its representation of the time
period, and the sheer competitiveness between the United States and Russia. Additionally, due to
many of Kubrick's movie decisions, the film has helped society acknowledge and understand the
pure absurdity that the topic of nuclear destruction holds. In Dr. ... Show more content on
Helpwriting.net ...
General alone goes rogue and sends the missiles toward Russia. This puts the U.S. President in an
immensely tight scenario.
The film delves into some of the difficult options leaders have to choose from in cases involving
nuclear weapons. Nuclear conflicts are extraordinarily complex, with many potential unpredictable
outcomes. After General Ripper directs his plane to bomb the enemy, he describes his thought
process to one of his officers, "...when [the president's advisors] realize there is no possibility in
recalling the wing there will be only one course of action: open, total commitment". Here, a "total
commitment" consists of the U.S. supporting General Ripper's plan by utilizing their full arsenal of
nuclear weapons to attack Russia. General "Buck" Turgidson, one of the President's top advisors,
echoes this exact idea in the war room and proposes to the U.S. President a full commitment. This
was a possible solution that could have neutralized all of Russia in one wave of nuclear missiles;
however, this strategy is frowned upon and dismissed by the President as it would reflect poorly on
the U.S.' diplomatic reputation in the long–run.
An aspect of the Cold War that Kubrick focuses on is the blatant lack of trust between the
conflicting nations. In a scene where a Russian Ambassador is being brought into the war room by
the U.S. President to help determine a mutual solution,
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139.
140.
141.
142. Dr Strangelove Satire
Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb, which I will be referring
to as Strangelove, is a political satire directed by Stanley Kubrick that was released in 1964. The
Film displays the absurdity of the Balance of Terror during the cold war and the ease of which a
nuclear holocaust could occur, whilst also critiquing the absolute power of politicians whom have
the means to enact one. Strangelove communicates these themes with its use of satire utilising
comedic characters and situations to highlight the ridiculousness of cold war politics. However the
implications of using comedy to translate sensitive themes of war and human extinction are
polarising, raising the question– is there anything you can't joke about? Assessing how other texts
deal with the same subject matter and analysing people's emotional response to satire, we will
investigate the effectiveness of Strangelove's ability to communicate an anti–war message.
General Jack Ripper initiates "Wing Attack Plan R" because he believes that communists want to
pollute the Americans "Precious bodily fluids". General Ripper single handily sends 10 B–52
bombers on course to Russia, armed with nuclear warheads set to destroy all life in Russia. Once the
president and his hierarchy are informed about General Ripper's actions, their attempts to withdraw
the attack are futile. All contact to the aircrafts is disrupted due to the CRM 141 discriminator that
only allows contact to the aircrafts if the
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143.
144.
145.
146. Dr. Strangelove or How I Learned to Stop Worrying and...
"Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb"
"Dr. Strangelove or: How I learned to Stop Worrying and Love the Bomb" is a movie that portrays
the situation during the Cold War in comical fashion. The movie is about the United State's attempt
to recall the planes ordered by the paranoid General Ripper to attack the Soviet Union and
essentially save the planet from destruction. Producer and director Stanley Kubrick, basing the
movie on the novel Red Alert intended the movie to be a straightforward drama but was unable to
without using crucial scenes of the story that seemed to give the movie a more comical view of the
plot.
The first scene of the movie is the mid–air refueling of a fighter plan, where ... Show more content
on Helpwriting.net ...
He also disconnects all the phone lines so there can be no contact with the outside world. Therefore,
there is no way to reach the general and retrieve the correct sequence needed to recall the planes.
These facts, along with the fact that finding the correct sequence with a computer could take days,
forces the president to send Colonel "Bat" Guano and his troops to take over Burpleson and call on
Ambassador de Sadesky to contact Premier Kissoff, the leader of the Soviet Union, to alert him of
the situation and allow him to destroy the planes if the sequence cannot be determined.
Meanwhile, in Burpleson Air Force base, General Ripper explains to Group Captain Lionel
Mandrake, played be Peter Sellers, when he first realized the threat of a communist invasion. While
shooting at the "communist attackers", in reality Colonel Guano's troops, he explains how
fluoridation of water was a communist attempt to control Americans. When the shooting stops, he
goes into the bathroom and kills himself, still the only one with the code.
Eventually, Guano reaches Mandrake and the dead general. Mandrake begins looking for clues for
the correct sequence and finds it written on the general's desk. With this he calls the president and
the president then gives the order to fall back. However, one plane does not receive the transmission
because it had been attacked and the receiver was destroyed Major "King" Kong, the pilot of the
plane, flies to a secondary
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147.
148.
149.
150. Dr. Strangelove And The Cold War
The Cold War was a period of several decades of tension and the threat of nuclear conflict between
the two remaining superpowers that emerged from WWII, the U.S. and the Soviet Union. The 1964
film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, directed by Stanley
Kubrick, depicts the overlying themes of the Cold War in a comedic fashion. This film's full
embodiment of the Cold War is seen through its representation of the time period, and the sheer
competitiveness between the United States and Russia. Additionally, due to many of Kubrick's
movie decisions, the film has helped society acknowledge and understand the pure absurdity that the
topic of nuclear destruction holds. In Dr. Strangelove, General Jack D. ... Show more content on
Helpwriting.net ...
General alone goes rogue and sends the missiles toward Russia.
The film delves into some of the difficult options leaders have to choose from in cases involving
nuclear weapons. Nuclear conflicts are very complex, with many scenarios that could potentially
occur. After General Ripper has directed his plane to bomb the enemy, he describes his thought
process to one of his officers, "...when [the president's advisors] realize there is no possibility in
recalling the wing there will be only one course of action: open, total commitment". Later, General
"Buck" Turgidson, one of the President's top advisors, echoes this exact idea in the war room and
proposes to the U.S. President a full commitment. This was one possible solution that could have
neutralized all of Russia in one wave of nuclear missiles; however, this strategy is frowned upon and
dismissed by the President as it would reflect poorly on the U.S.' diplomatic reputation in the long–
run.
An aspect of the Cold War that Kubrick focuses on is the blatant lack of trust between the
conflicting nations. In a scene where a Russian ambassador is being brought into the war room,
General Turgidson is disturbed by having all of the U.S.' plans open in front of the enemy. He
exclaims to the U.S. President, "Sir, you can 't let him in here. He 'll see everything. He 'll see the
big board!" Suddenly, the camera turns back and
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151.
152.
153.
154. Fear In Dr Strangelove
In Dr. Strangelove, the main fears represented in the film are about Russia and war. Throughout the
show, we see the American's negative and hostile attitudes towards the Russians. For example, the
pilot captain of the bomb place called the Russians 'Ruskies' which shows a clear disrespectful tone
towards the Russians. Also, the American war general immediately bragged about the U.S.'s
achievements while putting down the Russians. The general of the base even thought that
Communists poisoned the water in order to control people. Later, everyone fears having a safe
haven since once a bomb touches Russia, a doomsday device would go off and lots of bombs would
explode. They find a temporary solution with Dr. Strangelove which involves staying ... Show more
content on Helpwriting.net ...
For example, Stark sees the results of his weapons being used for harm when he gets captured
during a war in a remote area. Although his weapons are supposed to be used for the sake of peace
and patriotism, his weapons are randomly killing people since someone wants to become king of
Asia, showing the extent a man is willing to go to to fulfill their goals. Another example is seeing
Stark get tortured and forced to rebuild the Jericho bomb for a mad man's purpose. Weapons are
always a big fear since whoever has the best quality ones wins. Finally, multiple examples of
deception happens. For example, the military always covers up incidents as military training which
shows that they are covering up the truth from the public. Also, Stark is betrayed by his partner in
business Obadiah since Stark wanted to stop the weapon industry part of his business, but Obadiah
refused letting go of the power. The fears reflect the culture of the era of when the film was made by
showing that there are some things people need to see and experience themselves in order to know
the true situation. For example, Stark didn't know that his weapons were part of a war that oppressed
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