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Who is the main social group?
 Our particular social group
  consists of metal heads, two
  main characters, Bjorn and
  Olav. We draw on well
  known stereotypes. This
  would draw people from the
  heavy metal community to
  the characters they would
  relate to.
 Our social group belongs to
  the world of musicians and
  rock stars. This means living
  the high life, crazy public
  stunts and generally unruly
                                  Brendon Small
  behaviour. Our
  mockumentary includes a
  sequence that features                          Olav Yevewenwargen
  drinking, vomiting, falling
  over and a random attack
  on a passer by.
There is a long tradition of musicians
featuring in documentary films, providing a
whole range of stereotypes:
• Spinal Tap
• The Great Rock N’ Roll Swindle
• Walk the Line
• Gimme Shelter
• Heavy Metal Parking Lot
• A Tribute to Jim Morrison and The Doors
• Don’t Look Back
• Metallica: Some Kind of Monster
• No Direction Home: Bob Dylan
These documentaries all feature famous Moral panic heavy metal has long been a source of
bands                                  stereotypes representing controversy and counter-
                                       culture. Social critics analysed the social reactions
                                       to metal music especially the moral panics of the
                                       genre. Extreme music has been cited as inducing
                                       extreme reactions, e.g. as outlined in “I’d sell you
                                       suicide: pop music and moral panic in the age of
                                       Marilyn Manson” Robert Wright, 2000
 Moral panic heavy metal has long
  been a source of stereotypes
  representing controversy and
  counter-culture.
 Social critics analysed the social
  reactions to metal music
  especially the moral panics of the
  genre. Extreme music has been
  cited as inducing extreme
  reactions, e.g. as outlined in “I’d
  sell you suicide: pop music and
  moral panic in the age of Marilyn     ‘Heavy metal: the dangers, the
  Manson” Robert Wright, 2000.
                                        bad hair, the decadence, the poor
                                        grammar, that threatens to
                                        topple a nation.’
 We also use stereotyped representations of
  interviewers.
 Although the interviewer in our film is never
  seen, we examined some real life people who
  specialise in interviewing musicians- people like
  Alex Baker from Kerrang magazine and Pete
  Paphides- The Times rock critic.
 We made our interviewer very articulate in his
  interviewing and treating both Olav and Bjorn
  with the reverence only a fan can have. This
  immediately conflicts with the attitude of the two
  rock stars, who go against almost every
  convention and protocol of interviewing by
  being surly, uncooperative and monosyllabic.


                                                       Alex Baker
 The characters of the two musicians are
  based on the appearances and attitudes
  that come from stereotypes of rock stars
  as well as drawing on some actual rock
  stars behaviour.
 These stereotypes include long hair, dark
  colours, masculinity, aggression, violent
  lyrics and disturbing imagery.
 Scandinavia is also the birthplace of       Lemmy
  several sub-genres of Heavy Metal namely
  melodic death metal so we felt this would
  be a good country of origin for the
  characters. It also allowed us to draw
  some comedy from our voices as
  Scandinavian accents can be made to
  sound quite silly and entertaining.


                                              Axl Rose

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Representation of social groups

  • 1.
  • 2. Who is the main social group?  Our particular social group consists of metal heads, two main characters, Bjorn and Olav. We draw on well known stereotypes. This would draw people from the heavy metal community to the characters they would relate to.  Our social group belongs to the world of musicians and rock stars. This means living the high life, crazy public stunts and generally unruly Brendon Small behaviour. Our mockumentary includes a sequence that features Olav Yevewenwargen drinking, vomiting, falling over and a random attack on a passer by.
  • 3. There is a long tradition of musicians featuring in documentary films, providing a whole range of stereotypes: • Spinal Tap • The Great Rock N’ Roll Swindle • Walk the Line • Gimme Shelter • Heavy Metal Parking Lot • A Tribute to Jim Morrison and The Doors • Don’t Look Back • Metallica: Some Kind of Monster • No Direction Home: Bob Dylan These documentaries all feature famous Moral panic heavy metal has long been a source of bands stereotypes representing controversy and counter- culture. Social critics analysed the social reactions to metal music especially the moral panics of the genre. Extreme music has been cited as inducing extreme reactions, e.g. as outlined in “I’d sell you suicide: pop music and moral panic in the age of Marilyn Manson” Robert Wright, 2000
  • 4.  Moral panic heavy metal has long been a source of stereotypes representing controversy and counter-culture.  Social critics analysed the social reactions to metal music especially the moral panics of the genre. Extreme music has been cited as inducing extreme reactions, e.g. as outlined in “I’d sell you suicide: pop music and moral panic in the age of Marilyn ‘Heavy metal: the dangers, the Manson” Robert Wright, 2000. bad hair, the decadence, the poor grammar, that threatens to topple a nation.’
  • 5.  We also use stereotyped representations of interviewers.  Although the interviewer in our film is never seen, we examined some real life people who specialise in interviewing musicians- people like Alex Baker from Kerrang magazine and Pete Paphides- The Times rock critic.  We made our interviewer very articulate in his interviewing and treating both Olav and Bjorn with the reverence only a fan can have. This immediately conflicts with the attitude of the two rock stars, who go against almost every convention and protocol of interviewing by being surly, uncooperative and monosyllabic. Alex Baker
  • 6.  The characters of the two musicians are based on the appearances and attitudes that come from stereotypes of rock stars as well as drawing on some actual rock stars behaviour.  These stereotypes include long hair, dark colours, masculinity, aggression, violent lyrics and disturbing imagery.  Scandinavia is also the birthplace of Lemmy several sub-genres of Heavy Metal namely melodic death metal so we felt this would be a good country of origin for the characters. It also allowed us to draw some comedy from our voices as Scandinavian accents can be made to sound quite silly and entertaining. Axl Rose