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Soul and Motown
1. MUSC 1800: Popular Music
Dr. Matthew C. Saunders
Lakeland Community College
C-1078
2. The Mid-to-Late 1960s
• Instability in the world situation
– Viet Nam War
– Protest and Revolution (1968)
– Decolonization
3. The Mid-to-Late 1960s
• Expansion of
consciousness
– New spirituality and
revival
– Technology
– Rebellion against
conformity
– New individualism
4. Culture and Counterculture
• The 1960s and
“liberal” values
• However: Most
Americans did not
identify with the
counterculture.
5. Soul
• Soul: Synthesis of gospel and blues
– Secular music with clear models in sacred music
of black Protestant churches
• Sister Rosetta Tharpe: “I Saw the Light”
• Ray Charles: “I’ve Got a Woman,” 1954
6. Ray Charles
– Wide Range of Music
• Country: “I Can’t Stop Loving You,”
1959
• Tin Pan Alley: “Georgia On My
Mind,” 1951
• British Invasion: “Eleanor Rigby,”
1965
• Traditional: “America the
Beautiful,” 1976
7. Other Soul Artists
• Otis Redding
– “(Sittin’ On) The Dock of the Bay,” 1967
• Marvin Gaye
– “I Heard it Through the Grapevine,” 1968
• James Brown
– “Say it Loud, I’m Black and Proud,” 1968
• Aretha Franklin
– “Chain of Fools,” 1967
8. Motown
• Founded 1959
• Berry Gordy
• Smokey Robinson
• Songwriters: Eddie
Holland, Lamont
Dozier, and Brian
Holland
• House musicians: The
Funk Brothers
9. Motown Stars of the 1960s
• Smokey Robinson and the Miracles
– “Shop Around,” 1960 (Gordy-Robinson)
• The Temptations
– “The Way You Do the Things You Do,” 1964 (Rogers-Kendricks)
• Diana Ross and the Supremes
– “Where Did Our Love Go?,” 1964 (Holland-Dozier-Holland)
• Martha Reeves and the Vandellas:
– “Nowhere to Run,” 1965 (Holland-Dozier-Holland)
• The Four Tops
– “Reach Out (I’ll Be There),” 1966 (Holland-Dozier-Holland)
Editor's Notes
The 1960s and “liberal” values
The Baby Boomers reach adulthood, ca. 1965
Social welfare (The Great Society)
Mass acceptance of “secular humanism” begins
Separation of church and state applied to public schools
Altered consciousness and social experimentation
Drugs
Lifestyles
Music
Fashion
Art
However: Most Americans did not identify with the counterculture.
Soul: Synthesis of gospel and blues
Secular music with clear models in sacred music of black Protestant churches
Ray Charles: “I’ve Got a Woman,” 1954
Ray Charles, like Louis Armstrong and Nat “King” Cole, recorded a wide range of music
Country: “I Can’t Stop Loving You,” 1959
Tin Pan Alley: “Georgia On My Mind,” 1951
British Invasion: “Eleanor Rigby,” 1965
Traditional: “America the Beautiful,” 1976
Soul: Synthesis of gospel and blues
Secular music with clear models in sacred music of black Protestant churches
Ray Charles: “I’ve Got a Woman,” 1954
Ray Charles, like Louis Armstrong and Nat “King” Cole, recorded a wide range of music
Country: “I Can’t Stop Loving You,” 1959
Tin Pan Alley: “Georgia On My Mind,” 1951
British Invasion: “Eleanor Rigby,” 1965
Traditional: “America the Beautiful,” 1976