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MUSC 1800: Popular Music
Dr. Matthew C. Saunders
Lakeland Community College
C-1078
The Mid-to-Late 1960s
• Instability in the world situation
– Viet Nam War
– Protest and Revolution (1968)
– Decolonization
The Mid-to-Late 1960s
• Expansion of
consciousness
– New spirituality and
revival
– Technology
– Rebellion against
conformity
– New individualism
Culture and Counterculture
• The 1960s and
“liberal” values
• However: Most
Americans did not
identify with the
counterculture.
Soul
• Soul: Synthesis of gospel and blues
– Secular music with clear models in sacred music
of black Protestant churches
• Sister Rosetta Tharpe: “I Saw the Light”
• Ray Charles: “I’ve Got a Woman,” 1954
Ray Charles
– Wide Range of Music
• Country: “I Can’t Stop Loving You,”
1959
• Tin Pan Alley: “Georgia On My
Mind,” 1951
• British Invasion: “Eleanor Rigby,”
1965
• Traditional: “America the
Beautiful,” 1976
Other Soul Artists
• Otis Redding
– “(Sittin’ On) The Dock of the Bay,” 1967
• Marvin Gaye
– “I Heard it Through the Grapevine,” 1968
• James Brown
– “Say it Loud, I’m Black and Proud,” 1968
• Aretha Franklin
– “Chain of Fools,” 1967
Motown
• Founded 1959
• Berry Gordy
• Smokey Robinson
• Songwriters: Eddie
Holland, Lamont
Dozier, and Brian
Holland
• House musicians: The
Funk Brothers
Motown Stars of the 1960s
• Smokey Robinson and the Miracles
– “Shop Around,” 1960 (Gordy-Robinson)
• The Temptations
– “The Way You Do the Things You Do,” 1964 (Rogers-Kendricks)
• Diana Ross and the Supremes
– “Where Did Our Love Go?,” 1964 (Holland-Dozier-Holland)
• Martha Reeves and the Vandellas:
– “Nowhere to Run,” 1965 (Holland-Dozier-Holland)
• The Four Tops
– “Reach Out (I’ll Be There),” 1966 (Holland-Dozier-Holland)

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Soul and Motown

  • 1. MUSC 1800: Popular Music Dr. Matthew C. Saunders Lakeland Community College C-1078
  • 2. The Mid-to-Late 1960s • Instability in the world situation – Viet Nam War – Protest and Revolution (1968) – Decolonization
  • 3. The Mid-to-Late 1960s • Expansion of consciousness – New spirituality and revival – Technology – Rebellion against conformity – New individualism
  • 4. Culture and Counterculture • The 1960s and “liberal” values • However: Most Americans did not identify with the counterculture.
  • 5. Soul • Soul: Synthesis of gospel and blues – Secular music with clear models in sacred music of black Protestant churches • Sister Rosetta Tharpe: “I Saw the Light” • Ray Charles: “I’ve Got a Woman,” 1954
  • 6. Ray Charles – Wide Range of Music • Country: “I Can’t Stop Loving You,” 1959 • Tin Pan Alley: “Georgia On My Mind,” 1951 • British Invasion: “Eleanor Rigby,” 1965 • Traditional: “America the Beautiful,” 1976
  • 7. Other Soul Artists • Otis Redding – “(Sittin’ On) The Dock of the Bay,” 1967 • Marvin Gaye – “I Heard it Through the Grapevine,” 1968 • James Brown – “Say it Loud, I’m Black and Proud,” 1968 • Aretha Franklin – “Chain of Fools,” 1967
  • 8. Motown • Founded 1959 • Berry Gordy • Smokey Robinson • Songwriters: Eddie Holland, Lamont Dozier, and Brian Holland • House musicians: The Funk Brothers
  • 9. Motown Stars of the 1960s • Smokey Robinson and the Miracles – “Shop Around,” 1960 (Gordy-Robinson) • The Temptations – “The Way You Do the Things You Do,” 1964 (Rogers-Kendricks) • Diana Ross and the Supremes – “Where Did Our Love Go?,” 1964 (Holland-Dozier-Holland) • Martha Reeves and the Vandellas: – “Nowhere to Run,” 1965 (Holland-Dozier-Holland) • The Four Tops – “Reach Out (I’ll Be There),” 1966 (Holland-Dozier-Holland)

Editor's Notes

  1. The 1960s and “liberal” values The Baby Boomers reach adulthood, ca. 1965 Social welfare (The Great Society) Mass acceptance of “secular humanism” begins Separation of church and state applied to public schools Altered consciousness and social experimentation Drugs Lifestyles Music Fashion Art However: Most Americans did not identify with the counterculture.
  2. Soul: Synthesis of gospel and blues Secular music with clear models in sacred music of black Protestant churches Ray Charles: “I’ve Got a Woman,” 1954 Ray Charles, like Louis Armstrong and Nat “King” Cole, recorded a wide range of music Country: “I Can’t Stop Loving You,” 1959 Tin Pan Alley: “Georgia On My Mind,” 1951 British Invasion: “Eleanor Rigby,” 1965 Traditional: “America the Beautiful,” 1976
  3. Soul: Synthesis of gospel and blues Secular music with clear models in sacred music of black Protestant churches Ray Charles: “I’ve Got a Woman,” 1954 Ray Charles, like Louis Armstrong and Nat “King” Cole, recorded a wide range of music Country: “I Can’t Stop Loving You,” 1959 Tin Pan Alley: “Georgia On My Mind,” 1951 British Invasion: “Eleanor Rigby,” 1965 Traditional: “America the Beautiful,” 1976