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Rock'n'Roll
1. MUSC 1800: Popular Music
Rock’n’Roll
Dr. Matthew C. Saunders
Lakeland Community College
C-1078
2. Performance Report
• Have you attended a concert for your
performance report yet?
• Remember that you will need:
– A reaction to the concert
– Evidence that you attended
• Make sure that your event qualifies as
explained in the assignment.
3. What is “cool?”
• The idea of “cool” comes into being in the 1950s, and
rock’n’roll is the vehicle through which “cool” is
presented to a mass audience.
• Five main elements of rebel cool, ca. 1950-1990
– Oppositional style (psychopathic rebellion)
– Experience of the sense of the body
– Detached emotional style
– Masculine regeneration
– Sexual liberation
Adapted from: Quartz, Steven and Anette Asp. Cool: How the Brain’s Hidden
Quest for Cool Drives Our Economy and Shapes Our World. New York:
Farrar, Straus and Giroux, 2015, pp. 175-196.
4. Why is the Rock’n’Roll Hall of Fame in
Cleveland?
• Alan Freed (1922-
1965)
– Disc Jockey, WJW
850
– An aircheck from
1954
• What does
“rock’n’roll” mean?
5. Rock’n’Roll and Teenagers
• Disposable income
• Reaction
• Crossover appeal
• Teenaged performers
– Frankie Lymon
– Paul Anka
– Ricky Nelson
6. Cover Versions
• Nothing new
• No copyright for an
arrangement
• “Cleaned up”
• An example:
“Shake, Rattle, and
Roll,” 1954
– Big Joe Turner
– Bill Haley and the
Comets
8. R&B Rock’n’Roll Stars
• Chuck Berry (b. 1926)
– “School Days,” 1957
– “Roll Over
Beethoven,” 1956
• Little Richard (Richard
Wayne Penniman)
• “Tutti Frutti,” 1956
• “Good Golly Miss Molly,”
1957
9. R&B Rock’n’Roll Stars
• Antoine “Fats” Domino
(b. 1928)
– “Ain’t That a Shame,”
1955
– “My Blue Heaven,”
1956
10. Country Rock’n’Roll Stars
• Buddy Holly
– “That’ll Be the Day,” 1957
– The Day the Music Died
(February 3, 1959)
• Elvis Presley (1935-
1977)
• “Don’t Be Cruel,” 1956
• “Hound Dog,” 1956 (Ed
Sullivan Show)
Editor's Notes
Alan Freed (1922-1965)
Disc Jockey, WJW 850
Played and promoted R&B records
Coined the term rock’n’roll
An aircheck from 1954
Moved to larger radio markets, and eventually television
Eventually found guilty of accepting payola
What does “rock’n’roll” mean?
Derived from song lyrics, originally sexual
Adolescents with disposable income
Reaction to relatively homogeneous sound of the early 1950s
Broad appeal
Rock’n’roll appeared simultaneously on the pop, country and R&B charts
Songs appealing directly to teenage interests
Teenaged performers
Frankie Lymon
Paul Anka
Ricky Nelson
Re-recording songs that were already hits was nothing new
Major labels began to capitalized on the discoveries of smaller labels
An individual arrangement or interpretation can not be copyrighted
Cover versions often featured white artists and “cleaned up” lyrics
An example: “Shake, Rattle, and Roll,” 1954
Big Joe Turner
Bill Haley and the Comets
Record industry gets behind rhythm and blues
Cover versions often propelled the first big stars
Bill Haley: “Rock Around the Clock,” 1955
First rock’n’roll song to be a Number One pop hit
Rock’n’Roll continued to be one of several styles on the charts
Chuck Berry
Celebrations of American middle-class youth style
Most tunes based on 12-bar blues
“School Days,” 1957
“Roll Over Beethoven,” 1956
Little Richard (Richard Wayne Penniman)
Piano-based songs based on 12-bar blues
Verse-chorus structure
Lyrics often baffling to censors
“Tutti Frutti,” 1956
“Good Golly Miss Molly,” 1957
Antoine “Fats” Domino (b. 1928)
Well-established in R&B prior to 1955
R&B and Rock’n’roll songs were essentially in the same style
Often recorded Tin Pan Alley standards in R&B style
“Ain’t It a Shame,” 1955
“My Blue Heaven,” 1956
Elvis Presley (1935-1977)
Began career with Sun Records, bought out by RCA Victor in 1955
Slapback sound
Hillbilly sound marketed to the mainstream by image control
Mixture of R&B and “doo-wop” sounds (Jordanaires)
Best-selling solo artist in popular music history
“Don’t Be Cruel,” 1956
“Hound Dog,” 1956 (Ed Sullivan Show)
Buddy Holly
Inspired by Presley to move from country to rock’n’roll
Combination of 12-bar blues with song forms
Started to explore more complex textures and recording techniques
“That’ll Be the Day,” 1957
The Day the Music Died (February 3, 1959)