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Designing	
  with	
  Immigrants:	
  
When	
  emo2ons	
  run	
  high	
  
	
  
	
  
Mariana	
  Salgado	
  
Helena	
  Sustar	
  	
  
Michail	
  Galanakis	
  
	
  
	
  
	
  
Arki Research group
Encore research group
Department of Media/
Department of Design
Aalto University
Department of Geography
Helsinki University
	
  
21.04.2015	
  
EAD	
  Conference.	
  Paris.	
  France	
  
While design researchers have started to understand the
impact the phenomenon of immigration has in their fields,
the actual input of immigrants in setting any design
agenda is marginal. By engaging immigrants in design
processes, we emphasise our responsibility as designers for
social inclusion.
How to engage immigrants in
participatory design research?
Compara2ve	
  analysis	
  
1	
  
MIGRATION STORIES FROM EAST HELSINKI: OUR CITY
A series of workshops and other events in which different
immigrant communities were explicitly invited to take
part in the design process.
Participants in the workshop: 15 women who knew each other well.
Food! an integral part of the workshop’s planning and realization.
Using props (cards) made
participants’ life stories
easier to narrate/express/
write/
visualize.
Participants have to think of a favourite object before the interview, an
object evocative of the person’s home country. Telling the story about
the object selected served as an icebreaker.
MIGRATION JOURNEYS TO HELSINKI: STANDING IN SOMEONE’S SHOES
Immigrant customer journey in the early stage of integration in Finland
The study revolved around four themes: experiences before moving to the country,
experiences upon arrival, interaction with services, and integration.
Seven immigrants (two men and five women) were
interviewed
How they were using services related to their move and how they
felt about those services?
Analysis	
  
2	
  
We wanted to compare the
techniques applied while we
worked with our participants
and our own experiences
We went through the
activities together, we
listened to our
recordings and diaries
from these encounters
Discussion	
  
3	
  
A jolly atmosphere was the result of more than just
sticking to specific techniques, and that in itself
afforded rich data.
In both cases, strong emotions were triggered due to several factors: the
visualisations, the relationships amongst participants, the overall atmosphere, the
open-ended nature of the questions, and the content of the discussion, namely
migration stories.
While the techniques and context of our fieldwork
encouraged reflection on the personal lives of participants,
we are not sure how to utilise these reflections for the benefit
of the participants themselves. We do know, however, how
to use these reflections as input in the design process
Emotions, even when they are controversial, are
unavoidable. As design researchers we must look into
other fields to learn how to deal with, and report on
emotions, rather than to “push them under the
carpet”.
Participatory design activities are particularly useful in
interactions with immigrants because they are largely visual,
rather than language based. Non-language communication is a
key not only because participants are communicating in a
language that is not their own, but also because of the
emotional nature of the issue of immigration.
Paying attention to issues of trust, empathy, personal and
professional relationships and ethics are key to enriching design
visions.
References
Beyer, H., & Holtzblatt, K. (1999). Contextual Design. Interactions, 1999 - dl.acm.org
Björgvinsson, E., Ehn, P., & Hillgren, P-A. (2012). Agonistic participatory design: working
with marginalized movements. Co-Design: International Journal of CoCreation in Design and
the Arts. 8: 2-3, 127-144.
Dindler, C., & Iversen, O.S. (2014). Relational Expertise in Participatory Design. In the
proceedings of Participatory Design Conference, Windhoek, Namibia.
Brand, E., Binder, T., & Sanders, E.B.-N. (2013). Tools and techniques. Ways to engage
telling, making and enacting. In Routledge International Handbook of Participatory Design.
Simonsen, J. and Robertson, T. (eds). Routledge, New York, USA.
Clarke, R., & Wright, P. (2012). Evocative of Experience: Crafting cross-cultural digital
narratives through stories and portraits. NordCHI’12, Copenhagen, Denmark.
Crossley, L. (2003). Building Emotions in Design. The Design Journal, volume 6, issue 3.
Denborough, D. (2008). Collective narrative practice: Responding to individuals, groups and
communities who have experienced trauma. Adelaide, Australia: Dulwich Centre
Publications.
Fuad-Luke, D. (2012) How Was It for You? OurCity-OutReach and the City of Helsinki.
Retrieved on 26.02.2014, from http://bit.ly/1mUmlNi
Huybrechts, L, Dressen, K., & Schepers, S., (2012). Mapping design practices: on risk,
hybridity and participation. Proc. Participatory Design Conference, 2012, Roskilde , Sweden,
pp. 29-32
Hynes, T. (2003). The issue of “trust” and “mistrust” in research with refugees: choices,
caveats and considerations for researchers. New issues on refugee research. The UN refugee
agency, UK.
Kalantidou, E., & Fry, T. (2014). Design in the Borderlines. Routledge. UK.
Keshavarz, M., & Mazé, R. (2013) 'Design and Dissensus: Framing and Staging Participation
in Design Research', Design Philosophy Papers, 1: unpaginated.
Kimbell, J., & Julier, J. (2012). The Social Design Methods Menu. In perpetual beta.
Fieldstudio, UK. Retrieved on the 1.09.2014 from
http://www.lucykimbell.com/stuff/Fieldstudio_SocialDesignMethodsMenu.pdf
Light, A., & Akama, Y. (2012). The Human Touch: Participatory practice and the role of
facilitation in designing with communities. In the proceedings of the Participatory Design
Conference, Roskilde, Denmark.
McDonald, S. (2003). Answering questions and asking more: reflections on feminist
participatory research. Resources for Feminist Research, 30(1/2): 77-100.
Lammers, E. (2005). Refugees, asylum seekers and anthropologists: the taboo on giving.
Global Migration Perspectives. Global Commission on International Migration. Switzerland.
Rizzo, A., & Galanakis, M. (2014) Transurbanism – Towards a new Transdisciplinary
Approach in Urban Planning (Honourable Mention at the Young Planning Professionals
Award 2012). In D. Iossifova (Ed.), Architecture & Planning in Times of
Scarcity: Reclaiming the Possibility of Making. Manchester: SoftGrid Ltd, 144-157.
Salgado, M., & Galanakis, M. (2014). “… so what?”- Limitations of Participatory Design on
Decision-making in Urban Planning. Proceedings of the Participatory Design Conference
2014, 06-10 October 2014, Windhoek, Namibia, 5-8.
Stickdorn, M., & Schneider, J. (2010) This is Service Design Thinking: Basics - Tools - Cases,
BIS publishers, Amsterdam, Netherlands, 158 - 161.
Twi7er:	
  @salgado	
  
Blog:	
  
h7p://pinatasdigitales.wordpress.com/	
  
	
  
Arki	
  blog:	
  	
  
h7p://arki.mlog.taik.fi/	
  
Slideshare:	
  	
  
h7p://www.slideshare.net/marianasalgado	
  
	
  
	
  
	
  
	
  
 
Thank	
  you!	
  
Mercí!	
  	
  
mariana.salgado@aalto.fi
http://www.slideshare.net/mariana.salgado
Pictures in this presentation are part of the two projects presented here.

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Designing with Inmigrants. When emotions run high

  • 1. Designing  with  Immigrants:   When  emo2ons  run  high       Mariana  Salgado   Helena  Sustar     Michail  Galanakis         Arki Research group Encore research group Department of Media/ Department of Design Aalto University Department of Geography Helsinki University   21.04.2015   EAD  Conference.  Paris.  France  
  • 2. While design researchers have started to understand the impact the phenomenon of immigration has in their fields, the actual input of immigrants in setting any design agenda is marginal. By engaging immigrants in design processes, we emphasise our responsibility as designers for social inclusion.
  • 3. How to engage immigrants in participatory design research?
  • 5. MIGRATION STORIES FROM EAST HELSINKI: OUR CITY A series of workshops and other events in which different immigrant communities were explicitly invited to take part in the design process.
  • 6. Participants in the workshop: 15 women who knew each other well. Food! an integral part of the workshop’s planning and realization.
  • 7.
  • 8. Using props (cards) made participants’ life stories easier to narrate/express/ write/ visualize.
  • 9. Participants have to think of a favourite object before the interview, an object evocative of the person’s home country. Telling the story about the object selected served as an icebreaker. MIGRATION JOURNEYS TO HELSINKI: STANDING IN SOMEONE’S SHOES
  • 10. Immigrant customer journey in the early stage of integration in Finland The study revolved around four themes: experiences before moving to the country, experiences upon arrival, interaction with services, and integration.
  • 11. Seven immigrants (two men and five women) were interviewed
  • 12. How they were using services related to their move and how they felt about those services?
  • 14. We wanted to compare the techniques applied while we worked with our participants and our own experiences We went through the activities together, we listened to our recordings and diaries from these encounters
  • 16. A jolly atmosphere was the result of more than just sticking to specific techniques, and that in itself afforded rich data.
  • 17. In both cases, strong emotions were triggered due to several factors: the visualisations, the relationships amongst participants, the overall atmosphere, the open-ended nature of the questions, and the content of the discussion, namely migration stories.
  • 18. While the techniques and context of our fieldwork encouraged reflection on the personal lives of participants, we are not sure how to utilise these reflections for the benefit of the participants themselves. We do know, however, how to use these reflections as input in the design process
  • 19. Emotions, even when they are controversial, are unavoidable. As design researchers we must look into other fields to learn how to deal with, and report on emotions, rather than to “push them under the carpet”.
  • 20. Participatory design activities are particularly useful in interactions with immigrants because they are largely visual, rather than language based. Non-language communication is a key not only because participants are communicating in a language that is not their own, but also because of the emotional nature of the issue of immigration.
  • 21. Paying attention to issues of trust, empathy, personal and professional relationships and ethics are key to enriching design visions.
  • 22. References Beyer, H., & Holtzblatt, K. (1999). Contextual Design. Interactions, 1999 - dl.acm.org Björgvinsson, E., Ehn, P., & Hillgren, P-A. (2012). Agonistic participatory design: working with marginalized movements. Co-Design: International Journal of CoCreation in Design and the Arts. 8: 2-3, 127-144. Dindler, C., & Iversen, O.S. (2014). Relational Expertise in Participatory Design. In the proceedings of Participatory Design Conference, Windhoek, Namibia. Brand, E., Binder, T., & Sanders, E.B.-N. (2013). Tools and techniques. Ways to engage telling, making and enacting. In Routledge International Handbook of Participatory Design. Simonsen, J. and Robertson, T. (eds). Routledge, New York, USA. Clarke, R., & Wright, P. (2012). Evocative of Experience: Crafting cross-cultural digital narratives through stories and portraits. NordCHI’12, Copenhagen, Denmark. Crossley, L. (2003). Building Emotions in Design. The Design Journal, volume 6, issue 3. Denborough, D. (2008). Collective narrative practice: Responding to individuals, groups and communities who have experienced trauma. Adelaide, Australia: Dulwich Centre Publications. Fuad-Luke, D. (2012) How Was It for You? OurCity-OutReach and the City of Helsinki. Retrieved on 26.02.2014, from http://bit.ly/1mUmlNi Huybrechts, L, Dressen, K., & Schepers, S., (2012). Mapping design practices: on risk, hybridity and participation. Proc. Participatory Design Conference, 2012, Roskilde , Sweden, pp. 29-32
  • 23. Hynes, T. (2003). The issue of “trust” and “mistrust” in research with refugees: choices, caveats and considerations for researchers. New issues on refugee research. The UN refugee agency, UK. Kalantidou, E., & Fry, T. (2014). Design in the Borderlines. Routledge. UK. Keshavarz, M., & Mazé, R. (2013) 'Design and Dissensus: Framing and Staging Participation in Design Research', Design Philosophy Papers, 1: unpaginated. Kimbell, J., & Julier, J. (2012). The Social Design Methods Menu. In perpetual beta. Fieldstudio, UK. Retrieved on the 1.09.2014 from http://www.lucykimbell.com/stuff/Fieldstudio_SocialDesignMethodsMenu.pdf Light, A., & Akama, Y. (2012). The Human Touch: Participatory practice and the role of facilitation in designing with communities. In the proceedings of the Participatory Design Conference, Roskilde, Denmark. McDonald, S. (2003). Answering questions and asking more: reflections on feminist participatory research. Resources for Feminist Research, 30(1/2): 77-100. Lammers, E. (2005). Refugees, asylum seekers and anthropologists: the taboo on giving. Global Migration Perspectives. Global Commission on International Migration. Switzerland. Rizzo, A., & Galanakis, M. (2014) Transurbanism – Towards a new Transdisciplinary Approach in Urban Planning (Honourable Mention at the Young Planning Professionals Award 2012). In D. Iossifova (Ed.), Architecture & Planning in Times of Scarcity: Reclaiming the Possibility of Making. Manchester: SoftGrid Ltd, 144-157. Salgado, M., & Galanakis, M. (2014). “… so what?”- Limitations of Participatory Design on Decision-making in Urban Planning. Proceedings of the Participatory Design Conference 2014, 06-10 October 2014, Windhoek, Namibia, 5-8. Stickdorn, M., & Schneider, J. (2010) This is Service Design Thinking: Basics - Tools - Cases, BIS publishers, Amsterdam, Netherlands, 158 - 161.
  • 24. Twi7er:  @salgado   Blog:   h7p://pinatasdigitales.wordpress.com/     Arki  blog:     h7p://arki.mlog.taik.fi/   Slideshare:     h7p://www.slideshare.net/marianasalgado          
  • 25.   Thank  you!   Mercí!     mariana.salgado@aalto.fi http://www.slideshare.net/mariana.salgado Pictures in this presentation are part of the two projects presented here.