This document discusses various artistic concepts and principles related to art, filmmaking, and observation. It covers topics like the different abilities required to create art, such as imagination and abstraction. It also outlines fundamental principles for artistic works, including theme unity, repetition, rhythm, variety, contrast, progressive development, climax, and temporal ordering. Additionally, it addresses the subjective and interpretive nature of filmmaking, noting that a film reflects the perspective of its director through choices like framing, projection, and relationships between elements.

1. Esthetics and art
By: Maicol Suntasig

2. 1.1 Observation of Art and the art of
Observation
Art goes to
men and
women no
matter their
age
There are
people who
are more
gifted to
enjoy art
It is necssary
to know about
a work to
admire and
enjoy it
We must
admire the
work instead
of the product
only

3. The art of observation
Work of art
How to
observe
Observe in
general
Look at the
artist´s spirit
Elements used
by the artist

4. 1.2 Creative abilities
Artistic idea
Abstraction
Stylization
Background and shape
Imaginative ability
Raw material

5. Creative abilities
 Art means “to do”, “to carry out” in other words:
performance.
 Fantasy is something that an artist need to express
him/herself through tangible expressions.
 Art can transport us to moments and time when the
characters lived
 Cinema may stylize some factors and others don’t.
 Abstraction is the capacity of keep only what is
interesting and avoid what is not.
 The artistic idea is knowledge that helps the artist shape
and develop the whole group of ideas.

6. 1.3 Fundamental principles of artistic work
THEME UNITY
Repetition
THEME
RHYTHM
Equal amount
of time
VARIETY
Face the
monotony
CONTRAST
Relates topics

7. Principles of artist work
PROGRESSIVE
DEVELOPMENT
Increase interest
CLIMAX
The most interesting part
THE TOTAL
CYCLE
Dramtic pla
• Introduction
• Development
• Culmination or Climax
• End
TIME AND
SPACE
Temporaly order

8. 1.4 For a theory of Film – making realization.

9. Subjective intervention – making narration
The language
on films
depends on who uses it.
The film cannot
hide
the reporter.
The film is the
expression of an
interpretative
act
of the one who has directed
the movie.

10. The ilusion of similarity
Directors
Determine
the
projection
zone
Directors
Framings
become
alive
Directors
Relationship
between
cameras and
elements
and actors