2. Claude Monet And Impressionism
Claude Monet is one of the most classic examples of an impressionist artist. Impressionism originated in France in the 1860's. It is characterized by
visible brush strokes and a focus on light, texture, and colors rather than looking realistic. Impressionist paintings are extremely easy to recognize
and often elicit strong emotions of tranquility and warmth. Monet had a life full of ups and downs which shaped his artwork and his paintings and
life have also influenced my own personal style. Monet lived an interesting life full of hardships which inspired his paintings. He was born in Paris,
France on November 14, 1840. At an early age, Monet hated being confined to the classroom and would rather spend his time being outside or filling
notebooks with drawings. He found support in his artistic efforts from his mother and therefore was greatly upset by her death in 1857. Monet
became well known for his drawings of people around town and attracted the attention of a local landscape artist, Eugene Boudin. Boudin introduced
Monet to incorporating nature into his art and to painting outside, which would later become one of Monet's most used techniques. In 1859 Monet
moved to Paris to enroll in the Academie Suisse art school. Monet's paintings were selected to be shown at an important art show in Paris called the
Salon. One of the paintings shown was Woman in Green which featured his lover, later wife, Camille Doncieux. Despite Monet's small amount of
success and notoriety as a
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4. Claude Monet Essay
Art has been part of our society since humanity existed. For countless years' people been creating, observing, criticizing and appreciating art. Claude
Monet's piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le Havre of the north coast, France. This piece was made in
March or April of 1873. The piece's present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on canvas and is
next to another piece made by Monet called The Portal of Rouen Cathedral in the morning light. Claude Monet was part of the impressionist movement
that changes French paintings of the nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an unfinishedpainting,
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Colors are around us and can describe different meanings. When colors are part of an image, painting or sculpture, however, why do certain colors use
and others are not. Monet chose certain colors to portray different feelings, mood and makes one think. In Patricia Stokes's article "Variability,
Constraints, and Creativity" explained during her investigation, she decides to investigate Monet's creativity and separate them into three phases. In
phase one, it involved value and wrote: "The wheel, which broke up the light into the four primary hues and their intermediaries, prompted Monet's
initial and initially ill–defined goal constraint." In his earlier painting called Mouth of the Seine at Honfleur (1865), he used earth colors, raw umber,
burnt sienna, and blacks. After he stopped using browns and earth color and later black as well. For Sunrise (1873), he used the colors yellow, orange,
blue, green and brown. What I found interesting is that he muted the colors so the painting looks dull. Even so orange pops with the muted blue
because they are complementary colors that perceive soothing or balance in the painting.
Paintings that have textures that can be smooth and flat or have tooth and be lumpy which can depend on the type of paint or how it is applied the
surface of a canvas. In many of Monet's Impressionism paintings, he uses a dry brush technique and created dabs. In Sunrise, the paint is not blended
together instead it is layered, which created a
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5. Claude Debussy Research Paper
Claude Debussy, best known for breaking the rules of tonality, has written and composed many pieces that still influence musicians today. His talents
were noticed by everyone he came in contact even with at a young age. Nevertheless, people were scared of his innovative music because it was unlike
anything they had heard before. He embraced nontraditional scales and tonal structures ("Bio.com", n.d.). For this reason, people disliked like his music
until later in life. Debussy will always be remembered as the founder of musical impressionism.
Born on August 22, 1862, in Saint–Germain–en–Laye, Claude Debussy was the oldest of five children ("Bio.com", n.d.). His parents were Manuel and
Victorine Debussy and they owned a small china shop ("Smith ... Show more content on Helpwriting.net ...
This mix of tone poem and symphony is roughly twenty–three minutes long ("La mer | LA Phil", n.d.). It was started in 1903 in France and was
completed in 1905 on the English Channel coast in Eastbourne. Claude Debussy was obsessed with the sea, he loved it so much that he was
unable to write the piece by the ocean ("Claude Debussy's Life and His Luxurious Music", n.d.). He wrote to a friend that he, "was destined for the fine
career of a sailor," and that "only the accidents of life put him on another path," ("La mer | LA Phil", n.d.). All of "La Mer" was written far away from
the ocean ("Claude Debussy's Life and His Luxurious Music", n.d.). This piece depicted elements of the sea such as the wind and waves ("Claude
Debussy's Life and His Luxurious Music", n.d.). Debussy created "La Mer" as a "series of spontaneous fragments of music ("Debussy's La Mer – An
Atmospheric Nature Painting", n.d.). "It was a very influential piece, and its use of sensuous tonal colours and orchestration methods influenced many
film pieces later on," (2012, 23:08).
Debussy wanted to avoid the term symphony so he called his work "three symphonic sketches," ("La mer | LA Phil", n.d.). It consisted of two
powerful outer movements and a faster piece that acts as a type of scherzo (2012, 23:08). A scherzo is a movement from a bigger piece like a
symphony (2012, 23:08). This piece to me creates a calm feeling while listening and it
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6. Claude Monet and Nature Essay
Claude Monet was born in Paris in 1840 and would become known as one of France's famous painters. Monet is often attributed with being the
leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill.
Eventually "Monet began to accompany [EugГЁne] Boudin as the older artist . . . worked outdoors, . . . this "truthful" painting, Monet later claimed,
had determined his path as an artist." Monet's goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the
landscape impressionist style. William Seitz supports this statement through his quote, "The landscapes Monet painted at Argenteuil between 1872 and
1877 are... Show more content on Helpwriting.net ...
Le Dejeuner proved to be of one of the more daunting pieces for Monet. Wagner claims that Le Dejeuner was so difficult for Monet to produce
because she regards the piece "as among the most "personal" of Monet's career" . The tremendous personalization of Le Dejeuner argued by
Wagner is supported by the identifications of the models used to create the figures portrayed in the scene. One of the models used include Monet's
son Jean, who is depicted as the baby; Doncieux, Monet's wife and mother to his son was, strangely enough, depicted as the visitor, while a neighbor
posed as her true role; the mother. The use of such personal characters can be attributed to Monet's attempt "to secure the psychic space necessary to
look at his models and paint his picture"3. Wagner is referencing the emotional conflicts Monet suffered which were onset through his depictions of
recurrent scenes of everyday life and when he was, in a sense, forced to stare at the models before him for extended periods of time. It seems as if
Monet attempted to cover up his method in coping with his ailments through Doncieux's placement of visitor rather than her native role of mother.
Monet began to change his style from figure painting to landscape pieces. This change was onset through Monet's realization that landscape scenes
would allow for him to keep all his personal problems associated with painting hidden away and completely under control. Monet's new found freedom
from his conflicts
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7. Claude Monet Research Paper
Claude Monet work throughout the 19th century is highly recognized to be one of the key founders of Impressionism. Monets interlocking history of
Impressionism cannot be dissociated by that of the Official Salon. It is here where Monet begins to make an appearance into the art world and it is
here that we see the birth of the " Impressionist Monet" we all know today.
During the period of the Salon, Monets consolidated the links existing between him and his fellow painters and would soon go onto develop new
relationships, seeking for new inspirations and pictorial means. It is possible that in his beginning efforts, his paintings were made with fast and
vigorous brushstrokes loaded with the purest of colors, corresponding to the gestures of the people which mark the mergence of a new artistic ... Show
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He would deviate front he customary depiction of forms in linear perspective and he experimented with the loose handling of a brush, bold color and
strikingly unconventional compositions. His interests shifted from that of figures to that of light and is well noted as a significant change in the way
artists would render an image for years to come.
Claude Monets work in the development of impressionism cannot be overstated, he was very important to the growth and diversity in which we find
ourselves today in modern art. The intense research oft the impressionist using light and color made new effects in discovering the new pictorial
process where the juxtaposition of brushstrokes of pure color, on canvas, would result in an an optical mixture visible to the viewers eye.
He was an not only a leader but would also inspire other impressionists such as Pierre–Auguste Renior, Alfred Sisly, Edouard Manet to work alongside
each other. He was also detriment to the establishment of the exhibition society that would showcase the groups work between 1874 and
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8. Claude Monet Research Paper
Claude Monet was born in Paris, France on November 14, 1840. He developed a love of drawing at an early age. His mother supported him in his
artistic skills but his father wanted him to focus on business. Monet suffered greatly when his mother died in 1857. Was often with great artists like
Renoir, Sisley, and Bazille. He attended the Academie Suisse where he developed his artistic abilities. Vincent Van Gogh was a Dutch painter born on
March 30, 1853. He was a post–impressionist painter whose paintings were were known for its beauty, emotion, and color. He was poor and was
unknown for his whole life. His mother was an artist who loved nature, drawing and watercolors. Van Gogh didn't attend a formal art school because of
the lack of money.
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9. Claude Monet Research Paper
Claude Monet was a prolific French painter who founded Impressionism in the 19th century. He strongly held onto his belief of his painting style
throughout his long career and is considered to be one of the most prominent and influential painters in history. He focused on capturing the feeling or
experience of a certain moment. He was intrigued by the light and color, so he explored their changes under various weather conditions at various
times of day. Monet's fascination of shifting effect of light and color directed him in the creation of Impressionism. In addition to his passion for
depicting the visual impression, Claude strongly disliked the classical style of painting, which encouraged him to present the world as it is. Monet was
disenchanted with the traditional academics of art; therefore, he was motivated to pioneer a new and fresh style of painting, which transformed visual
arts and unleashed a path to the beginning of abstraction. ... Show more content on Helpwriting.net ...
Despite his decent academic progress, he felt confined and restricted from doing the things he desired that he even compared school to a prison.
Claude started spending most of his time outside and developed a love of drawing at a very young age. With a passion for art in his mind, Monet
made the decision to leave school and pursue his dream. When seventeen, he started to make money from some of his pieces. The public began to
notice Monet's talent, specifically Eugene Boudin. Eugene Boudin was one of the first French landscape artists to paint outdoors who planned to
befriend Monet. Boudin would take Monet on sketching trips and teach him open air painting. Through Boudin's work, Claude started to explore the
natural world and began to express an interest in painting landscapes. Monet's new friend not only taught him great artistic skills, but also persuaded
him to expand his love of bright hues and play of light when
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11. Claude Debussy Research Paper
In Saint–Germain–en–Laye, France, Claude Debussy was born on August 22, 1862. By the time he was nine, Debussy became skilled at playing the
piano. Debussy was encouraged to enter the Paris Conservatory in 1873. At this conservatory, he studied the piano and its structure. In 1884, with his
cantata The Prodigal Child, Debussy won the Grand Prix de Rome. Debussy's childhood was filled with many troubling situations. It was quite a
bumpy ride. He was faced with problems, both substantial and emotional. He lived with his parents in the suburbs of Paris. They struggled living in
poverty. Unpredictably, Nadezhda Filaretovna von Meck, a Russian millionaire, took Debussy under her patronage. Throughout Europe, she and
Debussy traveled to grand residences,
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12. Claude Garamond Research Paper
Claude Garamond was born in 1499 in Paris, France. As an apprentice in 1510 with a printer and a Parisian punch cutter, Claude Garamond was
able to specialize in printer and typeface services to publishers. Being the first to design type, Claude Garamond was determined to be his own
publisher and use his font designs in his works. With being a type designer, Claude Garamond made sure to rely on his own creativity to showcase
his craft as a designer as well as to be able to discipline himself in his own work of craftsmanship. With his discipline of his own craft, this
represented a specific talent as well as catering to those of high regards in society. Because Garamond was also in the print industry, also specializing in
punch cutting and binding, his knowledge of format was essential in addition to his type design. In the formatting of his publishing, he ensured the
layout... Show more content on Helpwriting.net ...
Regarding his highly skilled craftsmanship in his work, the royal commission valued Claude Garamond to be one of the most important designers
and punch cutters. Being highly respected, the finest printers greatly demanded to work with Garamond's typefaces. With being commissioned by
Royalty of the French, Claude Garamond was highly recognized by patrons that were influential and with great wealth. Although Claude Garamond
was respected and highly respected by those with wealth and royalty, this was also part of his dissatisfaction due to being recognized by popularity
of his designs not because of him being a designer who was able to master his crafts, not just with type. As being a pioneer in type design, Garamond
was a true innovator in his typefaces as well as being able to compliment other typeface designs with his current typefaces. He was able to design
oblique capitals as well as italic lowercases, which made him one of the most distinguished typeface
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15. 'Claude MonetAndWaterlilies Or Nympheas'
Claude Monet was an artist born in the 19th century. He was well known for being one of the founders of the art movement know as
impressionism. Monet created many art series in which he would paint one object multiple times, one of his most famous series being waterlilies,
which was created towards the end of his life. The painting I will be talking about today is one of his many waterlily paintings, painted in 1904,
'Waterlilies' or 'Nympheas' was just one of 250 paintings in this series. The medium is oil paint on canvas and depicts a relaxing scene with
waterlilies on a lake. This piece of art was part of an art period where where it defied social standards in France and was My first impression of
Nympheas is that it's a peaceful scenery, it was very calming to look at. The first thing that my eyes were drawn to were the waterlilies in the back
because the part of the painting has the most color with: pink, white and green depicting the different petals floating on the lake. Monet also used
colors to help depict natural light, you can see in the painting that he used darker tones around the middle to juxtapose the waterlilies showing that is
where shade is and having the light hitting the waterlilies making the focal point or the main focus in the piece stand out more. For example, the
lower half of the painting shows more darker tones whereas the top upper half show more brighter colors used for the waterlilies. Nympheas gives
off many moods, like I said before it was very calming to look at. I imagine the waterlilies just lightly floating within the lake giving off a relaxed
vibe, what gives off this vibe is that the composition of the painting. The art piece isn't dynamic meaning that there is nothing showing great movement
but the painting isn't static either, I imagine the waterlilies just floating gently in space. Another thing that stood out to me was the brushstrokes, being
able to look at art pieces at such a close distance is that you're able to visibly see the different brushstrokes that are made on the canvas. The brush
strokes helped create texture with the paint style of impasto, which is having an excess amount of paint on a brush and leaving thick amounts of paint
stay on the canvas
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18. Claude Manet – Impressionism – 19Th . Oscar-Claude Monet
Claude Manet – Impressionism – 19th
Oscar–Claude Monet was a founder of French Impressionist painting, and the most consistent and productive expert of the movement 's philosophy of
communicating one 's observations before nature particularly applied to plein–air landscape painting. The expression "Impressionism" is from the title of
his piece Impression, soleil levant (Impression, Sunrise), which was shown in 1874 in the first of the independent presentations mounted by Monet and
his partners as an alternate choice to the Salon de Paris.
Monet 's aspiration of painting the French countryside drove him to embrace a technique for painting the same scene repeatedly, trying to catch the
changing of light and the death of the seasons. From ... Show more content on Helpwriting.net ...
35. Monet painted the subject twice, and it is unknown which of the two pictures was the artwork that showed up in the pivotal 1874 presentation,
however more as of late, the Moscow picture has been favoured.
Monet has been portrayed as "the main thrust behind Impressionism". Essential to the art of the Impressionist painters was the comprehension of the
effects of light on the local colour of objects, and the impacts of the contrast of hues with each other. Monet 's long profession as a painter was spent in
the quest for this aim.
In 1856, his shot meeting with Eugene Boudin, a painter of little beaches, opened his eyes to the idea of plein–air painting. From that time, with a short
intrusion for military administration, he committed himself to hunting down better than ever strategies for painterly expression.
In 1877 a progression of works of art at St–Lazare Station had Monet taking a gander at smoke and steam and the way that they influenced shading
and perceivability, being here and there misty and some of the time translucent. He was to further utilize this in study in the painting of the effects of
mist and rain on the landscape. The investigation of the impacts of climate was to develop into various arrangements of works of art in which Monet
often painted a similar subject in various lights, at various hours of the day, and through the
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20. Comparison Of Claude Monet
Jeanette Ford
Hum1020
Intro to Humanities
November 18, 2017
Claude Monet
"I am following Nature without being able to grasp her, I perhaps owe having become a painter to flowers." – Claude Monet
Claude Monet was born on November 14, 1840 in Paris, France. Although his name was Oscar Claude Monet, he would drop his first name early in
life and use middle name throughout the remainder of his life. His interest into art began when he was a young boy. He started painting as a child
and entered the Le Havre secondary school when he was just 11 years old. He went to live with his aunt and she was supportive of his painting. He
enrolled in art school in Paris where he copied masterworks completed by other famous artists. During this time, he completed works solely of his
own accord. He began taking lessons from Charles Gleyre and befriended artist Pierre–August Renoir, Alfred Sisley, and Frederic Bazille. He
developed the style and became known as the father of impressionism.
Monet was greatly influenced by French artist Edouard Manet who was an important painter regarding the move from Realism to Impressionism.
While both Manet and Monet had similarities Manet's artistic style leaned towards Realism while Monet painted with the Impressionism style. The
main difference between the painters is the brushstrokes you can see in Monet's paintings whereas the paintings Manet did have a smoother appearance.
While his friend focused on painting women, Claude focused on painting
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21. Paper On Claude Monet
Clandestine Memorandums The 1800's were a time when art merely showed our three–dimensional world on a two– dimensional plane. Claude Monet,
a famous French impression painter, sought to change these Victorian standards that he so resented with his Impressionist ideals. During an art
exhibition in 1874, Monet debuted his painting Impression, Sunrise which was critiqued by many other artists. One artist acridly dubbed it the title of
Impression in that it did not focus on the scene at hand but instead favored lighting. However, Monet did not let this get to him and in fact, let it drive
him to push for change in the art community. Monet used colors, technique, and impressionism ideals on to convey the new way that he believed art
should be created. When one first ... Show more content on Helpwriting.net ...
As visible in many of Monet's paintings, such as water lilies, the strokes used can be distinctly seen. This visibility of strokes provoked critics to think
that Monet had not properly finished the painting. This notion was true in regards to Monet contriving multiple paintings of the same scene, however
as stated by Yurasits in Analysis ofClaude Monet's Impression, Sunrise (2015) "Every painting Monet created had to meet a certain criteria before he
could begin to consider it a finished piece, and even then he could find the potential for change and growth in a painting and deny its completion" (para.
7). Monet, despite finding a piece finished, would go back any time that he felt the work no longer matched his precedents. Although hard to tell from
online images, Monet's works comprised of bountiful heaps of paint. Critics were rather pleased with these paintings as they showed how Monet used
both the mixing of the pigments and depth to make his painting extract even more emotion from viewers. Monet and his multifarious artistic techniques
were quite effective in the ways that they sought to extract
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22. Claude Monet And The Art Movement
Claude Monet was a famous French painter whose work was the name of the art movement, Impressionism. Impressionism is concerned with
capturing light and natural forms. Monet was born on November 14, 1840 and was born in Paris, France. At age 5, Monet moved to Le Havre, a
port town in the Normandy region. He grew up there with his older brother, Leon. Monet was was decent student, but he did not like being in a
confined classroom. He was more interested in being outside. At a young age, he developed a love for drawing. Monet filled his school books with
sketches of people, including his teachers. In 1859, he decided to move to Paris to fulfill his artwork and enrolled as a student at the Academie Suisse.
He mostly liked to work outdoors and... Show more content on Helpwriting.net ...
He would make his brush strokes thicker or thinner depending on what he was creating. He was most famous for being a huge part of the
Impressionist Movement. The warm colors that Monet used in his paintings bring a happiness and warm feel to them. It is most felt in his most
famous painting, Bridge Over a Pond of Waterlilies. This is mainly because he used greens, yellows, and some reds and on the color wheel, these
fall under the warm category. This painting brings a happiness feel because when one looks at it, memories of being a child come about. Maybe
they played on the bridge, ran up and down holding onto the side rail, and doing cartwheels the whole way. This painting also shows what season it
is outside and what the weather is like. Many people interpret things differently, even with this painting. But it is clear that art and nature is a part of
Monet. He once said, "Water Lilies is an extension of my life. Without water, the lilies cannot live, as I am without art" (2014). This means that art is a
ginormous part of Monet's life, and without it he would not be who he is. For some of his paintings, Monet would use a technique starting with
charcoal before applying paint layers. He used narrow continuous brush–strokes. On other paintings, he would use pastel tones applied with dry and
undiluted paint. He would often sign his
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23. Claude Debussy Nonconforming Style
With strict guidelines and rules, one often finds a sense of order and proper balance. This is a common philosophy across many realms. Without order
or balance, there is often chaos and calamity and many people find that uncomfortable, to say the least. However, there are a few that thrive by breaking
the rules or simply ignoring them altogether. Claude Debussy once said that he did not write in a particular style because he knew the style (Lederer
15). This is to say that he knew the outcome of following the rules and he wanted to create something better which would require that he toss all rules
aside. This sentiment is one that Debussy carried throughout his entire life and is present in all his works. In his first published work, Nuit d'etoiles,
he demonstrates his first example of his nonconforming style as well as music that is not just expression of feeling but a feeling itself. From a very
early age, it was apparent that Claude Debussy was incredibly talented. It was also apparent from the start that he despised many of the forms and
foundational teachings of the prestigious school, the Paris Conservatory, much to the dismay of a somewhat archaic faculty. However, despite his
"utterly unorthodox" (Roberts 36) methods and approaches to his schoolwork, Debussy's teachers recognized his ingenious and respected his "burning
need to find expression for the sounds in his imagination" (Lederer 15).
Debussy's introspective and reserved nature often inclined him to isolate
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24. The Red Lilies By Claude Monet
First and foremost I wanted to thank you for the opportunity you gave us by going to the Legion of Honor, I have to be honest I didn't know what
to expect exactly but I was truly amazed at the art work we were able to tour and receive information on. It was truly a breath taking experience and
I wanted to thank you for that. While all the pieces we were able to encounter were amazing I was truly memorized by two of the paintings, the first
one was The Annunciation by Master of the Retable of the Reyes Catholics which was Renaissance and Water Lilies byClaude Monet which was
impressionism. It was really hard to pick but I choose to write about the Water Lilies by Monet because I had a connection with the piece and I went
back to it about five times.
Impressionism art can be considered the first distinctly modern movement in painting, it was developed in Paris in the 1860's but wasn't first exhibited
until 1874. Impressionist art turned away from the fine finish and detail that artist during the same time aspired to create. Impressionist captured or at
least tried to capture momentary, and sensory effect of a scene. Impressionist didn't rely heavily on realistic depictions of an object or scene, they
loosed the brushwork and lightened their palettes to include intense pure colors. They didn't follow the traditional linear perspective and clarity that
previous art forms depicted to lesser ones. Many critics during the time faulted the impressionist paintings because of that
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25. Claude Duckay And The Harlem Renaissance
The Harlem Renaissance was a time of rebirth in Harlem, New York. It was comprised of mostly African Americans. During this time, it was an
explosion of culture in which arts, music, and literature came from. It was time a time where African Americans expressed their culture and talked
about the injustices that they faced. The most popular genre of this time was jazz. African Americans were subject to racial discrimination, making it
hard for them to find jobs. Race riots and lynch mobs were also very common during this time. Festus Claudius "Claude" McKay was born in
Clarendon Parish, Jamaica on September 15th, 1889. At the age of seven, he moved to live with his older brother, Uriah Theodor, who was a school
teacher. During this time, he learned British literature, science, and philosophy and at the age of ten he began writing. During his time with his
brother, he met with Walter Jekyll. Who heavily influenced his work. Many of McKay's works about his homeland were inspired by Jekyll. At the
age of seventeen, he moved to the U.S. were he mostly lived for the rest of his life. In the U.S. he learned that racism was a social norm and segregation
was a common theme in his works. Like many writers during the Harlem Renaissance, McKay was heavily influenced by racism. The subject of
racism was the subject of one of his most famous poems, If We Must Die. If We Must Die is a short poem, but it is full of themes and utilizes literary
devices such as symbolism
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27. Pagodes Claude Debussy
"Pagodes" is taken from Claude Debussy's "Estampes", a collection of three pieces for solo piano composed in 1903. Working from Paris, in these
pieces Debussy explores the beginnings of the new French impressionist style that Debussy was a central innovator in, though Debussy personally
rejected the term. "Estampes" moves away from the predominantly German, late–Romantic style by avoiding extreme length and melodic complexity
in favour of, as Michael Kennedy describes it, "conveying the moods and emotions aroused by the subject" through briefer and melodically simpler
pieces. Debussy also moves away from the tonal system, utilising techniques such as the use of the whole–tone and pentatonic scales and quartal and
quintal chords to create... Show more content on Helpwriting.net ...
The exploration of the timbral possibilities of the piano as a percussive instrument would be developed later in the 20th century by composers such as
John Cage, for example, in his works for prepared piano in the 1940s.
"Pagodes" makes use of just a few short melodic ideas. The piece is in a loose ternary form, however, the B section makes use of elements heard in the
A section. The first idea (bars 3–4) is repeated verbatim three times after it is first heard. This becomes an ostinato as it is repeated in full and broken
into parts throughout the piece. A two bar scalic countermelody is heard in the middle of the texture at bar 9. At bar 11 a new idea is introduced that
uses all 5 notes of the pentatonic scale. At bar 15 the trill–like triplet idea is introduced. A whole–tone melody is introduced at bar 33, the beginning of
the B section. These few motifs undergo little melodic variation occurs; Debussy layers these melodies and transposes them in different octaves to
create a rich contrapuntal texture that is reminiscent of gamelan's busy and dense multi–layered texture. Western musical tradition had placed emphasis
on strict forms as a method of melodic development and contrast, such as the Classical sonata form. Debussy was keen to move away from these
conventional ideas of melodic development, instead taking inspiration from the more free–form and layered approach to
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28. Claude Monet and Impressionism
When you talk about impressionism, you will always connect it with Oscar Claude Monet but there were many impressionist artists beside Claude
Monet. But in this composition we will talk more about Claude Monet because he was the founder of Impressionism in the world.
Oscar Claude Monet was the founder of impressionism. He is a famous french painter whose work gave a name to the art movement impressionism.
Claude Monet's famous quote is "merely think here is a little square of blue, here an oblong (having an elongated shape, as a rectangle or an oval) of
pink, here a streak of yellow and paint it just as it looks to you, the exact color and shape until it gives your own naГЇve
Impressionism of the scene before you."
Monet moved his family to Le Havre, a port town in the Normandy region. While he was a student, Monet did not like being in the classroom. Instead
he was more interested in being outside. He filled his schoolbooks with sketches of people including caricatures (make or give a comically exaggerated
representation of someone or something) of his teachers.
Monet became known for his caricatures and for drawing many of the town's residents. He met Boudin (also an artist) who introduced him to paint
outdoors or plain air painting (enoting or in the manner of a 19th–century style of painting outdoors, or with a strong sense of the open air). An artist
named Camille Pissarro who became a close friend for many years.
Monet met several artist including Aguste Renoir,
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29. Claude Monet Research Paper
Claude Monet
Claude Monet was a famous French painter. His work contributed to the art movement impressionism. Impressionism was an art form concerned with
capturing light, natural forms and shadows.
Claude Monet was born November 14th 1840 in Paris. In 1845, He and his Family moved to Le Havre where his Father Adolf Monet was to
manage his family's ship chandlering and grocery business. Claude's father's job meant he was spending long hours outside in Norman weather by
the beach, where he grew his love for the outdoors. He also lived with Leon Pascal Monet, a brother to Claude and his mother Louise Justine Aubree
Monet who took care of her family. Louise supported Monet's passion for art however; his Father wanted him to pursue a career in business. He
suffered greatly ... Show more content on Helpwriting.net ...
This occurred extremely after the death of Camille, a former wife. He wrote to one friend "Age and chagrin have worn me out. My life has been
nothing but a failure, and all that's left for me to do is to destroy my paintings before I disappear." In 1868, Monet tried to commit suicide but after a
change of heart, continued with his paintings.
On the 5th December 1926, Claude Monet passed away in his home in Giverny
Monet created Impression, Sunrise in 1873 and was featured in the first Impressionist exhibition in 1874. This work is now considered the first
Impressionist artwork. Monet painted it in one siting, standing at the window overlooking the harbour at sunrise
'The magpie' was painted by Monet in the winter of 1868. A black magpie is perched on a gate in a fence as sunlight falls on fresh white snow,
creating shadows. This image would have been intriguing for an impressionist. Monet could explore the different shades of white using this winter
scene. I think the Magpie on the fence gives the painting a sense of life as well. This painting reminds me of the cold winters we would have when I
lived in
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30. Impressionism In Claude Monet
One may consider Claude Monet's Impression, Sunrise (Fig.1) his most crucial work throughout his career as an artist. This artwork was made in the
year 1872 and the medium used in the creation of this work was oil on canvas. In the book, Monet: The Ultimate Impressionist, it is stated that "the
work was more focused on capturing the experience of a moment than realistically rendering a scene" (Patin 39). This illustrates the basis from which
Impressionism defines itself. Instead of expressing a realistic portrait of the harbour, Claude Monet chose to demonstrate it in an expressive manner.
Whilst doing this, he makes use of the contrasting effects of the rising sun and the bluish water, representing the sun as a prominent subject in the
painting. The work plays with the disparity of the faint bluish tones of the area with the bright orange tone of the sun, illustrating how Claude Monet
makes use of the nuances of light to create this effect. Despite the contrast ... Show more content on Helpwriting.net ...
Every aspect of the painting is depicted in respect to light. "What the Impressionist painters actually accomplished was the finding of a form closer to
the first impression for the appearance of things than other painters had. And it was closer because of their vivid sensibility whereby they understood
the absolute value in art of the appearance, and their mind was sufficiently free of traditional principles of abstract form to undervalue their
impressions" (Venturi 38) Rather than saying that Monet depicted the work's subjects in abstract forms, he expressed them with the intention of
representing them in forms closer to his first impressions of them such as the figures of the boats and the people portrayed on the water's surface. In
respect to this, he defines their figures relatively to the variations of lighting, presenting the elements in a more simplistic manner yet expressive on as
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31. Symbolism In Claude Lorrain
While opinion and interpretation concerning the works of Claude Lorrain (1600–82) have shifted over the past three centuries, to present–day scholars,
the artist is nonetheless regarded as a father of classical landscape painting. Largely recognized for his sprawling scenes of nature meeting old–world
civilization, the artist masterfully juxtaposes timeless natural scenes with figures and architecture that evoke a sense of classical antiquity. While
mythological themes would have been in step with the motif trends of his era, Lorrain distinguishes himself from his contemporaries as a landscape
painter who seamlessly marries realistic natural scenes with fantastical narratives. Landscape with Egeria Mourning the Death of Numa [fig. 1]) is
emblematic of Lorrain's symbiosis between the natural and the civilized. And the analysis herein will demonstrate that the piece fully encapsulates the
character of his most notable landscapes. Composed by a student of Claude Lorrain in the 18th century (a copy of an original 1669 work by Lorrain),
this work is done in oil on canvas and depicts a scenic scape of rustic architecture nestled into lush wilderness. The color utilized in this work is both
complementary and deeply contrasting. The rich, earthen colors of the shrouded forest setting and architecture juxtapose against the pale, muted sky.
The sky begins at the top of the frame in the foreground as a pale magenta and subtly transitions to the background into a quiet, sunset–like
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32. Claude Monet Analysis
Claude Monet's piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le Havre of the north coast, France. This piece was
made in March or April of 1873. The piece's present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on canvas
and is next to another piece made by Monet called The Portal of Rouen Cathedral in morning light. Claude Monet was part of the impressionist
movement that changes French paintings of the nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an unfinished
painting, however other artist saw it as an honor and eventually called themselves "impressionist". The painting brings out a beautiful image due to
the colors, texture, and technique that plays an important role in society and culture. When entering the room, people crowded around Monet's
pieces, which felt like an honor to see the type and techniques his work has. The colors describe the feeling of an early morning. The painting has a
muted palette of blues, greens, and grays. The sunrise is orange and yellow which are surrounded by the clouds and smoke from steamboats. Three
boats are shapes and visible while the rest fade into the distance. This painting is an example of plein air or outdoor painting. I also notice that Monet
layered the colors so that when I viewed the painting from a far distance I knew what the painting was about however when I looked at it up close I
saw brush strokes and
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33. Claude Monet Influences
French history is filled with an amazing culture that consists of beautiful architecture and delicious food. One aspect of French culture that stands out
is its Art. Among the famous artists that have contributed over the years, one artists name stands out among the rest, Claude Monet. Claude Monet is
known for being one of the influential artists to introduce impressionism. In a style not previously before painted, impressionism depicted a landscape
or scene by creating illusion through the use of shading and coloring. Traditional painting was produced in an art studio, but impressionism was a
unique. It allowed the artist to shed the use of a studio and step out into nature. Monet and other famous artists launched this new style of art that
challenged traditional painting and would forever change French culture and influence art for many years to come.
Claude Monet was born on November 14, 1840, in Paris, France. He moved to LeHavre with his family at age five (Skira 21). As a child Monet
would be found drawing on his work throughout class. This was the beginning to a brilliant career. These drawings would spawn into a passion for art.
In 1857 while being raised in Normandy, Monet met a famous ... Show more content on Helpwriting.net ...
He used the money made from selling his caricatures to fund a trip to Paris. Paris turned out to be a place of opportunity for Monet where he enrolled
in the Academie Suisse. He studied there for a small time until he was drafted into military service. After a brief stint in the military, Monet went back
to painting and Paris and had the fortune of meeting a painter that would help influence his own work, Johan Barthoid Jungkind. Johan Barthoid
Jungkind was a English painter who already had developed an impressive amount of notoriety in the art world. Jungkind took Monet under his wing.
Monet accredited Jungkind with the actual development of his artistic eye (House
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35. Water Lies By Claude Monet
INTRODUCTION:
For my art experience I visited the Cleveland Museum of Art this past weekend while visiting the city. In the contemporary section of the museum I
experienced several famous foreign artist: Vincent van Gogh, Pablo Picasso, Salvador Dali, and Claude Monet. For my summary of the experience I'm
going to focus on the artist Claude Monet and his painting "Water Lilies".
BODY:
Claude Monet (1840–1926) was a french painter born in Paris, and considered the leader of the impressionism movement. His interest was painting in
the open air and using various natural light, depending on the time of day to capture different sequences. Monet, from an early age, was inspired by the
ocean and coastline of Northern France. The most interesting
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36. Claude Monet Haystacks
Claude Monet was a French artist of the late 1800's and early 1900's. He used very gestural brush strokes in many of his painted, making them less
realistic like any of the artist were doing at the time. He was thought of as the father of Impressionism. Impressionism is taking a image out of the
realism skim and making it looked less "real" and instead more of a painting. This is done by the long and large brush strokes in many of Monet's
pieces, making them an "Impression" of an image rather than going for a photographic look. The movement name actually came from reviewers
stating that the work was an impression of an image rather than its own piece of art.
This piece above "Haystacks", relates to capturing the impression of a moment ... Show more content on Helpwriting.net ...
This made it easy for Mondrian to make the pieces such like haystacks.The elements of the movement are color, line, and value. In the painting
Monet used very bright and dark colors, and used large brushstroke lines as well. The value is seen in the darkness of the background and the
brightness of the green lilies. This is also seen in many of the other pieces of impressionism in this time period.
Monet employs the principles of organization through scale, emphasis, contrast, and proportion. He uses the close up scale of the haystack to show its
emphasis in the piece. The contrast of the bright sky on the darker haystack is very defined as well.
He used many elements of design in his piece as well. Line is a huge one; you can see the lines from the shadows, the parallel lines of the tops of
the haystacks, and the landscape horizontal line as well. He also showed a ton of space since the haystacks are all on the left side, the right is a
huge open space in the painting. Form is also used in the piece, considering the haystacks look 3D to the human eye. The color and value work
together to create the darkness of the haystacks and shadows, and the light blue of the sky as well. Mass is the last element seen in this piece. The
haystacks seem so massive in the foreground compared to the horizon in the face background of the
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37. Painting Analysis : Claude Monet
Claude Monet, a french painter, painted the Church at Varengeville, Grey Weather, in the year 1882, in the midst of his artistic career.
Varengeville–sur–Mer is a small commune in the Seine–Maritime of the north–western region in France. The painting is oil paint on a canvas about 25
by 32 inches, and hangs directly on the wall, in a simple ornate frame.The work's current location is in the Speed Art Museum, in Louisville, KY. The
artwork is hung at a horizontal orientation. In the upper left corner of the painting, sits a small church, where the hazy sky peaks out and radiates light
from being the building. To the left of the church rests a body of water with several small sail boats. In the foreground there are two trees emerging...
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Church at Varengeville demonstrates Monet's talent and ability to portray the light and shadows in inherent means. The painting gets progressively
darker as the eye moves from the top to the bottom. It is difficult to determine where the light source is coming from. The entire sky is lit up and the
grassy hill. Monet was intensely preoccupied with capturing nature and light. The impressionists were very concerned with light. They would use
their colorful strokes to emulate light and the reflection of light. One of the most interesting things about this piece is the complexity. At first glance
the painting looks monotone and very dull and the uniform use of cool colors are very calming. However, upon further and closer inspection, the
vibrant, unmixed hues of the colors become apparent. The grassy land not only incorporates dull and dark greens hues, but also, bright greens, blues,
and burnt oranges. Also, the pale sky consists of yellows pinks and blues, all very pastel and softly blended. In contrast to the sky and land, the ocean
is composed of very lineare brushstrokes consisting of blue and green. Throughout the composition, Monet layered the colors creating a sense of depth
and space. The trees are in the front of the landscape and they force the eye to move back in space. The church and the water are much smaller than the
tree and show and accurate understanding of scale. The technique in which Monet
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38. Claude Monet Research Paper
Claude Monet had a different style of painting in the 1800's. He was a French painter who shed a whole new light on the way painting could be
done; he also was a lead figure in the impressionist movement. To this day, Monet made such a huge impact on the world, that you can find his
paintings in museums across the globe! Monet was born on November 14th, 1840 in Paris, France. His father worked in a family shipping business
while his mother stayed home to care for him and his siblings. In 1845 Monet was moved to the Normandy region and spent his childhood growing
up there. Although he was a good student, he never liked being in a classroom as he would much rather spend his days outside. From the get go it was
noticeable that Money was a fan... Show more content on Helpwriting.net ...
Boudin introduced Monet to the different styles of painting of the outdoors. Monet liked this significant type of paintings and began to explore it
in his own unique style which later became the center of Monet's artistic work. Monet entered an annual juried art show in Paris in 1865, this show
chose two of his marine landscape paintings, he received critical praise and even though his work was out there and being noticed, he still struggled
financially. However, in the following year, he was selected again to compete in the Paris art show; the judges chose a particular piece called "The
Woman In Green," this piece had a woman named Camille Doncieux. Doncieux was a muse for Monet for several years and eventually the two got
married. Monet was desperate for money, as he had never struggled this much before. His father showed no interest in helping Monet and his wife.
Because of the money situation, Monet tried to commit suicide in 1868, by attempting to drown himself in the Seine River. Louis–Joachim Gaudibert
helped Monet by becoming a patron of his work. With Gaudibert being a patron Monet was able to continue working and caring for his
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