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Film Noir   (literally 'black film or cinema') reflected the tensions and insecurities of the time period after the war. This was a counter-balance of the optimism of Hollywood's musicals and comedies. Fear, mistrust, bleakness, loss of innocence, despair and paranoia are readily evident in noir, reflecting the 'chilly' Cold War period when the threat of nuclear annihilation was ever-present. The criminal, violent, misogynistic, hard-boiled, or greedy perspectives of anti-heroes in film noir were a metaphoric symptom of society's evils, with a strong undercurrent of moral conflict, purposelessness and sense of injustice. There were rarely happy or optimistic endings in noirs.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],These protagonists were often morally-ambiguous low-lifes from the dark and gloomy underworld of violent crime and corruption. Distinctively, they were cynical, tarnished, obsessive (sexual or otherwise), brooding, menacing, sinister, sardonic, disillusioned, frightened and insecure loners (usually men), struggling to survive - and in the end, ultimately losing. ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],Dark and shadowed  vs.  Light and no shadows Represents how film noir represented its male and female leads
[object Object],[object Object],[object Object],[object Object],[object Object],Marlene Dietrich  “ -If it wasn't for light and shade would she look as good as she does here? “
The chiaroscuro technique dates back to the time of Renaissance paintings. Also sometimes called Rembrandt lighting, it often pertains to having one solitary light source and depicting stark contrasts between light and shadow. This style of lighting may seem minimalistic, but it yields very dramatic results. The high illumination contrast creates 3D depth on an otherwise 2-dimensional surface. Often this technique is achieved by having one bright, solitary light source - usually daylight. But, in a studio set-up, or with a lighting set-up, chiaroscuro can also be accomplished. Here's how

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Film noir and Chiaroscuro lighting

  • 1.  
  • 2. Film Noir (literally 'black film or cinema') reflected the tensions and insecurities of the time period after the war. This was a counter-balance of the optimism of Hollywood's musicals and comedies. Fear, mistrust, bleakness, loss of innocence, despair and paranoia are readily evident in noir, reflecting the 'chilly' Cold War period when the threat of nuclear annihilation was ever-present. The criminal, violent, misogynistic, hard-boiled, or greedy perspectives of anti-heroes in film noir were a metaphoric symptom of society's evils, with a strong undercurrent of moral conflict, purposelessness and sense of injustice. There were rarely happy or optimistic endings in noirs.
  • 3.
  • 4.
  • 5.
  • 6. The chiaroscuro technique dates back to the time of Renaissance paintings. Also sometimes called Rembrandt lighting, it often pertains to having one solitary light source and depicting stark contrasts between light and shadow. This style of lighting may seem minimalistic, but it yields very dramatic results. The high illumination contrast creates 3D depth on an otherwise 2-dimensional surface. Often this technique is achieved by having one bright, solitary light source - usually daylight. But, in a studio set-up, or with a lighting set-up, chiaroscuro can also be accomplished. Here's how