Hannah Wilke's S.O.S. Starification Object Series from 1974-1982 featured the artist adorning herself with plaster bandages in the shape of stars to protest social and political issues. Robert Colescott's 1975 work George Washington Carver Crossing the Delaware: Page from American History reinvents a classic historical image using racial stereotypes to critique how African Americans were portrayed after the Civil Rights Movement. Modern art represented in works like Sol Le Witt's 1 3 5 7 9 11, Nancy Holt's Sun Tunnels, and Faith Ringgold's The Flag is Bleeding use different media and styles to portray social and political commentary on their respective eras.