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‘Forge Lane’
Storyboard
Establishing shot of
large open forest/field
or busy street/square
Second establishing
shot of grass or
wheat waving in the
wind
Camera will pan along
the ground (grass) to
the right to reveal torn
piece of clothing up
close
The shot will be
behind a person as
they are running away
from the camera in
field
LS Standby
Standby
Pan right
Dolly/tracking
ECU
ECU
MS
Wide
Wide
High
Level
Soundtrack
Soundtrack
Soundtrack
Soundtrack
Close up of someone
washing their ‘bloody’
hands in a sink, focus
on blood being
washed down sink
A headshot of someone
gazing up towards the
camera. This can indicate
a sense of power from the
character over the viewer
(Jonathan Schroeder 1988)
Shot at a party, a wide
view of what is going
on
Camera follows
individual through
crowd at party from in
front
Standby
Slight zoom
Standby
Dolly/Tracking/Zoom
CU
CU
LS
MCU
High
Level
High
Level
Soundtrack
Soundtrack
Soundtrack
Soundtrack
Shot returns to pan
right from torn
clothing to blood
droplets on
grass/leaves
Camera switches back to person
running through field towards the
camera. The character will flick their
hair towards the camera as they look
behind. This can be seen as an
example of ‘male gaze’ (Laura Mulvey
1975) as it is a stereotypical act to
express sexuality.
A mid-close up shot of
a person placing ‘red
stained’ clothing into a
washing machine from
side
Same person gazes
up at the camera
Pan right
Dolly/Tracking
Standby
Slight zoom
ECU
MCU
MCU
CU
High
Level
Low
Level
Soundtrack
Soundtrack
Soundtrack
Soundtrack
Long shot of crowd
enjoying drinks at a
bar in a pub from
side
Mid-close up shot of
group laughing and
smiling
Switch back to long
shot from a low angle
on a table to which a
glass is placed down
in front of the camera
Switch back to pan
shot as it reveals a
bloody hand laying on
the grass
Zoom
Pan right across
group
Standby
Pan right
LS
MCU
LS
ECU
Level
Level
Low
High
Soundtrack
Soundtrack
Soundtrack
Soundtrack
Person looking at group at bar
gazes up at the camera. This is
an example of a ‘practical’ gaze
from a male (Trevor Millum
1975) which presents them to
be concentrating on something
as they look up at the camera.
A high angle looking
down a person’s side
as they drop a bloody
knife
Long Shot of person
running through field
Shot of people
dancing at party
Standby
Standby
Static
Dolly
CU
CU
LS
MCU
Level
High
Level
Level
Soundtrack
Soundtrack
Soundtrack
Soundtrack
Zoom
Argument between
two characters (Shot-
reverse-shot)
Argument shot
Blood droplets into
water
Person looks over their shoulder
past the camera. This can be
seen as an example of a
‘carefree’ look (Trevor Millum
1975) as the characters gaze
looks natural and active as they
turn towards the camera.
Standby
Standby
Standby
Standby
SRS
SRS
ECU
CU
Level
Level
High
Low
Soundtrack
Soundtrack
Soundtrack
Soundtrack
Mid-close up of
female looking
shocked
Standby
MCU
Level
Soundtrack
Close up of knife
hitting the ground
Pan of road sign
Standby
Pan to right
CU
MCU
Level
Soundtrack
SoundtrackLevel

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Storyboard

  • 2. Establishing shot of large open forest/field or busy street/square Second establishing shot of grass or wheat waving in the wind Camera will pan along the ground (grass) to the right to reveal torn piece of clothing up close The shot will be behind a person as they are running away from the camera in field LS Standby Standby Pan right Dolly/tracking ECU ECU MS Wide Wide High Level Soundtrack Soundtrack Soundtrack Soundtrack
  • 3. Close up of someone washing their ‘bloody’ hands in a sink, focus on blood being washed down sink A headshot of someone gazing up towards the camera. This can indicate a sense of power from the character over the viewer (Jonathan Schroeder 1988) Shot at a party, a wide view of what is going on Camera follows individual through crowd at party from in front Standby Slight zoom Standby Dolly/Tracking/Zoom CU CU LS MCU High Level High Level Soundtrack Soundtrack Soundtrack Soundtrack
  • 4. Shot returns to pan right from torn clothing to blood droplets on grass/leaves Camera switches back to person running through field towards the camera. The character will flick their hair towards the camera as they look behind. This can be seen as an example of ‘male gaze’ (Laura Mulvey 1975) as it is a stereotypical act to express sexuality. A mid-close up shot of a person placing ‘red stained’ clothing into a washing machine from side Same person gazes up at the camera Pan right Dolly/Tracking Standby Slight zoom ECU MCU MCU CU High Level Low Level Soundtrack Soundtrack Soundtrack Soundtrack
  • 5. Long shot of crowd enjoying drinks at a bar in a pub from side Mid-close up shot of group laughing and smiling Switch back to long shot from a low angle on a table to which a glass is placed down in front of the camera Switch back to pan shot as it reveals a bloody hand laying on the grass Zoom Pan right across group Standby Pan right LS MCU LS ECU Level Level Low High Soundtrack Soundtrack Soundtrack Soundtrack
  • 6. Person looking at group at bar gazes up at the camera. This is an example of a ‘practical’ gaze from a male (Trevor Millum 1975) which presents them to be concentrating on something as they look up at the camera. A high angle looking down a person’s side as they drop a bloody knife Long Shot of person running through field Shot of people dancing at party Standby Standby Static Dolly CU CU LS MCU Level High Level Level Soundtrack Soundtrack Soundtrack Soundtrack Zoom
  • 7. Argument between two characters (Shot- reverse-shot) Argument shot Blood droplets into water Person looks over their shoulder past the camera. This can be seen as an example of a ‘carefree’ look (Trevor Millum 1975) as the characters gaze looks natural and active as they turn towards the camera. Standby Standby Standby Standby SRS SRS ECU CU Level Level High Low Soundtrack Soundtrack Soundtrack Soundtrack
  • 8. Mid-close up of female looking shocked Standby MCU Level Soundtrack Close up of knife hitting the ground Pan of road sign Standby Pan to right CU MCU Level Soundtrack SoundtrackLevel