5. What is it? If there is any one secret of success, it lies in the ability to get the other person's point of view and see things from that person's angle as well as from your own. Henry Ford
6. Why it Our point of view biases our observation, consciously and unconsciously. You cannot understand the view without the point of view." Noam Shpancer (The Good Psychologist: A Novel) Matters
7. “The choice of point-of-view will largely determine all other choices with regards to style, diction, characteristic speed of sentences and so on. What the writer must consider, obviously, is the extent to which point-of-view, and all that follow from it, comments on the characters, actions, and ideas.” John Gardner The Choice DOESMatter
11. “I like to write first-person because I like to become the character I’m writing.” Wally Lamb
12. 1st Person “As I walked down the aisle to introduce myself to the teacher and get my slip signed, I was watching him surreptitiously. Just as I passed, he suddenly went rigid in his seat. He stared at me again, meeting my eyes with the strangest expression on his face – it was hostile, furious.” From Twilightby S. Meyer
13. EVERYTHING ABOUT ME “All my movies have an autobiographical dimension, but that is indirectly, through the characters. In fact I am behind everything that happens and that is said.” Pedro Almodovar
14. ALL THAT I SEE AND HEAR Mysteryis another name for our ignorance; if we were omniscient, all would be perfectly plain. Tryon Edwards
23. “Consider the difference between the first and third person in poetry… It’s like the difference between looking at a person and looking through their eyes.”Diana Abu-Jaber It makes all the difference
24. OMNISCIENT The main advantage of the omniscient approach is that it's the easiest to handle. That's the major reason so many writers select it. Arthur Herzog
25.
26. The All-Knowing Narrator Before long they saw the marching line approaching: the Ents were swinging along with great strides down the slope towards them. Treebeard was at their head, and some fifty followers were behind him, two abreast, keeping step with their feet and beating time with their hands upon their flanks… The old man was too quick for him. He sprang to his feet and leaped to the top of a large rock. There he stood, grown suddenly tall, towering above them. His hood and his grey rags were flung away. His white garments shone. He lifted up his staff, and Gimli’s ax leaped from his grasp and fell ringing on the ground… The Two Towersby JRR Tolkein
32. LIMITED “The third person [limited] narrator, instead of being omniscient, is like a constantly running surveillance tape.” Andrew Vachss
33. 3rd Person Limited After lunch the Rakawitnesses vanished. Aly discovered she disliked that even more than she disliked having scores of Rakasilently watch the Balitangs. Their caravan passed a number of openings where the roads and trails led away from their road, but they saw no one. As far as Aly knew, the jungle Rakamight be up to any unpleasant thing. Trickster’s Choice, pg. 81
34. 3rd Person As to where I am, I was, admittedly, lost for a moment, between Charing Cross and Holborn, but I was saved by the bread shop on Saffron Hill. The only baker to use a certain French glaze on their loaves - a Brittany sage. After that, the carriage forked left, then right, and then the tell-tale bump at the Fleet Conduit. And as to who you are, that took every ounce of my not-inconsiderable experience. The letters on your desk were addressed to a Sir Thomas Rotherham. Lord Chief Justice, that would be the official title. Who you reallyare is, of course, another matter entirely. Judging by the sacred ox on your ring, you're the secret head of the Temple of the Four Orders in whose headquarters we now sit, located on the northwest corner of St. James Square, I think. As to the mystery, the only mystery is why you bothered to blindfold me at all. Sherlock Holmes (the movie) Limited
35. THE MOST COMMON EFFECT How 3rd Person Limited Narratives Affect Us
36. "When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own." John Berger (Rondezvous) FOCUS
37. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all." Oscar Wilde FORGIVING
39. "Seeing things through a different set of eyes changes the whole picture." Cameron C. Powell
40. Want to jump to a bookmark in your video? Hover over the video and you’ll be pleasantly surprised. Did we mention you can add bookmarks, includefades, andtrimyour videos now? Fountain Geyser