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HIP HOP
&
TARGET
MARKET
S
Dr. Kimberly
Hurns
Black History
Month
2014
STEVE STOUTE
• Music Executive
• Has won a variety of professional advertising awards
• Owner of Translation, a transcultural advertising agency
• Partnered with Shawn Carter (Jay-Z) to develop
Translation Advertising firm
• His understanding of how hip-hop morphed into
mainstream culture enabled him to relate to a new
generation of thinking.
GROUND RULES
• Target markets can sound uncomfortable; racist,
negative generalizations
• This is a SAFE place to discuss and learn
• No Judgments!
CONTEXT
• From 2000 to 2010, the number of Americans who
consider themselves multiracial grew faster than those
who self-identify as a single race.
• The evolution of how we think about target markets is
impacted by social, cultural, economic and political
change; and these things impact one another
• And, art and entertainment affect social change, not
always the reverse
• We do not often exam race when it comes to business
and the selling of products, consumerism
TARGET MARKETS
• Age
• Race
• Income
• Education
• Geography
• Behavior
HIP-HOP ( RAP MUSIC )
• In 1999 Hip-Hop outsold country music
• Music sells took place in illogical zip codes

• Hip-Hop was a cultural explosion happening under the
radar
• It was counterculture and therefore ignored and/or
criticized
• But, the clash of cultures and generations created
mashup that redefined “urban”

• The poetry of hip-hop was global and it propelled
brands
QUESTION

•In general, marketers
should not use race to
segment markets to
advertise products.
GOAL OF THE BOOK

From a marketing
standpoint, put an end to
“boxing” individuals based
on color.
Steve Stoute
HIP HOP GOES
MAINSTREAM
MY PROPOSITION

Like social enterprises,
Capitalism can serve as a
tool to promote real
inclusion and change!?
Hip hop & target markets

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Hip hop & target markets

  • 2. STEVE STOUTE • Music Executive • Has won a variety of professional advertising awards • Owner of Translation, a transcultural advertising agency • Partnered with Shawn Carter (Jay-Z) to develop Translation Advertising firm • His understanding of how hip-hop morphed into mainstream culture enabled him to relate to a new generation of thinking.
  • 3. GROUND RULES • Target markets can sound uncomfortable; racist, negative generalizations • This is a SAFE place to discuss and learn • No Judgments!
  • 4. CONTEXT • From 2000 to 2010, the number of Americans who consider themselves multiracial grew faster than those who self-identify as a single race. • The evolution of how we think about target markets is impacted by social, cultural, economic and political change; and these things impact one another • And, art and entertainment affect social change, not always the reverse • We do not often exam race when it comes to business and the selling of products, consumerism
  • 5. TARGET MARKETS • Age • Race • Income • Education • Geography • Behavior
  • 6.
  • 7. HIP-HOP ( RAP MUSIC ) • In 1999 Hip-Hop outsold country music • Music sells took place in illogical zip codes • Hip-Hop was a cultural explosion happening under the radar • It was counterculture and therefore ignored and/or criticized • But, the clash of cultures and generations created mashup that redefined “urban” • The poetry of hip-hop was global and it propelled brands
  • 8. QUESTION •In general, marketers should not use race to segment markets to advertise products.
  • 9. GOAL OF THE BOOK From a marketing standpoint, put an end to “boxing” individuals based on color. Steve Stoute
  • 11. MY PROPOSITION Like social enterprises, Capitalism can serve as a tool to promote real inclusion and change!?