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The Emergence of New Styles in the Age of Discovery and European Expansion
Michel de Montaigne ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Elizabethan and Jacobean Literature ,[object Object],[object Object],[object Object],[object Object]
Great Authors of These Eras ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
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baroque ,[object Object],[object Object],[object Object]
Peter Paul Rubens ,[object Object],[object Object],[object Object],[object Object],[object Object]
Two Satyrs (1618-1619)
The Horrors of War (1638)
Johann Sebastian Bach(1685-1750) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Baroque + #44 50

Editor's Notes

  1. V. Changing Attitudes and Beliefs C. William Shakespeare and His Influence 1. Works — Comedies, tragedies, and histories. 2. Shakespeare and Race — In Othello , the title character is a black “moor” of Venice (could refer to a Muslim of North African origin or to a sub-Saharan Africa, reflecting confusion over racial and religious classifications).
  2. V. Changing Attitudes and Beliefs A. New Ideas About Race 1. Dehumanizing Africans — In spite of the myth of Prester John, Europeans came to see Africans as pagan heathens, Muslim infidels, or beasts. 2. Racial Inequality —Institution of slavery led to belief in racial inequality (Africans became seen as wholly inferior to Europeans, even to Jews, peasants, and the Irish). 3. Justifications — Aristotle (some people are naturally destined for slavery), the Bible (the curse of Ham), science (“race”). B. Michel de Montaigne (1533–1592) and Cultural Curiosity 1. Skepticism and Cultural Relativism — Decades of religious strife, war, and the discovery of new peoples led some persons to question whether total certainty is possible and to deny that some cultures are superior to others. 2. Essay — New literary genre developed by the Frenchman Montaigne — in these essays, he inaugurated an era of doubt.