Public Art <ul><li>Key words </li></ul><ul><li>place </li></ul><ul><li>narrative  </li></ul><ul><li>collaboration </li></u...
Sara Selwood <ul><li>from her book The Benefits of Public Art, writes that Expansive claims are made for public art. It is...
Andy  Goldsworthy UK
Max yellow line Portland Artwork at every stop along the MAX Yellow Line draws from  the history and culture of the area t...
Janet Lawrence & Fiona Foley
 
P.Randal UK
Mertzner believes that public art: <ul><ul><ul><li>キ  is not about the myth of the artist  </li></ul></ul></ul><ul><ul><u...
People and Place
Recording   and Translating the Inspiration
<ul><li>‘ River Reflections’ </li></ul>14 PLACE
Process-Research 16
Eight Panels Eight Themes <ul><ul><ul><li>No.1 Originals </li></ul></ul></ul><ul><ul><ul><li>No.2 Early arrivals </li></ul...
Economics and Cultural Tourism 13
Narrative and Visual References   17
Material  as Narrative 25
Public Ownership 24
Linking Community Through Public Art 40
River Reflections completed artwork
Ulysses Link Ulysses Link
 
 
 
ULYSSES LINK
Ulysses Link Completed Artwork
Childers Backpacker Memorial
 
Connecting the memorial to place
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
Salvatore Di Mauro Presentation
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Salvatore Di Mauro Presentation

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Salvatore presents an illustrated case study of his own practice.

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Salvatore Di Mauro Presentation

  1. 1. Public Art <ul><li>Key words </li></ul><ul><li>place </li></ul><ul><li>narrative </li></ul><ul><li>collaboration </li></ul><ul><li>inspiration </li></ul><ul><li>community </li></ul><ul><li>value adding </li></ul><ul><li>sustain-ability </li></ul><ul><li>vernacular </li></ul><ul><li>inspiration </li></ul>
  2. 2. Sara Selwood <ul><li>from her book The Benefits of Public Art, writes that Expansive claims are made for public art. It is credited with being: </li></ul><ul><ul><ul><li>キ  a cultural investment, </li></ul></ul></ul><ul><ul><ul><li>キ  vital to the economic recovery of many cities. </li></ul></ul></ul><ul><ul><ul><li>キ  It is said to contribute to local distinctiveness; </li></ul></ul></ul><ul><ul><ul><li>キ  attract companies and investment; </li></ul></ul></ul><ul><ul><ul><li>キ  feature in cultural tourism; </li></ul></ul></ul><ul><ul><ul><li>キ  add to land values, </li></ul></ul></ul><ul><ul><ul><li>キ  create employment; </li></ul></ul></ul><ul><ul><ul><li>キ  increase the use of open spaces; </li></ul></ul></ul><ul><ul><ul><li>キ  lower levels of vandalism……it is supposed </li></ul></ul></ul><ul><ul><ul><li>キ  to humanise and otherwise improve the environment; </li></ul></ul></ul><ul><ul><ul><li>キ  encourage greater care of areas by residents whose pride in their locality has increased. </li></ul></ul></ul>
  3. 3. Andy Goldsworthy UK
  4. 4. Max yellow line Portland Artwork at every stop along the MAX Yellow Line draws from the history and culture of the area to create a unique identity for each station. 40 local artists contributing artwork and 75 community members participating in forums and committees
  5. 5. Janet Lawrence & Fiona Foley
  6. 7. P.Randal UK
  7. 8. Mertzner believes that public art: <ul><ul><ul><li>キ  is not about the myth of the artist </li></ul></ul></ul><ul><ul><ul><li>キ  it is about civic ness. </li></ul></ul></ul><ul><ul><ul><li>キ  Its not to make people feel diminished and insignificant, </li></ul></ul></ul><ul><ul><ul><li>キ  but it is to glorify them. </li></ul></ul></ul><ul><ul><ul><li>キ  It is not about the gap between culture and public, </li></ul></ul></ul><ul><ul><ul><li>キ  but it’s to make art public, and artists citizens again? </li></ul></ul></ul>
  8. 9. People and Place
  9. 10. Recording and Translating the Inspiration
  10. 11. <ul><li>‘ River Reflections’ </li></ul>14 PLACE
  11. 12. Process-Research 16
  12. 13. Eight Panels Eight Themes <ul><ul><ul><li>No.1 Originals </li></ul></ul></ul><ul><ul><ul><li>No.2 Early arrivals </li></ul></ul></ul><ul><ul><ul><li>No.3 Destruction </li></ul></ul></ul><ul><ul><ul><li>No.4 Economics </li></ul></ul></ul><ul><ul><ul><li>No.5 Personal Histories </li></ul></ul></ul><ul><ul><ul><li>No.6 Recreation </li></ul></ul></ul><ul><ul><ul><li>No.7 Food </li></ul></ul></ul><ul><ul><ul><li>No.8 Flora Fauna and the </li></ul></ul></ul><ul><ul><ul><li>Future </li></ul></ul></ul>
  13. 14. Economics and Cultural Tourism 13
  14. 15. Narrative and Visual References 17
  15. 16. Material as Narrative 25
  16. 17. Public Ownership 24
  17. 18. Linking Community Through Public Art 40
  18. 19. River Reflections completed artwork
  19. 20. Ulysses Link Ulysses Link
  20. 24. ULYSSES LINK
  21. 25. Ulysses Link Completed Artwork
  22. 26. Childers Backpacker Memorial
  23. 28. Connecting the memorial to place

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