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Conventions of TV 
sponsorship sequences 
Jenny Katy Millie Olivia
Sponsorship Sequences 
• There are many sponsorship sequences shown on the television which run 
just before a show. There are typical conventions which sponsorship 
sequences portray. 
• A TV sponsorship sequence is usually 15-20 seconds long, sometimes 
shorter. This aims to quickly advertise their product in a short and sharp way. 
These sequences consist of little narrative, and the brand is used before a 
particular programme because it is associated with it in some way. They 
usually use references from the main advert, and there is a spokesman 
speaking about the product. Sometimes, there is a celebrity used to endorse 
the product. A good example of this is the Rimmel London nail polish 
sponsorship sequence we did for our textual analysis, which uses Rita Ora.
Fashion Sponsorship Sequence 
• After having done some research into fashion sponsorship sequences and 
having analysed them, there are many conventions in which we aim to follow 
when constructing our production. 
• The fact that the sequences are very short means that we have limited time to 
create an attention catching, successful sequence. The use of animation is 
very good for this, as there are plenty of things that can be done in order to 
grab attention from the audience. For example, bright colours.
Fashion Sponsorship Sequence 
• Conventionally, the sound in a sponsorship sequence is upbeat and usually 
relates to the connotations of your brand. 
• There is conventionally a lot of jump cuts and quick cuts. Long takes are 
unconventional, as they don’t usually portray the stereotypical sponsorship 
sequence of being upbeat, therefore not matching the music. 
• Camera movements are rare, as the jump and quick cuts do not match 
camera movements within a shot. It is conventional that the camera is 
stationary throughout a sponsorship sequence.
Fashion Sponsorship Sequence 
• Research shows that with the right programme to sponsor, the viewers who 
are dedicated to said programme are more likely to buy the product, because 
subconsciously they are linking a favoured programme with a product. 
The conventions we intend to follow are: 
• 10-20 seconds long 
• Not to contain much of a narrative 
• Animation used, bright colours, large logos etc. 
• Featuring the physical product.

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Conventions of tv sponsorship sequences

  • 1. Conventions of TV sponsorship sequences Jenny Katy Millie Olivia
  • 2. Sponsorship Sequences • There are many sponsorship sequences shown on the television which run just before a show. There are typical conventions which sponsorship sequences portray. • A TV sponsorship sequence is usually 15-20 seconds long, sometimes shorter. This aims to quickly advertise their product in a short and sharp way. These sequences consist of little narrative, and the brand is used before a particular programme because it is associated with it in some way. They usually use references from the main advert, and there is a spokesman speaking about the product. Sometimes, there is a celebrity used to endorse the product. A good example of this is the Rimmel London nail polish sponsorship sequence we did for our textual analysis, which uses Rita Ora.
  • 3. Fashion Sponsorship Sequence • After having done some research into fashion sponsorship sequences and having analysed them, there are many conventions in which we aim to follow when constructing our production. • The fact that the sequences are very short means that we have limited time to create an attention catching, successful sequence. The use of animation is very good for this, as there are plenty of things that can be done in order to grab attention from the audience. For example, bright colours.
  • 4. Fashion Sponsorship Sequence • Conventionally, the sound in a sponsorship sequence is upbeat and usually relates to the connotations of your brand. • There is conventionally a lot of jump cuts and quick cuts. Long takes are unconventional, as they don’t usually portray the stereotypical sponsorship sequence of being upbeat, therefore not matching the music. • Camera movements are rare, as the jump and quick cuts do not match camera movements within a shot. It is conventional that the camera is stationary throughout a sponsorship sequence.
  • 5. Fashion Sponsorship Sequence • Research shows that with the right programme to sponsor, the viewers who are dedicated to said programme are more likely to buy the product, because subconsciously they are linking a favoured programme with a product. The conventions we intend to follow are: • 10-20 seconds long • Not to contain much of a narrative • Animation used, bright colours, large logos etc. • Featuring the physical product.