The Last Supper And Tintoretto Comparison

The Last Supper And Tintoretto Comparison
Leonardo da Vinci's, Last Supper and Tintoretto's, The Last Supper these paintings differ in media, layout,
and the way the last supper is portrayed. Roughly a hundred years apart and two separate periods of time,
Leonardo da Vinci's painting was rendered in during the High Renaissance style, while Tintoretto's painting
was created during Mannerism. Da Vinci's Last Supper was made out completely different media than
Tintoretto's The Last Supper. Leonardo da Vinci usually paints the fresco style with oil and tempera paints
but with Last Supper he used an experimental technique for this mural. Instead of painting on a wood panel
or a canvas, he worked directly on plaster or intonaco hoping to become versatile and free. With short
controlled
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Jacob Lawrence The Thieves Analysis
The work of art, I choose to research is "The Builders" by Jacob Lawrence which was created in 1947. The
medium of the artwork is tempera on a board. The dimension of the tempera is 20 x 24 inches (50.8 x 61 cm).
Jacob Lawrence mom wanted him to become a postman, but when he was 17 years old he drops out of high
school to start his artistic career. Jacob Lawrence created compelling African American stories with bold
colors combining social realism and modern abstraction and with this he achieved early success in his career.
Lawrence spends his early years with the enthusiasm to learn about art history, he would even eventually
walk from his home to the Metropolitan Museum of Art. Lawrence spends a lot of time in the library
indulging his mind ... Show more content on Helpwriting.net ...
Not only was it black people and white working together but it also shows that no matter what the color
everyone can work in an equal environment. Most of these pieces were created on the theme of builders, but
it was not just construction but more of a communal type of symbolism where everyone is coming together,
and everyone is part of this journey as one unit creating something to achieve in one's advancements.
Lawrence treats this compositional boarder them with lots of vigor. What makes this work of art stand out is
the way it is shaped and positioned the way the men are standing, and expressions show us how hard and
determined these men are of working because this is their only salvation and intent to see it through to the
end. Lawrence was influenced by his fellow brethren in coming up with most of his piece of work, but where
his big influence came about was when the "Migration of the negro" came about so for about half century he
devised a series of paintings where they were themed of builders in which the white house painting is one of
his earliest work. In a historical sense, it fits perfectly not only was it apart a time when blacks were treated
unfairly, so Lawrence's paintings exploited those flaws there it shows that blacks may work alongside
anyone. This piece is very reflecting in the matter that blacks felt that this was their only salvation in work
and just wanted to be accepted in society and be treated equally. The artist tried to show us his intent at
equality and show us that the black community was anyone's equal in every

Summary Of Jacob Lawrence's Frederick Douglass
Image 4
Jacob Lawrence's Frederick Douglass series number 13 is a portrait of Frederick Douglass in his early days
of being a slave. This portrait the pics three slaves being led in chains while white people stare at them. One
of the slaves is a young Frederick Douglass who was born into slavery. Jacob Lawrence painted this portrait
exactly 100 years after Frederick Douglass successfully escaped slavery. Jacob Lawrence did not fictionalize
his painting, because he showed the slaves without shoes, shirts, or hats. The slave masters have their guns
right underneath their arms, and they are ready to shoot the slaves at any time. The aesthetic value of this
portrait is historical. Anyone who sees this portrait will learn something about American history.
Subject matter
The main subject in this portrait are the slaves that are in chains.The facial expressions of the slaves are
subdued and defeated. The only lookers of the slaves have very nice clothes and the slaves are in rags. This
portrait takes place in an outdoor setting and the slaves appear to be walking through a field in order to be
sold. One of the onlookers are laughing and another one of the onlookers is clutching a baby in her arms.
Jacob Lawrence is showing the ... Show more content on Helpwriting.net ...
Casein is a milk based paint and tempera is an egg based paint. tempera is another common medium. Before
oil painting became popular, most painting was done with tempera paints. Rather than oil, the pigments are
held together with a sticky material, most commonly egg yolk. Egg yolk holds the pigments together, but it
dries very fast and can sometimes give the paint a slightly yellow color. Nevertheless, it was a very common
way to make paint before oils came around and is still used by many artists who enjoy working with fast–
drying paints to create certain effects. Tempera is often used to paint wood, another common medium before
the Italian

The Renaissance: The Greatest Change During The Renaissance
Lilian Wang
Mrs. Parks
Global History
3/16/18
Renaissance Paper
Throughout history, changes have occurred to better suit society. Perhaps the greatest change during the
Renaissance period was art because the Renaissance was a time of rebirth and a time of new ideas. The
Renaissance took place in Europe around the 1400's after the dark ages. During this period, people
experienced stability and slowly expanded their wealth. Many wealthy people had enough money to enjoy
the luxuries of drawings. Having the rich pay artists allowed painters to have more freedom in creating
paintings for they could experiment with different kinds of expensive paints because their expenses were
covered. Artists such as Leonardo Da Vinci and Michelangelo arose ... Show more content on
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During the dark ages, thousands of Europeans fell ill of the black plague. This awoke the artists of the
Renaissance period to value and appreciate the individuality of humans. Raphael used the newfound
knowledge of human anatomy to capture the splendor of the human body he used pyramidal composition
(Britannica 1). Pyramidal composition was the main method of painting individual beings. To do so, artists
would have the form the subject's body in an upright triangle shape and slowly paint the body in a way to
make the bottom of the body such as the shoulders expand beneath to form a wide base. Human eyes
naturally tend to like objects that are symmetrical, thus the triangle shape the artists draw to form the
physique are pleasing to the view (Essential Humanities 1). Raphael's paintings of the humans were more
energetic compared to his teachers. His drawing style were placid. Other than Raphael, Leonardo da Vinci
also used pyramidal composition. Mona Lisa, a famous Renaissance painting showed a woman in the front
with nature in the background. The woman's symmetrical face held a small smile and her head was centered
on her body, which was slightly turned to the right. Mona Lisa's hands were by her side with her elbows
pultruding out making a triangle shape. Having a person as the focus of art was the sole purpose of
humanism. Therefore, the style of humanism brought out new distinct features as well as the beauty and

Michelangelo Buonarroti Simoni Research Paper
Michelangelo di Lodovico Buonarroti Simoni I, Michelangelo Buonarroti, was born on March 6, 1475 in
Caprese, Tuscany, which is the Republic of Florence, to Francesca di Neri del Miniato di Siena and Ludovico
di Leonardo di Buonarroti Simoni. I passed on February 18, 1564 in Rome, Papal States. My story takes
place in what is now Italy. My father did not want me to go into an art apprenticeship. He considered artistic
activity as menial, and hence demeaning to the family's social status. My father thought it be best if I just
followed in the footsteps of the families men before me and become a small–scale banker. I was so
determined to become an artist, because it was my passion. I never gave up, because banking was not
something I wanted to ... Show more content on Helpwriting.net ...
I was trying to capture the individual's beauty. I started painting with fresco paintings, there are other types of
paintings such as tempera painting. Fresco painting is when a pigment is mixed with water and directly
painted onto the wall. It was commonly used for painting murals on walls. Tempera painting was when the
pigments were mixed with egg yolk to form a binder. Tempera paintings were commonly used on woods. I
used many people and objects for my subjects. I used the Medici family quite often because they took me in
and I learned humanistic culture and neoplatonic philosophy from their inner intellectual circle. Also, my
subjects were based on whether I was contracted to do a job. I was contracted to work on Pope Julius' tomb
for awhile until he told me not to pursue it any further because of the war that was happening there was no
money for it. Then he contracted me to paint the Sistine Chapel's ceiling instead. I never felt that painting
was my strong suit, but while painting the ceiling I incorporated sculptures into the ceiling. Many renaissance
artists based their art on similar subjects. Many artists like myself were just trying to capture the individual
beauty and mystery of the natural world. Artists did this so people could seem more human and realistic. In
my later years I continued sculpting and painting and focused more on my architecture. According to
History.com, "In

Broederlam's Triptych Of The Virgin
The Dijon Altarpiece painted by Broederlam was commissioned by Phillip the bold intended for the
Chartreuse de Champmol the Carthusian monastery near Dijon. Bout's Triptych of the Virgin are similar to
Rogier Van der Weyden's composition. As altarpieces they are intended as prayer aids the Dijon Altarpiece
specifically for the Carthusian monks. The subject matter of both pieces are almost identical. They both start
with an annunciation scene, a visitation scene, and then the last two scenes differ on each painting.
Broederlam's last two scenes are the presentation of Jesus and the flight to Egypt and Bout's are the nativity
and the adoration of the Magi. The paintings use the same biblical stories with almost identical poses in the
annunciation, Mary on the left with a book just noticing Gabriel approaching her in the room. The visitation
Mary and Elizabeth standing with a winding road and building in the background. Mary and Elizabeth ...
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Dorothy and the engraving of Master E.S. Large Virgin of Einsiedeln made it possible for all people of
different status to own art. It wasn't just for the wealthy anymore. Images were popular because the masses
were mostly illiterate. woodcuts were carved on blocks of wood to produce an image. Artists had to think in
reverse and in a subtractive method. when printed the carved areas stayed white and the raised areas took the
ink. images produced in this method tended to be flat and one dimensional. Simple and heavy lines were
probably the easiest to carve and ornamental patterns were common. The engraving process is similar but
with finer tools like a burin to get smaller details, Master E. S. made use of crosshatching to create shading
and he improved upon the way human figures look, his prints were full of detail especially this particular
print since it was the most expensive of the set for the church. All prints were made for the masses but
engraving gave prints finer

Essay on Art11 Compare and Contrast Essy
Compare and Contrast Duccio, Madonna and Child – Gauguin, La Orana Maria Madonna and Child is a
panel painting by Italian medieval artist Duccio di Buoninsegna. Painted in tempera and gilded on a wood
panel in around the year 1300, the Madonna and Child is still in its original engaged frame. The fact that it
was in private hands and out of public circulation for years might be why the painting is basically intact after
700 years. The craftsmanship and preservation are simply amazing. The damaged lower edge of the frame is
charred where devotional candles may have tipped over. The Madonna and Child is presently part of a
special exhibition "The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions" in
... Show more content on Helpwriting.net ...
Soon after his death his work became more valuable. Gauguin paintings rarely go up for sale but their price
could go as high as $39 million. In The Orana Maria, Gauguin was depicting Tahitian life and he used an
intense tropical color palette of reds and purples. Duccio's Madonna and Child used the Byzantine mosaic
style color scheme of rich blue, red and gold backgrounds. The Duccio and the Gauguin were both signed by
the artist in the lower right hand corner of the painting. The title of la Orana Maria is actually painted in the
lower right hand corner of the painting in a bright orange box. In the Orana Maria you can see the texture of
the oil paint on the canvas from the brush that was used. The Madonna with Child is a panel painting. "A
carpenter would construct a solid wood piece the size of the panel needed. It would be planed and sanded and
if needed, joined with other pieces to obtain the desired size and shape. The wood would be coated with a
mixture of animal–skin glues and resin and covered with linen (the mixture and linen combination was
known as a "size"); this might be done by a specialist, or in the artists' studio. Once the size had dried, layer
upon layer of gesso would be applied, each layer sanded down before the next applied, sometimes as many as
15 layers, before a smooth hard surface emerged, not unlike ivory." However impeccably preserved you can
still see the cracks and aging of the paint used in

The Turin Shroud Speech
(–– removed HTML ––) Perhaps one of the most famous religious relics in the world is the Turin Shroud.
Measuring at thirteen–and–a–half feet long by four–and–a–half feet wide, the shroud depicts the image of a
bearded man, said to be Jesus Christ. According to the legends, it was used to wrap the body of Christ after
crucifixion by Joseph of Arimathea. The first appearance of the shroud in documented history came in 1357,
in the little village of Lirey, France. It was then taken to Chambéry in 1457, where it was there in 1532 that
the shroud was almost destroyed in a ferocious fire. The event left charred marks on the corner of the folds in
the fabric, and in 1578 it was taken to Turin where it has since remained. The Catholic Church is thoroughly
convinced that the shroud possesses a genuine physical record of Christ's body, and the cloth is rarely shown
to the public. (–– removed HTML ––) (–– removed HTML ––) Although, organized religion has not always
been so accepting. Documents written by the Bishop of Troyes and Pope Clement VII from 1389 have been
uncovered which note that the Bishop asked the Pontiff to publicly declare that the shroud was merely a
painting. He stated that the image had actually been painted by an artists, but the priests in Lirey had started
tricking the public into believed it was Christ's authentic death shroud. The Pop bowed to the Bishop's
wishes, and declared that the shroud could keep being shown to the public, but each time it was, the local
priest was forced to announce to the public that the relic only depicted a painted copy of Christ's real shroud.
(–– removed HTML ––) (–– removed HTML ––) Over the course of time such practices dwindled away, and
the authenticity of the shroud was assumed. The earliest days of the age of science seemed to confirm this
belief. During 1898, photographic experts revealed the image was a negative picture, and when seen in
reverse tones, the outline showed a much more detailed view of the body. In subsequent years, Dr. Paul
Vignon constructed a theory that such a phenomenon was caused by ammonia emanating from Christ's dead
body after his death. Vignon strongly believed the resulting image was beyond the ability of any forger, and
must

Museum Paper
The purpose of this paper is to visit The Metropolitan Museum of Art and write a reaction paper about art
works at the museum based on my impressions about them. To begin, I will start by giving you a little of
background information about this interesting museum. The Metropolitan Museum of Art was founded in
1870 by a group of American citizens. It opened on February 20, 1872 and was originally located at 681 on
Fifth Avenue. Also known as "The Met", the museum is located on the eastern edge of Central Park in New
York City. It has a permanent collection containing more than two million works of art. The main building of
the Met is one of the world's largest art galleries. The museum permanent collection includes art from ...
His downy moustache indicates that he was no older than his twenties. I found a Seated Statue of the
monarch Idu II Dendera funny because to look at the statue you have to look through a rectangular hole that
is in the wall. I think that also makes people curious to look, to see what's inside there. I didn't like the
painting "The Man of Sorrows" by Michele Giambono because the man in the painting was bleeding real
badly. It was an image of Saint Francis receiving the stigmata with a figure of Christ as the man of sorrows.
The painting was done using tempera and gold on wood. I liked the painting of Girolamo dai Libri called
"Madona and Child with Saints" because it was a very peaceful environment. Tempera and oil on canvas was
used in the painting. The drawing "A Hunting Scene" is a very interesting painting but I didn't like it because
too much violence was involved. The whole drawing is base on killing. Tempera and oil transferred to
masonite were used. The drawing "Hercules and Achelous" is very interesting because Hercules is fighting
Achelous who transformed himself into a bull in order to fight Hercules for the favors of Deianeira. In the
struggle, one of his horn snapped off and Nymphs filled it with flowers and fruits creating the Cornucopia,
Horn of Plenty. In conclusion, I will talk about the most interesting place in the entire museum for me, The
Temple of Dendur. It's amazing how beautiful this place is. At the entrance, you encounter

Metropolitan Museum Essay
Metropolitan Museum
As I look at the painting of The Adoration of The Shepherds, two artists, Andrea Mantegna and El Greco,
showed it different ways with same subjects. First, the title of the paintings is about Jesus's birth. Andrea
mantegna artist had lived from ca 1430 to 1506. He established his reputation when he was 20 years old. This
painting is the evident of his highly individual style. He worked it during ca 1451 to 1453. He painted it in
horizontal format with 153/4x217/8(40x55.6). He used tempera on a canvas that transferred from a wood. In
difference, El Greco(Spain 141–1641) worked it with oil color on canvas by vertical format. The size is 125
5/8x707/8(319x180cm). In Greco's painting, the objects are full on the canvas ... Show more content on
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The angel figures in El Greco's are as humans that they are looking something like a name list. Holy Maria is
in the each of the paintings, but the Maria in El Greco's painting is just looking at the baby. But Maria is
praying to God in Mantegna's painting.
I see differences between the two pictures about painting styles. In Mantegna, it is painted sensitively in
every figures that all of clothes wrinkles are showed. This painting is a detailed realistic work. Also, the
mountain and the land have many lines to show realism. However, Greco's painting is worked as tone by
colors. It feels smooth, but is heavy surrounding. It is used by oil colors, so it is painted smoothly. It is
worked very well. However, the Mantegna's painting is showed very brightly with tempera colors. The
brushes are stroked strongly, but it is also worked well. The settle of the Greco's painting is in inside;
however, Mantegna's painting has the landscape in outside. This painting seems that the time is arternoon.
Greoc's painting is focused to angels who are placed on top. However, Mantegna's painting is focused to
Holy Maria who is placed in middle side.
Each artist showed their own styles, so I can see the different styles of the paintings. Although it feels
differently, the both of the paintings are successful work that used nice colors at that time. However, I like
Greco's work because the

Playground By Paul Cadmus
When looking at the many pieces of artwork that were in the Georgia Museum of Art, Playground by Paul
Cadmus was the only one that was able to fully grasp my attention and make me want to come back to view
it. The piece had many characters performing different actions and poses, each individual with their own
characteristics. The first thing that I noticed in the piece is a young, white male with bleach–washed hair in
the foreground. The pants that he is wearing are unbuttoned and slightly below his waist. The boy's arms are
positioned behind him bending back with his hands underneath his undergarments. He stares back at the
viewer with a blank look on his face. Scattered on the ground, trash and crumpled pieces of newspaper can
be found on the ground. Behind the young man, there is another man with black hair and a ripped shirt, his
chest exposed and his back against a metal fence. He holds a cigarette in his left hand and has his right hand
in his pocket ... Show more content on Helpwriting.net ...
This was three years after World War II had ended, and people were trying to get back on their feet after the
war and return to a normal lifestyle, one without war and death. Cadmus showed this peaceful way of life by
painting young people in a playground together and standing around. The way he drew some of the male
figures in the painting is very suggestive. Most of the young men have tight fitted shirts showing off their
muscles and body shape. Also, the way some of the boys are standing and positioned is sensual. The pale
male figure in the front of the painting has is hands placed in the back of his pants on his derriere with his
pants unbuttoned looks as if he were taking off his clothes completely. There is imagery of erections in the
painting, from the baseball ball bat between the legs of a young man and the way the man with the ripped
shirt has his hand positioned in his pocket pushing out from his

Research Paper On Tintoretto
Leonardo's masterpiece painting was done in fresco style with oil and tempera paints. His painting took place
in the Santa Maria delle Grazie in Milan (1494–1498). He chose to present his work during the Italian High
Renaissance Period. Although, it was known to be one of his greatest works, his painting was in poor
condition as he used fresco style with oil and tempera paints on a dry plaster, due to which the colors did not
blend well (Italian Renaissance, par.1). While, Tintoretto's painting was done as an oil painting on a canvas
which took the place in Basilica di San Giorgio Maggiore in Venice, Italy (1592 to 1594). He chose to
present his work during the Mannerism period. Tintoretto's painting was in a much better condition as it is

Art Analysis: The Last Supper By Leonardo Da Vinci
Research Paper "The Last Supper" is one of the most famed paintings in the history of art. Leonardo Da
Vinci, the painter, depicted an excerpt from John 13:21 in the bible of the last supper Jesus would have with
his twelve disciples before he would be betrayed by one of them. This mural was, and currently is displayed
at a refectory in the church of Santa Maria delle Grazie. The Last Supper has a unique medium as the method
of painting was not fresco, which would have been commonly used for mural paintings at the time. Instead,
the painting was made through tempera on gesso, pitch, and mastic on the brick wall of the refectory.
Tempera is a fast drying and permanent form of paint where pigments are dispersed within the mixed water
and egg ... Show more content on Helpwriting.net ...
It stands on that very same brick wall to this day several feet above the ground, just right under the ceiling. It
was painted with a single point perspective inside a room with windows illuminating the beautiful
mountainous landscape. That vanishing point happens to lead directly towards Jesus' head as the centerpiece
of the artwork alongside all the apostles facing the same direction on one side of the table. The painting itself
shows the emotions of each of the apostles when they were told that one of them would betray Jesus. So you
can see much shock, anger, and confusion amongst the group with Jesus being centered and separated from
the congested group of apostles. The three apostles on the left are only showing emotions of shock and
confusion. Next to them, apostle Peter, Christ's protector, looks angered by this news and is even seen
holding a knife point the other direction of Jesus. It's almost as if Peter is rushing in and asking, "Who is the
betrayer?" ready to do what needs to be done. Meanwhile, apostle John is the only one sitting without
emotion or any reaction to this. Sitting right in front of them is apostle Judas who is the actual betrayer of the
Jesus. Judas is withdrawn and seems to be hiding under Peter's shadow based on the sudden realization that
Jesus knew he would be betrayed. In his hands is a small bag possibly indicating his payment of shekels to
betray Jesus while he simultaneously spills the table salt. This spilling of salt has become a popularized omen
of evil because of Judas' betrayal. Finally, Jesus is centered with open arms reaching for the same bowl of
Judas. Matthew 26: 23 states, "Jesus replied, 'The one who has dipped his hand into the bowl with me will
betray me.'" Reacting to this is apostles Thomas and James as Judas unknowingly reaching for the same bowl
who are shocked at this outcome. Meanwhile, apostle Philip leans towards Jesus

The Last Supper By Ugolino Di Nerio And Leonardo Da Vinci
Reaction Essay "Last Supper" The Purpose of the paintings of the "Last Supper," by Ugolino di Nerio and
Leonardo da Vinci, were to portray the betrayal of Jesus Christ by of one the twelve apostles, as they are
having the last meal. Jesus Christ mentions to his apostles that there is going to be a betrayal amongst them.
All twelve apostles had mixed feelings of anger, fear, and surprised. Later on, it turns out that Judas, one of
the twelve apostles, had told the authorities about Jesus so he can be arrested then later crucified. The
paintings show a dramatic scene after the claim by Jesus Christ. The paintings give us insight to get the
reader interested in the painting of "The Last Supper," how the cultures that produced those paintings change
the way we paint today, and how both paintings influenced the Renaissance era. First of all, The painting of
"The Last Supper "by Ugolino di Nerio, shows the twelve apostles sitting across from and besides Jesus
Christ, the painting looks very crowded, as the ceiling and the walls are very close, with extreme proximity
between Jesus and the apostles. The painting by Nerio is shown as if the scene was enacted in a closed room
with no windows and no sunlight, Also, the heads on some of the apostles, look like it is twisted to the other
side of their bodies, there is no gap to show a smooth head turn to the right or to the left. Nerio's painting
shows, eleven out of the twelve apostles exhibiting a golden circular plate or crown

Reawakens Stroke Analysis
A Master Work, the Ghent Altarpiece, Reawakens Stroke by Stroke The articles detail as how new techniques
are being created to reveal brush strokes and the types of boards and wood that were used to support and
create large paintings such as the 15th–century Ghent altar piece is interesting and informing. The fact that
the museums and government pay millions of dollar or Euros to repair paintings is incredible and
controversial as that money can potentially be used for other things. The techniques of x–raying a painting or
using wavelengths to identify the structure and material used to create the painting is incredible. I found it to
be kind of odd that they used materials such as isinglass, a natural collagen obtained from the swim bladder

The Development of Many Colors Essay
As far back as the stone age men have looked for ways to share their lives and beliefs through art. Primitive
drawings have been found in caves in Europe, Asia and Africa. The only thing missing was color to make the
drawings more lifelike. By experimenting with plants, berries and minerals, men have developed beautiful
colors that have been improved until we have the tempera, oils, acrylic and watercolor that artists use today.
Tempera is the oldest paint medium known to man. Powered minerals, plants or clay were used for pigment
and egg yolks were used as a binder. Sometimes, artists mixed the tempera with plaster to make frescoes on
walls. Tempera paint is long lasting and does not change color over time like oils. The colors are ... Show
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He could not get the effect he wanted with the paint that was available at that time. He began to mix oil with
his colors to thin the paint and slow down the drying time. This allowed him to add more shading and detail
to his paintings(About.comPainting). Today's oil paint is a mixture of pigment(color), a binder which is
usually linseed oil and a thinner which is usually turpentine(Oil Paint History). It was very hard to keep paint
fresh during the early days of art. Before the nineteenth century artist or their assistants were required to mix
fresh batches of paint every day. Then "colormen" began selling ready–made paint in pig bladders. Artists
had to punch a hole in the bladder to get the paint out and they put a tack in the hole to reseal it. In 1822
James Hams, an English artist, invented a glass syringe with a plunger to force the paint out. Finally, in 1841
the American artist John Goffe Rand invented and patented the squeezable tube with a twist cap. Today this
invention is not only used for paint, it is also used for toothpaste, ointment, creams, etc(About.comPainting).
Acrylic resin was invented by Dr. Otto Rohm in the 1930's. By the 1950's Liquite began offering water
soluble artist acrylic paint(ARTmine). It is a fast drying paint. In her book "Brave Intuitive Painting" Flora
Bowley explains that acrylics come in both heavy–bodied and fluid paint. The heavy–bodied paints are
opaque and are

Andrew Wyeth Christina's World
Christina's World by American painter Andrew Wyeth is a perfect example of painting to represented United
State was like in 1948. Andrew Wyeth, son of N.C. Wyeth, was a 20th century painter known for his realism
in portraiture and pastorals, as seen in the iconic "Christina's World." Andrew Newell Wyeth III was born on
July 12, 1917, in Chadds Ford, Pennsylvania, h was the the youngest of five siblings of his both parent,
mother Carolyn and father N.C. Wyeth, the famed illustrator. N.C.
Wyeth is a contemporary realist painter and he's specialized in portraiture and interior genres of art. He was
the last–born child in his family. During his early childhood, Wyeth was constantly struck by various
illnesses. As a result, Wyeth did not get to

Primavera Purpose
Primavera by Italian Renaissance artist, Sandro Botticelli around 1482 was one of the first large scale
mythology scene based on some historical accounts of mythology. The renaissance period went from the 14th
century to the 16th century where religion did not have such a tight grip on the arts and artists were becoming
free to explore other subjects. In the time Primavera was painted, the minds were open to new ideas and
religion no longer needed to be the main subject of artists work. The history and purpose of this painting is
unknown, but there have been plenty of theories as to the purpose of Primavera. The most highly accepted
theory is that Primavera was commissioned by someone from the Medici family to commemorate a wedding,
this is because Primavera is one of love and marriage ... Show more content on Helpwriting.net ...
For example, the dark and translucent shades that make up Zephyrus convey that he is a dark character with a
lack of warm colours and flowers which drive through the point that at that point in time, Zephyrus was a
very negative and perhaps evil character. And, Flora is depicted as a beautiful and elegant woman conveying
the importance of beauty and elegance for the bride. The shape of this artwork is asymmetrical but balanced.
The focal point is Venus as the shape of the trees form an archway behind her. The space is shallow but still
holds dimension as Zephyrus, Chloris and Flora overlap one another to create the illusion of a third
dimension and tell the story of what happened to Chloris. The artwork holds a one point perspective, though
it is hidden by the trees. The hierarchy goes from centre out to the edges, starting with Venus, then the three
graces, then Flora, Mercury, Chloris, Zephyrus and finally Cupid. The use of contrast from the background to
the foreground creates an obvious contour from the dark and gloomy trees go the subject matter, the people
who are depicted with bright

Analysis Of The Trinity By Agnolo Gaddi
The Trinity in Christian culture is a belief that God is represented in three major forms. In various works of
art to include more plainly; The Trinity by Agnolo Gaddi. God is shown in his three most popular forms. God
the Father, God the Son known to be Jesus Christ, and God the Holy spirit in the form of a white dove. This
painting was done between ca. 1390–1396 by has mentioned before Agnolo Gaddi. Gaddi is from Florence,
Italy and is the son of Taddeo Gaddi and the grandson of Gaddo Gaddi whom are all famous painters. Agnolo
Gaddi died in 1396. Before his death he is said to have done a few popular pieces to include: Virgin Mary in
the Prato Cathedral, Madonna Enthroned with Saint and Angels, and Coronation of the Virgin. His final ...
The halo looks to have been carved into the wood and then painted with a little bit of sun gold to heighten its
appearance. The lesser portion of the painting has a dark brown color which might have being painted or
made from a different type of wood. The base on which the painting stands is painted in dark brown and
looks very firm. On the left and right of the arch there are blue colors meant to depict the skies filled with
yellow stars. This depiction of the skies is said to be where God the Father resides. In the painting, there are
three life like images that are clearly visible. The first one as illustrated in order of importance is God the
Father who sits on his thrown that of a chair made from gold. His hair is long down to his shoulders; and he
his fully garbed in a mixture of red, white and black being the dominant color. His garments are lined with
gold colors and matches his long beard. God the Father hands are partially extended in front of him holding
up a wooden cross which displays God the Son.
God the Son is next in line of importance based on biblical readings. In the painting God the Son hangs
tirelessly from a wooden cross held up by God the Father. God the Son also has a halo painted in sun gold
over his head similar to the one on his father's head. The son hands are extended wide apart and are held on
the cross by nails driven into his palms; bloods run from his palms as a result. The son is

Virgin And Child Icon Analysis
lips. In traditional Egypt, the statues and monuments were considered a bridge between the divine gods and
regular people. Fig. 1–3 Virgin and Child Icon– Vladimir Virgin (early 12th century) tempera on wood, 30" x
21" The Byzantine era is the continuation of the Roman Empire and as we, all know they were influenced by
the Greeks. Around the 11th century "the clergy began to display icons in hierarchical order Christ, the
Theotokos, John the Baptist and other saints" (Kleiner 279). The Virgin and Child Icon is tempera on wood,
30x21 inches. The virgin and her child have been an inseparable part of Russian history and its people. Many
Russians claim and believed of miraculous interventions and favors received from the Virgin Mary due the ...
The sculptures and paint show details how society viewed and interpreted women body, sexuality, and
maternity. In addition, revealed that these women were protected from threats around them with ornaments.
Civilizations since early times, believed that we were in permanent threat from forces we do not see or
cannot explain and because of it, we protected ourselves with artificial elements in a form of jewelry, crowns
or caps. This idea has been continue from one generation to the next to the point that in modern societies
some of us still use this type of protection in our bodies (e.g., small cross, divine images, tattoos, etc.).These
pieces of art also indicate that humans believed in gods with superpowers and they are looking over us
constantly. Humanity also believes in dark forces or demons trying to makes us do things that would upset
the good gods. Some of the differences between these sculptures and paint are the material in which each one
of them were created. The first figure, the Woman of Willendorf was carved in limestone, the second piece,
the portrait of Queen Tiye was carved in wood and the last piece, the Virgin and Child Icon was created of
tempera on a wood. You can also notice how the details on their faces and bodies changes throughout the
time and years. The woman of Willendorf figurine offers details of a voluptuous nude women's body but
there is not face, or feet. Queen Tiye statue shows the face of a woman in detail closed to the gods but
without any body parts and lastly The Virgin and Child Icon, is an expression of divinity of the views,
reflections and beliefs from the gospel. Because communities started to innovate on the art of carving and
painting, populations began to discover and/or create art with the objective of expressing different purposes
of our daily lives, such as the beauty of a woman's body, or to commemorate an ancient

Harriet Tubman Analysis
Description
Jacob Lawrence's Harriet Tubman series number 10 is aesthetically beautiful. The light blue and dark blue of
the sky is different because the stars are illuminating one section of the sky. The artwork is not sophisticated,
it's difficult to ascertain if that is a waterfall or a river in the picture but there are more rivers in the south then
there are waterfalls so you can assume that this is a river. She appears to be reaching for the stars with her left
hand while dragging the chains of oppression with her right hand. This portrait has the highest aesthetic
value, the portrait not only elicits joy it teaches you about determination, heroism, American history, and the
history of black people in America.
Subject matter
The subject ... Show more content on Helpwriting.net ...
In the 1930's, buildings were painted with Casein, and during World War II it was used for camouflage.
Ready–to–use Casein wall paints were popular during the 1940's and 50's. No other media has been so
versatile for so long.
Form
The colors in this painting are mostly dark because the perilous trek to the northern states was done at night.
The darkest element in the painting is Harriet Tubman. The depiction of Harriet Tubman is that of a dark and
mysterious superhero. Jacob Lawrence doesn't sugarcoat the blackness in his artwork so he made sure to
make Harriet Tubman unmistakably black. The lines in the art seem to be shading for all the dark spots in the
painting. The dark horizontal lines on Harriet Tubman's white shirt is a great sign of her blending into the
darkness.
Context
Jacob Lawrence's Harriet Tubman series number 10 was created during the last year's of the great depression.
Everyone was suffering during the great depression but black people were literally starving to death and
living in communities that were made of nothing but cardboard boxes. This portrait was a reminder to every
black person that seen this portrait that they can persevere even in the worst

Humanism In The Renaissance
The word humanism has a lot of meanings, and trying to explain sometimes can create some confusion. But
sometimes, each word means a different type of humanism. In the Middle Ages, art and learning were focus
on the church and religion. By the 14th century, people became careless interested in belief about God,
heaven, the saints, and more interested in thoughts about themselves, their setting and their daily lives. Most
of the transform was influenced by the study of ancient Greek and Roman about scientific matter, art,
government, and philosophy. When scholars during the Renaissance began to study these writings, their
interests turned away from established areas such as religion, medicine and law. The populace of the
Renaissance became involved ... Show more content on Helpwriting.net ...
Humanism was show up in paintings created by Renaissance artists. During the middle ages, saints in
paintings wore a ring or circle around their heads. As Humanism became more popular during the
Renaissance, common people were to be as the same size as saints in paintings and saints began to look more
like normal people.
Also during the Renaissance, the use mathematical view to represent space in paintings was invented. The
use of mathematical formulas, instead of just the human eye, gave an artists a tools to characterize a three
dimensional space in a believable way. The paintings began to give the impression that the frame around the
painting was a window frame, and looking at the painting was like looking through a window.
In the middle ages, egg tempera was used most widely, because dried quickly and created a flat, rough
surface. The oil paint was invented and created an excitement among Renaissance artists. The differences
varied from the egg tempera, the oil paint dried slowly, and was translucent, where a light could shine
through the paint. The oil paint permitted artists to build layers of color and create paintings with the look of
bigger

The Scream Analysis
Comparison of Artworks:
Artist: Georges Seurat
Title: A Sunday Afternoon on the Island of La Grande Jatte
Date: 1884–1886
Style: Post–Impressionism/ Pointillism
&
Artist: Edvard Munch
Title: The Scream
Date: 1893
Style: Symbolism
The Paintings A Sunday Afternoon on the Island of La Grande Jatte and The scream have several similarities
and difference between them, but one difference that can be easily seen is the painting techniques. A Sunday
Afternoon on the Island of La Grande Jatte is made of oil paint on canvas and its dimensions are of 6'91/2''
by 10'11/4''. The artist of A Sunday Afternoon on the Island of La Grande Jatte uses the technique of
"Divisionism" or "Pointillism". The artist uses small multidirectional strokes of colors in his painting ...
In my eyes, I have the impression of seeing small strokes of purple and green. Another example would be the
leaves on the first tree that is on the left side. On the tree leaves, I am able to see the impression of another
color besides green and that it the color orange. The other Painting The Scream is a painting made of
Tempera and oil paint on unprimed canvas and its dimensions are of 33'' by 26''. The artist of The Scream
uses the technique of tempera and oil painting. The artist uses long swirling colors and lines all around the
painting. The intensity of the colors makes viewers sense the emotional status of human in the painting.
Another difference between this two paintings is what each painting represents. The painting A Sunday
Afternoon on the Island of La Grande Jatte tries to show viewers how a weekend would be like for people in
the working and middle class in the 19th century. In order to show this, the artist painted a Parisian park in
which there are people from different genders and ages arranged in groups based

Sandro Botticelli And The Birth Of Venus
Visual Analysis of Botticelli's Madonna of the Rose Garden and The Birth of Venus
The works of both Madonna of the Rose Garden and The Birth of Venus were created by the artist Sandro
Botticelli, whose work was seen as an icon of art for the Italian community. His piece, Madonna of the Rose
Garden predates the Birth of Venus by around 15 years. Made in Florence for the Arti and Chamber of
Commerce, this publicly commissioned painting dates around circa 1470, compared to the Birth of Venus
which dates to around 1485. The time difference between the completion of these two works shows the
juvenile age and youthful experience of Botticelli during his creation of Madonna of the Rose Garden. In
contrast, The Birth of Venus was created during ... Show more content on Helpwriting.net ...
The Madonna of the Rose Garden exemplifies the religious iconography from the artists' attention to details
such as the use of color, addition of religious symbols, and attention to the background. Botticelli uses the
color blue and red on the Virgin Mary's garment to show the symbols of healing, love, and life. The cloth is
quite flowy and covers her whole entire body. Both her red dress and blue overcoat are lined with gold,
showing beauty, grace, and holiness. Both the tie around her waist and her veil are white, exemplifying the
symbol of purity. She has a faded golden halo around the top of her head, signifying her holiness and
connection to God. On her lap, she is cradling a young child who is seen as the Child of God. Jesus is draped
in white cloth, showing purity as well. The child's hand is reaching out toward the Virgin Mary's hand to eat a
pomegranate. I am unsure of the symbolic meaning of the pomegranate itself, but I know it is a crucial
symbol in the religious community and this work. Jesus also has a golden halo resting atop his head, showing
a connection to God and a characteristic of holiness and purity. Both figures are looking at one another,
creating what seems to be a close bond by identifying as part of a family. The background of this work shows
a lovely garden which has both red and white roses and a

My Presentation Was On Art
My presentation was on Art. I felt it was important because it is a big part of the world and without art our
world would be so dual. Art starts way back used by cave mans it has a history to it. Without history there is
no present day. Between the history and advantages and such I could go on and on about how useful it is. The
invention in art such as the lead tube. It allowed for paint to stay fresh and not dry out. It was able to be
portable which lead to many more artists painting outside. Artists would not have to make their paint each
time and their pigments would remain the same.
There are different styles such as Romantic style it is described to be around in the 1800's. It gained
popularity in France & Britain in the early ... Show more content on Helpwriting.net ...
Also known as Op art, is considered "Pictures that attack the eye." It is a type of abstract art that relies on
optical illusions to try and fool the eye of the viewer. The viewer must focus because the illusion may suggest
one image, but upon closer inspection reveal something completely different. Another thing I talked about in
my presentation is the discovery of perspective. Said to be discovered by architect Filippo Brunelleschi. He
stated that objects shrink in size according to their position and distance from the eye. He was able to
mathematically calculate the scale of objects within a painting in order to make them appear realistic. Many
painters at that time then adopted that formula into their paintings.
What is tempera painting? Tempera is also called egg tempera, it is a method of painting. The word
"tempera" comes from Latin word temperature, meaning to mix in proportion. It uses water, egg yolks or
whole eggs. Fresco painting is a technique of mural painting executed upon freshly laid, or wet lime plaster.
Water is used as the pigment to merge with the plaster and setting of the plaster. The word fresco is Italian, it
means "fresh". The fresco technique has been employed since antiquity and is closely associated with Italian
Renaissance painting. Popular use from Michelangelo and Raphael. Another type of painting is watercolor I
think it is really pretty. Watercolor techniques are

John Augustus Walker
John Augustus Walker's (1901–1967) Historical Panorama of Alabama Agriculture, or fair murals, were
created in the spring of 1939. Each mural, about 7 ½ feet by 5 ½ feet, hang today in the Jule Collins Smith
Museum of Fine Art, at Auburn University. These ten murals were made to represent the "vision of the
future" in the south during 1939. Depicted in each of the murals are key milestones in the agricultural
development of the state of Alabama; ranging from Alabama's First Farmer to Science on the Farm. These
murals were said to be "A series of bold, nostalgic paintings at the 1939 Alabama State Fair that helped
visitors to forget world troubles and celebrate their collective past." Walker used bright tempura paints, in
greens, yellows, and blues, on the vast landscapes and farm life scenes to attract viewers in hopes of
educating farmers and non–farmers of improvements in agriculture. John Augustus Walker was an artist
based out of Mobile, Alabama. He was born February 9, 1901 to John L. Walker and Lilly Roche Walker.
"Walker was first encouraged to pursue art by his teacher Maud Mayme Simpson during his years at
elementary school in the Mobile County School System. At age 16, Walker entered the work force as a
stenographer for real estate agent F. M. Backes to augment the family ... Show more content on
Helpwriting.net ...
This piece depicts the "men at work on the farm reflects New Deal era values of productive labor."12 In this
piece there are four men hard at work to build houses to live in and collect livestock for food. These men are
seen cutting wood and placing said wood on houses for the roofs, as well as carrying live stock into one of
the buildings for food preparation. In the background you can see the dark blue sky and green landscape and
the many trees that go on for miles. Showing the great resources of the land they had settled

Edvard Munch Scream
For this purpose of this analysis, I chose to do a piece of artwork that I viewed as very different. The painting
is titled Scream. It was created by an artist named Edvard Munch in the year of 1893. Munch was a
Norwegian artist. This painting has a great significance in Munch's life. This painting was created during the
time of Sigmund Freud. I found this very interesting since Munch himself lived a very tough life himself.
Munch began to express his tormented inner world through his artistic creations, giving birth to an art style
that would later be known as Expressionism (Art Analysis). Expressionism is defined as a form of art in
which visual appearances are distorted to express psychological or emotional states (Getlein, 551). I believe
that Scream may have been the very beginning of this form of art, since Scream evokes such an emotional
response from its viewers.
The most painful event in Edvard Munch's life was the premature death of his mother from tuberculosis
when he was five years old (Art Analysis). Munch new heartache at such a young age. Munch also had an
older sister named Sophie. ... Show more content on Helpwriting.net ...
Tempera shares qualities with both watercolor and oil paint (Getlein, 161). Munch probably used tempera
because it could withstand the test of time, maintaining its colors without being darkened by age. Tempera is
defined as a paint in which the vehicle is emulsion, which is a stable mixture of an aqueous liquid with an oil,
fat, wax, or resin (Getlein, 161). The other product Munch used in this painting is casein paint. Casein paints
dry to a matte, brittle film that is insoluble in water and impervious to most paint strippers (Casein Paint).
Munch probably chose to use this medium since if could encase and attach to the tempera paint, providing a
protective covering. The painting was done on cardboard since the casein paint would have been too brittle
for regular

Room Label 1 : Saints
Room Label 1: Saints in Art In the lives of saints, we find biographical material that helps to shed light on the
way of life throughout the past two–thousand years. The lives of saints show a pattern of spirituality that
teaches each successive generation how to follow Christ, according to each individual culture. Saints are the
archetypes of the Christian experience and the Christian life. They are role models, and they are our
intercession with God in Heaven. It is important for us, as Christians, to never lose our sense of discipleship,
which the saints help with, as they are our older brothers and sisters in Christ and can help us learn from the
past.1 The depiction of saints is very important to art, and its impact is not small. ... Show more content on
Helpwriting.net ...
Saint John 's kneeling stance above Christ and to the Blessed Virgin can only be seen as a bow to the Lord,
showing that John recognizes Christ as the Son of God and Mary as the Queen of Heaven.3 4 Object Label 2
Sts. Lucy, Catherine of Alexandria, Anthony Abbot, and Christopher with the Christ Child Luca Spinello
Aretino Late 14th Century Italy Tempera and gold leaf on panel5 Sts. Lucy, Catherine of Alexandria,
Anthony Abbot, and Christopher with the Christ Child shows a characterization of the saints that can be
deemed lively and personable. Each saint is depicted according to their own personalities. This can be
especially seen through the individualization of Saint Catherine, who stands on a wheel, which is the symbol
of her martyrdom, or through Saint Christopher 's walking stance, as he is the patron saint of travelers.6 7
Room Label 2: Saint Catherine Saint Catherine is important to Christianity, because she is credited with
bringing over two–hundred soldiers and members of the emperor 's family, along with fifty pagan
philosophers, to Christ. She was sentenced to die by the spiked wheel, but when she touched it, it shattered,
and she was then beheaded. The life of Saint Catherine teaches us that pursuing Christ may not bring riches
or earthly honors, but it will bring Heavenly riches, and she is a symbol of perseverance and good. Saint
Catherine became increasingly popular during the Middle Ages, and during this time, there were many
chapels and

Petrus Christus and Raphael from the Age of the...
Petrus Christus and Raphael from the Age of the Renaissance The 15th century was the beginning of the age
of the Renaissance. In Western Europe it gave rise to new ideas, inventions, a new way of life, and most
important a new way that people expressed themselves. It was an age of new techniques in painting,
sculpting, and creating a visual aspect of the Western European culture. Among many great artists of this
period, two very important people to the artistic world and their works spun out –– Petrus Christus with The
Lamentation and Raphael with The Agony in the Garden.
The Lamentation was painted in 1450 and its one of Christus' most beautiful works. It displays the strength
of his work along with the simplicity of ... Show more content on Helpwriting.net ...
Christus focuses on a lot on the color red, which was the main color in most of paintings done with Christ.
The painting shows the mourning after the crucifixion of Christ. Christ is found dead and bleeding in the
painting with the nails that pinned him to the cross next to his legs. You can see a priest and a nun above him
and two men trying to cover his body with white cloth, which could symbolize purity and after life. The
woman to the left has something in her hand in a form of kettle, which may contain water. This symbolizes
holy water, that by her movement in the picture, is going to be sprinkled onto Christ. Water in the
background symbolizes purity. The priest and the nun are in the painting to show their eternal devotion to
Christ and to show the belief in Christianity.
The Agony in the Garden painted by Raphael was done in a method of using Tempera on wood. Tempera is a
form of painting process where pigments are mixed with yolk and water or oil. Its a fairly quick drying
process and demands immediate application of layers of paint. An artist using tempera has to work just as
fast as the artist that uses fresco techniques. The painting is 9 1/2 x 11 3/8 inches, and was funded by various
donors.
The scene of this painting is a part of a predella for the altarpieces done by Raphael. It was removed in 1663
with the piece of a piece that showed Christ carrying a cross. The painting was done in black and

Roman Art Comparison Essay
If one was to describe the Roman art, in my opinion the words realistic, and functional, would give it
judgment; which perhaps would describe rather well the pragmatic Romans. Undoubtedly, both the painting
and sculpture has its own purpose, and a unique place in society; the Renaissance master Leonardo da Vinci,
has rather explicit opinion on the topic: "A sculptor says that his art is more worthy than painting because,
fearing humidity, fire, heat, and cold less than painting, it is more eternal. The response to him is that such a
thing does not make the sculptor more dignified because the permanence is born from the material and not
from the artificer. This dignity can also belong to painting by painting with colored glazes on metal or
terracotta..." (Da Vinci, n.a.). According to Leonardo, the sculpture is more eternal; it will last quite long
time, the weather and the elements, will not ... Show more content on Helpwriting.net ...
In tempera the pigments were mixed with an adhesive and laid upon a dry surface. The paintings would be
applied either to the internal or external walls of the buildings, where they would become an internal part of
the structure. The Romans seldom placed any furniture against the walls, nor did they hang any pictures on
the walls, so those paintings served as an elaborate decoration, and part of the architectural design. (Durant,
1972). As one can see, the painting arts were a domain of a skilled "interior decorators", rather than artists in
our sense of understanding; which should give one a clue to the function of art in the Roman society. One
should not omit the fact that it was Romans who invented the landscape painting, and a crude form of a linear
perspective; furthermore, to satisfy the huge demand for painting arts, the roman artists produced panel
paintings, in encaustic and tempera, including their own "triumphal" history painting. (Roman art,

Similarities Between Northern And Northern Renaissance
Renaissance is a great monument of the history of mankind, it represents the awakening of the Western in
terms of ideology, and began to focus on the demands mental and the pursuit of real needs. All factions in the
Renaissance, the development of the Italian Renaissance and Northern Renaissance are the most spectacular.
Both of these two factions has its own distinctive features.
Historically, Florence, Italy, is considered the birthplace of the Europe Renaissance, which had influence on
the artistic style of art development in other regions. Northern Renaissance even though studied under Italian
Renaissance, but its ideology and artistic style are not the same with Italian Renaissance.
Italy, as the pioneer of in Europe Renaissance, ... Show more content on Helpwriting.net ...
Since the Italian Renaissance had been spread to France, the French upper class encouraged the local artists
to improve and share their art with other northern countries, thus opening the period of Northern
Renaissance. Comparing with the Italian artists, the Northern artists pursuit the natural and realistic art style.
When the northern artists are creating the works of art, they focused on the details of the process, in order to
make the works look lifelike. After the processing carefully crafted, the surface of artworks, is generally
considered that expressing the spirit of the artist. As for the technology of painting, they had improved the
development of painting technology by combining a few materials in painting, which means that they did not
only use tempera or oil in paintings. The Arnolfini Wedding Portrait, one representative of the Northern
faction, was painted by Jan van Eyck. The reason why this painting is such well–known around the world, is
the pigment composition of the painting and fine description of the scene. Thus, the pursuit of natural style
has been highly recognized by the

Comparing Virgin And Child With Donor
Bruce Chao
Comparison between Virgin and Child with Donor ( the Museum of Fine Arts, Houston) of c. 1480 by
Antoniazzo Romano and The Virgin and Child with St. John the Baptist ( the Museum of Fine Arts, Houston)
of c. 1635 by Carlo Dolci.
ARTH 1381
Mon/ Wed/ Fri 10–11AM
I pledge that in the following paper, I have not represented as my own work the work of another without
appropriately acknowledging the source.
Bruce Chao
The Pictorial style of Art has changed throughout the high Renaissance period to Baroque. The Virgin and
Child with Donor (The Museum of Fine Arts, Houston) of c. 1480 (tempera and gold leaf on panel, 18 9/16 x
14 7/8 in.)and The Virgin and Child with St. John the Baptist ( the Museum of Fine Arts, Houston) ... Show
more content on Helpwriting.net ...
With the influence of mannerism in Renaissance , the composition of the figures intertwine and create not
just complex composition but a dynamic three–dimensional space. Both of the child have its left leg stepping
forward, however, because of the diagonal composition in the Dolci painting and the depth expressed by the
diagonal accent, it enhances the three–dimensional effect. Dolci's composition is also more unified–meaning
the subjects form a dynamic composition relationship. There is more variation of postures in the painting and
their limbs, accessories are more intertwined. The scene seems more like a "happening" than a positioned,
still portrait. Romano's composition of the space seem to be more layer–based and there are less spatial
relationships between the figures. Dolci also introduced a new technique by cropping the image of the
subjects with a slight highlighted line. This new technique is unique in a way that it restraint the subject in
another area than the frame. This enhances the three–dimensional effect evermore, giving the illusion as if
the viewer would peek into the space inside of the painting, instead of looking directly at the image and
associating it with areas outside of the painting such as a frame which naturally limits space and create a
barrier between the viewer and the subjects in painting

Sandro Botticelli's Annunciation
In Sandro Botticelli's The Annunciation, 1485, the biblical scene of the angel Gabriel greeting Mary is
shown. The angel tells Mary she is expecting a child that is the Son of God. Botticelli's uses space in The
Annunciation to separate Mary and the angel Gabriel as well as combine the space for a completed scene.
The scene takes place inside a church. Mary is on the right side in an private chapel. She facing the left and
bowing to show respect to God. The angel is on the left side bowing toward the right. The angel is standing
in an ambulatory with a column running right between the figures. The painting is done in tempera and gold
on wood. The painting is very flat and matte because of the tempera paint. The gold is used to form a halo ...
Again, Mary is on the right side on the painting. Botticelli is using the biblical motif to foreshadow Christ
being born. Christ is the right hand of God, so even the annunciation of his coming must be holy and divine.
While there is no bible evidence, many believe the angel Gabriel sat at the left hand of God. Rabbi David
Cooper says the angel is "connected with the attribute of Gevorah on the left side of the Tree of Life.
Whereas Michael is on God's right hand, Gabriel is on God's left hand. The left hand is the one that metes out
punishment; the right hand overrules strict justice and is more merciful and thus more lenient" (p. 45).
Botticelli seems to agree with the theory of Gabriel sitting at God's left hand by the placement on the angel.
While the does have a column directly diving the space, the gaps between the columns and the walk way into
the chapel combines the two sections. Botticelli seems to be inferring for the angel to walk into the chapel
and see Mary. The figures are also bowing toward one another. Not only are they bowing because they are in
the house of God, but they seem to acknowledge one another in their bowing. If one would draw a line of the
figures line of vision the lines would intersect at the walk way between the columns. Therefore while Mary
and Gabriel are in different rooms of the church they can see and are interacting with one

Renaissance Art: Primavera By Sandro Botticelli
'Primavera' is an artwork painted by Sandro Botticelli, (Alessandro di Mariano Filipepi Botticelli). Born in
1445, died in 1510, Botticelli grew up during The Renaissance era and was heavily influenced by the styles
of artworks around him. It is debated when this artwork was painted exactly but, it is certain that it was
painted between 1477 – 1482. The artwork is 202 cm in length and 314 cm in width and was not framed.
The Renaissance era created many very popular and beautiful techniques for painting and making artworks.
The three most common techniques of this time would have been, fresco, tempera and oil paintings. Fresco
was very popular among artists as it was easy enough to use and was good quality. Artist would mix
pigments with water and apply them to wet plaster. Once the paint had dried the pigments would have
absorbed into the wall making them one.
Oil paint was a medium consisting of pigments with drying oil used as a binder. Commonly used drying oils
include linseed oil, poppy seed oil, walnut oil, and ... Show more content on Helpwriting.net ...
The man on the very left is shown wearing red clothing and reaching for fruit. The three women on the left
are painted dancing together wearing clear clothing. The women in the middle is depicted as higher than
them, looking down on them. She is positioned very elegantly to show off her power. Floating above her is a
cherub directing their arrow towards the three dancing girls. To the right of the women, is another women
dressed in floral clothing and gazing downwards. The girl beside her is dressed in the same clear clothing as
the others but has flower coming out of her mouth and is seemingly being taken away by a dark blue figure
from the forest. These figures all put together, give the moody and dark feeling that Botticelli wanted and,
using the techniques gathered from around him, Botticelli successfully created an artwork to be celebrated
many years

Fresco
If you are a businessman, a stock broker, a salesman, or an entrepreneur then you're probably strongly
motivated by money. Many factors motivate an artist to create. It could be emotion, religion, to
commemorate history, or to give us a new perception on things. According to Mark Getlein, he describes
Living with Art as "making art live by letting it engage our attention, our imagination, and our intelligence.
(3)" If I were an artist I would be a painter, and I would paint images to give tangible form to feelings and
ideas. If I were an artist I would try to show what I see and feel. So, I would show how beautiful and ugly
this world could be. I would do this by using a variety of colors. Color has an emotional effect on us. Cool
colors, ... Show more content on Helpwriting.net ...
Numerous times, it is created with feeling and arouses feelings out of us. These pieces of art are good
examples of the role of giving a tangible form to ideas and feelings. These pieces of art may give the
impression of very little taking place in the image but the artwork has a greater meaning behind it. In Jacob
Lawrence piece, it looks so simple but he was telling the story of thousands of African–Americans migrating
from the South to the North (161). In Raphael piece, he captures the ideals of the Renaissance period. If I
was an artist I want to show the ideas of this time. These works are famous around the world and one of the
reasons is because of how people interpret these works. If I were an artist I want to tell a story like Jacob
Lawrence but also bring the beauty of Raphael's Fresco into one

Painting Analysis at the National Gallery of Canada
Painting Analysis at the National Gallery of Canada
HIS 4001: History of Art II
By: Gill Collens 2/14/2013 Professor: Ncole Sammut
Simone Martini, St. Catherine of Alexandria, ca. 1322–23, tempera on wood panel, 83.2 × 43.5 cm, 32 3/4 ×
17 1/8 in., (with frame). Collection of the National Gallery of Canada, Ottawa, inv. no. 6430
Contents
Table of
contents..................................................................................................................................................................1
Essay...................................................................................................................................................................2–
5 Works Cited ..............................................................................................................................................
....................... 6
Appendix............................................................................................................................................................7–
8
1|Page ... Show more content on Helpwriting.net ...
The techniques seen during this period are very important. One being in order to depict the human figure
properly, artists needed to study the anatomy. With the studying of the human body, artists used the technique
of shading to create the volume and a better sense of perspective. During the restoration of St. Catherine of
Alexandria, many parts were left untouched while others were carefully re–painted (Brink, 2001, para. 7); in
my opinion, this says a lot about the quality of work Martini presented. In other words, this painting is
significant because of the stylistic breakthrough of its time, as well as the care and quality of the painting
itselfas well as the materials used. The titling of this period "re–birth" or "Renaissance" hints this time
involved a breakthrough in art history. Through the use of geometry and perspective, chiaroscuro,
contraposto, naturalism, classical themes, and the materials used, I was able to determine the stylistic period
that Simone Martini, St. Catherine of Alexandria, was created during the renaissance period. Further research
helped me determine that this painting was in fact a creation of the Early Italian Renaissance period. Without
the use of these techniques and materials, the significance of this time in art
4|Page
history would probably not be recognized as the "renaissance, or "re–birth" of classical learning, literature
and art. Studying this type of work has

Interpretation of Giovanni Bellini’s Madonna and Child
Giovanni Bellini, (born c. 1430, Venice [Italy]–died 1516, Venice), Italian painter who, in his work, reflects
the increasing interest of the Venetian artistic milieu in the stylistic innovations and concerns of the
Renaissance (metmuseum). Bellini was one of the most influential Venetian artists. He lived and worked in
Venice all his life; his career spanned 65 years. Little is known about Bellini's family. Bellini's father, Jacopo,
a painter was a pupil of the Gentile da Fabriano, in any case, Jacopo introduced the principles of the
Florentine Renaissance to Venice before either of his sons (Britannica). Jacopo strove to ensure that his sons
would become distinguished painters as well and, it is said, often pitted them each other.
In Bellini's depiction of the Madonna and Child (One of Bellini's mature works), the Madonna, with her face
calm and collective, is tenderly holding the Christ Child on her knee, the Madonna is seated improbably in
front of a velvet curtain set in a landscape with a city and rolling mountains in the distance. "The transition
from a dormant to a verdant nature and a dawn sky is a metaphor for death and rebirth (metmuseum)". The
landscape seems to allude to the theme of death and resurrection: the trees are barren in the foreground and
while the fields follow behind in the background is all green, the effect is somewhat a little over the top with
some of the brownish color in the middle having been faded over the time (metmuseum). The path

How The Renaissance Changed Over The Time
The renaissance to me is a very interesting topic and a very important era. A lot changed during this time
period that caught my attention. My research will be on the renaissance and on 1 artists from that time
period. I will begin by discussing how the renaissance changed over the time and how art was involved. In
addition, I will be discussing about 1 artist and there history, following by the materials and techniques he
use.
The renaissance is also known as the new birth of resurrection. During the 200 years between 1400 and 1600,
Europe had some great reveals of drawings, fine art paintings and architecture mostly in Italy. During this era
there were lots of discoveries. There was a desire to explore the features of nature and the ... Show more
content on Helpwriting.net ...
Around the age of 14, da Vinci began a lengthy apprenticeship with an artist named Andrea Del Verrocchio in
Florence. Where he then learned a variety of skills like metal working, leather arts, carpentry, drawing,
painting and sculpting. His earliest known work is a pen and ink drawing of a landscape in the Amo valley.
He later started his own work shop. Using his inventive skills, da Vinci sketched war machines such a war
chariot with blades mounted on the sides, and armored tank propelled by two men cranking a shaft and even
an enormous crossbow that required a small army of men to operate. He believed studying science made him
a better artist.
Leonardo thought the ability to see was mankind's most important sense and most important organ. Da Vinci
began to seriously study anatomy and dissect human and animal bodies. He's drawings of fetus in utero, the
heart and vascular system, sex organs and other bone and muscular structures are some of the first human
records. In addition, to his investigation da Vinci studied botany, geology, zoology, hydraulics, aeronautics
and physics.
He also sketched His observations on loose sheets of papers and pads that he tucked inside his belt. He
placed the papers in his personal notebook and arranged them with four themes, painting, architecture,
mechanics and human anatomy. His filled dozens of notebooks with drawn

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