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Visual Design
               for Web
               Sites &
     Web Applications
     UPA Boston Workshop

     Jonathan Folle
     President & Chief Creative O icer
     Hot Knife Design, Inc.

     jonfolle @hotknifedesign.com
     www.twi er.com/jonfolle
     617-848-5956
about you
how many people here are:
usability practitioners?
developers?
designers?
project managers?
all of the above?
other?
about hk
beautiful data
now available from o’reilly
grab a copy on amazon
overview
9:10 - 9:40     presentation part 1
9:40 - 10:10    selecting type
10:10 - 10:20   break
10:20 - 10:50 presentation part 2
10:50 - 11:20   selecting a grid, colors & icons
11:20 - 11:30   break
11:30 - 11:50   omnigra le & photoshop techniques
11:50 - 12:00   wrap up
a few thoughts on the

Creative Process
everything we do
is based on work that came before
creatives are good
dis-assemblers and re-assemblers
take disparate
pieces and make
something new
systemize everything.
the restrictions will set
you free.
cultivate your obsessions
become a fan of other designers
and their work
typographers
christian schwartz
jonathan hoefler
tobias frere-jones
erik spiekerman
ma   hew carter
designers
khoi vinh
je rey zeldman
jason santa maria
cameron moll
dan cedarholm
elements of the designer’s craft
resources - know your materials
inspiration
tools
techniques
dirty, dirty tricks
resources
type
grids
color
icons
images
software tools
photoshop
illustrator
omnigra le
indesign
acrobat
selecting

Typography
recommended
reading
a quick anatomy lesson, courtesy of fontshop.com
web typography



     typesetting considerations
    serif or sans serif?
    line length (12 words is good)
    leading (1.1 - 1.5 em)
    le    er spacing - lower case, don’t do it!
    kerning - the space between individual le     ers
    color - type vs. white space
everything you wanted to know about

Web Safe Fonts
in 2009
OS stats from codestyle.org
web typography




    Georgia is
    gorgeous.
    Designed by: Ma hew Carter (1996)
    PC: 95.98% Mac 94.06%
    A transitional serif that’s easy to read
    due to its large x-height.
web typography: type specimen via wikipedia




     The quick brown fox
     jumped over the lazy dog
     repeatedly from 1876 -
     2009.
web typography: ji yhealth dashboard by juhan sonin
web typography




    Verdana is so darn
    easy to read.
    Verdana bold is
    crazy big.
    Designed by: Ma hew Carter (1996)
    PC: 98.34% Mac 95.45%
    Humanist sans-serif with large
    x-height for good legibility.
web typography: verdana in action
web typography




    Lucida is the default of the
    Facebook phenomenon.

    Use Lucida Grande for
    Mac, and Lucida Sans
    Unicode for PC.

    Designed by: Charles Bigelow & Chris Holmes (1985)
    PC: 96.14% Mac 94.46%
web typography




    Palatino is underused
    and underappreciated,
    especially the italic.
     1234567890 * &
    Designed by: Hermann Zapf (1948)
    PC: 97.83% Mac 78.81%
web typography




    Arial is not nearly as fun
    as Helvetica, but has a
    wicked cool compatriot
    Arial Black.
    Designed by: Robin Nicholas & Patricia Saunders (1982)
    PC: 98.01% Mac 96.83%
web typography: arial in action
web typography




    Gill Sans
    abcdefghijklmnopqrstuvwxyz
    abcdefghijklmnopqrstuvwxyz
    ABCDEFGHIJKLMNOPQRSTUVWXYZ
    1234567890

    Designed by: Eric Gill (1926)
    PC: 51.00% Mac 91.11%
    Humanist sans-serif
web typography




    Helvetica Neue
    the quick brown fox jumped over
    the lazy dog
    ABCDEFGHIJKLMNOPQRSTUVWXYZ
    1234567890

    Designed by: Max Miedinger & Eduard Ho mann (1957)
    PC: 1.33% Mac 93.33%
web typography



     what about non-Web safe fonts?
    pixel renderings [image file]
    sIFR [flash]
    cufon [javascript]
    typekit [javascript]
web typography: type tech
web typography: free font resource - theleagueofmovabletype.com
web typography




    Junction
    abcdefghijklmnopqrstuvwxyz
    ABCDEFGHIJKLMNOPQRSTUVWXYZ
    1234567890


    Designed by: Caroline Hadilaksono (2009)
    Humanist sans-serif
web typography: free font resource - exljbris.com
web typography




    Anivers
    the quick brown fox jumped over
    the lazy dog
    ABCDEFGHIJKLMNOPQRSTUVWXYZ
    1234567890

    Designed by: Jos Buivenga (2008)
web typography: type specimen resource - nicewebtype.com
web typography




    Meta
    the quick brown fox jumped over
    the lazy dog
    ABCDEFGHIJKLMNOPQRSTUVWXYZ
    1234567890

    Designed by: Erik Spiekermann (1999)
web typography: type se   ing resource - veer.com
using

Grid Systems
what was old is new again
Since the 1930s, graphic designers have used
grid systems for laying out pages. Over the past
5 years, Web site and Web application designers
have shown an increased interest in the
technique as well.
why bother with a grid?
consistency
framework for many pages
ease of use
pre-existing structure
the downside
rigid adherence can make a design seem lifeless
don’t forget the white space.
the design needs to breathe
padding is good
10 pixel increments
the history of the grid



Swiss
Graphic Design
RICHARD HOLLIS
the history of the grid
the history of the grid
the history of the grid
the history of the grid
the history of the grid
the new york times (www.nytimes.com)
the new york times (www.nytimes.com)
grid design resource: subtraction.com
grid design resource: netprotozo.com/grid
grid design resource: netprotozo.com/grid
grid design resource: 960.gs
grids: web application user interface
grids: web application user interface
a few tips for choosing

Colors
color choice resource: kuler.adobe.com
color choice resource: colorotate.org
color




start with black, white & gray
color




use red for emphasis (sparingly)
color



    to expand a color palette
    use hsb (hue, saturation, brightness)
    try changing opacity
using

Icons
icon choice resource: famfamfam.com
icon resource: istockphoto.com
icon resource: iconbu et.com
capturing

Inspiration
sketching
researching
audio/video
moleskine notebooks
flip video camera
mp3 digital audio recorder
keynote
questions

& Answers
thank

You
jonfolle @hotknifedesign.com
www.twi er.com/jonfolle
617-848-5956

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