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How I Edit
A Snapshot
John Tintle
Over the years I’ve edited nearly everything under the digital sun. I’ve also
(hopefully) helped others become better editors, too. Here are a few
principles I rely upon.
Hello:
John Tintle
Starting with rule #1: Keep it brief
Editing makes creative work better. It’s a two-way street that’s 100% in
the interest of making the most of an audience’s time.
Just to reinforce:
John Tintle
Your goal should be to establish a great team
Editor Creator
What do you think of this?
Have you thought about that?
Simplification:
John Tintle
Thing is, editor-creator teams don’t always work.
John Tintle
Biggest reason? Ego
(a.k.a know-it-all syndrome)
John Tintle
Second biggest reason? Lack of curiosity.
Bad listening
Off-the-mark questions
John Tintle
Third biggest reason? Skill differential.
Neither side is adequately
aware of what it takes to
succeed
John Tintle
Result: Underwhelming work
Not a good time
John Tintle
Editors without receptive creators are talking to themselves.
Creators without receptive editors are talking to themselves.
Nobody wins
John Tintle
Having been on both sides of the editor-creator relationship, I approach
editing with the following in mind:
John Tintle
Purpose
Voice Technique
How do you want to say what you
have to say and is this work aligned
with that expectation?
Why does this piece of creative work exist and does every
aspect of the work serve the same overarching goal?
Does this work meet acceptable
standards for quality and originality?
Applies across
creative formats
John Tintle
Balancing purpose + voice + technique requires multifaceted expertise.
John Tintle
Balancing purpose + voice + technique requires multifaceted expertise.
Know your strategy
Know your audience
Know your stuff
John Tintle
Not every great editor is also a great creator.
Not every great creator is also a great editor.
A known known
John Tintle
However, striving to become a great creator is a key to being a great editor.
Context is a superpower
John Tintle
In other words, being an editor-only is seldom sufficient.
You’ve gotta make stuff - and share it.
The secret to almost everything
John Tintle
The more you make, the better you’ll be.
John Tintle
Editors (especially junior marketers): If you care at all about scale, you
must let your creators create. Over-direct at your own risk and never
(please, never!) believe you have all the answers. The last thing you
should want to do is correct and re-correct everyone’s work. It’s not only
bad form and discouraging to good creators, but also shows a lack of
trust and ability to coach, recruit, and delegate. Work at this and your
work will work for you.
One more thing:
John Tintle
That’s it.
John Tintle
(For now)
John Tintle

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How I Edit: A Snapshot

  • 1. How I Edit A Snapshot John Tintle
  • 2. Over the years I’ve edited nearly everything under the digital sun. I’ve also (hopefully) helped others become better editors, too. Here are a few principles I rely upon. Hello: John Tintle Starting with rule #1: Keep it brief
  • 3. Editing makes creative work better. It’s a two-way street that’s 100% in the interest of making the most of an audience’s time. Just to reinforce: John Tintle Your goal should be to establish a great team
  • 4. Editor Creator What do you think of this? Have you thought about that? Simplification: John Tintle
  • 5. Thing is, editor-creator teams don’t always work. John Tintle
  • 6. Biggest reason? Ego (a.k.a know-it-all syndrome) John Tintle
  • 7. Second biggest reason? Lack of curiosity. Bad listening Off-the-mark questions John Tintle
  • 8. Third biggest reason? Skill differential. Neither side is adequately aware of what it takes to succeed John Tintle
  • 9. Result: Underwhelming work Not a good time John Tintle
  • 10. Editors without receptive creators are talking to themselves. Creators without receptive editors are talking to themselves. Nobody wins John Tintle
  • 11. Having been on both sides of the editor-creator relationship, I approach editing with the following in mind: John Tintle
  • 12. Purpose Voice Technique How do you want to say what you have to say and is this work aligned with that expectation? Why does this piece of creative work exist and does every aspect of the work serve the same overarching goal? Does this work meet acceptable standards for quality and originality? Applies across creative formats John Tintle
  • 13. Balancing purpose + voice + technique requires multifaceted expertise. John Tintle
  • 14. Balancing purpose + voice + technique requires multifaceted expertise. Know your strategy Know your audience Know your stuff John Tintle
  • 15. Not every great editor is also a great creator. Not every great creator is also a great editor. A known known John Tintle
  • 16. However, striving to become a great creator is a key to being a great editor. Context is a superpower John Tintle
  • 17. In other words, being an editor-only is seldom sufficient. You’ve gotta make stuff - and share it. The secret to almost everything John Tintle
  • 18. The more you make, the better you’ll be. John Tintle
  • 19. Editors (especially junior marketers): If you care at all about scale, you must let your creators create. Over-direct at your own risk and never (please, never!) believe you have all the answers. The last thing you should want to do is correct and re-correct everyone’s work. It’s not only bad form and discouraging to good creators, but also shows a lack of trust and ability to coach, recruit, and delegate. Work at this and your work will work for you. One more thing: John Tintle