Icehotel Culture

Icehotel Culture
People travel to escape society's harsh reality or to experience life and what this beautiful world has to offer. It's important to keep oneself cultured
because it allows us humans to better understand one another. Jukkasjarvi, Sweden is a melting pot for culture; its name derived from the sami's word
for meeting place. The Icehotel is a true winter wonderland; it's straight out of a fantasy beds,chairs, tables and glasses everything is made of ice. The
icehotel is located in the northern parts of sweden. The torne river is a essential to supplying the ice hotel with snow and ice, there was a igloo named
the Arctic hall which featured art displays, films and church services. A guest asked to sleep in the Arctic hall and the staff gave them reindeer skins
and sleeping bags, the guest was thrilled with the the night that's when Yngve Bergqvist came up with the idea of The Icehotel(Icehotel). The founder
of The Icehotel Yngve Bergqvist got the idea for the hotel from a guest he was inspired by a tradition of japanese ice sculpting he then found
japanese artist and made them instructors for artist he invites the the hotel. To make sure the hotel was safe Bergqvist had a survival group of swedish
armed forces to see if sleeping –5В° C (23В° F) was possible and the group was thrilled that it was and it has been thrilling for guest for
years(Icehotel). Icehotel's founder Yngve Bergqvist was a self proclaimed cultural entrepreneur. Almost every person that resided in Jukkasjarvi
was once or is a miner, Bergqvist was on a assessment on iron ore about 16.0934 km away from Kiruna. Bergqvist noticed the beauty and the purity
of the ice and snow, but he didn't just start out with the ice hotel; he started smaller with a 2690 square feet igloo. After the igloo stage he started
creating the 6,456 square feet Icehotel. "Doors made of ice literally everything made of ice"(Bortz). doors to instruments made of ice and wires that
glow blue are laid all over the hotel to give it more of a cool tone of color. There are very few places to get warmed up the only too places are a cocktail
bar and a dining room."The best laugh is an ice tiled bathroom with an ice man lying in an ice bathtub, the ice–water level up to his
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Standing In The Shoes Of Michelangelo And Leonardo Da Vinci
Both of the assignments, Standing in the Shoes of Michelangelo and Leonardo, were interesting and fascinating in their processes. One of the
easiest aspects of Standing in the shoes of Leonardo would be the process of determining what to portray, since the template of the linear
perspective was used as a guide and helped through the entire process. However, the difficult aspect of Standing in the Shoes of Leonardo would be
making a distinguishable atmospheric perspective since the process requires skill and experience to achieve with clarity. On the other hand, one of
the easiest aspects of Standing in the shoes of Michelangelo would be the carving process since an individual just has to have patience to finish
carving from start to finish. However, the most difficult aspect of Standing in the Shoes of Michelangelo would be preparation. Preparation is the
most difficult aspect because an individual should definitely consider proper research, otherwise an individual may use the wrong materials or
consider sculpting a figure that could possibly be beyond their levels of expertise and experience.
Leonardo da Vinci's Paragone details how a sculptor's work should be appreciated at the same level or below the level of a painter's work. Leonardo
considers sculptors as individuals who do not use their intelligence to sculpt, but instead use physical labor. Additionally, da Vinci believes that
sculptors do not use their imagination or creativity, but instead use nature to create

How To The Marshall M. Fredericks Sculpture Museum
I went to the Marshall M. Fredericks Sculpture Museum for my art experience project. I was impressed with the amount of statues I was able to see
in one place. A majority of them seem to have been created and donated by the Fredericks family themselves. As I said before the amount of statues in
this little space is impressive, however my first impression is the feeling of claustrophobia.
The statues are packed in fairly tight and the space overall doesn't seem to be well utilized. The room it was in did however provide an ample amount
of natural light from the large windowed wall to the north. This coupled with the recessed lighting did a good job of lighting the statues facing the
northern wall. Unfortunately though, some of the statues are facing the southern wall and lose a little detail to not being as well lit from only the
recessed lighting. The contrast between well–lit and dimly–lit does lend to contrast in light and shadow for the statues facing the east and west walls.
The contours of these statues are much more defined because of the line of contrast so they seem to draw me in the most. I also get this cold feeling,
even though the floors are more of a warm/neutral color. I believe this is due to the lack of a large amount of the statues not being colored at all. The
few that are colored are just antiqued bronze so they are mostly that powder blue/green color. The lack of color though, I feel, is intended to make a
point.
It seems as though the artist meant for

The Aeneid Analysis
The horrendous death of the trojan priest LaocoГ¶n and his sons is a classical event associated with the final days of Troy, inspiring works in
literature as well as visual arts. Book 2 of The Aeneid, by the Latin poet Virgil, and the 1st Century CE marble sculpture 'LaocoГ¶n and Sons' are two
famed works that are inspired by the LaocoГ¶n Episode. Though both the sculpture and the text are canonical works of their own genre, the latter is
more superior in terms of delivering a comprehensive narrative on the LaocoГ¶n episode. The Aeneid amplifies movements of LaocoГ¶n and the
serpents using literary devices and adopts a time frame spanning from the arrival of serpents to the death of LaocoГ¶n to deliver a complete narrative,
whereas the sculpture, though using dynamic movements and utilizes a single moment within the time frame of the text, fails to contain a general,
uninformed viewer within the episode's context.
Both the sculpture and the text depict LaocoГ¶n's movements at magnifying detail in their respective medium. For instance, the sculpture depicts
LaocoГ¶n with a dynamic pose. The priest's limbs spread out in agony, filling up a viewer's the visual space, leaving a lasting impact. The creases of
LaocoГ¶n's muscles achieve in depicting the strain and tension the priest is exerting on his limbs and torso, showing the tremendous effort the preist
puts in to break free of the serpents. Simultaneously, LaocoГ¶n's toes grip onto the floor, trying to regain his stance. By filling up

Analysis Of The Book ' The Principle '
Selected lithograph Paper (Edited) The "The Principle" was lithographed in 1918 by the artist named "Oskar Kokoschka". The Principle is a
stationary, bust sculpture like lithograph that depicts a sad laughing clown. The lithograph seems like it takes place in a large bare room with the
clown bust gazing up and to the right of the room as if is pondering or thinking and has been for a very long time which gives the bust like lithography
life.
The Principle, was published in 1919 on cream, smooth, Japanese woven paper. Was published by Verlag Gustav Kiepenheuer from Berlin with the
theme of death and war with political. The art work has blood splatter all over it, especially from the mouth the meaning is war with the clown face
showing some type of comic sadness, and sadness is the heart of all comedy.
He was friends with a sculptor and critic named Adolf Loos, which influenced Oskar to turn away from many of his old ways of decorative ideas
and move on an expressive style of painting. 1910 he was in contact with many expressionist circles in Berlin, one specifically was Herwarth
Walden who pushed and spread his work out to many others. Oskar was in the Great War, he volunteered for the Austrian Army when the war
started, but was heavily wounded in 1915 and left the army. From 1916 to 1931 a fellow named Paul Cassirer who supported and showed many of
Oskar works of art in his gallery and published many of his works, during this time Oskar had moved to Dresden in 1917 and

Art And The Modern Era And Impact The 20th Century
Introduction Art is a human activity, the product of this activity or the idea that we are in fact deliberately targeting sense, emotions and intellect. Art
and writing are different forms of expression but they both can convey the same intensity for the creator. Art can be used to express thoughts, emotions
and feelings whereas writing is a form of expressing ideas and opinions. Pablo Picasso and Ernest Hemingway are those two names, which they don't
need to identification. They are well–known personality from lifetime works on their own respected fields. Pablo Picasso and Hemingway are most
well–known in the 20th century and still popular in art and literature. Both artists created valuable paintings, stories and novels from their imagination
and express beautifully that reader and viewer can inspired by them. That why they are always be our inspiration and idol.
How did Ernest Hemingway and Pablo Picasso's literature and art transform the modern era and impact the 20th century? Ernest Hemingway and Pablo
Picasso's creations always expressed and related with imagination and real life experiences. Their outstanding creations, imagination have come to form
extraordinary priceless creations. Where Picasso invented cubism, surrealism and color theme that brings revolution on arts, Hemingway who wrote
many novels and stories based on real life experiences and adventure. Throughout a long, illustrious career, Ernest Hemingway used his work to

Spreading Your Wings Essay
The mythological story of Icarus is "...interpreted variously as an allegory of pride, or of man's quest for knowledge," as The Bloomsbury Guide to
Art stated in their article ("Icarus"). This idea of the quest of knowledge itself applies to the work of Russell Whiting, a sculptor whose work is
featured in the River Gallery Sculpture Park of Chattanooga and who sculpted a statue of Icarus as well. In correlation with the interpretation of the
story of Icarus being a man's quest for knowledge, Whiting did not just fall in love with the process of carving steel, but also with the potential for
self expression, variation, and knowledge regarding steel still left to be attained. The majority of Whiting's work ... Show more content on
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Here, Whiting emphasizes the fact that he does not specifically analyze or try to represent his work, though often originating from other previous
artist facets, in a certain manner. Rather, he lets his artistic expression flow out of him and leaves the analysis to his viewers. Therefore, being fully
open to interpretation, a viewer may infer a variety of things from Whiting's sculpture of Icarus. Approaching the piece from an iconographic
perspective, Icarus conveys a sense of freedom and the presence of ignorance and naivety associated with being young. For some, an
acknowledgeable aspect of the piece may be the fact that he chose to suspend Icarus off the side of the hill at the far end of the garden. In fact, the
anchoring which holds him up is built in such a way as to elude the public to believe he is not attached at all – but merely freely leaning out over the
crisp water with his outstretched wings. Whiting also paid a remarkable amount of attention to the texture present on the wings and the muscular tone
of the body. The tone and idealization of the body, which is anatomically similar to that of a boy, is realistic with hints of idealization of form.
Furthermore, an interesting aspect of Icarus being placed distantly over the water is that his face is hidden from viewers. Whiting may have chosen to
position him like this so as to incorporate a sense of mystery and add to the psychological value of the piece. Since his

Part a
Part A
On page 118 of your textbook is a picture of the sculpture PietГ by Michelangelo. As we have studied, Michelangelo's Renaissance period returns to
the Greeks for inspiration and ideas. Using 200 – 250 words, answer the following questions. Don't forget to defend your answer referencing the
themes of the Hellenics and Hellenistics as discussed in this module. 1. Is PietГ more of a Hellenic or Hellenistic sculpture or a conglomeration of both
Greek periods? 2. Compare this sculpture to David. How are the two sculptures similar and how are they different in intent, subject matter and mastery?
Which one do you prefer? Why?
Michelangelo's Pieta is a sculpture of the Virgin Mary holding Christ. This sculpture is... Show more content on Helpwriting.net ...
140, Duane Hanson's Woman Eating, 1971; pp. 142,Claes Oldenburg, Soft Toilet, 1966; pp. 144, Christo and Jean–Claude, The Gates, 2004 Using 200
– 250 words, answer the following:
1. What is the name of the sculpture you have chosen to write about?
2. Is this work full–round or relief? Why?
3. How does the artist use the elements of mass, texture, and color in this sculpture?
4. Describe the following:
a. In what art period did your artist create this work?
b. What predominate ideas or themes are found in this art period?
c. How does this sculpture demonstrate these themes or ideas?
5. Do you think this sculpture will someday be considered a masterpiece? Why or why not?
6. Do you like this sculpture? Why or why not?
7. What does your liking or disliking of this sculpture say about you?
I have chosen Duane Hanson, woman eating. This sculpture is full–rounded because she is a three–dimensional piece of art, you can view this
sculpture from behind and see the different dimensions. The artist uses mass by showing the obesity of the woman eating ice cream, the texture in
this sculpture shows how she looks real and not just a piece of art, the color is also real and human like. This artist was in the pop art movement, as
well as hyperrealism. The themes in this art period is influenced by comic books,

A Comparison Of The Acropolis And Chartres Cathedral
The Acropolis and Chartres Cathedral are two building with immense historical and cultural value that are admired to this day. In Arts and Ideas,
Marien Warner and William Fleming discuss about the physical features and purposes of these iconic structures and the ingenuity implemented in them.
They were not only build as religious or cultural centers, but also to prove that they are capable of producing works that are different and revolutionary
with regards of their esthetics and architecture.
Although Chartres and the Acropolis are very different from a visual standpoint, they were both used for religious and cultural purposes. TheChartres
Cathedral was visited by thousands because of its shrine and celebrations dedicated to the Virgin Mary that were "unique to the Cathedral of
Chartres" (Marien and Fleming 193). Being "the geographical center of the medieval town", the cathedral was used for town meetings and social
gatherings where theatrical and musical performances were housed. Also, it was a representation of the town as an indication is the "size and height
of its cathedral" (Marien 193). The Acropolis was, like Chartres, was used for a variety of reasons like "their religious, cultural, and civic
ceremonies" (Acropolis 26). In the agora people were selling and buying goods, having discussions, and conducting city affairs. In addition one could
have even heard Socrates "arguing with the Sophists" (Acropolis 26). In the Theater of Dionysus (dedicated to the god of

Summary Of The Indian Triumph Of Dionysus
In the Roman high relief sculpture, The Indian Triumph of Dionysus, a man takes the center of the piece as everyone else surrounding him appear to
be celebrating. Located in the Museum of Fine arts, Houston's Audrey Jones Beck building the sculpture can be seen at a size of 34 ВЅ x 85 Вѕ x 9
ВЅ in. Created between 180–195 AD it can be determined that through its use of space, movement, and line work that times of triumph call for a
celebration. From the moment the viewer observes The Indian Triumph of Dionysus it can be noticed that open space is lacking on the 3D sculpture.
What makes this highly noticeable upon first looking is the deep cuts that are created to help the individuals stand out. Usage of deep cutting can be
referred to as high relief. Unlike low relief, high relief purposely projects its subjects from the background. The way this can impact the spacing of
the sculpture is by making it appear it has less due to the 3D aspect standing out from the background. Another way a lack of space can be noticed is
with the overlapping of forms. On the left side of the sculpture one of the best examples of the overlapping can be seen where captives riding an
elephant are placed in front of multiple individuals. While not proportional to the rest of the humans on the piece those who are on the elephant the
overlapping area display the intricacy of the work that went into creating a reduced space on the stone. By having all the characters on the sculpture
overlap each other

Memi And Sabu And The Seated Statue Of Gudea
The Royal Acquaintances Memi and Sabu and The Seated Statue of Gudea are two historic statues dating back 2000 years B.C. that have been
displayed at the Metropolitan Museum of Art in New York City. The subjects represented in both statues display a strength in human relationships.
They also both bear emotional and physical similarities. Memi and Sabu and Gudea also have many differing characteristics such as their medium
and historical value. This essay will further describe the similarities and differences between The Royal Acquaintances Memi and Sabu and The
Seated Statue of Gudea. The Royal Acquaintances Memi and Sabu is constructed of limestone. Limestone is an organic sedimentary rock
composed of skeletal fragments of marine organisms such as coral and mollusks. It is very common and is still frequently used in architecture and
art. It is long lasting and stands up well to exposure. Landmarks such as the Great Pyramids were constructed of limestone (Cassar, 2010). The
seated Statue of Gudea is sculpted of diorite. Diorite is the traditional base material in the construction of roads and parking areas. It is considered
difficult to sculpt with because of its hardness and variable composition. For those reasons, it is not a stone often used by sculptors nowadays. It was
popular among ancient sculptors of the Middle East (Diorite, n.d.). The Royal Acquaintances Memi and Sabu and The Seated Statue of Gudea are
similar in size but still relatively small in size.

Maya Lin Andy Goldsworthy Analysis
Both artists, Maya Lin and Andy Goldsworthy, use nature to express their feelings through art. Goldsworthy uses nature more in a temporary art
setting. The sculptures he creates are all from objects surrounding his project. Whether it is made of rocks, leafs, branches, ice sickles, and many other
surrounding objects. Maya Lin on the other hand brings in all the materials that she uses on her sculptures. Lin strives to show the way nature or a
piece of land once was and how important it was to the tribes that lived off the land. Lin has also done a lot of memorials such as the veteran's
memorial in Washington D.C. and she also did a statue or table for Yale University showing the amount of women that have gone to Yale over the years.
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Lin wanted to show people what the Celilo Falls looked like and how the natives used to live off the falls for fishing before it became a dam.
Celilo Fall was one of the largest waterfalls in North America and was used every day for fishing by the natives. They would fish to provide their
own means of food and then sale any extra fish they would catch to make extra money on the side. When the dam went into place in the late fifties
it destroyed the falls and the natives were not able to catch as many fish as before. Maya researched how the natives use to sit way out over the
water to fish and wanted to portray that in her design in showing the world how the falls used to be used. When you reach the Celilo Park you see a
big out stretched walking path that leans way over the water. At the end of this stretch of walk way is a little house or hut that has pictures and
sounds of what the falls looked and sounded like when it was in full stream. Maya wanted the Natives to have something to remember the falls for
generations to come and so that they could show bypasses what life use to be

The Ice Hotel And The Travelodge
Introduction
For a long time researchers are trying to find the perfect recipe for success, however it is very hard to predict the response of the market to a new
product and its adaptation to the environment. The Ice Hotel and the Travelodge are two ventures established in the end of 20th century both in the
travel and hospitality sector but each one with its own unique business strategy. In evaluation of their success the decisions made throughout the
development of the above mentioned ventures can be categorized as effectual and causal, as explained by Sarasvathy (2010). G.Sanvikarja suggests
that causational logic is more rational and based on prediction where as the effectual strategy is more creative and is control orientated. Each of these
approaches implies different strategies and reasoning behind both individual decisions and responsiveness to the environment. Furthermore, most
enterprises follow a set of common principles that are key for building a business strategy including defining means, setting affordable loss,
leveraging contingencies and forming partnerships (S. et. al, 2010). These four aspects are crucial for understanding how is a business created and
what is its approach. However, it should be noted that most of the businesses are not strictly effectual or causal, rather a mixture of both with a tilt
towards one. Every business is individual and should be treated like one. This paper will examine the business strategies behind the Ice Hotel and the

Art Critiques
Critiques
Chapter 1: 1. Mona Lisa is one of the most famous pieces of art work in the world. Leonardo da Vinci used a light and dark contrast in this portrait
to achieve the emphasis of her mysterious facial expression. (Page 2). 2. The artwork of the "Kenyan woman" there was a variety of colors. The
colors in this work portrayed the beauty in different cultures. The smile of the Kenyan woman shows that happiness is beauty. (Page 3). 3. This picture
is of the Column of Trajan in Rome, Italy. The spirals on this piece of architecture portray the victories of Napoleon Bonaparte. The history and
antiqueness of this column makes this picture beautiful. (Page 8).
Chapter 2: 1. Sol LeWitt's "Lines from four corners to points ... Show more content on Helpwriting.net ...
This image portrays the lava pouring out of a volcano as it explodes. (Page 129). 2. "Still Life, Tulips" is a watercolor painting done on paper by artist
Emil Nolde. This painting represents the beauty of nature. The colors in this picture help express how beautiful nature can really be and that people
really need to take the time to enjoy nature. (Page 131). 3. "Arcadia Revisted" is a spray paint on canvas done by artist Crash (John Matos). This piece
of artwork looks very graffiti like. This picture portrays the energy of the era. (Page 132).
Chapter 7: 1. Artist Chen Xuhai's artwork known as "Golden Autumn" seems very complex. This piece of artwork seems to be of an aging face. The
lines on the face represent the wrinkles on a person's face. (Page 138). 2. "The Mothers" done by artist KГ¤the Kollwitz emphasizes a mother's love
their child after a war. The facial expressions of the mothers and children seem to be very depressing, which gives this piece of artwork creates a sense
of sorrow. (Page 145). 3. Edgar Degas's masterpiece known as "The Ballet Master" shows a man teaching a woman ballet. It seems as if he is directing
her as to what to do. This image seems to be a unique piece of art. (Page 147).
Chapter 8: 1. "Young Lady with an Umbrella" shows a woman enjoying the presence of nature. This photography really captures the beauty in nature
with the beautiful fall leaves. (Page 155). 2. "The Brown

Purpose Of Art And Cubism
Art is a general term for the expression of ideas. There are various forms of art, ranging from painting and drawings, to writing, to music, as well as
theatre. Through each of these art forms, they have a purpose of expressing concerns the artists face as well as world issues. Art is important as it
helps people improve themselves (Armstrong, 2013). Defining the purpose of art is personal and unique to each individual. From the Renaissance
ages art was a reflection of ideas that concerned men's mind. Michelangelo believed that the truth of any matter existed in nature. It was the job of the
artist to seek the truth within the world and capture it in his art. This way of thinking is what made Michelangelo a great artist. The quote "great artists
have the social function of constantly renewing the appearance of nature in the eyes of the public" was mentioned by Apollinaire, a French poet and an
art critic (The Editors of EncyclopГ¦dia Britannica, 2017). Apollinaire focused on the subject of modern painting, during 1880–1918, Cubism. Cubism
was considered to be pure art, it was a new way to view reality (TATE , 2017). It was a major style during the 20th century, a modern twist to
depictions of nature. Pablo Picasso was a major contributor to Cubism art style. Through this new style, it was also a new interpretation of the world.
Many people did not agree with the art style while others found it pleasing to the eye. Apollinaire argued that cubism painters no longer imitate

The Statue of Hatshepsut Essay
The statue of Hatshepsut seated down is made with the material limestone. This limestone is lightly colored, which created a larger contrast with
the other statues nearby. Her face was carved bringing out her eyes, eyebrows and other facial features. Her eyebrows also come slightly together
towards the middle. Her lips forming a slight archaic smile. The dimensions are larger than an average female size. The statue is of great size, yet
still in proportion. The body and head fit well with each other overall. However, it is greatly exaggerated in size.
It can be seen that the anatomy was handled quite ruggedly. There is much damage done on the knees, hands and forearms. Only these areas of the
sculpture seem to be damaged most severely. ... Show more content on Helpwriting.net ...
She is viewed less as a woman but more of a male dominant figure. This piece does not have several viewpoints but mostly one. It is to be
approached from its front view. It is extremely direct with Hatshepsut looking straightforward. The sculptor's primary focus seems to be her
resemblance as pharaoh. She is of power and should be approached directly as king. Hatshepsut is also displayed so that the statue could only be
seen by the front. Her back is to the wall; hence, having no access to approach the statue toward its back. On the side of her thighs, there are
horizontal lines playing a contrast to everywhere else, as her body is smooth. Even when entering this section of the Egyptian gallery, she can be
viewed from the outside. She is directly aligned to the entrance. The museum seems to structure the approach of Hatshepsut to be presented directly.
This statue seems to have been treated poorly and not with much care. It can be seen that it went through a lot causing such damage. However,
because of its massive size, it was able to survive and still be in somewhat good condition. The body around the torso is relatively smooth and in tact
with minor scratches. Her body itself was not as damaged but mostly around the edges of the statue were broken off. The texture seems to be of hard,
rough limestone but it was smoothed out when being carved. The intended setting of this statue is to be placed in

Goldsworthy Lunatic Analysis
Goldsworthy has an eye for the beauty of nature, he sees things that not everybody sees and he puts a lot of passion into his pieces but that does not
make him a lunatic. Some might argue that spending ages in the cold on creating a temporary piece of art that will fall apart merely a few hours
later is somewhat crazy and over ambitious but, aren't there certain activities for all of us that we like to spend our time on, even though when/if they
might not be particularly productive as such? Especially his egg / pinecone like sculptures made out of stone, wood, ice or similar material seem to be
very time–consuming. They however, depending on the material, are more durable and some of them have been and still are part of indoor and outdoor

The Sculpture On South Campus At Moravian College
The sculpture on South Campus at Moravian College commonly known as Moravian Roots One and Two, who was created by Steve Tobin in 2010
has a significant meaning behind the moderately new sculpture. There are two of the same types of sculptures in the same place, just distance away
from one another. This sculpture seems to be abstract, since we are taking the form of what it looks like to create a meaning, which can be
something different in other people's eyes. The sculpture is a dark black shade that naturally blends in with the surroundings, therefore making it
blend in with its natural surroundings. The negative space between the roots are easily seen since its roots are based in various directions,
showing us how far the roots of the sculpture and realistically Moravian has grown. There is no base or pedestals for these two sculptures who go
hand in hand together, but it is roughly around five feet standing upward and going in sporadic directions, to signify differences. They are roundly
shaped with carved pointed edges giving the image that it is like a tree root or branch, being slightly pointed on the top. The inner parts of the "tree
roots" are textured off to have a little dots making it a bit rougher than the soft and smooth outer sides that we see from a distance. There seems to be
no said real front or back side to this piece because the tree roots go in different directions, therefore giving the observer a chance to decide which way
they would like to view it.

The First Amendment Speaks On The Freedoms Of Religion
Hannah Bing
Judy Hatcher
WRIT 3037
17 October 2016
Free Art The First Amendment speaks on the freedoms of religion, speech, press, assembly and petition; so important, they found their place in the US
Constitution. Even with these freedoms meaning so much to the majority of America, somehow today we still encounter differences in political and
religious views that seem to provoke people to act violently against a piece of art or even physically against the artist that created it such as in the
recent case of artist Illma Gore. Often the violent action of destroying a work of art is "more offensive" than the image itself. We should allow artists
free reign of subject matter as well as style and work together to prevent art desecration and violence through education of the arts. Censorship is the
result of the fear of art. When the fear of art turns into iconoclasm or, rejection of a valued belief system, that fear becomes lack of government
funding, desecration, and physical violence.
Visual artists fell through the gaps and did not receive federal support for their work until the creation of the NEA or National Endowment for the Arts
in 1965. This federal program had little funding but proved a growing interest in art and art viewing from the public. This demand for art creates a
demand for funds to support venues and museums so they can keep their doors open. A problem with the NEA is that they provide government
funding, which prevents them from being biased about

Analysis Of Andy Goldsworthy 's Piece Ice Spiral
Thinking about a tree, one might think about the leaves and how they could symbolize balance, growth, and harmony. Or one might think about how
a tree represents nature itself by symbolizing such attributes as strength, stability, diversity and withstanding the greatest of challenges to survive.
Andy Goldsworthy is a British sculptor, photographer and environmentalist who produces site specific land art which embody these characteristics
and represent nature as a whole. Goldsworthy's process is to be as involved in nature as he possibly can and to produce sculptures to draw out the
character of the environment. He seeks to draw emphasis to the beauty and exquisiteness of nature while also displaying the stages of life nature
goes through; it grows, stays and decays as an integral part of the circle of life. Goldsworthy's piece Ice Spiral: Tree Soul, exemplifies these
distinctive elements and displays his unique technique in a way that captures the essence of nature. When one first looks upon the photograph of Tree
Soul, it almost looks unreal or that the ice spiral surrounding the tree was digitally added to the image of the tree. The spiral ice sculpture is perfectly
molded to wrap around the tree and opens the eyes of the audience in sensing the beauty and multidimensional details of the natural world. When
creating his art pieces, Goldsworthy uses all materials of the natural world such as twigs, flowers, snow, stone, leaves and ice. He only uses natural
materials found

Museum Report: Sarcophagus with Scenes from the Life of...
Sarcophagus with Scenes from the Life of Achilles; artist anonymous;
180–220 AD; marble, very high–relief carving, some elements are sculpture in the round;
52x83x57 in; well preserved with some damages on the right and left sides.
I. This is a three–dimensional rectangular object with a massive lid that has a shape of a flat couch with two figures reclining on it. Even though
both figures look alike and their faces are unfinished, they are slightly different. The figure in the front is a female. She has long hair, small breast,
and a round face. The other figure is a male. He has a beard; details of his face are more masculine and angular. Both figures have long clothes. All four
sides of the rectangle are carved. The back is not ... Show more content on Helpwriting.net ...
The right and left sections have some damages; therefore, their textures are rough. The space on the front and right sections is fully used. Their scenes
are very dynamic. The proportions of some figures were not completely observed. For example, horses on the relief in the front are very small
comparing to humans. Another example is the man on the left section. The sculptor had to give him an unnatural posture awkwardly bending his legs,
so that the man did look taller than the central figure. III. The subject–matter of all three visible sides of the sarcophagi is the scenes from the Achilles'
life. He is a Greek mythical hero of the Trojan War. The subject–matter of the relief on the right is the discovery of Achilles hiding among the
daughters of Lykomedes. According to the myth, Achilles' mother, Thetis, wants to prevent her son's death and sends him to the court of Lykomedes
on the island of Skyros where Achilles is hidden among the young girls. Soon he is discovered by Odyssey (the bearded man on all three relieves)
with whom he goes to Troy. On the relief in the front, Achilles mounts his chariot to drag Hector's body before the walls of Troy. Hector was the son
of the Trojan king Priam. Hector mistakenly killed Achilles' friend Patroclus. Overwhelmed by his grief, Achilles kills Hector. The relief on the left
side depicts Achilles putting on his armors with Odysseus' help. The relief in the back is unfinished and is not visible. Its

Camille Pissarro's 'Apple Harvest In Europe'
Apple Harvest in Europe
Introduction
Apple Harvest is a painting created by a French artist named Camille Pissarro in 1888. The artwork is derived from the European culture focusing on
the style of neo–impressionism or pointillism. The painting is made with the use of oil on canvas and currently located inside the Dallas Museum
of Art in second floor in the section of European art. It depicts a lively image of farmers engaging in their daily activities where they are picking
apples on a sunny day. The background of the landscape consists of a huge ranch with additional apple trees that gives a vibration of harvesting
season. Similarly, it is a form of a representational artwork portraying physical labor by the farmers during that period. Camille Pissarro seemed to
support the farmers of low social status and believed in hard work as some of his artworks are the representations of lives of these social groups
(Dallas Museum of Art 2017). In the painting "Apple Harvest", he tries to picture working peasants in an apple farm in the French Countryside
(Dallas Museum of Art 2017). This paper is an integration of the analysis of formal elements and principles relevant to the art work "Apple Harvest"
and my experience of observation of this piece of art at the Dallas Museum of Art including a reflection upon the visit. Figure 1: "Apple Harvest",
1888, Oil on Canvas, European Art. Image Courtesy of Dallas Museum of Art.
Formal Analysis
Camille Pissarro uses different forms of

Reflection Paper About Museum
Museum Visit and Reflection I had the opportunity to visit the de Young Museum located at Golden Gate Park in San Francisco. The de Young is
home to collections of American art from the 17th century to present, African art, oceanic art, art of the Americas, photography and rotating
exhibitions. I had wanted to visit the de Young for some time and finally made my first trip there with my wife. We decided to time our arrival to
the opening of the museum and spent four hours exploring everything from the artwork on the grounds to the Summer of Love Exhibition. It was a
great day and I definitely felt my mind stretch to comprehend all of the artwork and make the connection to what I have been learning. In this paper,
I will share a description of the different styles of art I viewed, the experience of viewing art in person and how art is relevant today.
Artists and Artistic Style
While I enjoyed many of the works of art at the museum I will focus on a few pieces that really caught my attention. The first would be a contemporary
sculpture, Anti–Mass created by artist Cornelia Parker. Constructed from wood, nails and wire, Anti–Mass was made from the remains of a Southern
Baptist church which was burned by arsonists. Hanging in the air the church represented by charred wood appears to be exploding outward. For me
this was such a powerful statement and made me think of the violent persecution of African Americans in the south. Because it was constructed from
the remains of a

Auguste Rodin Theme Of Life
"Life on the inside, reflects life on the outside." ~ Robin S. Sharma. When creating sculptures one of the most popular themes to create is that of life.
This is as it is a very broad theme giving each artist their own platform to show what it means to them. There are many sculptores that have taken on
the theme of life. Some of these include Michelangelo, Andy Goldsworthy and Jason Decaires Taylor; however,Auguste Rodin and Janet Laurence are
two of the most interesting artists to explore in the way that they created life through sculpture. "Sculpture is... the most diverse and evolving artistic
medium." (Leaper, C. (2003))
Although both artists use sculptural methods, they interpret life very differently. Rodin explores it through emotions and inner turmoil while Laurence
through the environment and our relationship with it. To put it simply: Rodin looks within himself to find inspiration for his artwork while Laurence
looks outside to find meaning.
Auguste Rodin, – who was born November 12, 1840, and died November 17 1917 – is a French artist who is well known for his sculptures. He uses
traditional, figurative imagery to convey meaning, to express life and emotions in his work. Some of his most famous statues include: The Thinker,
The Cathedral and Pierre and Jacques De Wissant, Right Hand. While Rodin is a well known artist now, he wasn't widely established until he was in
his 40s. "To Rodin, art was the expression of life." (Israel, G. (2002). Artwise 2 (pp. 8–9).

When Art Speaks: an Analysis of Two Artist and Two Works...
When Art Speaks:
An Analysis of Two Artist and Two Works of Art
Wanda M. Argersinger
Southern New Hanpshire University
When Art Speaks
The Italian Renaissance produced many artists and even more works of art, but there were three artists considered to be the Trinity of Great Masters,
Michelangelo, Leonardo da Vinci and Raffaelo Santi, or simply Raphael. While these artists often worked in different mediums, Michelangelo
preferred stone and Raphael preferred oil paint. Michelangelo and Raphael were able to portray emotions in their work. In two of these works, The
Pieta and La Madonna di San Sisto, these artists were able to bring to works of art the raw emotions felt by their subjects. Though their works are quite
different, ... Show more content on Helpwriting.net ...
They look puzzled and somewhat bored, a bit mischievous and not at all reverent. The colors are similar to others used during this period but do not
contain all the colors used by Michelangelo in his painting of The Sistine Chapel. They are not bright or harsh, but rather muted. There is sparing use
of red and blue, but show more use of brown and gold. The curtains and clothes are dark. The images have little shadowing, showing only under the
feet of Mary and one of the saints. The lines of the painting show an opened curtain and clouds on which Mary and the saints stand. The cherubs
appear to be leaning on a solid surface that is, in fact, the very bottom of the painting, which is the only straight line of the piece. The clothes appear
to be flowing, captured by the use of curved lines and shadowing in the folds. The light source appears to be the clouds which are the brightest of the
piece. Personally, it is the cherubs that speak to me, and not the entire work of art. I like the playfulness they show in their eyes. I like the idea that
not all religious work is completely serious and that some fun exists in religion. Intellectually, I wonder what the purpose Raphael had in including
them in a Church commissioned work. This work is much like other works of the time – religious in nature, done in oil, and displayed in a house of
worship. No doubt that Rafael was influenced by other artists and the trend in art of the time, and yet from this one work

How The Three Artists ( Michelle Lougee, Andy Goldsworthy,...
The aim and intentions of this essay is to compare and contrast how the three artists (Michelle Lougee, Andy Goldsworthy, and Hermannsburg Potters)
use their materials to communicate ideas about the natural environment.
Michelle Lougee is a very famous environmental artist, sculptor, and ceramist. She is a member of the Boston Sculptors Gallery, and her artwork has
been shown in many New England museum exhibits. She also teaches sculpture, ceramics, pottery, and drawing to adults and children at various local
museums. She holds an M.F.A and a B.F.A. from Boston University and lives in Cambridge, Massachusetts. Her work focuses on the delicate balance
between nature versus human society and technology. The contrast of this relationship is explored in both materials and subject matter. The
combination of the two factions produce mysterious yet familiar forms. Michelle Lougee strives to replicate the animated quality that all living things
possess. She believes that her job as an environmental artist is "to capture that beauty in my work while instilling a message into it." Michelle Lougee
uses a wide variety of naturally found materials from the environment. These materials are very banal. They include clay, papyrus, paper, cloth, plastic,
post–consumer grocery bags, and plastic bags. Michelle Lougee's signature material is the plastic bags as they are symbolic of the harmfulness brought
to our environment. You can see her thorough incorporation of plastic bags in her Gyre

Art Reflection Of The Art Of 'Electric Dress'
ril 2017
The interactive installation, Electric Dress, is a wearable sculpture composed of various styles of brightly painted, flickering bulbs, and electrical cords.
The work is relatively large at 65" x 31 ВЅ" x 31 ВЅ" and was created in Takamatsu, Japan. The 3–D abstract piece was crafted by Atsuko Tanaka in
1956. This work is abstract because it resembles a dress, or kimono shape, but was not constructed to be an actual piece of clothing. There is a hole at
the top of the structure which allows a face to peep through, making it an interactive piece for pictures or for the artist to be a part of. The regular light
bulbs flicker, the cathode styled bulbs are painted in many colors of bright neon enamel, and the electrical cords fall to the ground.
The installation is a constructed, or assembled sculpture, because it is made up of many different materials and pieces. Most sculpture art is created with
one medium, such as wood or stone, which makes the Electric Dress very unique. Constructed sculptures are assembled from a variety of materials to
create a work. Tanaka more than likely used techniques such as bolting, nailing, or bonding with adhesive to assemble the structure. Constructional
techniques and multi–media works are a very recent development in art, which is why the artist probably chose to use this medium. The artist paired
this modern technique with technology in order to create an overall theme of advancement of ideas.
Tanaka used a few different elements and

Analysis Of The Poem ' The Poppy Flower '
Cai Guo–Qiang compares his works as the poppy flower. He uses gun powder to make the explosion projects. Gun powder can be dangerous. Gun
powder is uncontrollable. But he has been working with the materials for a very long time and he knows well how to manage it. The way he makes
his arts are reliable, cool and can harmful. While he is making his arts, most of the times he doesn't feel like to end until he sees everything is perfect.
He also compares drawing as lovemaking meaning that he has to take his time slowly and gently to make everything faultless. His arts are beautiful,
the lines, the shapes, the colors were all well made. According to Qiang "Artist is not about what you say but it is about what you don't say.'' In my
opinion, I think he is trying to say that artist is about what you accomplish, the works that you made, the imagination you put into your arts. In addition,
in the video he described the exhibition space and the first time he saw it. He has also showed an installation in Washington, D.C that expressed the
power of destruction and the beauty of destruction. Ida Applebroog was a computer illiterate. She moved to New York when was seventy–four. She
didn't have anyone that lived there. But she wanted to bring back art. So, she started to draw and makes books. When she finished making them she
sent them out to people that she didn't even know. She discovered she was an artist at the age of five years old when she wanted her father to draw a
stick finger

Art 101 Final Project Timeline Essay
Trechelle Monroe
Final Project: Art Timeline
Sculptures from the 18th–20th Century
February 23, 2012
Fig 1
1905
Mediterrane
Aristide Maillo,
French Sculpture
Musee d'Orsay, Paris
This sculpture falls in the modern art category and the style is abstract expressionism. This sculpture is very large it is actually 110cm. The artist that
created this sculpture was one of the many fine French Sculptors, he was one of the younger generation who started out as a Symbolist painter as
well as a tapestry designer but he got an eye disease around the age of 40 and he had to give these things up but then found love for sculpting . This
artist had a love for Greek sculpture but he rejected some of what it stood for. This piece of ... Show more content on Helpwriting.net ...
The right leg is in front of the left leg , and the body has perfect posture , the head is looking straight ahead as if the person is heading towards
something or sees something interesting. Joshua C. Taylor says " The figure in Unique Forms of Continuity in Space, strides forth , a symbol of
vitality and strength, yet its impetuous steps rest lightly on the ground as if the opposing air gives the figure wings."
Fig 6
Completion date was 1879 but was released around 1912
The Call to Arms
Auguste Rodin

Bronze sculpture
The Rodin Museum, Philadelphia, USA
The style of this sculpture falls under impressionism. The dimensions are ( 113x 57.8 x 40.5 cm). This particular sculpture was actually entered in a
competition that was intended to design a monument that was meant to honor and salute the heroes of Paris who took part in the Defense of Paris
during the Franco–Prussian War, although Rodin did no win the contest this monument was still able to be installed in Verdun in the 19th century to
show appreciation to the French soldiers of World War I. When you look closely at this sculpture you will see a female who has wings and to me
this symbolizes an angel, she is over top of a warrior of some sort who seems hurt or wounded, possibly dead. This female may be his guardian angel or
something. The lady with wings seems to be screaming because her mouth is wide open , I am not sure if this is a cry for help or a rejoicing moment.
Fig 7( just a mini image of the

Rivers And Tides By Andy Goldsworthy Analysis
In the documentary "Rivers and Tides" Andy Goldsworthy describes Art as "a form of nourishment" saying, "I need it." For him, Art is life. Andy
Goldsworthy travels from one beautiful place to another, he familiarizes himself with the area, and the natural material provided to him in which to
make art. Be it the manipulation of ice into a sculpture attached to a rock, or blades of grass delicately connected to one another, hanging from a tree.
Andy Goldsworthy appreciates the natural flow of a river, the force of a tide coming in. He respects the changes of a location changing by the season,
or the growth of trees. The change that may come with livestock populating an area, or the change that comes with human interaction.
Wall for example; snakes its way through... Show more content on Helpwriting.net ...
He observes his creation; and before the temporary creation, like life itself dissolves, or fades to nothing he captures it on camera. These photographs
are the only evidence to support the beauty of what once existed. Aside from his incredible creations, I appreciate his permanent record of these
creations with his use of photography.
Photography for me as an art form provides a way in which to visit other people, and places without leaving my home. It allows me to witness the
world and fall in love with different areas of the world. It is also one of the most concrete ways in which to prove the exists of an object, place, or
person. A photograph, without alterations is a record of what is and what was.
A man may recognize himself in his father, grandfather, great grandfather and uncles faces, men who no longer exist. Photographs provide evidence of
their lives, and the changes through time. As someone who enjoys studying people, and culture, the art of Photography has capture moments of
absolute joy, the birth of a child, marriage, birthday celebrations. It can be evidence of war crimes, and genocide, destruction and

Relationship between Art and Technology in 1960s
Spurred on by exhibitions, industry sponsorship and education programmes, the artists of the 1960s began to grapple with the space age. The launch of
Sputnik in 1957 prompted a new interest in the world of the machine, yet the artistic approach to technology differed from the Futurist and
Constructivist precedent. Technology did not hold utopian potential; rather the artists of the 1960s adopted varied approaches, ranging from sheer
admiration to fearful pessimism. However, by the end of the 1960s technology became closely associated with the American war effort. The negativity
that developed in response resulted in the technological work of artists such as Jean Tinguely and Robert Rauschenberg being pushed aside in favour
of Conceptualism. Jean Tinguely's Homage to New York (1960) and Robert Rauschenberg's Soundings (1968) will be used to explore how these
particular artists responded to the rising technology, and the extent to which artist and scientist collaborated.
The technological works of Tinguely can be classified as kinetic due to their incorporation of mechanical movement. For Pontus HultГ©n the inclusion
of movement implied a 'complete rejection of the holy values of art', the traditional characteristics of sculpture were abandoned and kineticism projected
sculpture onto a different course. Tinguely, like Rauschenberg, used technology as a means to question and investigate his society. For the artist of the
1960s technology was a tool; it offered new

Andy Goldsworthy: A Collaboration With Nature
For many years, artists have been documenting the beauty of the natural world surrounding them, but few have used the materials given them by
nature to create a work of art. Andy Goldsworthy is a sculptor and photographer who creates art out of almost any natural material that the earth
provides including ice, snow, sticks, leaves, rocks, sand, clay, etc. A majority of Goldsworthy's sculptures are ephemeral, resulting in Goldsworthy's
use of photographs as a way to document all of his art. His "approach to the photograph is kept simple, almost routine. All work, good and bad, is
documented. [He uses] standard film, a standard lens and no filters" (Goldsworthy, A Collaboration with Nature Introduction). By using no filter Andy
captures nature and its' colors in the most natural way possible, allowing the viewer to physical see Goldsworthy's... Show more content on
Helpwriting.net ...
Andy Goldsworthy creates art that not only incorporates the natural environment, but transforms the natural materials he works with into pieces of art
that evoke a fresh perspective and a greater understanding of nature. Three of his photographs that show a unique perspective of nature are Rowan
Leaves and Hole, Ice Spiral: Tree Soul, and Sticks Joined by Freezing One End to Another.
In the first photograph, Rowan Leaves and Hole, Goldsworthy displays his understanding of nature and draws connections to it by using colors
commonly found in the outdoors, as well as common forms of nature i.e. the hole and the circle. Circles are most often seen in the sun and the moon,
and holes can be found in many places including in the ground and in trees. By incorporating not just physical materials, but also the forms

Analysis of Over Door Carving from Shiite Mosque in India
The beautiful over door carving is from a Shiite mosque in India that was made during the 19th century. The wood carving is of rich patterns of
greenery and flowers with Islamic writing in the bottom center of it. The medium used in this sculpture would be wood and paint.
This piece had religious meaning the writing in the sculpture meant "In the name of God, most beneficent and merciful. Oh, Allah. Oh, Mohammad.
Oh, Ali. Oh, Fatima. Oh, Hassan. Oh, Hussein. Help from God is near at hand. In the month of Ziquad. In the year of Hijri 1287."
Islamic art is always symbolic everything there has a meaning most of the time, in this sculpture what I can see is that the flowers, date trees, and
greenery could be symbolizes a paradise image since the writing is saying that " help from god is near at hand". So when you portray god everything
about god is going to be peaceful and scenic, and that's where I think the meaning of the sculpture is coming from with the design and idea for it.
This piece is very different in one reason being that there's writing on here we can't quite read the elements of design in this piece start off with
texture being the most dominant one in the sculpture. The texture can be seen and felt on this piece from the 3D imagery that is coming out of the
sculpture with the greenery, flowers, date trees, and even as well with the writing carved into the wood. Now another one I would say would be Color,
but the specific characteristic of color that this

The Egyptian World
Throughout the Egyptian world, embalmers worked to preserve the inner life force that was thought to reside within the body after death. It was
common belief that by completing a seventy day process known as mummification, the Ka, this spiritual entity, would be able to live on long after
the person died. Because of this, many people of the culture lived modest lives on Earth, saving immense amounts of money and gold for intricate
objects that could serve practical and decorative purposes for their tombs. Every step of the preparations was handled with meticulous care as it was
believed that life on Earth was limited, while life in the afterlife was eternal. This cultural ideology of eternal life after death is emulated by the statuary
of the Egyptian world–especially by the granite pair statue of Nefu and Khemet–setju from Giza, which was found in 1931 on the Harvard
University–Museum of Fine Arts Expedition. During the Old Kingdom, artists worked to form statues that could accompany the body within the
tomb, and if necessary, serve as alternative dwellings for the Ka.The pair statue, which was created between 2455 BC and 2350 BC in the Fifth
Dynasty of the Old Kingdom, was likely created for this reason. One can identify the gender of the figures by recognizing how Egyptian artists typically
depicted males with darker skin than women. This common practice along with the residual red paint on the body of the figure at the right, allows one
to conclude that the person on

Analysis Of Seated Nude By Aristide Maillol
Throughout history we see many things reused or repeated. This is true in art, many artworks use influences of previous artists and or styles for
their work. The reuse of old ideas is present in many artworks to date. One piece created in the last century is Seated Nude by Aristide Maillol which
was created in 1902. By using his experiences in France and his travels around Europe, Maillol experienced many different cultures. With the presence
of past cultural artifacts in our as influences in Europe even today we see evidence of many past cultures. Classical Greek Art is one that is very present
even today. Seated Nude specifically shows Maillol's admiration of the Mediterranean with its influences in Greek Classical Art. By the use of
naturalistic and organic feature while highlighting realism and humanism, Maillol shows Classical constructs through his piece.
Seated Nude is a terracotta sculpture on a black marble base. Housed at the Museum of Modern art it stands 6" long 8 1/8" tall and 3 ВЅ" wide. The
piece features a woman seated on a ground with her right arm extended back propping her up. Her other arm is bent and behind her head. The left leg
is bent in an inverted "V" with her foot on the ground. The right leg is bent lying flat on the ground and going in–between the "V" of her other leg. Her
face, hair, hands, and feet are not heavily detailed; however her features are clearly defined. The hair is pulled back with rounded hair in a circle
around her head,

Descriptive Experience Of A Museum
When I first saw the museum I was amazed because the museum is surrounded by such beautiful environment, being around such green grass, trees,
and the sea although it was quite a way away from the museum. The exterior of the museum, in my opinion, was a very cool be modelled after
Roman architecture. After entering in the lobby, I found it to be very orderly and the security gave me a sense that the museum was heavenly guarded.
After walking around the interior of the museum, with security guards in every room, I found that it was just as great as the exterior. The interior was
amazing because each room was wide and each painting or sculpture was organized by country and artist making a very order museum atmosphere
which allowed viewers to think about the artworks. Another thing about the inside of the museum was that each room was painted and lighted to not
clash with the artworks in the room, allowing viewers from all around the world to see the true beauty of the artwork without the room messing up their
perception of the paintings or sculptures.
The first of the paintings I going to write about is the AllГ©e at Schloss Kammer. The AllГ©e at Schloss Kammer is an oil painting which was
painted by Gustav Klimt in 1912 making it one of his late works. The painting had powerful spots of color, with a semi–rough texture I think, and
showed a multiple trees overlapping a castle creating a very beautiful painting. After reading the painting's label I found that the castle was a

The Aim Of Art. Artists All Over The World Explore Different
The aim of art
Artists all over the world explore different concepts though their art. The environment is increasingly becoming an important topic of discussion; as
well as a much more personal subject for everyone, let alone artists. Because of the increasing amounts of damage to the earth, many artists have
participated in this movement in hope to show the public the beauty in nature. Three artists, in particular, express their concept of environment in a
physical representation to be interpreted by their audience in all sorts of ways. William Robinson, shows the beauty of simplicity in everyday life,
Nancy Holt allows her audience to interact with the beauty of being in nature and Andy Goldsworthy brings nature to his audience. An... Show more
content on Helpwriting.net ...
His art stands by Aristotle's statement in that he paints what things make his life beautiful. Their inward significance. For example, in his piece
"JACARANDA WITH GINGER AND LILIES" (oil on linen, 112cm x 168cm 2014), Robinson creates a physical representation of his love for his
backyard. The Australian jacaranda tree was painted in 2014, it was appealing as it was fluorescently decorated and had a dreamlike atmosphere; this
was combined with the other plants and flowers in the artwork so that there it was intensely saturated in pigment, showing his backyard is his heaven.
Robinson paints what he sees while combining it with how he feels about what he sees. Making his art unique and an expression his passion. He seeks
an environment that influences his work as a life–spring... "Make a life, create your art out of this life making art... provide the life–spring of your art."
(William Robinson, April 2016) This is relevant because both artworks show not the outward appearance of things, but their inward significance of his
childhood experiences and life itself.
Nancy holt was a successful artist predominantly known for her land art and sculptures. She created art that brings attention and respect to our natural
world. One of her most famous works was the Sun Tunnels, (1979) where four colossal tubes frame the rising and setting of the sun. Her sculptural

The Works Of The Cleveland Museum Of Art
A Different Approach to Viewing a Masterpiece Cleveland has been fortunate enough to have become home several popular museums, including
The Cleveland Museum of Art. The museum is filled with impressive masterpieces from the beginning of human documented time to today's
world. This free exhibit offers an exciting, enjoyable experience to those of all ages and those of all backgrounds. From the interactive futuristic
portions of the building, to the delicate works of the past, there is something at this museum to please each person's artistic mindset. As you arrive
into the reception area of the Cleveland Museum of Art, you are greeted with silence. The clomping of shoes and whispers of fellow museum
goers about what the "true meaning" behind the piece is fills the air. The first floor of the museum is dedicated to historical artifacts and artwork
dating in the time period called Before Common Era (B.C.E.). Each piece is accompanied by a placard on the wall courtesy of the museum. The
pieces are approximately dated, described, and an explanation of how each piece was used is given in the short paragraph. The second floor of the
museum is filled with paintings and works from the Common Era. These pieces originate all over the world and span centuries. It includes pottery and
figurines from first century Asia, suits of armor from the Medieval Era in Europe, to contemporary paintings and sculptures in the Americas. This is
where the majority of well–known artwork is located.

Andy Goldsworthy Case Study
Andy Goldsworthy Case Study
Andy Goldsworthy is a famous British sculptor whose influences come primarily from the environment around him and the way society interacts with
nature. His work is constructed solely from objects found in the environment he is working in the aim of the work itself to become a part of the
environment around it, interacting with it in a way that makes it seem entirely out of place yet still in sync with what is around it. His own influences
and connections to nature show through in the work he creates illustrating his the relations and experiences he has found through the land.
Andy Goldsworthy's own life has a great impact on the work he creates. He was born on July 26, 1956 and grew up on the farm, ... Show more content
on Helpwriting.net ...
The work itself is constructed entirely from rowan leaves of different colours that move down in a gradient of dark to light before coming to focus
on an entirely black hole. The leaves are in rich, warm tones ranging from a dark, blood red colour to a lighter medium yellow colour. The eye is
immediately drawn to the hole in the middle of the piece and then to the leaves that

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