Vlad The Impaler Research Paper

Vlad The Impaler Research Paper
There have been a lot of rulers in the world that have been remembered for great achievements.
However, some rulers were terrible leaders and have been remembered for terrible things., Vlad the
Impaler was one of the leaders. His decisions about how to rule made history because of their
cruelty. Vlad the Impaler, who descended from Vlad ll Dracula had a unique personality, and some
choices of punishments that made history. Vlad the Impaler was descended from Vlad ll Dracula.
Vlad made history for how violent he was when he ruled Romania, and this partially came from his
relatives and father Vlad ll Dracula. "It is believed that his father died violently during war. His
brother Mircea and younger brother, Radu also suffered untimely ... Show more content on
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Impalement was his most famous punishment and he tortured thousands of people with it.
"Impalement was initiated by taking an oiled stake about as wide as a burly man's arm, and inserting
it through the victim's buttocks, often until it protruded from their mouths." (Alter Dimensions 9) As
if that wasn't enough Vlad made sure the oiled stake was not too sharp to make sure shock didn't kill
the victims. Set up around the castle were the bodies, and the smell was horrendous throughout the
castle. Vlad thought violence was the answer to misbehavior, so this is what he did. However, Vlad
had more choices of punishments throughout the castle..."Reports indicate that tortures included
nails in the head, cutting off of limbs, strangulation, burning, cutting off of noses and ears,
mutilation of sexual organs, scalping, skinning, exposure to the elements or wild animals, and
boiling persons alive." (Alter Dimensions 12) Vlad was one of the most horrific rulers of all time.
Before victims ended up dying, Vlad made sure they stayed alive for hours, and even days. As
you've read Vlad's punishments were very unique and definitely made history.
Vlad the Impaler, who descended from Vlad ll Dracula had a quite a different personality, and some
choices of punishments that definitely make us today feel very lucky with our "rulers". Vlad was not
only remembered for his punishments, but one of the most evil rulers throughout
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Analysis of the Painting Great Detonators by Acamonchi
Contemporary art is the art created in the present time. Today, artists affected by the social context
and personal experiences reproduce pieces of art that question or make a point about controversial
issues in our society. A great example is the painting created in 2006 called Great Detonators
("Grandes Detonadores") by the Mexican artist Acamonchi. The painting is located in the exhibition
The Very large Array: San Diego/ Tijuana Artist in the Peter C. Farrell Gallery inside the Museum of
Contemporary Art San Diego (MCA). Acamonchi's piece is a collage painting integrated by posters,
stencils, and graffiti, which illustrate an obvious inspiration by the street art style. It is composed of
cold colors such as blue, green, and aqua. Its multiple media consist of spray, paper, tape, acrylic,
and oil. Moreover, the gallery is presented in big white walls and it has natural and artificial white
light. The surface texture of the piece is a combination of corrugated, flat and in some parts smooth.
The size is about 8 feet wide and 8 feet long, the condition is excellent, and the frame is made of
wood. Furthermore, the painting the Great Detonators conveys ideas about mass produced waste,
political awareness and urban chaos. Consequently, the artist Acamonchi uses this piece of art to
express his opinion about important issues today during our contemporary times.
First of all, through the use of scale, Acamonchi communicated ideas regarding mass produced
waste in his piece the

Leyster And Daumier Painted Everyday Life Events
Leyster and Daumier painted everyday life events, despite the different intentions. The time and
styles of the artwork are not similar at all, other than the intention to capture everyday life events.
Leyster 's Self–Portrait focused primarily on herself, how she viewed herself, and how she desired
others to view her. This type of painting was extremely rare, if not unheard of during a time when
female artists were seen as inferior. The Baroque style of painting exhibits bold colors and dramatic
lighting with loose brush strokes. Leyster painted herself looking straight, a slight smile, and
comfortable posture; showing a sense of confidence and engagement she desires to capture as
though she were looking at the viewer directly. Leyster also had a smooth finish to her painting
making it look more like a photograph, than a painting. Daumier 's work however, is related closely
to the working class and the deep impact the time had on people, using warm colors. Daumier's
heavy paint application with harsh dark outlines related to his art as a caricaturist. Daumier worked
to express the struggles that time had brought among the lower or working class by the truth relayed
in his painting. The family in this photo is looking down, with expressed fatigue demonstrated by
the women's drooped shoulders and uncomfortableness in the crowded Third–Class Carriage. There
is no direct engagement with the viewers but rather a sense of compassion is expressed. Daumier's
painting is left

Butterfly Circus Essay
Recently I watched the short film Butterfly Circus by Joshua Weigel and I was very pleased. Prior to
watching the movie, only having read the title I immediately thought this was going to be a cartoon
for a young child. As I watched the first scene I shortly realized this was not the case. Weigel
introduces a familiar face Nick Vujicic, The Limbless man, a main character in this short film. The
film is about the famous showman going to a small circus sideshow and finding the "magnificent"
limbless man in a time of anguish while being bullied by the audience and other members of the
"freak show". After the limbless man's encounter with the showman he is forced to gain hope
against anything negative he has ever believed.
This movie opens with the setting in the depression era. A fleet of old cars traveling down a dirt road
passing families as they watch the car caravan with sorrowful eyes. Inside the fleet of old cars is the
company of the renowned Butterfly Circus on their way to the next town to lift the spirits of their
audiences. As they pass a sign for a carnival sideshow, the little boy asks the driver if they can go.
The driver answers reluctantly so the little boy ask Mr. Mendez, the famous showman, and he says,
"why not". Among the carousel, the fortune teller, and the games they find the show that everyone
has come to see. There sits a small tent that is known as "the best freak show in town". In this
company of "freaks" there is the Bearded lady, Siamese Twins, Fat

The San Antonio Art Museum
The exhibition that I viewed at the San Antonio Art Museum was called "28 Chinese". This exhibit
was based on the artwork of 28 contemporary Chinese artists. Throughout the exhibit, it was
discussing the fall of communism, poverty, the essence of time, resistance, rebellion and the
conservation of history. Some of the artwork I saw were created by Zhu Jinshi, Qiu Zhijie, Zhang
Huan, and Shang Yixin, just to name a few. The exhibit was on two floors of the museum. When I
first entered the exhibit, it led me to a big white room with art being displayed on all walls. The first
room was based on the Coca Cola project in which there was a tall case of Coca Cola bottles being
displayed right when you walk in. To the right was a clear box that held burnt down Coca Cola
bottles. These items being displayed made me want to read about the project since it was a familiar
company that most people know. Some of the other rooms were structured differently. Some had
sculptures, audio visuals, interactive pieces and others had modified furniture but every piece of art
had a description next to it which told who the artist was as well as the meaning of the art itself. The
materials used for some of the art works included wood, bamboo, and rice paper. The second floor
to the exhibit is mostly abstract art work. The overall theme of this was to express their preservation
of Chinese culture being good and bad aspects through art. In order for each piece of artwork to
convey their purpose,

The Impact Of Media On Youtube And Facebook
Since the advent of the internet and the yearly increase in connectivity shrinking the digital divide,
information and media have become increasingly accessible to many more people. Our personal
consumption of media has become extremely tailored due to individualization. With "web–based
mass alternative media offer increased range, immediacy, and ease over traditional alternatives"
(Owens and Palmer, 2003; p 339) we are given the opportunity to customize both our virtual and
tangible experience. The development of this multi–modal communication can be seen by the
plethora of online media vehicles such as Youtube, Kickstarter, Indiegogo, Twitter, and Facebook;
new unifications of creators, large companies, and politicians have begun to utilize these mediums
to fulfil their relevant agendas.
An example of this would be the development of politics on Youtube and Facebook. The
communicative technology fosters more transparency and authenticity from politicians, inhibiting
their ability to control information/image while providing previously passive audiences the
opportunity to become active in both creating and sharing dialogue while challenging claims made
in the mass media. "Politicians have discovered how to govern through social media, developing
policy support and managing public opinion via direct, unfiltered communication on YouTube"
(McMilan, 2015, pp 1–2). Politicians such as Donald Trump and Bernie Sanders are constantly
being re–posted/blogged/tweeted and have become

Common Street Arts : An Art Gallery Essay
Common Street Arts is an art gallery in downtown Waterville that is hosting their fifth Holiday Pop–
up Shop (Common Street Arts, n.d.). Common Street Arts' mission statement is "To enhance the
creative, artistic and economic vitality of the Waterville community through outstanding arts
education and exhibitions" (Mission & Vision, n.d.). The pop–up shop follows the mission by
providing products for people to purchase that have been crafted by local artists, helping drive the
creative spirit of Waterville and allowing for artists to sell their works. The pop–up shop offers items
with different styles and price points, aligning with Common Street Arts goal of presenting exhibits
that get all members of the community involved. This shop also offers a place for artist to sell their
work, fulfilling the goal of supporting local artists. Common Street arts also has a goal of offering
"at least one exhibition of non–traditional media each year" (Mission & Vision, n.d.). The pop–up
shop is an accumulation of many types of art, providing a piece of artwork for nearly anyone's taste
and showcasing many forms of artistic media. Common Street Arts and worked with many artists to
create this pop–up shop and serve the needs of people in search of gifts for the holiday season.
Common Street Arts opened in 2012 on Common Street in Waterville (History, n.d.). This
organization aimed to provide "a non–profit collaborative arts space that included a gallery and
studio teaching space"

Socially Engaged Arts, Or Sea Essay
Socially Engaged Art. Definition. There exists a cornucopia of terminology when it comes to
activism realized through the arts. Among them are: "social practice" (which circumvents the
method of engagement); "socially engaged art"; "arts activism"; "social justice art"; "community–
based art"; etc. (Dewhurst, 2010; Helguera, 2011). Although many of these terms can be used
interchangeably, for the sake of consistency this paper will refer to this practice as "socially engaged
arts," or SEA. As Dewhurst aptly outlines, "Despite these various names, this work often shares a
commitment to create art that draws attention to, mobilizes action towards, or attempts to intervene
in systems of inequality or injustice" (2010, p.1). Platt (2010) places singular emphasis on the artist
who is "committed to engaging contemporary political issues...convinced of the urgent necessity to
use the power of art...to make visible what is kept invisible..." (p. xiv). The work of the participants
of SEA is one half to a whole for creating arts, the other half being the audience participation and
feedback. As Shank (2004) alleges, the two main strategies for presenting SEA to audiences are
targeting powerful organizations and constituents, or powerless organizations and constituents (p.
539). Platt's vision of the lone artist is better utilized for global exposure with powerful audiences to
react to injustices made visible, however this paper will focus primarily on engaging audiences who
are marginalized.

Art with Science: The Italian Renaissance and Art
"No painter can paint well without a thorough knowledge of geometry" (qtd. in Butterfield 27). The
Italian Renaissance is famous for its art which includes unique style of painting and sculpting,
however, the Renaissance made significant remark on the use of scientific techniques which also can
be considered as the influence of classical ideas. Although, classical ideas were not advanced like in
the Renaissance, it provided the foundation for the Renaissance to revive it again. The Italian
Renaissance transformed the manner of viewing the arts. Before, most people in Italy were bounded
by religious thoughts and beliefs. Renaissance helped people to shift their mind and behavior
towards the secular ideas, instead of vague ideology like ... Show more content on Helpwriting.net
...
They began to paint and sculpt human bodies which needed specific techniques of scaling and math.
Historian William J. Connell, La Motta Chair in Seton Hall University, describes the common
artistic features between Classical age and Renaissance. He explains, "Freestanding, larger–than–
life–size statues of human beings were sculpted for the first time since antiquity" (3). During the
Classical age, huge statues of human could be found in the history in which scientific ideas were
required to design and to sculpt it appropriately. Artists of Renaissance revived the way of sculpting
as well as painting of Greek and Roman culture where they used techniques from math as well as
science. The influence of classical culture transformed the art and the way of making it by using
scientific knowledge of drawing and sculpting, and provided it a sense human importance on the
artistic works.
Humanism became the dominant ideology in the Renaissance where artists looked on themselves.
They started illustrate human emotions through their paintings and sculptures. They emphasized on
human feelings and made many statues which portrayed anger, love, hate, etc. Goldstein, a professor
in art history, describes about the secular ideas of humanism. Several artists wrote about humanism
which includes broad moral ideas as well as visual art (641). Humanism helped people to realize the
moral values and its use in art People happened to think about morality which

Martin Luther King and Two other Reasons the Human Race...
Human beings are the epitome of contradictory. As a whole we have so many accomplishments to
take pride in, yet at the same time we have caused so many tragedies where the means do not justify
the ends. Regardless of the fact that we are the utmost confusing race to ever exist, human beings
should be spared from the wrath of the aliens because human beings are constantly developing and
surely that is something to be proud of. Throughout the genealogy of all human beings, there have
been specific human beings who were born and changed the way we have lived – forever. For
example, Martin Luther King Jr. The man has a day reserved to him in honor of his social
accomplishment. If that does not speak the magnitude of significance about this human
accomplishment, then I do not understand what will. Martin Luther King Jr. fought against the
socially corrupt principal of racism under a society who severally persecuted anyone who tried to
swim against the current of racism. Not only did he fight racism, he fought it with his piercing
words instead of physical weapons. Under all odds a human being changed not only the hearts and
minds of the human race, but the social manners that Martin Luther King Jr. believed should be
within all humans: everybody in this Earth is equal. His social revamp also created a causal chain.
Although overcoming racism carries large importance, Martin Luther King Jr.'s accomplishment
resonates to other generations beyond his. Even today we are fighting

The Finances of Being an Artist
Finances for an artist can be one of the toughest topics to be brought into discussion when thinking
about starting their own business. This shouldn't be a shock to any artist since there are major
finance issues behind every field of being a successful artist. To put it into simple context, being an
artist of any kind is costly. First, there is a variety of how expensive a career can be to an artist all
while depending on the type of work you put in. While considering art, you have many issues to
take into account such as finding and paying for a workspace, supplies, and the time to be
productive. Searching for and affording a space to work in is an important topic for any artist. Artists
need a proper facility to house the right equipment such has being a designer, painter, sculptor, etc.
Unless you are wealthy right after art school moving into a big city where space is expensive isn't
really the smartest choice. Many artists have turned to New York after graduating and experienced
financial times very hard. It is quite common for many young artists to migrate into a large city,
finding themselves paying tons of money for a small studio or apartment. My advice to anyone
starting in this field would be to look elsewhere for work, in a much less expensive setting where
you can start off and be financially stable. Starting off elsewhere will be beneficial to any artist
while gaining experience while building up a professional body of artwork before they move into a
big

The Role Of A Woman Essay
For years, all things involving power and prestige had been controlled and owned by men. The role
of a woman was believed to be limited to domestic responsibilities until the onset of the feminist
movement. The twentieth century became a time of social change for women that found a voice in
art via paintings, portraits, and photography. With time, women became more visible in public life,
and art became the reflection of not only their suffering, but their perseverance, courage, and
strength. Freedom from the stereotypical chains of society for women was the message conveyed
through the works of artists Alice Neel, Barbara Kruger, and Mary Kelly during the twentieth
century. Realism in art was a movement in which artists' works captured content in a natural way
without artistic embellishment or implausibility. It was a direct reflection of what had been observed
in the world through lenses that granted audiences a true to life view. Though the movement ended
during the 1920's, artists Alice Neel and Mary Kelly revived Realism to art through paintings and
portraits. Along with this revival, came psychological insight into social and political issues of the
twentieth Century, and move toward a different image of what it meant to be a businesswoman.
Viewed as the complete opposite of men, women had been denied education, the right to vote, and
the right to hold any type of professional occupation. Becoming educated would have empowered
women to participate in society;

Analysis Of The Christian College 's ( Pcc ) Definition Of...
Intro
Understanding art is often thought of as being an unreachable goal, but art should not be considered
arbitrary because it influences the cultures and societies around us. The purpose of this paper is to
define and also establish my opinions on Pensacola Christian College's (PCC) definition of art, the
bibliosophy of art, and Dr. Francis Schaeffer's criteria for art. These topics are useful for artists as
well as anyone else critiquing art, and can also serve as guidelines and standards for an artist when
they create art.
PCC's Definition of Art
PCC's definition of art is stated as "the organized visual expression of ideas or feelings". I believe
this definition correctly reflects God's personality as an artist with its emphasis on the word
organized. 1 Corinthians 14:40 states "Let all things be done decently and in order". This belief is
consistently recognized throughout creation. While I agree with specifying the word organized, I
disagree that art should be considered completely visual, as this leaves out areas of art such as
music, performance, and writing. Overall, I believe that this definition captures art fairly well by
explaining that art expresses human emotions and ideas.
Bibliosophy of Art
The bibliosophy of art defines art is four parts which are the canon, communication, the client, and
creativity. The canon refers to the Bible and its authority in our life as an artist, communication
defines our message as an artist, the client states who we are

Education Biography
Countless leaders, revolutionaries, and scholars have discerned that only through the trials of
experience are we able to clearly identify an established pursuit. This prospect of a delayed reward
seemingly motivates us to continue in our endeavors. Finding little relevance in experiences void of
challenge or difficulty, we discern our interests largely through the upheaval of current
understanding. As we mature we realize that we must first embrace where we came from if we hope
to continue to develop, to adapt, and to modify and so we recognize that our past experiences have
all undoubtedly led us to here.
I have been taught that every person is their own project indicating that ... Show more content on
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As the University of Bristol held no affiliation with my college, I was required to take leave of
absence from my university with the firm understanding that any coursework I completed overseas
would be null and void upon my return, rendering the completion of my degree nearly impossible to
attain within four years.
Aware that my program at the University of Bristol was only five months in duration, afterward I
would be no more a part of the university than when I first applied. As a visiting student, I would
need to apply to an alternative educatioal institution upon completion of my program overseas. A
traditional collegiate experience now looked highly unlikely. Fortunately, adhering to tradition has
never been as aspiration of mine.
In the Fall semester of my sophomore year I accepted the position of Public Programs Intern at the
Museum of Fine Arts in Boston Massachusetts where I served as a liaison between administrative
objectives and public interest. As an employee in the Department of Member and Visitor Services,
my colleagues and I worked to identify the demographic of our intended audience in order to attract
members of the

Art, Meaning And Artist 's Meaning By Daniel O. Nathan
When people encounter an artwork and try to understand it, some would refer to the artist's
intention, but some may think it is not helpful. This interpretation is concerned as one essential
component of aesthetics, both in the philosophical perspective and in common sense. They two
kinds of people have their official name for what they believe. The debate here is about whether the
artist's intention can influence the interpretation of the art.
The intentionalists believe that artist's intention can either determine or impact the interpretation.
The anti–intentionalists hold the opposite view, artist's intention should not be taken into
consideration in interpreting. In the discussion of this, there are some small variations within each
side, but we will stay with this definition for now.
Daniel O. Nathan is obviously an anti–intentionalist. In his paper "Art, Meaning and Artist's
Meaning", he demonstrated some vulnerabilities of the current anti–intentionalism view, and then
suggested some new arguments and development on the basis of it. Some of them are not very
plausible. I will defend the intentionalist's view by evaluating some of Nathan's suggestions and
point out the weakness of it. I would first examine a suggestion regrading the convention of
interpreting. The second will be about the paradox of intention. Ideally this analysis would be
illuminating to intentionalism view.
Convention in Interpreting
The first suggestion I want to discuss is one of Nathan's

Analysis Of Janine Is A Contemporary Artist With An...
Janine Antoni is a contemporary artist with an important message. She was born in the Bahamas in
1964 and expresses herself through works in performance art, sculpture, and photography ("Janine
Antoni", 2016, par. 1). The main focus of her work is to create controversy, conversation and to
build awareness. She is most notable for her different choices in medium which assists her in getting
her message across. Antoni's medium of choice often involves using her body to create her art; often
utilizing her mouth, hair, and eyelashes to create her unique works of art. By making her piece
entitled "Gnaw" orally, she made the creation process "both intimate and destructive,"to quote
Janine Antoni, herself (Steadman, 2015, par. 5). The process in which one creates an art piece is as
important as the finished artwork. Janine's process oriented work is as Antoni said, a "new way to
intensely commemorate the constricted role of women in society." (Steadman, 2015, par. 5). Janine
Antoni is constantly challenging social norms and expressing her opinion on the restraints and ideals
of women in society using her art. We can see this when we analyze Janine Antoni's piece,
"Butterfly Kisses". For this piece Janine Antoni used "her eyelashes as paintbrushes" to demonstrate
her point (Steadman, 2015, par. 6). As seen in figure 1 above, the work was created using Cover Girl
Thick Lash mascara. The 2508 butterfly kisses in this piece took Janine Antoni over month to
complete ("Janine Antoni.

Differences Between Modernism And Postmodernism
There are a lot of differences between modernism and postmodernism. The first is that modernism
began in the late 19th century and lasted until the 20th century, specifically from the year 1890s to
1945. According to Oak (2008), "... modernism and postmodernism highlights the difference in the
approaches towards life." A good example would be, during the modernist era rational and logical
thinking was encouraged as well as being objective and postmodernism does not and is subjective.
My chosen major is fashion designing. The purpose of fashion to me is an artistic way of self–
expression, it is not only shown through clothing, but a large variety of things like one's hair,
personality and even plastic surgery! It is because, self–expression is more than just what you wear
but a way to show your "personality" through fashion.
Jameson (1998, 1) stated, "The concept of postmodernism is not widely accepted or even
understood today." It is not accepted especially for the fashion industry and there are people who
still do not accept fashion as a form of art in the postmodernism era but also during the modernist
era, Paul Poiret stated "Am I a fool when I dream of putting art into my dresses, a fool when I say
dressmaking is an art? ... It seems to be that we practice the same craft, and that they are my fellow
workers." There are many different styles in fashion from all around the world that carries different
meaning to different people or cultures and that is why there are people

My Career Path For My Life
I was diagnosed with Rheumatoid Arthritis when I was eight years old. I noticed that the first three
letters of Arthritis spell "art". To me, art is the creative outlet that has made me the person I am
today. My artistic abilities have helped me choose my career path in film that I want to peruse for
the rest of my life. I have used my real life obstacles, career goals, accomplishments and personal
background to write lyrics, scripts and create art. I am an artist and I know that with the talents I
have, will help me accomplish anything I set my mind to. I am the second oldest of four children
and the second person in my family to go to college. Neither of my parents had the opportunity to
college, so I had to work hard in school to get into a four year university. There is a lot of pressure
on me to be a good role model and set a good example for my younger siblings. I treasure my
education due to the fact my parents were not able to have one. Due to my parent's education level,
my dad is the only one who was able to find a job to provide for a family of six. He barely makes
enough to maintain my family with the daily necessities. My family also has to put my medical
expenses first over my education expenses. My parents do not have any left over money to help me
pay my cell phone, school supplies, textbooks, or housing. Since, I am the second person going to
college from my family and I will have to fund my education on my own just as my older brother
did. My financial

Signs and Symbols Art Essay
Signs and symbols are the foundation of visual language, just as the alphabet is the foundation of
written language. Examine this statement with reference to a range of artists and artworks. Even
before a young child can read or write they learn the alphabet as the beginning of interpreting the
process of reading and writing. Equally a small child can generally recognise popular signs and
symbols, such as the "M" for McDonalds or the Coke symbol before they can read. Just as society
associates signs and symbols with various meanings, artists convey their thinking, beliefs and
feelings to the audience through their works. This can be described as visual language or how
images are used to communicate messages. This communication is vital to ... Show more content on
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Whiteley's works parallels Van Gogh's in its deliberate use of symbols in his paintings and while
Whiteley observed many of the principles of Symbolism, his had its own unique facility of
Surrealist attached. This can be appreciated in Night Café (1972) [refer Appendix 3] where Whiteley
depicted Van Gogh's The Night Café (1888) [refer Appendix 1] and distorted the image and took the
lines of the room to a vanishing point, idealising Whiteley's Surrealist style. Whiteley's use of
symbolism in his works is outstandingly illustrated in Whiteley's Archibald Prize winning self–
portrait Art, Life and the Other Thing (1978) [refer Appendix 4] where Whiteley demonstrates the
controversy of the Archibald in his representation of the William Dobell's controversial winning
portrait of Joshua Smith (1943) [refer Appendix 5] and John Bloomfield's disqualification from the
Archibald 1975 because of his portrait that was deemed to be painted from a picture of Tim Burstall.
Whiteley represents these two controversies in his triptych self–portrait containing a photograph of
how he looks in real life, a mixed media self–portrait, and a depiction of a baboon symbolising the
metaphorical "monkey on his back". Whitely once said "the fundamental reason one paints is in
order to see", describing how he thinks that his art is a method granting means of communication to
his audience. Van Gogh was always in the search of art and how it was to be created, he once said
"the positive

Kazu Ishiguro’s Never Let Me Go
Throughout Kazu Ishiguro's novel Never Let Me Go, he choices to depict children as outsiders to
the world which can be furthered by the setting in Britain's countryside because it helps give a sense
distance from true reality. In the framework throughout his novel Ishiguro focuses on three main
characters Kathy, Ruth, and Tommy. These three students are seen by others to have an advantage
because they were lucky enough to be raised at Hailsham by the guardians. Over the watchful eye of
the Guardians the children were able to grow accustom to being different than others. This can be
seen when the characters all mature and grow after they leave Hailsham and become accustomed to
life at the cottages. There newly found freedoms at the ... Show more content on Helpwriting.net ...
This was the tipping point for teachers at Hailsham because now their work was in the spotlight and
outsiders did not support their methods. This directly correlates with the closing of Hailsham
because it questions the motives behind schools like Hailsham and their ultimate goal of education.
One major worry for society at this time in the novel is that these cloned children will eventually
replace normal ones in everyday life.
Throughout the novel the fear of the unknown stands outs not just to the outside world and their
perceptions of clones but also the children growing up at Hailsham The most common criticism that
is raised to cloning in general is that it entitles one to start playing God. Throughout the novel,
Ishiguro examines many other ways that individuals might play God. This can be seen when
Chrissie and Rodney try to change their fate by getting a deferral while in return they are playing
God much to the extent the scientists who created them in the first place were. The organ donation
program was started in the first place on the idea that the clones owe their lives to society, and
should be prepared to sacrifice themselves later in their life. Thus at any given time the clones
should be ready for their job which designates them to lose some organ. Madame further emphasizes
the life a clone during her meeting with Tommy and Kathy by

My Experience With Iris Van Herpen Essay
Iris van Herpen
At a time when Silicon Valley is trying (and failing) to be fashionable, the Dutch designer is taking a
different route – borrowing the discoveries of scientists, architects and even the military to create
artistic pieces of great beauty. Recently I had a talk with Iris Van Herpen about her work. I had a
great experience with her.
Where were you born, grow up and did your study? I was born in Netherlands and live with my
family in wamel. I did my Fashion design from Artez Institute of the Arts Arnhem.
What are your hobbies in childhood? What are the family situations in you grow up?
In childhood I took painting lessons, played the violin and studied ballet seriously until I was
sixteen. However my initial passion lied in dance because my mother was a dancer. My father
worked as an advisor to a governmental water agency. There was no television in my house– in fact
I don't have a computer until I bought it myself at 22.
What made you decide to pursue a career in fashion?
Well, when I began my education journey at Artez, I become predominately interested in designing
apparel. And then I decided to work in fashion industry.
How did you get your first break? When did you start your own label?
After graduating, I did an internship at Alexander McQueen as well as Cloudy Jongstra and that was
my first break. It was first when I was forced to perform handwork, like meticulous beading and
intricate embroidery. There I realized that an idea can come from a

The Art World Is A Forever Changing System
The art world is a forever changing system, with new ideas and concepts constantly emerging.
Marcel Duchamp, working in a world where art was focused heavily on pleasing the eye, is seen to
emerge with a new idea that aimed to challenge this 'retinal' approach that was expected of art
during this time. Duchamp would call this new approach 'the readymade'. This essay will discuss
how Duchamp used the readymade, specifically his 1913 piece Bicycle Wheel, to move away from
the focus on the visual and shift attention to a focus on the conceptual. Likewise, this essay will
explore how Duchamp's readymade has influenced artists such as Jeff Koons, who similarly
incorporated the conceptual focus of the readymade within his own 1981–87 readymade ... Show
more content on Helpwriting.net ...
Duchamp is seen to use the word 'retinal' as a means of critically referring to avant–garde painting,
as it was apparent to him that the modern artist was becoming too immersed in a focus of pleasing
the viewer on a visual level, that they had neglected to stimulate the mind. As stated by Duchamp
himself, he "wanted to put painting again at the service of the mind", and thus his creation of the
readymade emerged. The readymade consisted of a simple, unaltered, everyday object(s) that was
presented as a work of art. Through the creation of the readymade, Duchamp undermined these pre–
determined aesthetic expectations of art as he started to exhibit his readymade pieces in high–art
exhibitions. From this point onwards, Duchamp's artistic approach was changed via his re–
development of common, everyday items and through the means of choosing and repositioning an
object, Duchamp was able to transform an everyday item into a work of art. Thus, the readymade
can be seen to be driven by Duchamp's interest in shifting attention away from the object itself, and
instead refocusing this attention on the creative relationship that he recognised between the artist,
the work, the world and the audience. Duchamp was strong in his belief that "The creative act is not
performed by the artist alone. The spectator brings the work into contact with the external world
through interpretation". Duchamp's

How can Art be Defined
The search for a definition of Art has been subject of a complex philosophical reflection
incorporated; however, within different thematics because the very idea of Art is changeable as it
relies on the culture and the tradition of a particular epoch.
Etymologically, the word Aesthetics derives from the Greek àisthesis, which means perception by
the senses. It used to refer as the study of the world of perceptions as the doctrine aimed to discover
the complexity of perceptive knowledge.
In ancient times, the concept of Art was closely related to the practice with the technique which
Plato argued were, certainly, not positive.
According to the philosopher, Art and Tragedy are copies of copies, the copies of the sensible world.
He argues ... Show more content on Helpwriting.net ...
Faced with the difficulties encountered by the circularity of the Institutional theory, some
theoreticians have tried to develop some definitions based on the relational properties of art,
changing the terms of the essential relationships between its properties.
On this terms, a very interesting approach has been suggested by Levinson (1979), who is
committed to the development of a definition in which the Art is identified through the relationship
with history.
Levinson (1979) argues that an object is a work of art if it has been created to be perceived and
evaluated in the same way that previous and recognized works of art have been received and
evaluated. In other words, what is art today resembles the continuing relationship which justifies the
attribution of the "status of Artwork."
His theory, known as the Historical–Intentional, is halfway between the Institutional and the other
traditional Aesthetics definitions.
Levinson's proposal differs significantly from that of Dickie (1974), and the difference lies in the
recovery of a real contact with our relationship with history and with the Artworks.
Even though I truly appreciate the effort of philosophers in trying to identify a generic definition, I
assume that there is not a unique definition of Art, this word is far too complex and matter of
subjectivity, and I believe that it is not necessary "to incorporate the universal in the particular."
Art is generally the perception of beauty, but

Mapping And Its Impact On The Contemporary Art
Maps are helpful in providing a symbolic representation of the different characteristics of a specific
region or area. Mapping is meant to inform and guide us in our pursuit of knowledge as it helps to
connect us visually to any location, from across the globe, to our own backyards. Historically
mapping has been used in many different ways, for example they can help to develop battle plans
and devise strategies for winning wars, as well as to help with making boundaries to promote peace.
When we can visually see where we are, in comparison to others, it helps to give us a new
perspective into the political, geographical and social similarities and differences we may share with
other people. Mapping can provide us with valuable insight into the way other people live, think and
behave. Mapping has become an important aspect in the contemporary art world as the availability
to view and share artwork with others around the world has been made more readily available.
Contemporary art as viewed through the notion that geography can lead to artists engaging with the
earth's surface in a way that can be observed through artistic experimentation. Many different
mediums can be used by the artists in order for them to express what they are trying to communicate
as it relates to where they are in to world. Three different approaches to geography that can be used
by contemporary artists include using the body as a map, political geographies, and trash
geographies. Using the body as a

Man Ray 's Life Style
Man Ray
Early Life
Man Ray, was born Emmanuel Radnitzky (August 27,1890 – November 18, 1976), Philadelphia,
Pennsylvania. he was an accomplished American painter, filmmaker, sculptor, illustrator, Dadaist
and Surrealist, and photographer. Being a Dadaist and Surrealist he was a huge contributor for the
movement while it lasted. He was known for documenting the lavished life style in France.
He spent most of his life living in France and America; he spent 42 years in America and 44 years in
France. Man Ray was born the son of a Jewish immigrant family from Russia. Him and his family
moved to Brooklyn, New York when he was young. It is said that in the early midst of 1912 The,
Radnitzky family changed their surname to Ray. Emmanuel decided to use, "Man Ray." Other
sources say he changed it to. ""Man", representing himself, and "Ray" represented of a 'ray of light'
or 'of the sun" (Fargler).
In high school Emmanuel was awarded with a scholarship to study architecture at New York
University, but did not accept the scholarship. His pursue of art led him to join the, Art students
League, and Academy of Design. His work was very similar to Alfred Stieglitz (1864 – 1946) whom
he was vary influenced by. In 1913 he visited Stieglitz modern art at 291 Gallery located in
Midtown Manhattan.
When older Man Ray would move to Ridgefield, New Jersey. From this time of Man Ray's life, he
was painting landscapes with brash, bright color palettes. In New Jersey Man Ray met a young lady

The University Of South Florida Contemporary Art Museum Essay
In order to compose this assignment, I visited the University of South Florida Contemporary Art
Museum (CAM). The USF Contemporary Art Museum is a compact museum on campus located
near the Dance buildings and the Theatres. The museum opened its establishment in 1989 and has
offered a wide range of art from around the world including the United States, Africa, Europe, and
Latin America (usfcam.usf.edu). In order to keep students engaged in the art, the museum changes
its exhibits a couple times a year. Currently, the exhibition on display is entitled Extracted and
incorporates "the extraction and circulation of natural resources around the globe" (Megan Voeller).
Despite the museum being not large in size, I was able to attain a sense of nature through
photographs, sculptures, video messages, and banners produced from artists including Otobang
Nkanga, Marina Zurkow, Claire Pentecost, Mary Mattingly and Daniel Shiffman. The social angle
most strongly related to the exhibit on display at this time is nature and culture. Extracted was
motivated by relationships between humans and the environment referring to "complex technical
processes behind oil drilling and mining or industrial agriculture" (Megan Voeller). Most of the
artists focus their work on nature including the environment, ecosystems, and life itself. One artists
in particular whose work stood out to me was Claire Pentecost with her work Soil–erg. This distinct
exposition was located in the hearth of

The At The Charlotte Fine Art Gallery
Today started out like any other day. I had been working at the Charlotte Fine Art Gallery for over 6
months now. Before my College Graduation I had worked for the Fine Art Gallery as an Internship
the previous summer when they asked me to consider a full time curator position upon graduation.
Debra Collin, owner, of the prestigious gallery wanted a fresh new eye for up and coming artists
locally and nationally. She was a tough, sophisticated North Carolina socialite who had a passion for
art but a stronger desire to control those around her. She sported short, cropped, black hair, pale
porcelain well maintained skin and every day she wore a new couture black dress. Debra walked
with a confidant and cool demeanor. Her reputation for demanding perfection and deeply over
critical nature preceded her. However, when the curator position was presented to me, she assured
me my creative eye and instinct for finding new raw talent with innovative techniques would not be
hindered. Debra would allow me full creative control. I was thrilled at this prestigious opportunity
and couldn't wait for Graduation. Flash forward to the day several months later that would open my
eyes to the reality that what people say and what they actually mean are two entirely different
things. Just because I had been offered a certain position did not necessarily mean, I would actually
be allowed to do my job without some complications along the way. My role required that I find a
fresh,

The Importance Of Art Funding For Education Essay
The Importance of Art Funding
According to the Merriam–Webster dictionary, art is defined as "something that is created with
imagination and skill and that is beautiful or that expresses important ideas or feelings" ("Art").
With that being said, it is almost essential that art is maintained as a general course required for
every student to take. While having art classes in schools available for students is important, it is
also equally as important for the school funding for the art programs to be regulated throughout each
district. By using a simple student to teacher ratio to determine how much money should be allotted
to each teacher, this reoccurring problem could be solved for good.
One of the main problems in the art program throughout the United States is the regulation of
funding within the program. For example, while one teacher has one hundred students and another
may have seventy, the teacher with seventy students gets a budget of five hundred dollars when the
teacher with one hundred gets only three hundred and fifty. On top of that, not only is it unfair to the
individual teachers, but it is also happening all over the United States to teachers in the same
district. In an article about secondary art programs, it states that "the art teacher at School Number
Two was operating with 78% of the funds as the teacher at School Number One. Because the two
schools are within the same district, this is a difference that seemingly defies explanation" (Kraft
55). While

Relational Aesthetics : Relational And The Historical...
Known by some as "the most influential stylistic strain to emerge in art since the early seventies"
(Salts, 2008), Relational Aesthetics, constructed by Nicolas Bourriaud in 1998, was a response to
artists' desire to rectify declining social bonds and a rejection of exhibition conventions prominent in
the 1980s. This essay will explore why Relational Aesthetics was created, what types of works are
considered 'relational' and the historical context surrounding the theory. Examples of 'relational' art,
with an emphasis on the work of Rirkrit Tiravanija, will be examined in context of Bourriaud's
theory in order to compare criticisms of the theory of Relational Aesthetics. These criticisms
include: what establishes a work of art as ... Show more content on Helpwriting.net ...
Due to use of the viewer as part of the artwork, boundaries between art and life become blurred,
leaving works to appear unfinished (Dohmen, 2013). To some, 'relational' art allowed the audience
to regain awareness of their surroundings and of one another, something that had deteriorated in the
late 20th century (Smith, 2008, p.c23). Bourriaud coined the term 'relational aesthetics' in the
catalogue of his 1996 exhibition Traffic, featuring Liam Gillick, Rirkrit Tiravanija, Dominique
Gonzalez–Foerster, Phillipe Paranno and Carsten Höller, among others. These artists worked within
a "sphere of 'inter–human relations'" (Baker, 2004, p.50), and works often appeared to meld into one
another, as if created by a singular artist. Artists would play with museum conventions, using the
exhibition as a medium, conducting experiments such as exhibiting off–site works and changing the
exhibition throughout its duration (Bishop, 2012, p.207). This kind of work has been regarded as
nothing new, drawing comparisons to the Fluxus group and other artists in the 1960s. Although,
what may defend its significance, according to Bishop (2004), is the shift away from food as form
and towards using food as stimuli for audience involvement and interaction. Bourriaud considers
these participatory models as a

History Of The Netherlands During The 17th Century
In this essay a brief introduction to the history of the Netherlands in the 17th century will be offered,
including an overview of commerce, politics, social life, religion and art. The composition will
segue to a review of the most popular Dutch still life artists of the 17th century, and then transition
to the specific genre of floral still life. This naturally leads to a consideration of techniques of the
Dutch artists of that era and a succinct study of several of the most famous Dutch floral still lives
from the 1600s. The thesis of this investigation is floral still lives became a popular specialty genre
of 17th century Dutch painters, reflecting he advanced painting techniques that grew in popularity
over the century.
At one time or another many a nation has led the world militarily, economically, scientifically,
artistically and academically. So it was with the Netherlands whose greatest moments may have
been in the 17th century during what has been labeled "The Dutch Golden Age". It received that
moniker because it was a country laden with an abundance of wealth in all aspects of life1. It was a
phenomenon that grew from a variety of factors, including the 30 year war that caused the division
of the Netherlands into North and South, and gave the Dutch Republic their independence.
Amsterdam, a port town, grew exponentially afterwards, as the shipping industry mushroomed and
skilled labor poured into the area. Surprisingly, the science behind the use of windmills to

Art as an Embodied Imagination
ied ImJournal of Consumer Research, Inc. Speaking of Art as Embodied Imagination: A
Multisensory Approach to Understanding Aesthetic Experience Author(s): Annamma Joy and John
F. Sherry, Jr. Reviewed work(s): Source: Journal of Consumer Research, Vol. 30, No. 2 (September
2003), pp. 259–282 Published by: The University of Chicago Press Stable URL:
http://www.jstor.org/stable/10.1086/376802 . Accessed: 22/10/2012 06:18 Your use of the JSTOR
archive indicates your acceptance of the Terms & Conditions of Use, available at .
http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not–for–profit service that helps
scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted
digital ... Show more content on Helpwriting.net ...
New research on consumer experiences also emphasizes the importance of embodiment. Pham et al.
(2001), for instance, state that consumer assessments are often based on both feelings and reason
and that one or the other becomes more prominent depending on the context. They argue that
feelings play a central role in consumer decision making and merit serious investigation, which, for
this study, means that intertwining mind and body is crucial for creating an unforgettable consumer
experience. The effort afoot to restore embodied realism to social scientiﬁc inquiry (Johnson 1999;
Lakoff and Johnson 1999) has generated some of the most exciting research into consumer behavior.
In this article, we address the links between embodiment and consumer experiences in order to
elucidate the contours of the aesthetic experience–not just the process of thinking bodily but how the
body affects the logic of our thinking about art. With this goal in mind, we revisit Kant's question in
order to explore art museum experiences–the simultaneity with which people see, hear, feel, taste,
and smell art. We believe, along with Lakoff and Johnson (1999), that our 259

Achieving Success With The Arts
Achieving Success with the Arts
Sabrina M. Gemmer
Professor Bernard
Jefferson Community Technical College
The Arts and Us
Different forms of art have been around since the beginning of time. Art, comes from a cultures
specific way of life that has been passed down from generations. Art helps mold people into creative
individuals. It helps people stand out, be their own person, and increase their imagination. Art
surrounds us from the time we are young children to adults. As a young child, the song your parent
may use to sing you to sleep is a form of an art. The building blocks you played with in kindergarten
are a form of art. The dance you preformed for your cheerleading squad in high school is an art. Art
helps us learn ... Show more content on Helpwriting.net ...
The art programs contribute towards helping a student learn more successfully in the classroom and
prepare them for adulthood. Without these programs children will not receive the full artistic and
creative experience that will help them succeed as adults. Art education should be kept in schools
because they benefit students in an academic setting, teaching then study patterns, helping promote
creativity and growing into successful adults.
Not Making the Cut
Art Education Programs may not bring in enough money to help provide the programs with new
supplies and equipment. Even though there may be a shortage of money, the students should be able
to vote which program goes. The shortage of money made by art programs may have caused schools
to become annoyed with having to pay for new equipment yearly. Many schools believe that by
cutting arts programs money could be used for something else more important. An art show may
cost $3 to attend and only 10 people may show up. A sports event may cost $3 to attend, but more
than half the school attends, including parents, sports fans and coaches. In an online article,
Arsenault (2009) concludes that "It 's fair to generalize that athletics last longer. They are universally
recognized as representative of the school and generate revenue. We have had schools that have
totally cut athletic programs, although those tend to be the last things on the chopping block because
of sports '

The Commodification of Disease Essay
The commodification of disease is a rapidly growing trend internationally. Most notably, this is
prominent in every type of cancer to various degrees. Consumers buy into marketing tactics and get
a sense of gratification when they purchase items branded with a cancer ribbon or other known
symbol.
Through the perspective and lens of the Uses and Gratifications theory, you can see the different
reasons as to what drives consumers to purchase these products and engage in a type of cancer
culture within our society. Uses and Gratifications theory has been used to discover why consumers
use different forms of media in order to feel a sense of fulfillment within themselves. Through an
array of media, this theory has been proven to be effective ... Show more content on Helpwriting.net
...
An example of this would be in Japan, where it has been suggested that the media is used to sustain
a certain view of their society and behaviors (Rubin 1993).
Other notes: Another approach to a study on uses and gratifications could be working backwards
from pleasures and gratifications to needs (Katz, Blumler and Gurevitch 1973). Whichever way you
proceed with a study, you need to systemize categories of the needs and wants of people to gauge
the gratification from a particular type of media (Katz, Blumler and Gurevitch 1973).
How it has been used in a past study: To further show the parallel of how Uses and Gratifications
theory can be applied to participating in cancer culture, the first step is to see how it has worked
within another study. Darrin Brown, Sharon Lauricella, Aziz Douai and Arshia Zaidi conducted a
study on why media consumers are drawn to crime drama television shows, through a Uses and
Gratifications approach. They're method of research was a survey that yielded 130 responses, and
out of those 88 were applicable to their research; they also included 4 open ended questions within
their survey. Through variables of sex, age and other qualities, they were able to see exactly who
reached more gratification watching these television shows. Men had more gratification than
women, the older you were the more you enjoyed them, and the more hours you viewed these
dramas, the less enjoyable they were (Brown, Lauricella, Douai, Zaidi

Bureaucracy And Activism : How Public Art Essay
II – Subversion of bureaucracy and activism: how public art is key to the education of criticism. Art
did not start off by being 'anything the art world says is art is art'.1 During the 18th century the
maxim that art 'was not to serve any master but itself'2 corroborates 'the notion of artistic freedom.
This was (...) an integral value to an artistic practice; it was contrasted (...) with the unfreedom of
institutions, the state or the bourgeoisie'3.
With neo–liberal practices being implemented by Thatcher in England between 1979 and 1990, the
arts suffered increasingly corporatization and privatization, which led to seeing the arts as a
business, with a heftier load of bureaucratization mounting.
Nowadays bureaucracy is so assimilated in every aspect of our lives that isn't not spoken about.
Nonetheless, Graeber argues that "in practice, bureaucratic procedure invariably means ignoring all
the subtleties of real social existence and reducing everything to preconceived mechanical or
statistical formulae."4
In addition, bureaucracy influences our lives because we need to engage with it. It provides
conceptual short–cutting, which the Arts Council started suffering from, which Latham points out on
the ruling of withdrawal of funding for the APG5. A 'pure–art' ideology was being fostered, and
censorship started to emerge in the art world even by means of destroying works.6 Of paramount
importance to this discussion, is that 'the APG shifted the function of art

High Art And Low Art Essay
The Merriam–Webster dictionary defines art as something that is created with imagination and skill
and that is beautiful or that expresses important ideas or feelings: works created by artists: paintings,
sculptures, etc., that are created to be beautiful or to express important ideas or feelings. The main
thing I take from this the definition, which is that it is all subjective. While one person may think a
painting or a stage play is beautiful someone may not see the same thing or come close to having the
same opinion. With that being said I think that finding a concrete answer to give to a class every
year till the end of time will never happen. However, I'll show you my opinion within this essay as
well. Now the difference between high art and low art is based on multiple things. Matt Plescher,
who's an artist and author of High and Low Art on the website The Rapidian, thinks high art is
supposed to have some type of "aesthetic contemplation" while low art is just "functional" within
itself. Another quality that high art is supposed to have is typically a "limited audience" and is
"unique, complex, sing or limited in production." Low art is meant to be "formulaic, simple, easily
accessed, and/or massed produced." Which fits what people typically think when it comes to having
to define high art and low art, including what we have discussed in class about the subject matter. I
would like to focus on the performance side of high art and low art. I feel very passionate

Education And Academic Achievement Gap
Anna, a young first grader, squeals with delight as the whistle blows to announce the end of recess.
What may seem as a sad end to the best part of the day for most students fills Anna with complete
joy. Why? Anna is on the way to her favorite class–music. Anna enjoys it because she likes to sing,
but what she does not know is that the class that she enjoys the most is also extremely beneficial to
her academic and social life. Sadly, for many students, art classes are not commonly offered due to
cost or the perception that art education is unimportant. Although seen as less important than core
subjects, art education should be a part of basic curriculum because of its academic and social
benefits for students. Many people believe that schools should focus on excelling on standardized
testing, such as state tests and college entrance exams, and lowering the academic achievement gap.
After all, these examinations are major factors in students' future decisions and schools' academic
success greatly affects their overall achievement. Focusing on standardized testing is important;
however, basic courses–such as English, mathematics, and science–are not the only subjects that are
beneficial when preparing for these tests. In a study prepared by the President's Committee on the
Arts and Humanities (PCAH), arts integration–focused schools were followed over a three–year
timespan and it was found that they had reduced the reading gap by fourteen percent and the
mathematics gap

Dada vs. Walter Benjamin: What Value Does Dada Have in...
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Unit 7.
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Dada Vs. Walter Benjamin:
What value does Dada have in context of Walter Benjamins The Work of Art in the Age of
Mechanical Reproduction?
–––––––––––––––––––––––––––––––––––––––––––––––––
Martin Hannon
–––––––––––––––––––––––––––––––––––––––––––––––––
Martin Newth
–––––––––––––––––––––––––––––––––––––––––––––––––
B.A. Photography, Year 2.
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I have often been attracted to both the visual aesthetic, critical standpoint and to some extent the
theory of artists Hannah Hoch and Kurt ... Show more content on Helpwriting.net ...
Although Walter Benjamin and Dada are contemporaneous, by the time Benjamin wrote his essay
(1936), Dada was being purged from Germany by the political events concerning Hitler and the
Nazi party, which considered Dada degenerative art. The year after the essay was published Dada
was included along with many other forms of modern art in their Entartete Kunst (degenerative art)
exhibition, which aimed to defame modernism as a conspiracy against German decency: Schwitters
fled to Norway the same year, likewise, Walter Benjamin (being an assimilated Jew) had left
Germany in 1932. For this reason, it is important to remember political context when examining
Benjamins essay.
–––––––––––––––––––––––––––––––––––––––––––––––––
He discusses his concerns with film are that 'Quantity has now become quality', that 'the masses are
looking for distraction whereas art calls for immersion' and warns us that 'reception in a state of
distraction, which is increasing noticeably in all fields of art and is symptomatic of profound
changes in apperception, finds in film its true means of exercise'
–––––––––––––––––––––––––––––––––––––––––––––––––
'Mankind, which in Homers time was an object of contemplation for the Olympian gods, is now one
for itself. It's self–alienation has reached such a degree that it can experience its own destruction as

an aesthetic pleasure of the first order. This is the situation of politics which Fascism is rendering
aesthetic. Communsim responds by politicizing

The Art Scene Of Tucson, And All Over The World
Creativity and art is becoming such a rising normality in our everyday culture. A new mural with a
political statement is popping up every other week. A person visiting the local pizza joint downtown
can look up on the wall and see a piece of art with a price tag next to it. A local artist painted it and
where else to get public attention than Brooklyn Pizza, in the heart of buzzing downtown. The art
scene is growing quickly, and thanks to the creative means, so is the opportunity for aspiring artists.
Whether it be a political, personal, local, environmental, or just showing U of A pride, local murals
and art are popping up and displaying the creativity of fellow Tucsonans. Art in Tucson, and all over
the world, sets a name for the city, brings the people together and defines a culture. "There's such a
hub of cultural exchange here, with Native Americans, Mexican Americans. There really is a lot
going on in the arts" (Busler). Local and community art galleries have been around, and are on the
rise; Murals, too, are creating business interest, and create an outlet for creativity. Art shows and
auctions get more artists out into the world, as well as their inspirational pieces. This art scene is
only going to grow, and opportunity along with it. Culture is the puzzle piece in this scene. "Cultural
diversity is a social good and the wellspring of free expression. Cultural equity means full inclusion,
participation, and power–sharing in all of our communities and institutions"

Hannah Wilke : The Youngest Child Of Jewish Parents, Selma...
Hannah Wilke
Hannah Randolph
College of Saint Mary
Abstract
Hannah Wilke was born Arlene Hannah Butter in New York City on March 7, 1940. She was the
youngest child of Jewish parents, Selma and Emanuel Butter. Hannah and her older sister Marsha,
born Marsie Scharlatt, both attended public school in Queens, and in 1957, Hannah graduated from
Great Neck High School. She then attended Stella Elkins Tyler School of Fine Art at Temple
University in Philadelphia until 1962 when she graduated and received a Bachelor of Fine Arts as
well as a teaching certificate. Shortly after graduating, Hannah began teaching at Plymouth–
Whitemarsh High School in Pennsylvania from 1962 to 1965, and from 1965 to 1970, she taught at
White Plains ... Show more content on Helpwriting.net ...
One way she transformed the negative into positive was constructing her sculptures out of
disposable objects, such as lint. Her work was also have said to recall minimalism because she
would display this work, usually, in an organized and repetitive manner. At this time in Hannah's
life, she was gaining a lot of momentum in the art world. Subsequently, her work was included in
the "American Women Artists" exhibition in 1972 at the Kunsthaus in Berlin and the Documenta V
in Kassel, West Germany (Scharlatt, M., Scharlatt, E., Scharlatt, D., & Scharlatt, A.). Her notable art
was praised by many feminist publication groups, and in 1974, she was invited to join the
"Anonymous Was a Woman" exhibition as well as "Art: A Woman's Sensibility" exhibition held by
the Feminist Art Program at the California Institute of the Arts (Scharlatt, M., Scharlatt, E.,
Scharlatt, D., & Scharlatt, A.).
In the 1970s, Hannah began using her body as a canvas for performance pieces. She called this her
"performalist self–portraits," (Smith, 1993) and they were documented by either video or by
photographs. These particular performances, according to Hannah "confront erotic stereotypes by
calling attention to and making ironic the conventional gestures, poses, and attributes of the female
body" (Hannah Wilke Collection, 2015). In 1974, Hannah began working on S.O.S. or Starification
Object Series, a fifty self–portrait installation,

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