binislakan Dance

4. COMPLETE
ME

5. 19 20 1 3 11 19

6. S T I C K S

7. 12 9 14 7 1 25 5 14

8. L I N G A Y E N

9. 16 1 14 7 1 19 9 14 1 14

10. P A N G A S I N A N

11. 3 8 9 14 1

12. C H I N A

13. 2 9 14 9 19 12 1 11 1 14

14. B I N I S LA K A N

15. BINISLAKAN

17. Dance Title: BINISLAKAN (Lingayen)
Dance Researcher : Francisca Reyes-Aquino
Meaning : With the use of sticks
Dance Culture : Christian-lowland
Place of Origin : Lingayen, Pangasinan
Country of Influence : China
Ethno- linguistic Group : Pangasinense
Classification : Social Dance

18. Dance Title: BINISLAKAN (Lingayen)
Dance Researcher :
Meaning :
Dance Culture :
Place of Origin :
Country of Influence :
Ethno- linguistic Group :
Classification :

19. BACKGROUND:
Lingayen in Pangasinan means “having
to look backward and upward.” it was
derived from Li-King-Tung, a Chinese
word given to the name Lingayen, the
capital of Pangasinan, by the Chinese
settlers of this place a long time ago.

20. The dancers look backward or upward in
some of the movements hence, the name
Lingayen. They also use two sticks to
produce rhythms, imitating the chopsticks
used by the Chinese in eating. Thus, the
dance is also called Binislakan, which in
Pangasinan means “with the use of sticks”

21. DANCE PROPERTIES:
Costume:
• Female : Siesgo and kimono with loose and long
sleeves and soft panuelo
• Male : Camisa de Chino and red pants
Music : 2/4 composed of two parts- A and B
Count : One, two, one and two, and one and two and
Formation: Partners stand about six feet apart. One or
more pairs in a set take apart. One or more pairs in a set
can take part in the dance, in any formation desired.

23. GROUP
ACTIVITY:

24. “DANCE WITH ME”

25. INSTRUCTIONs:
I will teach you the basic steps, arms and
body movements used in “Binislakan”.
You repeat it after me.

26. INSTRUCTIONs:
The class will be divided into five groups. Each group will
perform the Basic Dance Steps ofBinislakan. Ten minutes will
be given to you to prepare for this activity.

28. Groups Sequence
(30%)
Execution and Timing
(50%)
Synchronization
(20%)
Total
(100%)
I
II
III
IV