2. Scene I
Define “tabor”
• Tabor is a small drum
In what way does the Clown demonstrate to Viola/Cesario
that this theme also applies to words?
• The Clown twists the
meaning of Viola’s words
showing her that words can
be misleading as
appearances.
3. Give an example of a simile
• Fools are like husbands as
pilchards are to herrings
Give an example of a metaphor
• Love is the day
• People in love are animals
4. Find an example of how Viola/Cesario is able to tell Olivia the truth about herself,
without telling Olivia that she is really a female.
• I am not what you think I
am
• I have one heart, one
bosom, and one truth,
• And no woman has; nor
never none
• Shall mistress be of it, save I
alone.
5. Scene II
Which characters are part of the comic
plot line?
• Sir Toby, Sir Andrew,
Malvolio, Maria, and Fabian
How does Fabian manage to convince Sir Andrew that he
still has a chance of winning Olivia as his wife?
• Fabian convinces him that
Olivia is trying to make Sir
Andrew jealous.
6. Scene II
Why does Sir Andrew decide to show his love for Olivia by
challenging Viola/Cesario to a duel?
• There are two ways Sir
Andrew can try to defeat
Cesario. He can challenge
him through policy
(outsmart him) or through
valor (a duel). Sir Andrew is
lacking in intelligence, so he
decides to challenge Cesario
to a duel.
How is Maria’s practical joke on Malvolio
progressing at this point in the story?
• Malovlio is following the
advice of the fake letter. He
is smiling and wearing
crossed yellow garters.
Maria is certain Olivia will
dislike his new way of
dressing and behaving. Sir
Toby, Maria, and Fabian all
go to watch Malvolio make
a fool of himself.
7. Scene III
List 2 reasons Antonio follows Sebastian
to the Duke’s court.
• Antonio follows him
because they are friends
and because Antonio knows
the area better than
Sebastian
Why doesn’t Antonio accompany Sebastian when Sebastian
decides to look around the town?
• Antonio once participated
in a sea battle against the
Duke. If he is caught in the
area, he will be treated as
the Duke’s enemy.
8. Scene IV
1. Which type of “greatness” does Malvolio imagine for himself, as expressed in
the dialogue he has with Olivia?
• Malvolio thinks greatness
will be thrust upon him
when he marries Olivia.
• 2. What evidence is there in
this scene that Olivia is a
compassionate woman?
• She sends for Sir Toby b/c
she wants him to look after
Malvolio.
Find a passage in this scene where Malvolio is acting
superior to Sir Toby, Maria, and Fabian.
• “Go, hang yourselves all!
You are idle shallow things:
I am not of your element.
You shall know more
hereafter.”
9. 4. Find an example of Shakespeare’s use
of irony and explain it.
• “If this were played upon a stage
now, I could condemn it as an
improbable fiction.”
• The comment is ironic because it is
more probable that Malvolio is mad
than for the mix-ups and mistaken
identities in Twelfth Night to be true.
It is doubly ironic because Fabian
knows the real reason behind
Malvolio’s behavior.
5. What do Sir Toby and Fabian plan to
do to Malvolio?
• They plan to tie him up and
lock him in a room until
they get tired of the joke
and set him free.
10. Act III, Scene IV
6. What figure of speech does Fabian use when he says,
“More matter for a May morning.”
• alliteration
7. Why does Sir Toby not want to give
Viloa/Cesario Sir Andrew’s letter?
• It is so poorly written that
Sir Toby believes Cesario
will know it was written by
“clodpole”.
• Sir Andrew calls
Viola/Cesario “friend” and
“enemy,” and says he “liest,
but that is not the matter I
challenge thee for.”
11. 8. What does the following passage from the play say about
Olivia’s tendency toward excessive behavior?
• “A fiend like thee might
bear my soul to hell.”
• Olivia is saying that she
would sell her soul to the
devil to get Viola/Cesario’s
love. Claiming this shows
that Olivia, when she is in
love, is just as extreme and
over blown as the Duke.
12. 9. What is Viola’s first reaction to the news that a fierce
knight is waiting in the orchard to fight him?
• Viola can not understand
why any man wants to
fighter her/him. She wants
to run back to Olivia’s house
and let Olivia protect
her/him.
9. What does she ask Sir Toby to do?
• She knows that he/she has
not done anything to make
anyone that angry and asks
Sir Toby to go to the knight
to discover the reason this
stranger wants to fight.
13. 10. Why does Sir Andrew want Sir Toby
to offer Cesario his horse?
• Sir Toby tells Sir Andrew
that “Cesario” is a skilled
swordsman. Sir Andrew
does not want to fight
anyone with skill. He asks
Sir Toby to offer his horse to
try and get out of the fight.
11. How does Sir Toby manage to get Sir
Andrew to agree to the duel?
• Sir Toby tells Aguecheek
that Cesario cannot stop
the duel because that
would break the code of
dueling; however, Viola
promises not the hurt Sir
Andrew.
14. 12. Why does Antonio want to fight Sir
Andrew?
• Antonio wasn’t to fight Sir
Andrew because Antonio
believe that Viola is actually
Sebastian.
12. Why do you think Sir Toby draws his
sword on Antonio?
• Sir Toby draws his sword
because he is protecting Sir
Andrew.
15. 13. What happens to give Viola the idea
that her brother is still alive?
• Antonio says Sebastian's
name.
16. Who said it?
a. “I am indeed not her fool, but her
corrupter of words.”
• Clown
b. “That you do think you are not what
you are.”
• Viola
17. c. “Love sought is good, but given
unsought is better.”
• Olivia
d. ”once, in a sea-fight, against the count
his galleys,”
• Antonio
18. e. “I’m as mad as he. If sad and merry madness equal be.”
• Olivia
f. “Please one and please all.”
• Malvolio
19. g. “I am not of your element. You shall know more hereafter.”
• Malvolio
h. “But O how vile an idol proves this
god!”
• Antonio