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Alex Steinweiss was a graphic designer known for inventing the 
concept of album covers/ cover art in 1938, replacing the plain 
brown wrappers used previously. 
He was the first art director of Columbia Records and believed the 
album covers needed a change. “They were so drab, so 
unattractive. I convinced the executives to let me design a few.” 
He has approximately designed 2500 covers. 
The concept revolutionized the music business as it became a vital 
part of the music industry as a marketing tool over time as well as 
creating a new field of illustrations.
Below are series of early album art covers designed by Steinweiss. 
The focus of the album covers were the illustrations when he started 
his work which left the typography of the album covers looking plain 
and simple, a recurring style of font in most of his early works.
Through the decades and change of era, SteinWeiss's work 
gradually displayed simpler illustrations in contrast to 
previous designs with a change of typography as it became 
more vivid and creative with uses of bright colours to appeal 
and attract more attention.
XTC: Go 2 
The album ‘Go 2’ released in 1978 is none like 
any other album covers as it is in a form of an 
essay discussing how album covers are used 
to attract customers, explaining the tactic 
used in the music industry to sell their 
products. 
This unique promotional strategy of selling the 
album stands out from the rest of the other 
album covers as it is something fresh and 
original to which would attract the audience 
and intrigue them.
The ‘Chicago XIV’ album by 
Chicago was released in 
1980 with an interesting 
thumb print typography 
which interrelates with the 
detailed lining, form and 
shape of the fingerprint. 
The technique and 
influence of connecting the 
typography with the 
illustration and creating a 
shape with the font is still 
carried to this modern 
period as portrayed by the 
album cover for ‘Brand 
new eyes’ by Paramore.

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Album Cover Typography

  • 1.
  • 2. Alex Steinweiss was a graphic designer known for inventing the concept of album covers/ cover art in 1938, replacing the plain brown wrappers used previously. He was the first art director of Columbia Records and believed the album covers needed a change. “They were so drab, so unattractive. I convinced the executives to let me design a few.” He has approximately designed 2500 covers. The concept revolutionized the music business as it became a vital part of the music industry as a marketing tool over time as well as creating a new field of illustrations.
  • 3. Below are series of early album art covers designed by Steinweiss. The focus of the album covers were the illustrations when he started his work which left the typography of the album covers looking plain and simple, a recurring style of font in most of his early works.
  • 4. Through the decades and change of era, SteinWeiss's work gradually displayed simpler illustrations in contrast to previous designs with a change of typography as it became more vivid and creative with uses of bright colours to appeal and attract more attention.
  • 5. XTC: Go 2 The album ‘Go 2’ released in 1978 is none like any other album covers as it is in a form of an essay discussing how album covers are used to attract customers, explaining the tactic used in the music industry to sell their products. This unique promotional strategy of selling the album stands out from the rest of the other album covers as it is something fresh and original to which would attract the audience and intrigue them.
  • 6. The ‘Chicago XIV’ album by Chicago was released in 1980 with an interesting thumb print typography which interrelates with the detailed lining, form and shape of the fingerprint. The technique and influence of connecting the typography with the illustration and creating a shape with the font is still carried to this modern period as portrayed by the album cover for ‘Brand new eyes’ by Paramore.