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CHAPTER 5
Stories are never totally original, they 
seem to grow out of one another. 
There is one story that is endlessly 
repeated, which is of humanity and human 
nature. 
The more consciously aware we are, the 
more alive the text becomes to us.
 “But the point is this: stories grow out of 
other stories, poems out of other poems. 
And they don’t have to stick to genre. 
Poems can learn from plays, songs from 
novels. Sometimes influence is direct and 
obvious,”
 “Falling through a hole is like Alice in Wonderland 
(1865). Bingo. It’s all we need. And the world the squad 
discovers below the road, the network of Vietcong 
tunnels (although nothing like the real ones), complete 
with an officer condemned to stay there for his crimes, is 
every bit as much an alternative world as the one Alice 
encounters in her adventure. Once you’ve established 
that a book – a man’s book at that, a war book – is 
borrowing a situation from Lewis Carroll’s Alice books, 
anything is possible.”
 “What typically takes place is that we 
recognize elements from some prior text 
and begin drawing comparisons and 
parallels that may be fantastic, parodic, 
tragic, anything. Once that happens, our 
reading of the text changes from the 
reading governed by what’s overtly on the 
page.”
 “The Overcoat II” by T. 
Coraghessan Boyle is a 
rewrite of “The 
Overcoat” by Nikolai 
Gogol. 
 “Two More Gallants” by 
William Trevor is an 
updated version of “Two 
Gallants” by James 
Joyce. 
 “Grendel” by John 
Gardner is a rework of 
the medieval Beowulf.

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Now, where have i seen her before

  • 2. Stories are never totally original, they seem to grow out of one another. There is one story that is endlessly repeated, which is of humanity and human nature. The more consciously aware we are, the more alive the text becomes to us.
  • 3.  “But the point is this: stories grow out of other stories, poems out of other poems. And they don’t have to stick to genre. Poems can learn from plays, songs from novels. Sometimes influence is direct and obvious,”
  • 4.  “Falling through a hole is like Alice in Wonderland (1865). Bingo. It’s all we need. And the world the squad discovers below the road, the network of Vietcong tunnels (although nothing like the real ones), complete with an officer condemned to stay there for his crimes, is every bit as much an alternative world as the one Alice encounters in her adventure. Once you’ve established that a book – a man’s book at that, a war book – is borrowing a situation from Lewis Carroll’s Alice books, anything is possible.”
  • 5.  “What typically takes place is that we recognize elements from some prior text and begin drawing comparisons and parallels that may be fantastic, parodic, tragic, anything. Once that happens, our reading of the text changes from the reading governed by what’s overtly on the page.”
  • 6.  “The Overcoat II” by T. Coraghessan Boyle is a rewrite of “The Overcoat” by Nikolai Gogol.  “Two More Gallants” by William Trevor is an updated version of “Two Gallants” by James Joyce.  “Grendel” by John Gardner is a rework of the medieval Beowulf.