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Photo: cirquedusoleil.com


Layers of Performativity
   in Cirque du Soleil’s Corteo
                “Iconography of Death”
                           John Douglas Taylor Conference


                Lori Shyba, Assistant Professor
                McMaster University, Hamilton
                October 25, 2008
For the Funeral Procession clip from Corteo,
       go to the 2 minute 21 second point of

http://www.youtube.com/watch?v=dKQAsTM07l4
Layers of PERFORMATIVITY
                           1. Inspiration

                           2.The Industry

                           3.The Spectacle

                           4.The Sacred Sphere

                           5.Transformation

                           6. Doubling and Duality

                           7. Omnipotence
Layer One: INSPIRATION and the
Kernel of Creativity

                “At the heart of creativity is an
                experience of the mystical union; the
                heart of the mystical union is an
                experience of creativity. Those who
                speak in spiritual terms routinely refer to
                God as as the creator but seldom see
                creator as the literal term for artist.”
                           – Julia Cameron
Layer Two: THE INDUSTRY and
Making it Happen.

               “Linguist philosophers J.L. Austin and
               J.R. Searle distinguished between two
               kinds of utterances: ‘constantives’ or
               statements, and ‘performatives’ like
               “I bless you” that perform an act in
               their being said.”
                       – Marvin Carlson
Layer Three: THE SPECTACLE and the
Process of Getting it on Stage.


                “In the creative process there is the
                father, the author of the play; the
                mother, the actor pregnant with the
                part; and the child, the role to be
                born.”
                        – Constantine Stanislavsky
Photo: cirquedusoleil.com
Layer Four: THE SACRED SPHERE of
PLAY

                “The play-element was present and
                significant from the beginning ... some
                serious, some playful, but all rooted in
                ritual and production of culture by
                allowing in the innate human need for
                rhythm, harmony, change, contrast and
                climax to unfold in full richness.”
                        – Johan Huizinga
Photo: cirquedusoleil.com
Layer Five: TRANSFORMATION and
RITUAL
               “Corteo, which means quot;cortegequot; in
               Italian, is a joyous procession imagined
               by a clown ... situated in a mysterious
               space between heaven and earth..”
                       – Cirque du Soleil promotions
               “Rite of Passage” is a transformance,
               changing status of relationship and
               identity. (Schechner) In Corteo, this rite of
               passage is the transformation of the
               human soul.
Layer Six: DOUBLING and DUALITY



               “All performance involves a
               consciousness of doubleness, through
               which the actual execution of an action
               is placed in mental comparison with a
               potential, an idea, or a remembered
               original model.”
                      – Richard Bauman
Layer 7: OMNIPOTENCE and CAMERA’S EYE

               Looking at these Paradise scenes from
               Corteo ask yourself these questions ...

                1. Who or what does the camera
                  represent in this scene?
                2. How does its pervasiveness ramify
                  into our culture and social fabric?
                3. Is the camera you? Could it also be
                  a “Godcam”?
Photo: cirquedusoleil.com


    Watch the Paradise Act from Corteo
              Please refer to

http://www.youtube.com/watch?v=p7XE6psJP9c
Lori Shyba
lori.shyba@shaw.ca

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Layers of Performativity in Cirque du Soleil's Corteo

  • 1. Photo: cirquedusoleil.com Layers of Performativity in Cirque du Soleil’s Corteo “Iconography of Death” John Douglas Taylor Conference Lori Shyba, Assistant Professor McMaster University, Hamilton October 25, 2008
  • 2. For the Funeral Procession clip from Corteo, go to the 2 minute 21 second point of http://www.youtube.com/watch?v=dKQAsTM07l4
  • 3. Layers of PERFORMATIVITY 1. Inspiration 2.The Industry 3.The Spectacle 4.The Sacred Sphere 5.Transformation 6. Doubling and Duality 7. Omnipotence
  • 4. Layer One: INSPIRATION and the Kernel of Creativity “At the heart of creativity is an experience of the mystical union; the heart of the mystical union is an experience of creativity. Those who speak in spiritual terms routinely refer to God as as the creator but seldom see creator as the literal term for artist.” – Julia Cameron
  • 5. Layer Two: THE INDUSTRY and Making it Happen. “Linguist philosophers J.L. Austin and J.R. Searle distinguished between two kinds of utterances: ‘constantives’ or statements, and ‘performatives’ like “I bless you” that perform an act in their being said.” – Marvin Carlson
  • 6. Layer Three: THE SPECTACLE and the Process of Getting it on Stage. “In the creative process there is the father, the author of the play; the mother, the actor pregnant with the part; and the child, the role to be born.” – Constantine Stanislavsky
  • 8. Layer Four: THE SACRED SPHERE of PLAY “The play-element was present and significant from the beginning ... some serious, some playful, but all rooted in ritual and production of culture by allowing in the innate human need for rhythm, harmony, change, contrast and climax to unfold in full richness.” – Johan Huizinga
  • 10. Layer Five: TRANSFORMATION and RITUAL “Corteo, which means quot;cortegequot; in Italian, is a joyous procession imagined by a clown ... situated in a mysterious space between heaven and earth..” – Cirque du Soleil promotions “Rite of Passage” is a transformance, changing status of relationship and identity. (Schechner) In Corteo, this rite of passage is the transformation of the human soul.
  • 11. Layer Six: DOUBLING and DUALITY “All performance involves a consciousness of doubleness, through which the actual execution of an action is placed in mental comparison with a potential, an idea, or a remembered original model.” – Richard Bauman
  • 12. Layer 7: OMNIPOTENCE and CAMERA’S EYE Looking at these Paradise scenes from Corteo ask yourself these questions ... 1. Who or what does the camera represent in this scene? 2. How does its pervasiveness ramify into our culture and social fabric? 3. Is the camera you? Could it also be a “Godcam”?
  • 13. Photo: cirquedusoleil.com Watch the Paradise Act from Corteo Please refer to http://www.youtube.com/watch?v=p7XE6psJP9c