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gross floor area 12,100 m2
gross construction cost € 35.5 m
                                                                        brandhorst museum munich
competition 2002, 1st prize
construction 2005 - 2008
opening 2009




brief                                 The Brandhorst Museum houses a substantial private collection of late 20th-century
museum for a private collection       and contemporary art - predominantly paintings. The scheme consists of a long building
                                      of three simple interconnecting volumes clad in a multi-coloured skin of differentiated
client                                brightness. The taller head of the building defines the north-eastern corner of Munich’s
Staatliches Hochbauamt, Munich        museum quarter.

awards                                 The museum is arranged on three floors connected by a generous staircase. A day-lit
International Prize for Sustainable   ‘patio’ on the lower level forms the focal point for a suite of galleries dedicated to media
Architecture, silver medal             and graphic art. The universal exhibition spaces on the ground floor are illuminated by
Designs of the Year 2010, Design       a complex system that brings zenith light into the interior through a series of prismatic
Museum London, Shortlist               reflectors. The large rooms on the top floor, including the polygonal hall designed for Cy
Lubetkin Prize 2009, Shortlist         Twombly’s Lepanto Cycle, are all naturally lit from above. In these rooms the differing
Mies van der Rohe Award 2009,          daylight qualities combine with a deliberate variation in sequence and dimensions to
Selected Work                          create a subtle characterization of the exhibition spaces. The innovative environmental
                                       concept of the building is highly energy-efficient, and creates excellent conditions for
                                       the art works.

                                      The external skin is composed of 36 000 vertical ceramic louvres, glazed in 23 different
                                      colours. A second layer consists of a horizontally folded metal skin. Both layering and
                                      polychromy lend the skin a varied appearance: what is vivid and three-dimensional
                                      from close-up will appear smoother and more homogenous from afar. The façade
                                      communicates the spirit of the museum to the outside – a place where art comes alive.




                                                                                                             sauerbruch hutton
sauerbruch hutton   brandhorst museum, munich

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Sab brandhorst museum_en

  • 1. gross floor area 12,100 m2 gross construction cost € 35.5 m brandhorst museum munich competition 2002, 1st prize construction 2005 - 2008 opening 2009 brief The Brandhorst Museum houses a substantial private collection of late 20th-century museum for a private collection and contemporary art - predominantly paintings. The scheme consists of a long building of three simple interconnecting volumes clad in a multi-coloured skin of differentiated client brightness. The taller head of the building defines the north-eastern corner of Munich’s Staatliches Hochbauamt, Munich museum quarter. awards The museum is arranged on three floors connected by a generous staircase. A day-lit International Prize for Sustainable ‘patio’ on the lower level forms the focal point for a suite of galleries dedicated to media Architecture, silver medal and graphic art. The universal exhibition spaces on the ground floor are illuminated by Designs of the Year 2010, Design a complex system that brings zenith light into the interior through a series of prismatic Museum London, Shortlist reflectors. The large rooms on the top floor, including the polygonal hall designed for Cy Lubetkin Prize 2009, Shortlist Twombly’s Lepanto Cycle, are all naturally lit from above. In these rooms the differing Mies van der Rohe Award 2009, daylight qualities combine with a deliberate variation in sequence and dimensions to Selected Work create a subtle characterization of the exhibition spaces. The innovative environmental concept of the building is highly energy-efficient, and creates excellent conditions for the art works. The external skin is composed of 36 000 vertical ceramic louvres, glazed in 23 different colours. A second layer consists of a horizontally folded metal skin. Both layering and polychromy lend the skin a varied appearance: what is vivid and three-dimensional from close-up will appear smoother and more homogenous from afar. The façade communicates the spirit of the museum to the outside – a place where art comes alive. sauerbruch hutton
  • 2. sauerbruch hutton brandhorst museum, munich