SlideShare a Scribd company logo
1 of 5
Genre conventions
Horror filmsare designedto;
 Frighten & panic
 Causedread &alarm
 Evoke our hidden worst fears
 Captivate & entertain us in a liberatingexperience
 Often concludein a terrifyingshockingfinale usedread &alarm
 Evoke our hidden worst fears
 Captivate & entertain us in a liberatingexperience
 Often concludein a terrifyingshockingfinale
Cinematography-
 Can be filmedthroughahand-heldcameratoincrease the realismof the film/scene
 Shakycamera shotscan be usedtoshow fear,or a chase scene fromthe handheld
perspective.
 A lowangle shot;thiscan be usedto show the strengthof the villainandthe vulnerabilityof
the victims.Itshowsthe intimidationandfearthe monstergivesoff tothe characters.
 A close-upshotof the victimtoshow the emotionandfearon the face of the character.
 A pointof view shotfromthe perspective of the villain/monstertoshow theirpresence
overthe characters and the dangerthat theypossess.
 A Highangle shotoverthe charactersto show theirfearand weaknesses.
 Trackingor panningshotscan be usedto show chase scenesorto show how the characters
are beingwatched,followedorlookingatsomethingandthe camerapans roundto show
the audience whattheyare lookingat.
 Flashbacksorflashforwardscan be usedto show the characters realizationof whatisgoing
on,the consequencesof theiractions,orwhatcouldhave beendone tosave them.
 A tiltedshotcouldbe usedtoshow a supernatural beingispickingupthe camera,or a
character islyingonthe floorandwe see thingsthroughtheirperspective.
 A longshotcan be usedto showthe area/place where the filmisset.
 A zoomcan be usedtoadd emphasisona certainpointinthe scene as otherthingsare
goingon,for example zoominginona creepythinginthe backgroundas some kidsplayin
the foreground.
 AN overthe shouldershotcanbe usedto buildtensionandsuspense.Itgivesthe audience
the feel of beinganothercharacterinthe room.
Mise en scene
 A lotof lowkeylightingisusedinhorroras itcreatesmysterywithinthe film.The darklight
meansthe viewercannotsee whattheywishtosee.Thisincreasesonthe fearof the
unknown.
 Lots of dark colorsare alsousedto representthe villain andthingsconnectedtothe villain,
thisshowsthat the itemsrelatedtothe villain,andthe areaaroundit/him/heris evil.
 Similarlylightercolorsare usedforthe victimsandthingassociatedwiththemtoshow the
victim’sinnocence
 Typical settingsfora horror filmincludedarkandisolatedplaceswherenoone isaroundto
help
 Popularlocationchoiceshave previouslybeengraveyards,woodsandhousesinthe middle
of nowhere.
 Many props are usedin horrormovies,ofteninslasherflicks,anaxe ormachete isusedby
the villaintocut downmanycharacters.Otherweaponscan range fromthingslike
chainsawstobasketballs.
 The characters oftenstart outbeingdressedinnice,cleanclothes.Howeverasthe film
progressesthe clothessometimesbeginto deteriorate,toshow the mental state of the
characters.Or theycontinuouslybecome coveredinblood/bodyfluids/guts,muckanddust.
 Many horrorfilmsare setall over the place,Here are some examples:
 Small communitiesor isolatedplaces, a tribe onanislandor a groupof villagers ina remote village.
 Anything that is relatedto loneliness. Often, sometimes places with‘dark’ history, like abandoned
houses, hotels andinsane asylums.
 Abandoned houses
 Barnes and farms
 Cities
 Cabins
 Creepyhotels
 Graveyards
 Basements
 Hunting places
Character:
 The main protagonist;normally the ‘victim/hero’of the movie. Inmanyfilmsthe protagonist
diesat the end,gettakenby the monsteror givesup.Inmany filmsthe protagonistsurvives.
There are oftenmultiple protagonistsinthe film,be iteitheragroupof friendsora groupof
people forcedtogetherbuythe situation.
 The villain,oftenamonster,mutatedfreak,alien, serial killerorghost/spirit–tendto have a
trademark (Jasonvorheesmask,the stone pilesfromthe blairwitchproject;etc).Inmany
filmsthe antagonistiskilledoff bythe protagonist, butitcanalso be the otherway round.In
manyfilmswe don’tsee the antagonistasit isa spiritor ghost,or a personwhoisjustnever
seenbythe camera.
 Characteristicasto howtheykill (e.g.weapons/howandwhotheykill).Manyantagonists
have a trademarkor specificwayinwhichtheykill,mutate orterrorise theirvictims.Insaw,
for example,jigsaw usesmanyhorrible waystokill people,buteachtaskisstartedwiththe
line ‘I want toplay a game’
 The stupid/immoral teenagersthatalwaysgetkilled oftenexistwithinthe slashergenre,a
groupof friendsgoonholidaytoa cabininthe woodsandtake part in an ouji board,or
awakenan evil spirit. Teenagerswhoexplore anabandonedbuildingorareacordonedoff.
 Creepychildren oftenbecome possessedbythe spirit,forexample Hunterfromthe
Paranormal Activityseries.Andeventuallythisleadstothe deathof manyothercharacters
and people.
 Police officers are ofteninvolved,theyeithertrytohelpthe kids/teenagersinvolvedbut
endup gettingthemselves killed.Ortheydon’thelpandcall the kidsliarsandget more
people killed.
 In horror moviesthere canoftenbe astereotypical strong,cockymale leaderinthe group.
Thischaracter oftenendsupeitherbeingkilled bythe villainorsavedbythe lessstrongand
cocky characters.On the otherhandstheyoftendo save the day (forexample,evildead
1981) justlike the strongmale role isstereotyped.
 Female stereotypesinhorroroftenleave the womenbeingthe weakoneswhoneed
protectingfromthe terrorsgoingon aroundthem. SidneyPrescott isthe mainfemale
protagonistinthe ‘scream’series.Thisshowsusthatwomencanbe justas capable as men
inhorror situations. Howeverfemale characterscanoftenbe oversexualisedorusedas
sexual objects.
Sound:
 In horror filmsthere isn’treallyverymuch silence,whenthe charactersaren’ttalkingthere
isalwayssome kindof soundinthe back ground,be itwindrushingthroughthe trees,or a
rustlinginthe distance,musicorjustgeneral backgroundnoise.
 Soundsare oftenusedas a ‘sting’toeitherscare the audience or to signal somethingbadis
aboutto happen.The musicwill buildup,slowlyandthenstop,followedbyaloudnoise and
somethinghorrifyinghappensonscreen.
 Soundisone of the most importantelements,itincreasesthe intensityandsuspenseof the
film,itdrawsinthe viewerasthe musicbuilds.
 Many horror filmsrelyonmusicto buildtension,asthe character reacheda dangerous
place,musicisplayedquietlyatfirstandthe buildsuptobe loud.
 Whencomplete silence isusedhowever,itisnormallyinascene where the characteris
hidingfromthe monster/thingafterthem.The soundof the footstepsore movementis
oftenoverexaggeratedtoshowthe presence of the beingandtobuildtension.
Editing:
 The editinginhorrormoviescanbe vastlydifferentdependingonthe type of genre and
overall plotof the film.Forexample the editingstyle of paranormal activityisveryjumpy
and useslotsof straightcuts; thisisbecause mostof the filmisfilmedthroughsecurity
camerasaround the victim’shouse.
 Otherfilmshave lessjumpyeditingstylesbecauseof the genre,forexample,Wrongturn
doesn’thave verymanystraightcuts,but longer,more drawnoutscenesandedits,thisis
because itisa slowerpacedhorrorbut can be equallyasscary.
 A shotreversshotcan be usedverywell inhorrorfilmstoshow the characters fear,the
thingtheyare afraidof,and the back to the character. Thisgivesthe audience asense of
realismaswe see boththe protagonistsandantagonistina few shortseconds,justlike we
wouldif we were inthat position.
 Jumpcuts are oftenusedinhorrorfilmstoshow the passage of time,forexample,
characters heldupina buildingfromthe antagonist,orthe speedinwhichthe antagonist
can approach the protagonistandput theminsevere danger.
Narrative:
 Many horror filmsuse the closedfilmmethod,thisiswhere the filmcomestoa satisfactory
end,sothe herokillsordefeatsthe badguy/monster.Thesefilmsofternendinthe waythat
we expectthemtoend.
 Some horror filmsoftenuse anopen method,thisiswhere the filmdoesnotcome toa
satisfactoryend,like the all the heroesare killedoff andthe monster/killerislefttoresume
theirtorture of otherpeople.
 A multi strandapproachcan be used;thisiswhere there are several narrativesrunningat
the same time.Thiscan be usedinhorror to show whenagroup getssplitupand theyall go
differentwaystoescape.
 An enigmaapproachcan alsobe used,thisiswhere the plotbuildsapuzzle forthe viewerto
solve asthe characters act itout on screen.Thiscan be usedinhorror to give the viewerthe
storyfrom the perspective of adetective astheytryandfigure outwhothe killeris,andthe
audience isshownnomore informationthanthe character.
 Linearnarrativesfollow asimple start,middle,endstoryline whichcanbe usedinhorrorto
showhowsomeone’slife isaffectedbythe thingstheyexperience,anon-linearnarrative
can alsobe used,tojumpabout to differentpointsina person’s lifeandgive the audience a
differentexperience.
 There are eightbasiccharactertypesaccordingto Propp,hero,villain,donor,helper,
princess,farther,dispatcherandthe false hero.All 8can be includedinafilmandusually
more than one isplayedbythe same character, for example the donorandfathercanbe the
same character.
Subgenre
Psychological horror
Psychological horrors,unlike splatterfilms,whichrelyonbloodandgore to gettheirscares.
Psychological thrillersrelyoftenonthe unseen orunknowntoscare the audience. Suspicion,
distrust, self-doubtandparanoiaof others,themselvesandthe worldare all commonthemesin
psychological horrors.
Cinematography/editingof psychological Horrorfilms –
 Lots of psychological Horrorfilmsare filmedonhandheldcamerasandare knownas found
footage film,where the whole filmisfilmedbythe charactersandthe footage theygetisput
togetherlate on,almostlike itwasfoundandsomeone decidedtomake a filmabouttheir
adventures.
 Otherpsychological horrorsare a compilationof security camerafootage of the
haunted/terrorisedareaalongwithprofessionalscenesfilmedwheneitherthe action
happensorsome extrascenes,whichcan’tbe filmedbythe securitycameras,are neededto
fill ingapsor provide information.
 Some psychological horrorsdonotuse any type of ‘foundfootage’anduse all professional
shots.Thisadds a more sense of realismandincreasesthe scare factoras the shots look
realisticandbelievable.
 Jumpcuts are usedto showthe speedanddeadlinessof the thinghaunting/terrorisingthe
characters.The beingcouldbe 10 feetaway,andthena cut is usedas the beingisrighton
the camera and a jumpscare isusedto scare the audience.
 Eye line matchesare everyeffective toshow thatthe thinghauntingthemisn’ta visible
thing.The character looksat a location,andthe camera turns tothat locationbutthere isn’t
reallyanythingthere,anobjectmaymove inthe directionthey’relooking,oradoor may
slamor open.
 A shotreverse shotcan be usedto show the fearin the characters whentheyfinallydo
encounterthe thingthathas beentormentingthem, we seethe charactersface,the thingor
somethingthe thinghasdone, andthe fear/disgustonthe charactersface.Thisgivesthe
audience areal feel abouthowthe charactersare feeling.
Soundand mise enscene –
 The costumesand lightingare verymuchthe same as conventional horrors.The dark
lightingaddstothe atmosphere andthe clothesandmake-upof the charactersstart off
nice,anddeteriorate asthe filmgoeson.
 There islessoftena murderweaponasthe thingsthat are killingthe charactersoftenhave
some kindof supernatural abilitiesandsothe needforweaponsisnolongerneeded.
However,the charactersoftencarry a cross or some kindof religioussymbolismtoprotect
themfromthe things.
 The soundis alsoverymuch the same;stingsare usedas jumpscares.silence isusedinthe
same way,whenthe thingiscreepingaround,itsmovementsare exaggerated,the thingsit
knocksoverand destroys, theirsoundisalsoexaggerated.

More Related Content

What's hot

The horror genre
The horror genre The horror genre
The horror genre sydneychalk
 
Genres of film and their conventions
Genres of film and their conventionsGenres of film and their conventions
Genres of film and their conventionskieranasmedia
 
LOVEFIELD presentation
LOVEFIELD presentationLOVEFIELD presentation
LOVEFIELD presentationlaurenjames93
 
Lovefield film analysis
Lovefield film analysisLovefield film analysis
Lovefield film analysiskymberlyjadet
 
Mise en-scene of horror film trailers
Mise en-scene of horror film trailersMise en-scene of horror film trailers
Mise en-scene of horror film trailersSamyulb
 
LOVEFIELD Analysis
LOVEFIELD AnalysisLOVEFIELD Analysis
LOVEFIELD AnalysisDylanRHayes1
 
Scream 4
Scream 4 Scream 4
Scream 4 041041
 
Mise en scene in horror
Mise en scene in horrorMise en scene in horror
Mise en scene in horrorDaleDownton
 
Conventions of Thriller Genre
Conventions of Thriller GenreConventions of Thriller Genre
Conventions of Thriller Genrechino rambo
 
Trailer Analysis 1
Trailer Analysis 1Trailer Analysis 1
Trailer Analysis 1salinadaniel
 
Trailer Analysis 2
Trailer Analysis 2Trailer Analysis 2
Trailer Analysis 2salinadaniel
 
Conventions of thriller genre
Conventions of thriller genreConventions of thriller genre
Conventions of thriller genregmisso33
 

What's hot (20)

The horror genre
The horror genre The horror genre
The horror genre
 
Genres of film and their conventions
Genres of film and their conventionsGenres of film and their conventions
Genres of film and their conventions
 
Lovefield
LovefieldLovefield
Lovefield
 
LOVEFIELD presentation
LOVEFIELD presentationLOVEFIELD presentation
LOVEFIELD presentation
 
Lovefield
Lovefield Lovefield
Lovefield
 
Lovefield film analysis
Lovefield film analysisLovefield film analysis
Lovefield film analysis
 
Applying and identifying
Applying and identifyingApplying and identifying
Applying and identifying
 
Lovefield analysis
Lovefield analysisLovefield analysis
Lovefield analysis
 
Mise en-scene of horror film trailers
Mise en-scene of horror film trailersMise en-scene of horror film trailers
Mise en-scene of horror film trailers
 
LOVEFIELD Analysis
LOVEFIELD AnalysisLOVEFIELD Analysis
LOVEFIELD Analysis
 
Crime and horror
Crime and horrorCrime and horror
Crime and horror
 
evaluation question 1
evaluation question 1evaluation question 1
evaluation question 1
 
Scream Postmodern
Scream PostmodernScream Postmodern
Scream Postmodern
 
Scream 4
Scream 4 Scream 4
Scream 4
 
Mise en scene in horror
Mise en scene in horrorMise en scene in horror
Mise en scene in horror
 
Conventions of Thriller Genre
Conventions of Thriller GenreConventions of Thriller Genre
Conventions of Thriller Genre
 
Trailer Analysis 1
Trailer Analysis 1Trailer Analysis 1
Trailer Analysis 1
 
Sin city noir 333
Sin city noir 333Sin city noir 333
Sin city noir 333
 
Trailer Analysis 2
Trailer Analysis 2Trailer Analysis 2
Trailer Analysis 2
 
Conventions of thriller genre
Conventions of thriller genreConventions of thriller genre
Conventions of thriller genre
 

Viewers also liked

Ai1617 ac-tp1-g8-a
Ai1617 ac-tp1-g8-aAi1617 ac-tp1-g8-a
Ai1617 ac-tp1-g8-aJosé Cóias
 
Codes and conventions of a double page spread
Codes and conventions of a double page spreadCodes and conventions of a double page spread
Codes and conventions of a double page spreadkealanwhittaker
 
CURRICULLUMVITAE 2
CURRICULLUMVITAE 2CURRICULLUMVITAE 2
CURRICULLUMVITAE 2diana adkiny
 
MCG MEDIA KIT_JCB 11.04.16
MCG MEDIA KIT_JCB 11.04.16MCG MEDIA KIT_JCB 11.04.16
MCG MEDIA KIT_JCB 11.04.16Wendy Barba
 
security problems in the tcp/ip protocol suite
security problems in the tcp/ip protocol suitesecurity problems in the tcp/ip protocol suite
security problems in the tcp/ip protocol suiteYash Kotak
 
Codes and conventions of a front cover
Codes and conventions of a front coverCodes and conventions of a front cover
Codes and conventions of a front coverkealanwhittaker
 
Conslidate & Provisional Certificate
Conslidate & Provisional CertificateConslidate & Provisional Certificate
Conslidate & Provisional CertificateMurali Krishnan
 
Términos comunicación interactiva uft
Términos  comunicación interactiva uft Términos  comunicación interactiva uft
Términos comunicación interactiva uft Oskar612
 

Viewers also liked (11)

Ai1617 ac-tp1-g8-a
Ai1617 ac-tp1-g8-aAi1617 ac-tp1-g8-a
Ai1617 ac-tp1-g8-a
 
Codes and conventions of a double page spread
Codes and conventions of a double page spreadCodes and conventions of a double page spread
Codes and conventions of a double page spread
 
CURRICULLUMVITAE 2
CURRICULLUMVITAE 2CURRICULLUMVITAE 2
CURRICULLUMVITAE 2
 
MCG MEDIA KIT_JCB 11.04.16
MCG MEDIA KIT_JCB 11.04.16MCG MEDIA KIT_JCB 11.04.16
MCG MEDIA KIT_JCB 11.04.16
 
security problems in the tcp/ip protocol suite
security problems in the tcp/ip protocol suitesecurity problems in the tcp/ip protocol suite
security problems in the tcp/ip protocol suite
 
Process and CPU scheduler
Process and CPU schedulerProcess and CPU scheduler
Process and CPU scheduler
 
Blank questionnaire
Blank questionnaireBlank questionnaire
Blank questionnaire
 
Codes and conventions of a front cover
Codes and conventions of a front coverCodes and conventions of a front cover
Codes and conventions of a front cover
 
Conslidate & Provisional Certificate
Conslidate & Provisional CertificateConslidate & Provisional Certificate
Conslidate & Provisional Certificate
 
4 shared
4 shared4 shared
4 shared
 
Términos comunicación interactiva uft
Términos  comunicación interactiva uft Términos  comunicación interactiva uft
Términos comunicación interactiva uft
 

Similar to Horror genre conventions

Conventions of horror
Conventions of horrorConventions of horror
Conventions of horrorMoMedia0043
 
Killer in horror
Killer in horrorKiller in horror
Killer in horrorrushelle016
 
Conventions of Thriller Genre
Conventions of Thriller GenreConventions of Thriller Genre
Conventions of Thriller Genrechino rambo
 
Horror genre research
Horror genre research Horror genre research
Horror genre research Elliott BC
 
D.I.S.T.I.N.C.T.
D.I.S.T.I.N.C.T.D.I.S.T.I.N.C.T.
D.I.S.T.I.N.C.T.Reece Evans
 
Codes and conventions
Codes and conventionsCodes and conventions
Codes and conventionsJoey Chilton
 
Conventions of Horror
Conventions of HorrorConventions of Horror
Conventions of HorrorAngeliagjonas
 
Conventions of Horror
Conventions of HorrorConventions of Horror
Conventions of HorrorMoMedia0043
 
Horror convention ppt
Horror convention pptHorror convention ppt
Horror convention pptAmyClark94
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventionsASgroup9
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventionsASgroup9
 
Typical Conventions of Horror
Typical Conventions of HorrorTypical Conventions of Horror
Typical Conventions of HorrorAngeliagjonas
 
Horror genre research
Horror genre researchHorror genre research
Horror genre researchLeahhBoyd
 
What is horror
What is horrorWhat is horror
What is horrorKaydraze
 
Genre Research
Genre Research Genre Research
Genre Research Lewis Watt
 

Similar to Horror genre conventions (20)

Conventions of horror
Conventions of horrorConventions of horror
Conventions of horror
 
Killer in horror
Killer in horrorKiller in horror
Killer in horror
 
Conventions of Thriller Genre
Conventions of Thriller GenreConventions of Thriller Genre
Conventions of Thriller Genre
 
Horror genre research
Horror genre research Horror genre research
Horror genre research
 
D.I.S.T.I.N.C.T.
D.I.S.T.I.N.C.T.D.I.S.T.I.N.C.T.
D.I.S.T.I.N.C.T.
 
Codes and conventions
Codes and conventionsCodes and conventions
Codes and conventions
 
Presentation1
Presentation1Presentation1
Presentation1
 
Conventions of Horror
Conventions of HorrorConventions of Horror
Conventions of Horror
 
Genre Analysis
Genre AnalysisGenre Analysis
Genre Analysis
 
What is a thriller
What is a thrillerWhat is a thriller
What is a thriller
 
Conventions of Horror
Conventions of HorrorConventions of Horror
Conventions of Horror
 
Horror convention ppt
Horror convention pptHorror convention ppt
Horror convention ppt
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventions
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventions
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventions
 
Typical Conventions of Horror
Typical Conventions of HorrorTypical Conventions of Horror
Typical Conventions of Horror
 
Horror genre research
Horror genre researchHorror genre research
Horror genre research
 
What is horror
What is horrorWhat is horror
What is horror
 
Genre Research
Genre Research Genre Research
Genre Research
 
Horror sub genres
Horror sub genresHorror sub genres
Horror sub genres
 

Recently uploaded

URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppCeline George
 
PSYCHIATRIC History collection FORMAT.pptx
PSYCHIATRIC   History collection FORMAT.pptxPSYCHIATRIC   History collection FORMAT.pptx
PSYCHIATRIC History collection FORMAT.pptxPoojaSen20
 
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...Marc Dusseiller Dusjagr
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13Steve Thomason
 
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting DataJhengPantaleon
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)eniolaolutunde
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxheathfieldcps1
 
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991RKavithamani
 
Arihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfArihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfchloefrazer622
 
Separation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesSeparation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesFatimaKhan178732
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Sapana Sha
 
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Celine George
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxNirmalaLoungPoorunde1
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAssociation for Project Management
 
Hybridoma Technology ( Production , Purification , and Application )
Hybridoma Technology  ( Production , Purification , and Application  ) Hybridoma Technology  ( Production , Purification , and Application  )
Hybridoma Technology ( Production , Purification , and Application ) Sakshi Ghasle
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon AUnboundStockton
 
Micromeritics - Fundamental and Derived Properties of Powders
Micromeritics - Fundamental and Derived Properties of PowdersMicromeritics - Fundamental and Derived Properties of Powders
Micromeritics - Fundamental and Derived Properties of PowdersChitralekhaTherkar
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Educationpboyjonauth
 

Recently uploaded (20)

URLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website AppURLs and Routing in the Odoo 17 Website App
URLs and Routing in the Odoo 17 Website App
 
PSYCHIATRIC History collection FORMAT.pptx
PSYCHIATRIC   History collection FORMAT.pptxPSYCHIATRIC   History collection FORMAT.pptx
PSYCHIATRIC History collection FORMAT.pptx
 
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
“Oh GOSH! Reflecting on Hackteria's Collaborative Practices in a Global Do-It...
 
The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13
 
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data_Math 4-Q4 Week 5.pptx Steps in Collecting Data
_Math 4-Q4 Week 5.pptx Steps in Collecting Data
 
Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)Software Engineering Methodologies (overview)
Software Engineering Methodologies (overview)
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
 
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
 
Arihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdfArihant handbook biology for class 11 .pdf
Arihant handbook biology for class 11 .pdf
 
Separation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and ActinidesSeparation of Lanthanides/ Lanthanides and Actinides
Separation of Lanthanides/ Lanthanides and Actinides
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
 
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptx
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across Sectors
 
Hybridoma Technology ( Production , Purification , and Application )
Hybridoma Technology  ( Production , Purification , and Application  ) Hybridoma Technology  ( Production , Purification , and Application  )
Hybridoma Technology ( Production , Purification , and Application )
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon A
 
Staff of Color (SOC) Retention Efforts DDSD
Staff of Color (SOC) Retention Efforts DDSDStaff of Color (SOC) Retention Efforts DDSD
Staff of Color (SOC) Retention Efforts DDSD
 
Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1Código Creativo y Arte de Software | Unidad 1
Código Creativo y Arte de Software | Unidad 1
 
Micromeritics - Fundamental and Derived Properties of Powders
Micromeritics - Fundamental and Derived Properties of PowdersMicromeritics - Fundamental and Derived Properties of Powders
Micromeritics - Fundamental and Derived Properties of Powders
 
Introduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher EducationIntroduction to ArtificiaI Intelligence in Higher Education
Introduction to ArtificiaI Intelligence in Higher Education
 

Horror genre conventions

  • 1. Genre conventions Horror filmsare designedto;  Frighten & panic  Causedread &alarm  Evoke our hidden worst fears  Captivate & entertain us in a liberatingexperience  Often concludein a terrifyingshockingfinale usedread &alarm  Evoke our hidden worst fears  Captivate & entertain us in a liberatingexperience  Often concludein a terrifyingshockingfinale Cinematography-  Can be filmedthroughahand-heldcameratoincrease the realismof the film/scene  Shakycamera shotscan be usedtoshow fear,or a chase scene fromthe handheld perspective.  A lowangle shot;thiscan be usedto show the strengthof the villainandthe vulnerabilityof the victims.Itshowsthe intimidationandfearthe monstergivesoff tothe characters.  A close-upshotof the victimtoshow the emotionandfearon the face of the character.  A pointof view shotfromthe perspective of the villain/monstertoshow theirpresence overthe characters and the dangerthat theypossess.  A Highangle shotoverthe charactersto show theirfearand weaknesses.  Trackingor panningshotscan be usedto show chase scenesorto show how the characters are beingwatched,followedorlookingatsomethingandthe camerapans roundto show the audience whattheyare lookingat.  Flashbacksorflashforwardscan be usedto show the characters realizationof whatisgoing on,the consequencesof theiractions,orwhatcouldhave beendone tosave them.  A tiltedshotcouldbe usedtoshow a supernatural beingispickingupthe camera,or a character islyingonthe floorandwe see thingsthroughtheirperspective.  A longshotcan be usedto showthe area/place where the filmisset.  A zoomcan be usedtoadd emphasisona certainpointinthe scene as otherthingsare goingon,for example zoominginona creepythinginthe backgroundas some kidsplayin the foreground.  AN overthe shouldershotcanbe usedto buildtensionandsuspense.Itgivesthe audience the feel of beinganothercharacterinthe room. Mise en scene  A lotof lowkeylightingisusedinhorroras itcreatesmysterywithinthe film.The darklight meansthe viewercannotsee whattheywishtosee.Thisincreasesonthe fearof the unknown.  Lots of dark colorsare alsousedto representthe villain andthingsconnectedtothe villain, thisshowsthat the itemsrelatedtothe villain,andthe areaaroundit/him/heris evil.
  • 2.  Similarlylightercolorsare usedforthe victimsandthingassociatedwiththemtoshow the victim’sinnocence  Typical settingsfora horror filmincludedarkandisolatedplaceswherenoone isaroundto help  Popularlocationchoiceshave previouslybeengraveyards,woodsandhousesinthe middle of nowhere.  Many props are usedin horrormovies,ofteninslasherflicks,anaxe ormachete isusedby the villaintocut downmanycharacters.Otherweaponscan range fromthingslike chainsawstobasketballs.  The characters oftenstart outbeingdressedinnice,cleanclothes.Howeverasthe film progressesthe clothessometimesbeginto deteriorate,toshow the mental state of the characters.Or theycontinuouslybecome coveredinblood/bodyfluids/guts,muckanddust.  Many horrorfilmsare setall over the place,Here are some examples:  Small communitiesor isolatedplaces, a tribe onanislandor a groupof villagers ina remote village.  Anything that is relatedto loneliness. Often, sometimes places with‘dark’ history, like abandoned houses, hotels andinsane asylums.  Abandoned houses  Barnes and farms  Cities  Cabins  Creepyhotels  Graveyards  Basements  Hunting places Character:  The main protagonist;normally the ‘victim/hero’of the movie. Inmanyfilmsthe protagonist diesat the end,gettakenby the monsteror givesup.Inmany filmsthe protagonistsurvives. There are oftenmultiple protagonistsinthe film,be iteitheragroupof friendsora groupof people forcedtogetherbuythe situation.  The villain,oftenamonster,mutatedfreak,alien, serial killerorghost/spirit–tendto have a trademark (Jasonvorheesmask,the stone pilesfromthe blairwitchproject;etc).Inmany filmsthe antagonistiskilledoff bythe protagonist, butitcanalso be the otherway round.In manyfilmswe don’tsee the antagonistasit isa spiritor ghost,or a personwhoisjustnever seenbythe camera.  Characteristicasto howtheykill (e.g.weapons/howandwhotheykill).Manyantagonists have a trademarkor specificwayinwhichtheykill,mutate orterrorise theirvictims.Insaw, for example,jigsaw usesmanyhorrible waystokill people,buteachtaskisstartedwiththe line ‘I want toplay a game’  The stupid/immoral teenagersthatalwaysgetkilled oftenexistwithinthe slashergenre,a groupof friendsgoonholidaytoa cabininthe woodsandtake part in an ouji board,or awakenan evil spirit. Teenagerswhoexplore anabandonedbuildingorareacordonedoff.  Creepychildren oftenbecome possessedbythe spirit,forexample Hunterfromthe Paranormal Activityseries.Andeventuallythisleadstothe deathof manyothercharacters and people.
  • 3.  Police officers are ofteninvolved,theyeithertrytohelpthe kids/teenagersinvolvedbut endup gettingthemselves killed.Ortheydon’thelpandcall the kidsliarsandget more people killed.  In horror moviesthere canoftenbe astereotypical strong,cockymale leaderinthe group. Thischaracter oftenendsupeitherbeingkilled bythe villainorsavedbythe lessstrongand cocky characters.On the otherhandstheyoftendo save the day (forexample,evildead 1981) justlike the strongmale role isstereotyped.  Female stereotypesinhorroroftenleave the womenbeingthe weakoneswhoneed protectingfromthe terrorsgoingon aroundthem. SidneyPrescott isthe mainfemale protagonistinthe ‘scream’series.Thisshowsusthatwomencanbe justas capable as men inhorror situations. Howeverfemale characterscanoftenbe oversexualisedorusedas sexual objects. Sound:  In horror filmsthere isn’treallyverymuch silence,whenthe charactersaren’ttalkingthere isalwayssome kindof soundinthe back ground,be itwindrushingthroughthe trees,or a rustlinginthe distance,musicorjustgeneral backgroundnoise.  Soundsare oftenusedas a ‘sting’toeitherscare the audience or to signal somethingbadis aboutto happen.The musicwill buildup,slowlyandthenstop,followedbyaloudnoise and somethinghorrifyinghappensonscreen.  Soundisone of the most importantelements,itincreasesthe intensityandsuspenseof the film,itdrawsinthe viewerasthe musicbuilds.  Many horror filmsrelyonmusicto buildtension,asthe character reacheda dangerous place,musicisplayedquietlyatfirstandthe buildsuptobe loud.  Whencomplete silence isusedhowever,itisnormallyinascene where the characteris hidingfromthe monster/thingafterthem.The soundof the footstepsore movementis oftenoverexaggeratedtoshowthe presence of the beingandtobuildtension. Editing:  The editinginhorrormoviescanbe vastlydifferentdependingonthe type of genre and overall plotof the film.Forexample the editingstyle of paranormal activityisveryjumpy and useslotsof straightcuts; thisisbecause mostof the filmisfilmedthroughsecurity camerasaround the victim’shouse.  Otherfilmshave lessjumpyeditingstylesbecauseof the genre,forexample,Wrongturn doesn’thave verymanystraightcuts,but longer,more drawnoutscenesandedits,thisis because itisa slowerpacedhorrorbut can be equallyasscary.  A shotreversshotcan be usedverywell inhorrorfilmstoshow the characters fear,the thingtheyare afraidof,and the back to the character. Thisgivesthe audience asense of realismaswe see boththe protagonistsandantagonistina few shortseconds,justlike we wouldif we were inthat position.  Jumpcuts are oftenusedinhorrorfilmstoshow the passage of time,forexample, characters heldupina buildingfromthe antagonist,orthe speedinwhichthe antagonist can approach the protagonistandput theminsevere danger.
  • 4. Narrative:  Many horror filmsuse the closedfilmmethod,thisiswhere the filmcomestoa satisfactory end,sothe herokillsordefeatsthe badguy/monster.Thesefilmsofternendinthe waythat we expectthemtoend.  Some horror filmsoftenuse anopen method,thisiswhere the filmdoesnotcome toa satisfactoryend,like the all the heroesare killedoff andthe monster/killerislefttoresume theirtorture of otherpeople.  A multi strandapproachcan be used;thisiswhere there are several narrativesrunningat the same time.Thiscan be usedinhorror to show whenagroup getssplitupand theyall go differentwaystoescape.  An enigmaapproachcan alsobe used,thisiswhere the plotbuildsapuzzle forthe viewerto solve asthe characters act itout on screen.Thiscan be usedinhorror to give the viewerthe storyfrom the perspective of adetective astheytryandfigure outwhothe killeris,andthe audience isshownnomore informationthanthe character.  Linearnarrativesfollow asimple start,middle,endstoryline whichcanbe usedinhorrorto showhowsomeone’slife isaffectedbythe thingstheyexperience,anon-linearnarrative can alsobe used,tojumpabout to differentpointsina person’s lifeandgive the audience a differentexperience.  There are eightbasiccharactertypesaccordingto Propp,hero,villain,donor,helper, princess,farther,dispatcherandthe false hero.All 8can be includedinafilmandusually more than one isplayedbythe same character, for example the donorandfathercanbe the same character. Subgenre Psychological horror Psychological horrors,unlike splatterfilms,whichrelyonbloodandgore to gettheirscares. Psychological thrillersrelyoftenonthe unseen orunknowntoscare the audience. Suspicion, distrust, self-doubtandparanoiaof others,themselvesandthe worldare all commonthemesin psychological horrors. Cinematography/editingof psychological Horrorfilms –  Lots of psychological Horrorfilmsare filmedonhandheldcamerasandare knownas found footage film,where the whole filmisfilmedbythe charactersandthe footage theygetisput
  • 5. togetherlate on,almostlike itwasfoundandsomeone decidedtomake a filmabouttheir adventures.  Otherpsychological horrorsare a compilationof security camerafootage of the haunted/terrorisedareaalongwithprofessionalscenesfilmedwheneitherthe action happensorsome extrascenes,whichcan’tbe filmedbythe securitycameras,are neededto fill ingapsor provide information.  Some psychological horrorsdonotuse any type of ‘foundfootage’anduse all professional shots.Thisadds a more sense of realismandincreasesthe scare factoras the shots look realisticandbelievable.  Jumpcuts are usedto showthe speedanddeadlinessof the thinghaunting/terrorisingthe characters.The beingcouldbe 10 feetaway,andthena cut is usedas the beingisrighton the camera and a jumpscare isusedto scare the audience.  Eye line matchesare everyeffective toshow thatthe thinghauntingthemisn’ta visible thing.The character looksat a location,andthe camera turns tothat locationbutthere isn’t reallyanythingthere,anobjectmaymove inthe directionthey’relooking,oradoor may slamor open.  A shotreverse shotcan be usedto show the fearin the characters whentheyfinallydo encounterthe thingthathas beentormentingthem, we seethe charactersface,the thingor somethingthe thinghasdone, andthe fear/disgustonthe charactersface.Thisgivesthe audience areal feel abouthowthe charactersare feeling. Soundand mise enscene –  The costumesand lightingare verymuchthe same as conventional horrors.The dark lightingaddstothe atmosphere andthe clothesandmake-upof the charactersstart off nice,anddeteriorate asthe filmgoeson.  There islessoftena murderweaponasthe thingsthat are killingthe charactersoftenhave some kindof supernatural abilitiesandsothe needforweaponsisnolongerneeded. However,the charactersoftencarry a cross or some kindof religioussymbolismtoprotect themfromthe things.  The soundis alsoverymuch the same;stingsare usedas jumpscares.silence isusedinthe same way,whenthe thingiscreepingaround,itsmovementsare exaggerated,the thingsit knocksoverand destroys, theirsoundisalsoexaggerated.