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INTRODUCTION TO INTERIOR
        DESDIGN
   FINAL PRESENTATION
         ID210DE




  BOBBI TONE SPRING 10
  PRESENTATION BY:
  NAOMI SOUZA










   LINE    PATTERN    TEXTURE    SCALE     LIGHT

   COLOR    VOID     SOLID   FORM    GEOMETRIC

   ORGANIC    TACTILE    PROPORTION       BALANCE

   RHYTHM     CONTRAST       EMPHASIS    HARMONY

   VISUAL WEIGHT      SYMETRICAL     ASYMMETRICAL

   RADIAL BALANCE       CURVILIEAR      RECTILINEAR

   ANGULAR
   BATHROOM DESIGN

   This bathroom design as well as finished
    picture demonstrates peace, tranquility,
    and functionality as well as rectilinear
    and curvilinear shapes. It also creates
    harmony in the whole room by the use of
    similar building elements such as the
    light wood flooring, lightly colored walls
    and tile. I love the visual weight that the
    rectangular tub creates within the curved
    tile enclosure.
   DINING COLOR BLOCK

   Vivid color makes this plain dining room
    come alive. The color blocked rug as well
    as bright blue wall art compliment the
    angular L shaped or rectangle trestle
    table. Simple white cushioned benches
    complement the table. The bold
    geometric pattern of the squares in the
    rug as well as the wall art also provide the
    element of contrast in this simple, yet
    elegant dining room.
   RESTAURANT DESIGN


   This boldly colored, large scale restaurant
    presents with varying areas for dining. It
    is well proportioned and very balanced.
    The two large areas are symmetrical to
    each other and provide dining for large
    groups. I think this is a very bright and
    friendly atmosphere and I would enjoy a
    dining experience in this environment.
   KITCHEN BAR

   This area is quite asymmetrical in its
    design by the use of the high counter for
    eating in grey pattern as well as the
    counter space directly below for kitchen
    work also done in the grey pattern. The
    use of red in this drawing provides the
    contrast and the rhythm element in this
    space. I really like this concept drawing
    and think the space is very beautiful and
    functional.
   SPA PRESENTATION

   A beautiful example of pattern used in
    the different wood grains, lines as shown
    by the bold curves, dark accentuated
    ceilings, texture as shown in the wall
    coverings, the use of candle-light sconces
    on a pebbled wall, and most of all organic
    in it’s sense of harmony with the
    environment. This is a very inviting,
    serene place as a spa should be and this
    designer has certainly achieved this look.
   LIVINGROOM DESIGN BOARD


   The focal point or emphasis of this design
    board is the large white vase with
    branches. It provides interest, yet the
    room is totally in form and scale to a
    peaceful setting. The room is void of any
    unused space, yet not cluttered.
   BATHROOM DESIGN BOARD

   I found this board interesting because of
    the simplicity of all of the fixtures, yet it is
    a solid design because of it’s consistency.
    All of the fixtures have the oval, white
    design. The color scheme is very soft
    allowing the fixtures to be the dominant
    source of the room. Very clean and
    functional bathroom, but not sure I
    would like the openness of everything.
    Maybe a frosted glass partition by the tub
    might provide some privacy
   THE OFFICE DESIGN BOARD


   The simplicity of this small space design
    is shown in the radial balance of the
    space that focuses on work, mainly the
    computer. This is a solid, functional,
    comfortable design.
   SPA WAITING ROOM DESIGN BOARD


   Does a spa waiting room really have to be
    designed? Yes, in order for the
    atmosphere of the spa to be set. The
    customer has to be met at the door with a
    light, airy, comfortable setting.
   This drawing depicts plenty of seating
    room as well as usable working space for
    meetings with clients or pleasant, relaxed
    conversation between patrons. I
    especially like some of the cool colors and
    patterns that were used in the decorating
    design.
   FLEA MARKET DESIGN BOARD


   This design board is fun and interesting
    and I thought a good way to show tactile
    design. Everything can be found at a flea
    market, rummage sale, garage sale, or
    even thrift store. If you stop to look at all
    of the different pictures, you could find
    lots of different things to decorate almost
    any room of your home.
   CLASS CRITIQUE


      Introduction To Interior Design….What was I thinking?
    Well, how about learning about furnishings, textiles, window
    treatments, styles, how to design a room, furniture
    placement, and accessories. Instead we learned about
    lettering for architectural drawings and how to do hours and
    hours of busy work on the computer. I guess I am saying that
    this class was not in any way what I expected it to be. The
    only design project we really did was the Seattle Loft Project
    and we got no feed-back on that from the person that it was
    designed for. How do we know if our ideas were “pleasing to
    the client” or if we even did the right thing?
   I don’t feel that the directions for assignments were clear
    most of the time and we jumped around with no continuity.
    My two favorite assignments were the lettering and the
    Seattle Loft Project and my two least favorite assignments
    were the designer board and the final project. I feel that the
    Seattle Loft Project should have been the culmination to our
    class. The only CD or video that helped and was interesting
    was the one on lettering. This is my fourth on-line class and I
    have never had so much “busy work” in any other class. Also,
    this class provided no interaction between classmates except
    what we created for ourselves (our study group of four) to try
    to understand the assignments and help each other get
    through this class. I am now majoring in ECE but am a
    previous graduate (1972) from the Nursing Program at
    Cuesta. –Naomi Souza

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Louise Souza Final

  • 1. INTRODUCTION TO INTERIOR DESDIGN FINAL PRESENTATION ID210DE BOBBI TONE SPRING 10 PRESENTATION BY: NAOMI SOUZA
  • 2.       LINE PATTERN TEXTURE SCALE LIGHT   COLOR VOID SOLID FORM GEOMETRIC   ORGANIC TACTILE PROPORTION BALANCE   RHYTHM CONTRAST EMPHASIS HARMONY   VISUAL WEIGHT SYMETRICAL ASYMMETRICAL   RADIAL BALANCE CURVILIEAR RECTILINEAR   ANGULAR
  • 3. BATHROOM DESIGN   This bathroom design as well as finished picture demonstrates peace, tranquility, and functionality as well as rectilinear and curvilinear shapes. It also creates harmony in the whole room by the use of similar building elements such as the light wood flooring, lightly colored walls and tile. I love the visual weight that the rectangular tub creates within the curved tile enclosure.
  • 4. DINING COLOR BLOCK   Vivid color makes this plain dining room come alive. The color blocked rug as well as bright blue wall art compliment the angular L shaped or rectangle trestle table. Simple white cushioned benches complement the table. The bold geometric pattern of the squares in the rug as well as the wall art also provide the element of contrast in this simple, yet elegant dining room.
  • 5. RESTAURANT DESIGN   This boldly colored, large scale restaurant presents with varying areas for dining. It is well proportioned and very balanced. The two large areas are symmetrical to each other and provide dining for large groups. I think this is a very bright and friendly atmosphere and I would enjoy a dining experience in this environment.
  • 6. KITCHEN BAR   This area is quite asymmetrical in its design by the use of the high counter for eating in grey pattern as well as the counter space directly below for kitchen work also done in the grey pattern. The use of red in this drawing provides the contrast and the rhythm element in this space. I really like this concept drawing and think the space is very beautiful and functional.
  • 7. SPA PRESENTATION   A beautiful example of pattern used in the different wood grains, lines as shown by the bold curves, dark accentuated ceilings, texture as shown in the wall coverings, the use of candle-light sconces on a pebbled wall, and most of all organic in it’s sense of harmony with the environment. This is a very inviting, serene place as a spa should be and this designer has certainly achieved this look.
  • 8. LIVINGROOM DESIGN BOARD    The focal point or emphasis of this design board is the large white vase with branches. It provides interest, yet the room is totally in form and scale to a peaceful setting. The room is void of any unused space, yet not cluttered.
  • 9. BATHROOM DESIGN BOARD   I found this board interesting because of the simplicity of all of the fixtures, yet it is a solid design because of it’s consistency. All of the fixtures have the oval, white design. The color scheme is very soft allowing the fixtures to be the dominant source of the room. Very clean and functional bathroom, but not sure I would like the openness of everything. Maybe a frosted glass partition by the tub might provide some privacy
  • 10. THE OFFICE DESIGN BOARD   The simplicity of this small space design is shown in the radial balance of the space that focuses on work, mainly the computer. This is a solid, functional, comfortable design.
  • 11. SPA WAITING ROOM DESIGN BOARD   Does a spa waiting room really have to be designed? Yes, in order for the atmosphere of the spa to be set. The customer has to be met at the door with a light, airy, comfortable setting.  This drawing depicts plenty of seating room as well as usable working space for meetings with clients or pleasant, relaxed conversation between patrons. I especially like some of the cool colors and patterns that were used in the decorating design.
  • 12. FLEA MARKET DESIGN BOARD   This design board is fun and interesting and I thought a good way to show tactile design. Everything can be found at a flea market, rummage sale, garage sale, or even thrift store. If you stop to look at all of the different pictures, you could find lots of different things to decorate almost any room of your home.
  • 13. CLASS CRITIQUE   Introduction To Interior Design….What was I thinking? Well, how about learning about furnishings, textiles, window treatments, styles, how to design a room, furniture placement, and accessories. Instead we learned about lettering for architectural drawings and how to do hours and hours of busy work on the computer. I guess I am saying that this class was not in any way what I expected it to be. The only design project we really did was the Seattle Loft Project and we got no feed-back on that from the person that it was designed for. How do we know if our ideas were “pleasing to the client” or if we even did the right thing?  I don’t feel that the directions for assignments were clear most of the time and we jumped around with no continuity. My two favorite assignments were the lettering and the Seattle Loft Project and my two least favorite assignments were the designer board and the final project. I feel that the Seattle Loft Project should have been the culmination to our class. The only CD or video that helped and was interesting was the one on lettering. This is my fourth on-line class and I have never had so much “busy work” in any other class. Also, this class provided no interaction between classmates except what we created for ourselves (our study group of four) to try to understand the assignments and help each other get through this class. I am now majoring in ECE but am a previous graduate (1972) from the Nursing Program at Cuesta. –Naomi Souza