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In what ways does your media product use,
develop or challenge forms and conventions of
real documentaries?
Grace Walker
Conventions of Most
Documentaries
• Actuality footage
• Voiceover
• Narrativisation
• Interview
• Text
• Sound
• Dramatization
• Archive footage
• Location shooting
• Filming what I see –
no involvement
• Long takes
• Diegetic sound
• No voiceover
• No interviews
• Subjects pretend they
are not being filmed
Conventions of Observational
Documentaries
How my documentary obeys the conventions of
Observational documentaries
• My documentary extract obeys the conventions of
observational documentaries as the shots have no
involvement from me and they were filmed on location,
not a set.
• Long takes were also used, and the subjects didn’t act
in front of the camera, all the footage was real.
How my documentary challenges the conventions
of Observational documentaries
• My documentary contains a ‘voice of God’ voiceover which
challenges the conventions of observational
documentaries, but obeys the conventions of most
documentaries as it is a convention of expository
documentaries.
• My documentary extract also contains archive footage,
which is not a typical convention of observational
documentaries but is typical of most documentaries in
general.
• The extract contains non-diegetic sound which challenges
the observational conventions, but is a common feature of
other documentaries.
Overall, my documentary both obeys and challenges the
conventions of observational documentaries, but obeys the
conventions of general documentaries.

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In what ways does your media product use, develop or challenge forms and conventions of real documentaries?

  • 1. In what ways does your media product use, develop or challenge forms and conventions of real documentaries? Grace Walker
  • 2. Conventions of Most Documentaries • Actuality footage • Voiceover • Narrativisation • Interview • Text • Sound • Dramatization • Archive footage
  • 3. • Location shooting • Filming what I see – no involvement • Long takes • Diegetic sound • No voiceover • No interviews • Subjects pretend they are not being filmed Conventions of Observational Documentaries
  • 4. How my documentary obeys the conventions of Observational documentaries • My documentary extract obeys the conventions of observational documentaries as the shots have no involvement from me and they were filmed on location, not a set. • Long takes were also used, and the subjects didn’t act in front of the camera, all the footage was real.
  • 5. How my documentary challenges the conventions of Observational documentaries • My documentary contains a ‘voice of God’ voiceover which challenges the conventions of observational documentaries, but obeys the conventions of most documentaries as it is a convention of expository documentaries. • My documentary extract also contains archive footage, which is not a typical convention of observational documentaries but is typical of most documentaries in general. • The extract contains non-diegetic sound which challenges the observational conventions, but is a common feature of other documentaries.
  • 6. Overall, my documentary both obeys and challenges the conventions of observational documentaries, but obeys the conventions of general documentaries.