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ARTS OF
Hig
L
hl
U
and
Z
and
O
Low
N
land
HighlandCultural
Community
Art is part
of the life
of the
indigeno
us
people of
the
It is shown with
the things that
they used
everyday which
are rich in
traditional
colors and
patterns. These
HighlandCulturalCommunity
Ifugaos is derived
from the term Ipugo
which means “from
the hill”. According to
Ifugao mythology,
however, the name
“Ifugao” is derived
from Ipugo which
refers to the rice
grain given to them
by their god
Ibanag and
The I
o
fru
ig
g
in
ao
o
f the
Brown
Yellow Ochre
Monochrome of
Cool Colors
Lines
Vertical and
Horizontal Lines
Colors
ARTWORKS
IFUGAO
HUT
BANAUE RICE
TERRACES
Elements and Principles of art that are
dominant in the art of some Luzon
Cultural communities
The Ivatans are a
Filipino
ethnolinguistic
group predominant
in the islands of
Batanes of the
Philippines. The
origins of the
Ivatans remained
untraced among
scholars. Ivatans
IVATAN
Monochrome of
Earth Colors
Lines
Vertical and
Horizontal Lines
Colors
ARTWORKS
VAKUL
Stone Houses
Elements and Principles of art that are
dominant in the art of some Luzon
Cultural communities
The Gaddang
people are a
linguistically
identified ethnic
group of related
families sharing
lengthy
residence in the
watershed of the
GADDANG
Vertical and
Horizontal Lines
Lines
Pastel tri-
colors
Colors
ARTWORKS
GADDA
NG
Elements and Principles of art that are
dominant in the art of some Luzon
Cultural communities
WHAT
are the Ifugao’s
famous
artworks?
Ifugao’sFamous
The Ifugao
A
s
rt
w
w
h
o
o
rk
liv
se on the
mountains part of the central
Cordillera in Northern Luzon are
excellent weavers, potterers and
Ifugao’sFamous
They make
Ar
u
tw
se
or
o
kf
sthe buri,
bamboo, nito and rattan which
are abundant in their
Ifugao’sFamous
They are aA
ls
ro
tw
w
oe
rk
llsknown in
carving the mountain slopes of
the world-famous Banaue rice
Ifugao’sFamous
The Ifugaos
Ar
a
tw
re
oa
rk
ls
so famous
for woodcarving, textile
weaving, and basket weaving.
TheIfugao’s
The IfugaoW
s a
or
o
e
dc
fa
am
rvo
in
u
g
s for their
mastery of wood carving. An
example is the carving of their
TheIfugao’s
This bul-u
W
l is
oo
im
dp
ca
or
rt
v
a
in
nt
gto them
because of their belief that they can
have an abundant harvest when this
carving is placed near rice granaries
TheIfugao’s
Hagabi. This iW
s a
op
oid
ec
ce
ar
o
v
fiw
ng
ood which is
unique because it is carved to become a
bench. This hagabi is a sign of riches.
Thus, many wealthy Ifugaos own this
TextileWeavingsofthe
Ifugaos weav
Ie
fub
gl
a
a
o
n
skets, upper
garments, G-strings, hand bags, belts
and a lot more. It has been part of
their tradition to weave for their
TheIfugao’sBasketWeaving
The Ifugaos produce baskets to
serve the needs of the family.
They use baskets for storing
TheIfugao’sBasketWeaving
They also used baskets for
keeping household utensils,
clothes, and personal
TheIfugao’sBasketWeaving
Baskets are also used for
catching pests and
domesticating animals for
TheIfugao’sBasketWeaving
The most popular material
in basket making is rattan.
TheIfugao’sBasketWeaving
In Kiangan and Lagawe villages, the split
rattan tradition is commonly used for
Household baskets such as the labba or
farm bowl, ligao or winnowing tray, and
TheIfugao’sBasketWeaving
Another commonly used material is
the kokolongkoy vine. The natural
luster and resilience of the vine
produce baskets which are flexible.
Native Filipinos weaved using
fibers from abaca, pineapple,
cotton and bark cloth to produce
Part of a Family’s wealth was based
on the textiles the family owned and
these were given as dowry gifts at
weddings and as offerings to gods.
Many tribal people wear woven hats
protection against strong heat of the sun.
The farmers from the Bontoc region wear
traidtional straw hats called the salakot.

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artsofluzon-170705154925.pptx