George Seurat's Pointillism Technique

Dimanche Apres Midi
In this paper I will discuss one of the most famous paintings by George Seurat and a certain
technique that he developed, also known as pointillism. Un Dimanche Apres Midi a l'ile de la
grande Jatte is a french sentence for A Sunday afternoon on the island of the big river. This painting
is also known to be a very big one,10ft wide by 7ft tall, almost the size of a minivan. The size of the
painting justifies why it took Seurat from 1884 until 1886 to finish it. The painting was located in
the Art Institute of Chicago from 1926 until 1958. Seurat's ambition was to include science,
especially that of color that had been created by Chevreui and Rood, in the techniques of
impressionism. The scientific way to making a painting seem brighter and more exposed was made
by placing ... Show more content on Helpwriting.net ...
Seurat came up with this idea in 1884, after her rejected and rebelled from impression. He was
interested in dividing colors into its basic forms; For example, if an artist wanted to mix red and
blue together to get a purple color, they wouldn't get the perfect shade that exists in real life. This is
because the origin of the red color has many shades and the same goes for the blue color. Therefor,
mixing them together will not result in a natural and luminous color. On the other hand, the solution
to this was to take a blue color and a red color and place them closely next to each other without
mixing them. In this case, as the light is being received by your eye, the light waves are doing the
mixing for themselves. This is where the color theory is included and manipulated by George Seurat
into a technique used in painting. Other famous artists that applied this technique in their paintings
include, Paul Signac in his painting The Town Beach (1887) , Camille Pissarro in his Self–Portrait
(1903) and Henri Matisse in his painting Calme Et Volupte (1904 – 1905).
... Get more on HelpWriting.net ...

La Grande Jatte By Georges Seurat Essay
The painting A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat may seem
simple but is very complex and symbolic. The girl in the center of the painting is the only character
looking directly at the viewer. Almost as if Seurat painted her to be communicating something to the
audience. What that is can be found by looking at the time of which it was painted and the meaning
and work behind the painting along with its relational paintings. The elements in the painting,
especially shade and color, reveal this underlying meaning and message. In the painting A Sunday
Afternoon on the Island of La Grande Jatte, Georges Seurat uses color with shade to create
symbolism.
Most of the people in the painting are in shadow representing evil or sin. The people ... Show more
content on Helpwriting.net ...
Bathers at Asnieres is a literal mirror painting of La Grande Jatte figuratively, directionally, and in
terms of style and society. In this painting the french working class is portrayed in light,
symbolizing righteousness, opposed to the symbolic sinfulness in La Grande Jatte. The working
class in Bathers at Asnieres are on the left bank of the river Seine, while the bourgeoisie in La
Grande Jatte are on the right bank. The river in between the two paintings, although they are
separate paintings, symbolizes harmony between the two classes which can further be symbolized
by the unity of color that is in Seurat's style of Pointillism. More unity is found in a possible
connection between the two paintings. One of the bathers on the left bank is a young boy who seems
to be calling to the other side, possibly to the alike young girl who is pure and is wanted to come to
the portrayed good side of the river. The Seine river also runs all the way through Paris which Seurat
uses to symbolize the diversity between the two groups but yet they all live in the same city. Paris is
whole but yet it is

Analysis Of Paul Cezanne's ' Mont Sainte Victoire '
One of the most influential painters of the twentieth century was Paul Cezanne. He was willing to
break the traditionally accepted artistic practice in order to better portray his artistic creativity.
Cezanne was became part of the movement that followed the Impressionists called the Post–
Impressionism movement. The artists who were the driving forces behind this movement were
Gauguin, Van Gogh, Seurat, and Cezanne. These artists were placed in this grouping because they
were the avant–garde artists of the time period, who wanted to be able to express their emotions
rather than simply representing what they saw. Cezanne's Mont Sainte–Victoire seen from The
Bibemus Quarry was painted in 1985. Mont Sainte–Victoire is a mountain that is in the South of
France and overlooks the Aix–en–Provence, which happens to be the hometown of Paul Cezanne.
This work exemplifies the Post–Impressionistic techniques because Cezanne utilized the avant–
garde techniques, while at the same time demonstrating the relationship between the artist and the
work. This work embodies the period style because it contains avant–garde geometric shapes to
define the forms, colors, and interpretations that were important to the Post–Impressionists. First
off, the harshness of the lines goes hand in hand with the shapes that exist in the work. The shapes
tend to be simplified shapes, which demonstrates that Cezanne wanted things to appear as if they
could be broken down. Cezanne utilizes an array of geometric

Inspired By Van Gogh
This painting was inspired by Van Gogh numerous paintings of flowers (usually sunflower) in
vases. This piece was made in a face–to–face art class, where one of my first projects was a to paint
a piece modeled after any work from an artist of my choice. Flowers are something I have always
drawn or painted, usually my "go–to," so this seemed like an obvious choice for me. Unfortunately,
I am unable to find the original painting I was examining for my project, but Van Gogh had many
pieces under that particular style. That being said, I started with a standard pencil to do the sketching
as usual. Later when it came to painting, we diluted the paint with oil and used a mixing spatula too.
Over the entire course of creating the piece, I was adding

Pablo Picasso And Picage Seurat Analysis
"How can a painting have so much to say" Is one question that people may ask themselves. Telling
stories and expressing one's self in paintings brings one to show others a new way of seeing and
thinking about life. The canvas of every writer is easy to visualize or to relate to by how the painter
expressed himself and wanted to portray the message through a painting. From Pablo Picasso to
George Seurat and to so much more. The meaning and story of the panting's take you to a whole
different world. They make us view things differently and see things in a new perspective by how
the painter is showing or expressing themselves. They explain what they had to go through or what
was going on, by telling their story we can feel the emotion behind it as well as how raw it makes
one feel. Through the painting, one can make their assumptions about what the story is. The beauty
of art shows either the great or corrupt that the painter sees or the ongoing situation. They show the
people different perspectives of what's going on and they make you feel the same emotion that they
put on the painting. We see art as a way of expression and it makes us connect to the painting that
we see. The art helps us understand the way the person behind the drawing felt or what they saw
when it was going on. The beauty of art is that it lets everyone express themselves through painting,
so we can tell our story. Art is expressed through 1) human culture, 2) emotion, and 3)
communication.
Through human culture, the artist shows the emotion that takes place. Every artist expresses them in
a unique way. They focus on things that catch their eyes or things that they feel are important. The
artist paints to show the world many different sides of human culture as well as current events. For
example, Pablo Picasso painted a painting named Guernica which symbolized the horrors of war
and as a result, has become an anti–war symbol. He was protesting the bombing of Guernica. On the
far left is a woman, head back, screaming in pain and grief, holding the lifeless body of her dead
child. This is one of the most devastating and unforgettable images in the painting. To her right is
the head and partial body of a large white bull, the only unharmed and

Pointillism Portrait Of Frida Khalo
Indeed, a pointillism piece begins it is only one dot on a single blank canvas. As small dots of
different colors put closely together subject matter comes to form a complete composition. Although
in its separate color alone on the canvas it would be empty and underdeveloped as a single dot. Art
begins with a simple dot (point) is where all art begins, but when the painted dots pairs with a
creative solution and ingenuity life on canvas begins. With the use of the colored painted dots
neighboring other colored dots soon form to create difference sizes, shapes, colors, and lighting to
speak as a strong message. An example of a pointillist piece exhibit found below.
Pointillism Portrait of Frida Khalo
Ester Petchar, Young Frida, Pointillism,

George Seurat Essay
Impressionism takes the moment at hand and depicts it with light and color. George Seurat was
influenced by Impressionism using modern subjects and urban leisure scenes. He used color
characterizing of Impressionism but also made arrangements based on color theory. Seurat wanted
to capture all the colors that interacted to make their own appearance which differed in thought to
Impressionism of putting colors next to each other to create colors that blended optically. Seurat
helped move Impressionism into Post–Impressionism by developing a systematic structured way of
painting.
Seurat was influenced by Cheverul who figured color "impose its own complementary on its
neighbor." Seurat worked with Signat to start on color experiments. He looked ... Show more
The way the sun pours down on the people, the rest of the canvas basks in the sun whereas the
shadows are a darker green hue on the lighter green grass. The way the sun is portrayed, it looks as
if it's mid–afternoon. Seurat's pointillism shows the light coming from the left onto the people and
objects. The trees show the special blending effects of the colors. To the left of the painting, the use
of white creates a light and as the eye moves to the right, it blends into the color of the greens of the
trees. Here, Seurat is placing white and green next to each other. The brushwork of the painting is
dotlike with the dots varying in size and shape. These individuals dots blend together into one scene.
The painting's perspective is to the left with the people all looking that way toward the river. The
people in the front of the painting are closer to the eye. The woman in the front and that man
walking with her are the biggest figures in the picture. These sizes help balance the artwork. Lines
were mostly avoided with the use of shading for a softer effect.
Seurat's painting is one of the most reproduced paintings. Initially, pointillism was not received well
as this new painting style was like nothing else and the general public did not receive it well. A
Sunday on La Grande Jatte was the first painting to be painted entirely in pointillism which changed
the way art was viewed from Impressionism to Post

Analysis Paper : Paul Cezanne
Contextual Analysis Paper: Paul Cezanne One of the most influential painters of the twentieth
century was Paul Cezanne. He was willing to break the traditionally accepted artistic practices in
order to better portray his artistic creativity. Cezanne became part of the movement following the
Impressionists called the Post–Impressionism movement. The artists who were the driving forces
behind this movement were Gauguin, Van Gogh, Seurat, and Cezanne. These artists were grouped
together because they were the avant–garde artists of the time period, who wanted to be able to
express their emotions rather than simply representing what they saw. Cezanne's Mont Sainte–
Victoire seen from The Bibemus Quarry was painted in 1985. Mont Sainte–Victoire is a mountain
that is in the South of France and overlooks the Aix–en–Provence, which happens to be the
hometown of Paul Cezanne. This work exemplifies the Post–Impressionistic techniques because
Cezanne utilized the avant–garde techniques, while at the same time demonstrating the relationship
between the artist and the work. This work embodies the period style because it contains avant–
garde geometric shapes to define the forms, colors, and interpretations that were important to the
Post–Impressionists. First off, the harshness of the lines goes hand in hand with the shapes that exist
in the work. The shapes tend to be simplified which demonstrates that Cezanne wanted things to
appear as if they could be broken down. He utilized an

Visual Analysis Of Art By George Seurat
Did you know that you could make art with just using dots? George Seurat did all of his paintings
with just dots. He was born on December 2nd 1859 and died on March 29 1891. His death is still
unknown but there's theories that he died from pneumonia or some other type of physical illness.
There's three paintings that stood out to me there full of color and have a lot of things incorprated
into them.
A sunday afternoon on the island of LaGrande Jatte
is one of his popular paintings it entirely made out of tiny dots. He painted it between 1884–1886 its
81.6 x 121.2 inches the painting is in chicago at the art institute of chicago. It represents people
relaxing on a nice sunny day in the suburban on the seine river. It may seem like a normal

Art Analysis Of Starrry Night By Vincent Van Gogh
The painting Starry Night by Vincent van Gogh, is an abstract post–impressionism piece of art that
was painted by Vincent van Gogh in June of 1889. Starry Night was painted on an oil canvas that
shows the view from a window in Vincent van Gogh asylum room. The painting is filled with light
to dark colors that blend to show the emotion in the painting. The darkened colored sky seems to
brighten up the other lighter colors making them stand out more. The painting shows a variety of
curved lines giving the piece an organic shape. Vincent van Gogh applied to his painting a rough
texture by heavy brushstroke technique impasto. The painting is created in a 3 dimensional form so
that if you look at the bottom of the painting you can see the houses look as if they were a very great
distance away. The painting provides us with a shallow space because of the space we perceive due
to the landscape of the painting.
The painting has an asymmetrical balance to it because of the variety it has with its shapes, size, and
colors in the painting. The painting provides us with repetition due to the strokes of the paint brush
that Vincent van Gogh performed on the piece. Vincent van Gogh provides us with a rhythm within
the sky, the stars are repeating creating that rhythm within the work of art. The painting provides us
with movement, like how our eyes start at the top right and follow the clouds, then to the stars, and
then it makes you circle down to the beautiful city and

Summary Of A Sunday On La Grande Jatte By Georges Seurat
"A Sunday on La Grande Jatte", depicting the accumulation of individuals on the island of the
Grande Jatte, was painted by Georges Seurat from 1884 to 1886. To create this painting, Seurat
utilized multiple pure pigments, a canvas, and a technique called Pointillism. Pointillism is a
technique of applying dots of pure paint on canvas. Imagine glancing at a park that borders a body
of water on the left, and growth of trees on the right. The foreground, in a shadow, contains animals
along with males and females in various classes of society, based on the way they are dressed. It is
important to note that in this region, the shadow is not a normal grey or black color associated with
a shadow. Rather it is dark green and areas where shadow meets light are ... Show more content on
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In addition to this oddity, one of the animals present is a monkey. The individuals in this region are
wearing both warm and cool colors, invoking a sense of balance and calmness. For example, one of
the men lying down is wearing an orange shirt, and one of the females is wearing a pink flower on
her black hat. This woman wearing the pink flower on her hat also has a rather large buttock. It is
evident Seurat uses form to accentuate this region of the body with curves in the fold lines of the
fabric at the buttock region of the dress, along with straight fold lines from the bottom of the dress
to the buttock. The middle ground consists of many individuals performing various activities,
ranging from sailing to relaxing in the shade created by light failing to pass through the foliage of
tall trees. One of the most noticeable individuals is a female fishing in the body of water while in the
park. The background is similar to the composition of the middleground, except it has

Speech On Post Impressionism
Theory & History of Art: Group presentations
Jewel Eng, Tricia Sng, Faith Lee, Isaac Low & Nina S.D
VA 2.4
Good morning to everyone. Today, we will be delving into the topic of post–impressionism, and
specifically on Vincent Van Gogh.
Beginning slide (Slide: Jewel)
What is the context of the art movement? (Tricia, Slide: Tricia)
Post–impressionism, which was primarily a French art movement, developed approximately
between 1886 and 1905. Subdivisions of Post–impressionism include Divisionism and Pointillism,
which involves using dots and patches of color to form a picture. Due to these characteristics, post–
impressionism ushered in a new era of painting, and paved the way for many future art movements
such as fauvism and cubism.
Its antecedent being Impressionism, post–impressionism contains traces of elements from that
movement, but has its own diverging styles too. For example, the main difference between
impressionism and post–impressionism is that wh impressionism emphasised on accurately
depicting light and its changing qualities, post–impressionism focused on showing the artist's
memories and their emotions. ... Show more content on Helpwriting.net ...
(Jewel, Slide: Jewel & Faith)
One of the main characteristics of post–impressionism is the use of pure and rich colours which are
applied thickly, forming multiple layers of paint. Not only is it applied to formed thick layers, the
paint is applied in short, swift brushstrokes. Structure and form are heavily present in post
impressionism artworks. On top of that, post impressionism artworks tend to more expression of
emotions. This was due to the fact that artists focused on using symbolic and personal meanings in
hopes of connecting with the viewer on a deeper and less impersonal

Georges-Pierre Seurat Essay
During his short life, Georges–Pierre Seurat was an innovator in an age of innovators in the field of
art. This french painter was a leader in a movement called neo–impressionist in the late 19th
century. Unlike the broad brushstrokes of the impressionist, Seurat developed a technique called
pointillism or divisionism. In this method, he used small dots or strokes of contrasting color to
create the subtle changes contained within the painting. Seurat was an art scientist in that he spent
much of his life, searching for how different colors and linear effects would change the look or
texture of a canvas. He was painstaking in his work, the technique he chose taking much longer to
produce a work of art.
Pointillism is a form of painting in ... Show more content on Helpwriting.net ...
Usually when colors are produced by pigments being mixed physically, the subtractive color theory
is at work. Here the mixing of pigments of the primary colours produces less light; so if we mix red,
blue and yellow pigments(subtractive primaries), we get a colour close to black. However when
colours are produced by the mixing of light, then the additive color theory is at work. Here the
mixing of lights of the three primary colours produces more light; so if we mix red, blue and green
light(additive primaries) we get something close to white light. The brighter effect of pointillist
colours could rise from the fact that subtractive mixing is avoided and something closer to the effect
of additive mixing is obtained even through pigments (Pointillism)
The brushwork used to perform pointillistic color mixing is at the expense of traditional brushwork
which could be used to delineate texture. Color television receivers and computer screens, both CRT
and LCD, use tiny dots of primary red, green, and blue to render color, and can thus be regarded as a
kind of pointillism (Pointillism).
Impressionism is a movement in French painting, sometimes called optical realism because of its
almost scientific interest in the actual visual experience and effect of light and movement on
appearance of objects (Impressionism). Neoimpressionism was a late–19th century art movement
led by Georges

Georges Seurat 's A Sunday Morning On The Island Of La...
Three weeks ago I visited the Art Institute of Chicago. It was established in 1879 and has since
expanded its collection to approximately three hundred thousand works. Attracting over one and a
half million visitors annually, it is one of the largest art museums in the United States. The reason I
chose this site is that I read that it displayed Georges Seurat's A Sunday Afternoon on the Island of
La Grande Jatte, and I wanted to see it in person because it is so iconic. While at the Art Institute of
Chicago, I spent most of my time in "The Elizabeth Hammond Stickney Gallery". There were three
pieces in this gallery: Saint Michael and the Devil, The Birth of Saint John the Baptist, and Saint
George Killing the Dragon. Each piece was made in the Renaissance period in Europe in the
fifteenth to sixteenth centuries. I believe the main reason these pieces are grouped together is that
they all contain a depiction of a saint. Another reason for this arrangement is that all these paintings
all represent the survival of holy figures and the death of the evil ones. This is shown in each piece
by either a saint killing an evil creature or the birth of a holy saint. The piece I will analyze from the
previously mentioned gallery is Saint George Killing the Dragon by Bernat Martorell which was
made in 1434/35. This piece is a painting made on a support of panel with a media of tempera and
stucco. The main subject of the painting is a man wearing armor on a white horse. The man on the

Essay about Georges Seurat
Georges Seurat used the pointillism approach and the use of color to make his painting, A Sunday
Afternoon on the Island of La Grande Jatte, be as lifelike as possible. Seurat worked two years on
this painting, preparing it woth at least twenty drawings and forty color sketched. In these
preliminary drawings he analyzed, in detail every color relationship and every aspect of pictorial
space. La Grande Jatte was like an experiment that involved perspective depth, the broad landscape
planes of color and light, and the way shadows were used. Everything tends to come back to the
surface of the picture, to emphasize and reiterate the two dimensional plane of which it was painted
on. Also important worth mentioning is the way Seurat used and ... Show more content on
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Seurat used burnt sienna and light ochre in his previous painting entitled, Une Baignade. However,
during his first phrase of work on La Grande Jatte, he abandoned only the ochre, not the burnt
sienna. Seurat seemed to have given up these pigments quite gradually, just as increasingly
renounced underpainting, ulimately allowing the white canvus to show through between the dots of
color.
There is a mysterious vibration when one views La Grande Jatte. There is an effect of the paintings
surface when ones eye glides inevitably from dot to dot. This lets the eyes carry from the people
located in the foreground to the beautiful landscape in the background. However, J.C Webster
rightly sees the actual charm of Pointillism in the awareness with which the colors can be seen,
precisely because they do not merge unconciously on the retina, &#8216;Finally, as regards to
the overall effect of color in a given area, it seems to me that what takes place when touches one
color are introduced into an area of another color, or when touches of two colors are set side by side,
is not retinal fusion, but rather a kind of mental(not visual) averaging, for the area involved, of the
colors or their values. That is, if some touches of ultramarine are introduced into an area of yellow,
we see both sets of touches, but we apprehend the area as having so much

The Works Of Georges Seurat
BIOGRAPHICAL CONTEXT
Georges Seurat was born on December 2, 1859 and lived until March 29, 1891. Georges Seurat
studied at Ecole Municipale de Sculpture et Dessin, then in 1878 he moved went to Ecole des
Beaux–Arts. After Ecole des Beaux–Arts, he went to a conventional training academy. He left Ecole
des Beaux–Arts in November of 1879 to go into the military. After his service, he came back to
Paris and shared a studio with Aman–Jean. He then had a relationship with Madeleine Knobloch,
who he often had in his paintings. On February 16, 1890, he had his son. On March 29, 1891,
Georges passed away from meningitis, pneumonia, infectious angina, and diphtheria. His son passed
away from the same disease two weeks after Georges. During the death of Seurat, his wife was
pregnant again, but lost the child after birth. Seurat took a scientific approach when it came to
painting and used to color theorists' notion. He used color to create harmony and emotion in his
paintings.
Georges once said to Maurice Beaubourg,
"Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color
and of line. In tone, lighter against darker. In color, the complementary, red–green, orange–blue,
yellow–violet. In lone, those that form a right angle. The frame is in a harmony that opposes those
of the tones, colors and lines of the picture, these aspects are considered according to their
dominance and under the influence of light, in gay, calm or sad combinations." (Art

Vincent Van Gogh Research Paper
Vincent Van Gogh: Artist Paper Vincent Van Gogh did not become famous until after his death at
the age of 37 in July of 1890. He was born in March of 1853. Van Gogh would be known as a
troublesome boy who kept to himself and went on long walks through the country side. His mother
Anna Cornelia Carbentus and Father Theodorus (Dorus) Van Gogh struggled to understand their
eldest son, this constant struggle would shape their relationship and Van Gogh's life for years to
come. Just as Van Gogh struggled as a boy in relationships with his family and friends he struggled
finding his calling as an artist. Van Gogh had explored the realms of working at art dealership's as
well as becoming minister as his father was. After finding that he was not ... Show more content on
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At the time of Anna's death, she only had a handful of letters and paintings out of the works that
Vincent had sent her. Vincent at times would feel rejected and sorrowful towards his mother and
would describe his mother as a "hard–hearted woman of a soured love". At other times Vincent
would blame himself for being a "half–strange half–tiresome person who brings only sorrow and
loss.". "Vincent's attachment to his mother was profound. Later in life, the sign of any mother and
child could cause his eyes to "grow moist" and his "heart to melt," he confessed." It's possible that
this constant yearning for love and approval from his mother may have a lot to do with Vincent's
mental state in years to

A Sunday Afternoon On The Island Of La Grande Jatte Analysis
Georges Seurat painted "A Sunday Afternoon on the Island of La Grande Jatte" in 1884/86. It was
painted with oil paint on a canvas with the dimensions 81 ¾ x 121 ¼ in. It was made in the
Impressionism movement and now resides in New York, NY at the Museum of Modern Art. The
technique used to paint this is called pointillism. Pointillism is a technique of painting in which
small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul
Signac developed this technique in 1886.
"A Sunday Afternoon on the Island of La Grande Jatte" is depicting people enjoying a Sunday at a
grassy park setting. The painting has summer written all over it. It is warm and colorful. The grass is
very luscious and green. ... Show more content on Helpwriting.net ...
There is a man relaxing and laying on the ground smoking a pipe with a red cut off shirt and a blue
hat. Next to him is a man in a suit and a top hat sitting up. And between them and behind a little is a
woman in a navy blue dress with a nice sun hat. The people in this painting all seem to be different
in many ways. The clothing is the most obvious. Their clothes show the class difference amongst the
people. There are people in suits and others in jeans. It's good to see people of all classes mixed
together in one painting. There are plenty of animals too there is a solid black Great Dane type dog.
Toward the middle of the piece is a woman with a red blouse and a pink skirt holding an umbrella
and holding a little girl's hand. They seem to be mother and daughter. The little girl is in a white hat
and dress. To the left and slightly behind them are two people sitting beside a tree both are women,
one with an umbrella. Behind them are more people laying and a man looking to the right with a
telescope. The man could possibly be trying to look at the people on the boats. There's a lovely
couple with the man standing and the woman kissing his cheek. Everyone must be having a good
time. The amount of color and slight and subtle detail put into the painting really gives it life and
movement. There are two cute animals, a dog, maybe a beagle, and a cat. Next to them, a woman in
a dark navy blue dress with a hat and an umbrella resting open on her shoulder. By her there's
possibly a mother and daughter or sisters sitting together. The younger one is so content with her
beautiful flowers while the other and older one admires the busy pond. Running around the trees is a
girl in an orange dress, her youth shows intensely with her swift playful

The And The Coronation Of The Emperor And Madame Seurat 's...
The role of colour in paintings had a major change with the advent of Post Impressionism. Colour
changed from the traditional Neo–classicists methods to artists such as Seurat the Post–
impressionist artist who was obsessed with the science behind art. . The main concepts I am
discussing in terms of how the role of colour has changed are: the traditional role of colour, what
made artists change their focus, science discoveries about light, optics and the difference between
the colour use in the two styles; Neoclassicism and Post– Impressionism. Using Wolfflins model of
interpretation I will compare the two uses of colour in Jacques Lois David's "The Coronation of the
Emperor and Empress" and Georges Seurat's "The Circus".
In Neoclassical painting the role of colour wasn't as important as the focus was more on the
structure, form and composition of the painting. Many paintings at the time were used to represent
or record an event accurately. David was one of the leading French Neoclassical artists at the time.
He became Napoleon's first hand painter and was commissioned to capture many scenes during the
French Revolution. David was classically trained at the Academy and became an important figure in
the canon of art. The main difference between the two art styles is the Neoclassical paintings mixed
their paint on a palette to get the blended colour they wanted whilst the Post Impressionists used the
science of optics to blend the colour in the viewers' eye. Scientific

The Impact Of Post Impressionism
In the late 19th century, younger artists found themselves frustrated within the confinements of
Impressionism rules. Consequently, they wanted to challenge these limitations to focus on the
structural, emotional and symbolic elements within their works. So, what mark did the Post–
Impressionism Movement leave within the story of Art ? The Impressionism Movement affected the
evolution of modern art.This is due to the introduction of painting 'en plein air' and the style which
is recognisable by short brushstrokes, intense pure colour and natural light.Consequently, landscapes
both in the city and the countryside became their most natural and influential subject. Emerging
artists found the limitations of Impressionism frustrating.Therefore, they wanted to push the ...
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Furthermore, Cezanne and Seurat found their resolutions towards this new approach "mainly
through intellect and Gauguin and Van Gogh primarily through intuition" (Hunter, Jacobus &
Wheeler,2004,p.23).
Structure, order and optical effects of colour were the techniques used by Paul Cezanne and Georges
Seurat."The Large Bathers" by Paul Cezanne was his last and largest painting.This attest to the
importance of the theme chosen.Moreover,it shows his technique of combining complex images into
simple geometric shapes and lines.The concept chosen of bathers, trees and landscapes were
composed by the use of a palette knife and not a brush.The composition of nude bathers are the
center of

La Grande Jatte Analysis
George Seurat created a Sunday on La Grande Jatte in 1886. Its medium is oil on canvas and it is a
painting of scenery using a technique known as pointillism. It is currently located in New York,
New York on display at the Museum of Modern Art. After a year and a half, Seurat quit school.
Following one year of compulsory military service, he returned to art, but worked on his own,
producing small–scale paintings and drawings. His work in black and white bears the earliest mark
of his artistic maturity. This is not surprising, given that drawing was the basis of academic training,
preceding lessons in oil paint. The early talent evident in his drawings would blossom into a highly
refined and unique style in his paintings by the spring of 1884, ... Show more content on
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The painting required sketches on panel, 25 drawings and three important preliminary studies. The
skirt of the woman in the center with a parasol is painted in an orange–pink hue. It casts a blue
shadow. Her red jacket is seen against bright green grass. The orange dress of the young girl running
(to the right) has a blue–tinted shadow. The skirt of the woman with a parasol walking beside a man
is predominantly purple, so it seems, but is made up of a myriad of hues. Notice the lighter
yellowish "halo" separating the skirt from the foreground grass, particularly just behind her skirt. At
the same time, Seurat defines form by brushstrokes: close, parallel strokes define the contour of the
woman's bustle. He continuously experiments in his manner of applying paint; in the sunlit grass,
for example, short, even strokes are laid over one another. It is clear that Seurat never followed any
of the popular theories rigidly. His paintings are also intended to convey social commentary. The La
Grande Jatte makes use of symbols. A monkey in French (and female) is known as "singesse,"
denoting a prostitute. The smartly dressed woman is fishing but for what? Then, as now, spectators
have questioned Seurat's meaning. Whether Seurat intended the Bathers and this painting to be
considered as pendants (a pair) is still debated; certainly he contrasts the natural world with the
unpleasant artificiality of bourgeois life, as these artists saw it. However, the critics applauded such
elements as the controlled surface of the painting, the use of aerial perspective, which gives an
impression of space, and Seurat's deeply shadowed foreground that leads into a light, bright
distance. Strictly speaking, Pointillism refers to the technique of using dots of pure color in such a
way that, seen at the appropriate distance, they achieve maximum luminosity. However, a pointillist
painting is no more "luminous" than anything else that is printed with small dots,

Les Grands Boulevard And La Grande Jatte
Through my analysis and comparison of Les Grands Boulevard and La Grande Jatte I hope to
convey to the reader that these two paintings, although painted in different styles, both illustrate the
need to slow down and enjoy life. Les Grands Boulevards is a 20 1/2 x 25in. European oil on canvas
painting created by Pierre–Auguste Renoir in 1875 during the impressionism movement
("Philadelphia Museum of Art"). The painting is currently housed in the Philadelphia Museum of
Art ("Philadelphia Museum of Art"). A Sunday on La Grande Jatte is another European oil on
canvas painting. Georges Seurat started this painting in 1884 during the post impressionism
movement and completed it in 1886 ( "About This Artwork."). In 1889 Seurat made one final
change to La Grande Jatte, restretching the canvas to 81 3/4 x 121 1/4in in order to add a painted
border ( "About This Artwork."). The painting is now located at the Art Institute of Chicago (
"About This Artwork.").
Renoir's use of blurred details, blended colors and optical effect of light and color in Les Grands
Boulevard show a fleeting moment of contemporary life in Paris in 1875.The painting depicts one of
the so called grands boulevard of Paris. Brought about by the industrial revolution, the boulevard
was a newly restored and modernized urban setting at the time Renoir painted it. The painting shows
a busy populated street with people going about their day. Amidst the busy street we see a man
sitting on a bench reading, two

Similarities Between Kirkland And George Seurat
Connecting the Dots George Seurat and Vance Kirkland were avante garde artists from two different
time periods who experimented with new techniques and ideas in painting. Both placed a heavy
focus on color theory, which is believed to be the most important aspect for a career as a painter.
The two of them were able to develop their own dot painting styles and both were heavily criticized
for their newly invented techniques. Seurat was accused of being a cold–blooded mystifyer by one
critic of his time. With exaggerated titles such as The Energy Of Explosions 24 Billion Years B.C.
(1978 no. 3), New York galleries of the 1970s criticized Kirkland for the names of his paintings,
because the titles to his paintings are not scientifically accurate. ... Show more content on
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Each one contains a subject matter of either urban scenes, landscapes or seashores. A Sunday on La
Grande Jatte is his most famous painting and the one that set the stage for his new found techniques.
The size of the painting was very much different than that of the smaller paintings of the
Impressionists. It was huge for the time, roughly taking up an entire wall, the painting commanded
attention from any viewer within the vicinity. The colors of the dots blend together optically by the
viewer's eyes to create a magnificently composed work of art. Kirkland on the other hand, used
subject matter that was out of this world. By attaching cosmic names to his paintings such as The
Energy of Explosions 24 Billion Years B.C. (1978 no. 3), Mysteries in Vertical Space, Space
Mysteries, Five Red–Orange Suns In Space, Blue Mysteries Near the Sun, and Blue Vibrations In
Pink Space, it's clear to the viewer his subject matter is out of this world. Before his death, Kirkland
was able to create for different series of dot paintings, Energy of Vibrations, Mysteries, Explosions,
and Forces. There is also an optional theme to an earlier pre–dot theme Organic Vibrations known
as Valhalla

Research Paper On Pointillism
I came up with the idea of doing a pointillism of my cat because I did a pointillism three years ago
in an art class at the school. While doing this pointillism, I discovered that I actually really enjoy
making them and I love the fact that an entire piece of art can be created from just beginning with a
single dot. Doing a pointillism of my cat is an important idea to me because my pets are a huge part
in my life. Growing up I've always been surrounded by animals whether it be cats, kittens, dogs,
puppies, hamsters, fish, geckos and frogs. Cats have always strongly stood out to me as my
favourite animal and my cats provide me with so much love so I wanted to make a piece of art to
remember one of my cats by. I started working on this pointillism simply because I was bored one
day and really felt like creating a pointillism was a good way to make the time pass, since they take
a long time to do and they require constant work. The first idea that popped into my mind was a
pointillism of my cat, ... Show more content on Helpwriting.net ...
It's a way for me to cherish and remember the impact that my cat has made on me and the happiness
that she brings. I am proud with the overall look of my cat pointillism, although I feel like the body
of the cat could have been done more complexly. My favourite part of this pointillism is the face as I
can completely recognize that the pointillism is of my cat when I look at it since it really resembles
her. From doing this pointillism, I noticed one thing that I would do differently next time. When I
was doing this pointillism, I was going very fast and I'm assuming that this caused my fineliner to
go on an angle. This caused the overall look to not really have perfect dots when looked at closely.
Next time I plan on carefully watching the angle at which I'm working with so that this doesn't
occur. I feel like it would give a neater and cleaner end

Descriptive Essay On Museum Visit
Museum Visit: A Sunday on La Grande Jatte I went to The Art Institute of Chicago on a Thursday
when it was free for Illinois resident and when there were different exhibitions going on. There was
long line at the entrance near the museum at 6pm in the evening. I went alone because I thought I
can have better focus on picking a good art work. I was ready to go through all the magnificent
paintings for my art museum paper. As I walked through the museum, there were colorful Indian
Modern art exhibited for the occasion. They were big and vibrant. The was also a special exhibition
of Tarsila Do Amaral, one of the leading Latin American Modernist artist who paint like Cubism,
Futurism and expressionism. Her artworks were childlike in terms of the painting style of objects
and people. I was most fond of the modernist and contemporary part of the gallery with painters like
Salvador Dali and Francis Bacon. I was fascinated with Salvador Dali's Venus de Milo with
Drawers. The drawers unnaturalistically located on a human body was intriguing. The depth of the
human mind and subconsciousness are creatively represented by these drawers on Venus de Milo.
Francis bacon's work Figure with meat was not bad either. Figure with Meat is a disturbing
depiction of Pope Innocent X sat in front of a cow carcass cut lengthways in half. (Gould) Like his
other painting, the theme is dark and twisted. The carcass is included serve as a direct reminder that
death will be at the end await

Camille Pissarro's 'Apple Harvest In Europe'
Apple Harvest in Europe
Introduction
Apple Harvest is a painting created by a French artist named Camille Pissarro in 1888. The artwork
is derived from the European culture focusing on the style of neo–impressionism or pointillism. The
painting is made with the use of oil on canvas and currently located inside the Dallas Museum of Art
in second floor in the section of European art. It depicts a lively image of farmers engaging in their
daily activities where they are picking apples on a sunny day. The background of the landscape
consists of a huge ranch with additional apple trees that gives a vibration of harvesting season.
Similarly, it is a form of a representational artwork portraying physical labor by the farmers during
that period. Camille Pissarro seemed to support the farmers of low social status and believed in hard
work as some of his artworks are the representations of lives of these social groups (Dallas Museum
of Art 2017). In the painting "Apple Harvest", he tries to picture working peasants in an apple farm
in the French Countryside (Dallas Museum of Art 2017). This paper is an integration of the analysis
of formal elements and principles relevant to the art work "Apple Harvest" and my experience of
observation of this piece of art at the Dallas Museum of Art including a reflection upon the visit.
Figure 1: "Apple Harvest", 1888, Oil on Canvas, European Art. Image Courtesy of Dallas Museum
of Art.
Formal Analysis
Camille Pissarro uses different forms of

George Seurat Research Paper
A Sunday Afternoon on the island of La Grande Jatte
George Seurat, father of pointillism painting technique was born on December 2, 1859 and died in
his early age of 31 on March 29,1891. The full name of the artist is Georges Pierre Seurat and he
was trained at the École des Beaux–Arts, where he stepped out of the traditional way of painting and
invented his own way of painting through scientific technique of mixing colors. His techniques were
beyond the styles of Impressionism, which was the most acquired art technique of that age. After his
birth on December 2, 1859, in Paris, France, his father was a customs official, he was not at home
that often which led Seurat, his brother and his sister to grow up with their mother Faivre. He
learned arts in his early age from an uncle and started formal education at the age of 16 from a local
art school. He studied in the famous Ecole des Beaux–Arts in Paris starting from 1878 for a year, he
trained under artist Henri Lehmann and since the rules and the regulations of the school were strict,
Seurat was frustrated and decided to leave school. After he left in 1879, he did not left his study but
instead started ... Show more content on Helpwriting.net ...
Later in mid–1880s, Seurat formed a new artistic style of painting which is known as pointillism or
Divisionism. Since, the colors were blended with other colors on the palette and kept them side by
side to compare the likeliness of those colors blending together. This would be followed by viewing
those colors from a distance provided the idea of optical mixing, meaning the colors would look like
some other color when mixed and viewed from a distance. After discovering this technique, he
painted not only the subjects of everyday life but instead he, and his colleagues often painted the
nightclubs, parks and the landscapes of the Paris

Dot Art: Pointillism
Individual Assignment Lesson Plan
Subject: Art
Topic: Dot Art (Pointillism)
ICT set up–1 PC per student ( Every student will access to a computer each and computers are
arranged in a group of 5to facilitate collaborative working effectively.
Students' Characteristics: Mixed ability
Children have experienced making their artwork through drawing within lines, shapes and colouring
or painting. They have thought that colouring or painting can only be done with the traditional ways
of drawing and painting. They have yet to explore different ways of doing art through painting with
dots, which is called pointillism (the pointillist technique) and includes aspects of colour mixing.
They have not known that they can do dot art through ICT. Pre–requisite knowledge Students have
learnt about primary colours, red, yellow and blue. They have used to create lines and shapes using
primary colours to do their artpiece.
Learning Objectives: By the end of the lesson, the students/pupils will be able to:
1. Recognize that the 2 forms of art (drawing and painting) not only can be done with art
equipments ( brushes and pencils or markers) but also with the ICT tools.
2. Identify the mixtures of at least 2 different primary colours to obtain a secondary colour through
computer by giving them an opportunity to be exposed to online games.
3. Develop an awareness of art discussion on Principle of Art in the classroom with the effective use
of 3–5 Principle of Art criterias

Paintings of the Old Masters
Look at the color red, a color known for its beauty and while it may not be in everybody's catalogue
of beauty, it cannot be denied of its intensity. If one is showed a stunning painting of a red rose, one
of the descriptions that could apply to that paining is beauty: seeing such an elegant spectacle of
nature being emulated on paper can be quite stimulating. Another description that could be
associated with a red rose is passion, as such a color may leave one energized and spontaneous;
however how would one respond if they were told that the painting of the rose was painted with
blood. Now a painting that once may have suggested the aspects of beauty and passion, may stir
descriptions such as fear, aggression, danger and yet passion as well; therefore, bringing one to the
understanding that "Every image embodies a way of seeing" (Berger, 142). This is why paintings
should be viewed as a spectacle; hence, this brings me to the painting I was presented with by John
Berger in his book Ways of seeing in which he argues how through reproduction the modern context
of the Old Masters' paintings severed them from what they meant in the time of their production.
The painting that demanded my attention was Wheatfield with Crows by Van Gogh, something that
may seem simple at first but is rich with emotion. Through such a work of art I've come to
understand that paintings are a medium where an artist can illustrate his words/feelings and express

To many Van Gogh is a household name, and an iconic tortured artist. Van Gough's commitment to
the spirituality with in man and nature led to his unique style and content that led to dramatic and
emotional canvases, canvases that convey much more than just a subject. The son of Theodorus Van
Gogh a protestant pastor, and Ana Cornelia Carbentus, Vincent Willem Van Gogh was born into this
world on March 30,1853. Vincent was the first of five children and was born in Groot Zundert, a
modest town in Dutch Brabant. Exactly one year prior to his birth Ana his mother had given birth to
a stillborn child tragically named Vincent also. According to the book Van Gogh It states that
Vincent grew up "burdened by a fatal sense of guilt, as if he felt that his life had only been possible
because of the sacrifice of another existence." It has been said that Vincent was a lonely child who
spent most of his time roaming the fields of the countryside. ... Show more content on
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Vincent took the already brilliant colors known for this movement and intensified them. He used
complementary colors to add contrast; you can see the blue of the street in the distance enhances
this in the "sulphur yellow" of the terrace. Another aspect of the painting that was popular for the
post–impressionist movement is the impasto or thickly applied paint on the canvas. An artist similar
to Van Gogh was Paul Gauguin, one of Van Gogh's many inspirations and dear

Vincent Willem van Gogh is considered as one of the most renowned artist/painter in history, but
like many others, his legacy and talent was brought to light after his death. While suffering from
mental illness and poverty throughout his life, he was still able to capture the essence of beauty and
color through his expressionistic, abstract technique as well as influence in Japanese art. His works
accumulate to 2,100, consisting of 860 oil paintings, and more than 1,300 watercolor, drawings, and
sketches. Van Gogh, being a post–impressionist artist, is stated to be the greatest Dutch painter after
Rembrandt. Van Gogh's work is now recognized by many; from his art being sold for little to
nothing, is now sold for millions. Vincent van Gogh was born on March 30, 1853, in Groot–
Zundert, Netherlands. His parents were Theodorus van Gogh and Anna Cornelia Carbentus.
Supposedly, van Gogh's influence toward the arts was said to be derived from his mother, who was a
moody artist who loved nature, drawing, and water color. While growing up, Van Gogh's family
struggled financially, so he quit school at the age of 15 to work and his ... Show more content on
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There he fell in love with his landlord's daughter, Eugenie Loyer. When his love was not returned,
he became madly upset, which resulted in his dedication toward God and his new occupation as a
minister. Becoming a minister was not an easy task for van Gogh, as he rejected taking the Latin
exams in the School of Theology in Amsterdam, due his belief on the language being of the poor. In
the winter of 1878, he volunteered to be located to an poor coal mine in Belgium (usually a place
where preachers were sent as punishment). There, he preached and drew miners and their families.
He eventual gained the title of "Christ of the Coal Mines"; this didn't sit to well with evangelical
committees. Eventually van Gogh had to search for another occupation and

Comparing Van Gogh And Georges Seurat
One of the last topics we discussed in class turned out to be a form of art that probably interests me
more than almost every other type of art that we have discussed this entire semester. That form of art
is the impressionist style of painting. I really love all the different brush strokes that form different
images for different people. I also enjoy much of the images that the impressionists painted, because
they are usually very relaxed and mellow images that put you into a comfortable place. The post–
impressionist period, especially very early post–impressionist, is even better I think. I think it's
better because it is just a little more refined and puts more emphasis on the figure and form of
different objects. Since I enjoyed the post–impressionist's ... Show more content on Helpwriting.net
...
I image him creating this amazing painting while sitting in his room and looking out his window
early in the morning, or late at night. I think the rich blue colors make the painting seem less
depressing and actually makes the photo have a much more charming feel to it. I think this is
interesting because you would think van Gogh would draw something darker since he was basically
locked up and couldn't

Audley Book Review
Introduction Audley is a parish which has been fortunate with regard to historians. The antiquarians
Richard Parrott and William Kelsall produced two invaluable 17th and early 18th century works. In
the early 20th century Thomas Warham took a series of photographs that capture a forgotten parish.
In the late 20th century both Runce and more notably Robert Speake produced indispensable
reading and Speake followed this as the new millennium dawned with a second work while David
Dyble published his work on Chesterton and Apedale, which encroaches into the parish. These
works capture the essence of the parish as a whole but Audley is a large parish, in 1834 it was
11,000 acres and split into 7 townships. These townships represent a rich diversity of character,
from the agricultural Eardley End to the industrial Bignall End. J.D. Pratten and C.J.Lovatt made
one attempt to capture this diversity in their work on Shraley Brook. This book is a second attempt,
this ... Show more content on Helpwriting.net ...
These have been supplemented in a 'then and now' style by Tony Lancaster. In 2013 a Victoria
County History volume was produced covering the north west of the Pirehill hundred, which
includes the parishes of Audley, Betley, Keele, Madeley and Trentham. To these should be added the
Audley Historian, a local history book produced annually by the Audley and District Family History
Society. Edited by Dr. Ian Bailey since 1995, the books are essential reading to anyone with an
interest in the history of the parish. To the reader of this book, who is only aware of Wood Lane in
its modern form, it is a product of the age of coal; furthermore, terraced housing and 19th century
chapels have formed its structure in living memory. This modern composition hides Wood Lane's
past well, for, in varying forms, it is at least six and possibly eight hundred years

Aesthetic Sentiment
Anh Nguyen _ PS# 1335314
Prof. Voss / PHIL 1361 / MWF 10–11am Museum Assignment– Museum of Fine Art Houston /
OCT 07th, 2016
Aesthetic Sentiment and Judgement According to David Hume, a great philosopher in 18th century,
"Beauty in things exists in the mind which contemplates them." As a result, "good art" is the
judgement of individual base on their positive sentiment toward an artwork, and that is called the
taste of art. Besides, David Hume also believes there is something will make an artwork better than
others. To experience that belief, after falling in love with two artworks–"A Bull Fight" and "The
Bonaventure Pine"– in the exhibition at Museum of Fine Art Houston, based on the personal taste of
art to state that "A Bull Fight" is better artwork than "The Bonaventure Pine" even though both are
beautiful.
The first interesting artwork is "A Bull Fight" by Jacquez Raymond Brascassat (1804–1867), who is
a French artist. "A Bull Fight" is a European art, painted with oil on canvas medium, and published
in 1855. Its dimensions are about 57x75 inches, which show a close ratio to the real objects. This is
a large oil painting of two bulls fighting, with a dog and a cow watching. There are some physical
damages on this piece of art. However, "A Bull Fight" still shines on the wall of the ... Show more
Pointillism technique, which is a method of applying small strokes or dots of color to a surface so
that from a distance they blend together. "The Bonaventure Pine" is a European art, painted with oil
on canvas medium, and published in 1893. Its dimensions are about 65x81 centimeters. "The
Bonaventure Pine"– is a landscape painting– shows a beautiful and peaceful view under glory of
warm sunlight in the Southern area, which is also used to attract and invite a friend to visit this
lovely

Painting: Vincent Van Gogh, Bedroom in Arles Essay
Van Gogh and The Representation of Happiness Through His Own Bedroom
Vincent Van Gogh, Bedroom in Arles, 1889, Oil on canvas, currently at the De Young Museum (San
Francisco),
"Van Gogh, Gauguin, Cézanne and Beyond: Post–Impressionist Masterpieces from the Musée
d'Orsay"Exhibition.
On a smaller canvas than two other similar paintings, Vincent Van Gogh carefully painted for the
third time his bedroom in Arles, a charming town in the south of France, and thus created this
approximately 22 ½ x 29'' artwork. In fact, Van Gogh made three almost identical paintings on the
theme of his bedroom and are named « Bedroom in Arles ». The first one, kept at the Van Gogh
Museum in Amsterdam is painted in October 1888. About a year after, Van ... Show more content on
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Perhaps he had come to Arles for the sun and for him, it was an immense joy to live in such bright
bedroom, bursting with colors. What is also fascinating about this piece of art is how the painter
highlights the simplicity of his bedroom through the medium of color: « the pale lilac walls, the
floor of an old brown, the chairs and bed chrome yellow, the blood red cover, the orange little table
and the blue basin", as the painter describes it. Van Gogh asserted that he wanted to express a
complete rest by handling all these different shades2. The color black, which could be evocating a
certain form of anguish, is almost nonexistent in this painting. Only the frame of the mirror and
windows is black. We wonder if this could mean that Van Gogh was afraid of his future and afraid to
face up to reality. This is a possibility. In fact, despite the evidence of his happiness, present in this
painting, Van Gogh was not married2 and many clues here let us think that he wished to be.
Although the bedroom is very sparsely furnished and only contains essential items (which shows, in
addition to the choice of colors, a great simplicity), we notice that many of these objects go together
in pairs (two pillows, two chairs, two portraits on the wall, two drawings, and even two doors).
Thus, this painting on canvas was perhaps his way of expressing his wish to meet someone and that
his bedroom was arranged so as to welcome her. But because it was just him in this bedroom, he
certainly

A Sunday On La Grande Jatte Analysis
I chose A Sunday on La Grande Jatte by Geroges Seurat for my critical analysis. When I was in 4th
grade, my gifted class studied this artwork by Seurat. After studying this piece, we were allowed to
replicate A Sunday on La Grande Jatte in the form of a mural in one of the hallways. I was beyond
fascinated with the different colored "dots" we were using, and how in the end it all came together
as a whole. Seurat's pointillism technique catches my eye each time I see a piece of his, and to this
day, I am in awe of this particular piece. In my opinion, his creation of pointillism is outstanding. I
am amazed at how the dots somehow create an undeniable texture. It looks as if Georges Seurat
captured a fuzzy picture of the scene he was inspired

Paul Signac's Breakfast In The Dining Room
Paul Signac was a French painter who helped develop the pointillist style. He was born on
November 11, 1863 in Paris, France where he began his artistic career. He decided he wanted to
become an artist after viewing an exhibition of Monet's work in 1880. His family were wealthy
shopkeepers and encouraged him to study architecture, however, his early interest in painting
continued into adulthood. His father and grandpa were both saddlemakers, but the store was still
under his name. During the Franco–Prussian War, he was sent to northern France to live with his
grandmother because his family didn't want him to get into harm's way. Since Signac had to stay
there for the time being, he was enrolled in a college named Rollin in Montmartre. Soon ... Show
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These two artists shared an interest for science behind color and perception, so Signac worked with
Seurat to create a painting style that used optical effects. (Paul Signac) They applied small dabs of
colors closely together on canvas, using various shades that appeared to merge from a distance.
Using pointillism, Signac created two paintings that became very popular, one of which, was called
"Breakfast in the Dining Room" (Meyer). This painting was actually based on his own family, and it
featured his mother, grandfather and housekeeper. The figures present at the lunch table appear to be
in silence. It portrays a family that lacks interaction and a feeling of home.
Signac's style was very similar to his good friend, Georges Seurat. For example, Signac's oil
painting "Breakfast in the Dining Room" appears to look like Seurat's "Sunday in the Park on the
Island of Grande Jatte".(Jackson) Signac based this pinwheel design on a Japanese print, but
replaced it with his own colors and patterns to represent himself. Till this day, it is still a mystery as
to why Signac drew this, but it is rumored that both Seurat and Signac worked on each others
projects hand in

George Seurat's Pointillism Technique

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