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Research Catalogue
Pan’s Labyrinth 
Pan's Labyrinth: del Toro, Guillermo, 2006. Pan's Labyrinth, 
Estudios Picasso. 
Pan’s labyrinth is the epitome of films in an alternative 
reality and also the epitome of a fantasy. It is a key primary 
text for my area of research. It is useful because it displays 
all the conventions, iconography and ideas behind a film in 
an alternate reality. It makes the audience question whether 
or not the world Ofelia is living in is real or not. Pan’s 
labyrinth makes a clear distinction between the real world 
and an alternate one, but it does so in a way that we can 
believe that the alternate world can be real. One way in 
which is does this is by the use of believable characters, i.e. 
the evil villain in the film is actually in the real world.
Donnie Darko 
Donnie Darko: Kelly, Richard, 2001. Donnie Darko, Pandora 
Cinema 
Donnie Darko shares many characteristics that are similar 
to Pan’s Labyrinth. Like Pan’s it displays many useful 
characteristics and conventional ideas. However, it not 
display the fantastical elements that Pan’s does. This is 
because Donnie Darko is set in the real world and a world 
very similar to the real one. This makes it harder to 
recognise the difference between worlds.
Interview with Guillermo Del 
Toro 
Guillermo Interview: Unknown Author, 2010. Guillermo 
del Toro Interview on BBC Film 2010 on YouTube. Accessed 
on 08/12/14: 
https://www.youtube.com/watch?v=VD4kspP5hRs 
In this interview Del Toro talks about his lucid dreaming 
and how that was key to Pan’s Labyrinth. However when 
watching pans labyrinth, it is not clear that lucid dreaming 
is the reason behind the world Ofelia seems to be living in. 
It could perhaps be visions or hallucinations, or perhaps 
not even imaginary of any sort. This shows that the 
director’s intention is not always put across to the audience 
and explanations are not black and white. This therefore 
means that the film is open to interpretation.
Alternative Worlds in Hollywood 
Cinema: Resonance Between 
Realms 
Walters, James, 2008. Alternative Worlds In Hollywood 
Cinema: Resonance Between Realms, Bristol, Intellect Books. 
This book analyses imagined world’s in cinema and looks 
at genre, history and construction and development across 
periods. The book also looks at The Wizard Of Oz, which is 
remarkably similar to Pan’s Labyrinth. 
http://books.google.co.uk/books?id=jumhNWN8BxUC&printsec= 
sec=frontcover&dq=alternative+worlds&hl=en&sa=X&ei=jdWFV 
dWFVIeRHMG9UeJV&ved=0CCIQ6AEwAA#v=onepage&q=alt 
ternative%20worlds&f=false
The Freud Reader 
Gay, Peter, 1989. “The Freud Reader”. London; Vintage 
http://www.amazon.co.uk/Freud-Reader-Peter- 
Gay/dp/0099577119/ref=sr_1_16?s=books&ie=UTF8&qid=1417443 
005&sr=1-16&keywords=freud 
This book on Freud provides some useful information about 
dreaming. Freud, who is known for his observations on 
dreaming, says some interesting points relevant to my area of 
study. Freud talks about lucid dreaming among other aspects 
of dreaming and their interpretation, which give explanations 
and theories as to why these alternate realities exist within 
dreams. 
.
The Interpretation Of Dreams 
Freud, Sigmund, 1997. The Interpretation Of Dreams, 
Hertfordshire: Wordsworth Editions Limited. 
This, like the previous title, gives an insight into how dreams are 
put together and why. This book is specifically on dreaming 
rather than a general book on Freud. In this book Freud talks 
about dream interpretation. Dream interpretation is a concept 
whereby meaning is assigned to dreams. This is useful to my 
research because psychological explanations can give a reason to 
why these worlds are being created. Psychological illness is 
touched upon in Donnie Darko, we know Donnie is suffering 
from schizophrenia and is taking various treatments. 
Psychological reasons could also maybe give a reason to why 
Ofelia puts herself in an alternate world 
http://books.google.co.uk/books?id=- 
pB1UoFnjZcC&dq=freud&source=gbs_navlinks_s
Un Chien Andalou 
Buñuel, Louis, 1929. Un Chien Andalou, Unknown Production 
Company 
This by Buñuel had input from Salvador Dali and was 
controversial when released. It made the audience question 
what art was. The reason it is relevant to my investigation is 
because it also touches on the idea of alternate reality(ies). It is 
believe the film is the subject of a lucid dream. The film has 
essentially no plot, which is the reason for this theory.
Donnie Darko Script 
Kelly, Richard, 2003. The Donnie Darko Book, London: Faber 
and Faber. 
This book by the writer and director of Donnie Darko, Richard 
Kelly, will give me an insight into the film. It will help me 
understand Kelly’s intention or intentions in regards to how 
the film makes the audience think in terms of the alternative 
reality aspects of his film. 
With the knowledge that I will learn from this source, I can 
compare Kelly’s intentions with my interpretation of what 
happened .
Interview With Richard 
Kelly 
Murray, Rebecca, Unknown Date. ‘Inside Donnie Darko with 
writer/director Richard Kelly’ on Moviesabout.com. Accessed on 
8/12/14: http://movies.about.com/cs/donniedarko/a/donniedarkork.htm 
“I think that the image of Frank that you see prior to that is a different 
entity altogether, right?” 
This quote shows that even Kelly doesn’t really know if Frank is real or 
not. Even the writer of the film cannot tell the difference between the 
real world and the world he created. The way he asks a question also 
suggests that he wants the film to be open to interpretation. 
This source overall is useful as Kelly never gives a black and white 
explanation as to what happened, leaving me room to analyse his work.
Research catalogue

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Research catalogue

  • 2. Pan’s Labyrinth Pan's Labyrinth: del Toro, Guillermo, 2006. Pan's Labyrinth, Estudios Picasso. Pan’s labyrinth is the epitome of films in an alternative reality and also the epitome of a fantasy. It is a key primary text for my area of research. It is useful because it displays all the conventions, iconography and ideas behind a film in an alternate reality. It makes the audience question whether or not the world Ofelia is living in is real or not. Pan’s labyrinth makes a clear distinction between the real world and an alternate one, but it does so in a way that we can believe that the alternate world can be real. One way in which is does this is by the use of believable characters, i.e. the evil villain in the film is actually in the real world.
  • 3. Donnie Darko Donnie Darko: Kelly, Richard, 2001. Donnie Darko, Pandora Cinema Donnie Darko shares many characteristics that are similar to Pan’s Labyrinth. Like Pan’s it displays many useful characteristics and conventional ideas. However, it not display the fantastical elements that Pan’s does. This is because Donnie Darko is set in the real world and a world very similar to the real one. This makes it harder to recognise the difference between worlds.
  • 4. Interview with Guillermo Del Toro Guillermo Interview: Unknown Author, 2010. Guillermo del Toro Interview on BBC Film 2010 on YouTube. Accessed on 08/12/14: https://www.youtube.com/watch?v=VD4kspP5hRs In this interview Del Toro talks about his lucid dreaming and how that was key to Pan’s Labyrinth. However when watching pans labyrinth, it is not clear that lucid dreaming is the reason behind the world Ofelia seems to be living in. It could perhaps be visions or hallucinations, or perhaps not even imaginary of any sort. This shows that the director’s intention is not always put across to the audience and explanations are not black and white. This therefore means that the film is open to interpretation.
  • 5. Alternative Worlds in Hollywood Cinema: Resonance Between Realms Walters, James, 2008. Alternative Worlds In Hollywood Cinema: Resonance Between Realms, Bristol, Intellect Books. This book analyses imagined world’s in cinema and looks at genre, history and construction and development across periods. The book also looks at The Wizard Of Oz, which is remarkably similar to Pan’s Labyrinth. http://books.google.co.uk/books?id=jumhNWN8BxUC&printsec= sec=frontcover&dq=alternative+worlds&hl=en&sa=X&ei=jdWFV dWFVIeRHMG9UeJV&ved=0CCIQ6AEwAA#v=onepage&q=alt ternative%20worlds&f=false
  • 6. The Freud Reader Gay, Peter, 1989. “The Freud Reader”. London; Vintage http://www.amazon.co.uk/Freud-Reader-Peter- Gay/dp/0099577119/ref=sr_1_16?s=books&ie=UTF8&qid=1417443 005&sr=1-16&keywords=freud This book on Freud provides some useful information about dreaming. Freud, who is known for his observations on dreaming, says some interesting points relevant to my area of study. Freud talks about lucid dreaming among other aspects of dreaming and their interpretation, which give explanations and theories as to why these alternate realities exist within dreams. .
  • 7. The Interpretation Of Dreams Freud, Sigmund, 1997. The Interpretation Of Dreams, Hertfordshire: Wordsworth Editions Limited. This, like the previous title, gives an insight into how dreams are put together and why. This book is specifically on dreaming rather than a general book on Freud. In this book Freud talks about dream interpretation. Dream interpretation is a concept whereby meaning is assigned to dreams. This is useful to my research because psychological explanations can give a reason to why these worlds are being created. Psychological illness is touched upon in Donnie Darko, we know Donnie is suffering from schizophrenia and is taking various treatments. Psychological reasons could also maybe give a reason to why Ofelia puts herself in an alternate world http://books.google.co.uk/books?id=- pB1UoFnjZcC&dq=freud&source=gbs_navlinks_s
  • 8. Un Chien Andalou Buñuel, Louis, 1929. Un Chien Andalou, Unknown Production Company This by Buñuel had input from Salvador Dali and was controversial when released. It made the audience question what art was. The reason it is relevant to my investigation is because it also touches on the idea of alternate reality(ies). It is believe the film is the subject of a lucid dream. The film has essentially no plot, which is the reason for this theory.
  • 9. Donnie Darko Script Kelly, Richard, 2003. The Donnie Darko Book, London: Faber and Faber. This book by the writer and director of Donnie Darko, Richard Kelly, will give me an insight into the film. It will help me understand Kelly’s intention or intentions in regards to how the film makes the audience think in terms of the alternative reality aspects of his film. With the knowledge that I will learn from this source, I can compare Kelly’s intentions with my interpretation of what happened .
  • 10. Interview With Richard Kelly Murray, Rebecca, Unknown Date. ‘Inside Donnie Darko with writer/director Richard Kelly’ on Moviesabout.com. Accessed on 8/12/14: http://movies.about.com/cs/donniedarko/a/donniedarkork.htm “I think that the image of Frank that you see prior to that is a different entity altogether, right?” This quote shows that even Kelly doesn’t really know if Frank is real or not. Even the writer of the film cannot tell the difference between the real world and the world he created. The way he asks a question also suggests that he wants the film to be open to interpretation. This source overall is useful as Kelly never gives a black and white explanation as to what happened, leaving me room to analyse his work.