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CONCEPT
NARRATIVE AND PERFORMANCE
DURING THE FILMING WE WILL HAVE INCLUDE A MULTITUDE OF SHOTS TO MAKE IT MORE INTERESTING,
WE WILL INCLUDE CLOSE UP SHOTS TO CATCH THE EMOTIONS OF THE ACTOR AS HE IS GOING THROUGH A
ROUGH TIME IN HIS LIFE; ESTABLISHING SHOTS WILL BE USED TO SET THE SCENE WHEN WE CHANGE
PLACES IN THE VIDEO, THE STARTING INSTRUMENTAL WILL SHOW THE PUB THAT WE WILL BE FILMING A
LOT OF THE VIDEO AT. WE WILL HAVE TO THINK ABOUT FRAMING DURING THE FILMING AS THIS WILL BE
KEY WHEN IT COMES TO GETTING EVERYTHING IMPORTANT IN SHOT SUCH AS THE ACTORS EXPRESSIONS,
THE PROPS, AND THE A SETTING (BAR, HOUSE, CAR AND PARK)
CAMERA
DURING THE EDITING WE WILL HAVE TO MATCH THE CUTS TO THE BEAT OF THE MUSIC FOR EXAMPLE AT
THE END WHERE THE MUSIC SPEEDS UP AND GETS LOUDER WE SHOULD HAVE A MONTAGE OF SHOTS
FROM THE REST OF THE VIDEO BEFORE THE SONG SLOWS DOWN AGAIN AND WE COME BACK TO PRESENT
TIME. THE EDITING WILL BE SLOW PACED DURING THE BUILD UP TO THE CHORUS, TO REPRESENT THE SLOW
LYRICS IN THE VERSES, BUT THEN THE FAST CHORUS’ THE EDITING PICKS UP, THE EDITING WILL BE DONE ON
FINAL CUT PRO, AS IT IS THE ONE THAT EASILY ACCESSIBLE TO ME AND MY TEAM, IT’S ALSO STRAIGHT
FORWARD AND EASY TO USE.
EDITING
THE LIGHTING IN THE MUSIC VIDEO WILL BE VERY LOW KEY, ESPECIALLY IN THE PUB SCENES, TO ADD TO THE
GRIM ATMOSPHERE OF THE PUB, AND ALSO TO LINK TO THE NARRATIVE OF THE LOST LOVER. HOWEVER IN
THE PERFORMANCE OF THE BAND SCENES AND SHOTS THE LIGHTING WILL BE HIGH KEY, IN A DARK ROOM
TO GIVE A NICE EFFECT AND EMPHASIZE THE BAND AND THEIR INSTRUMENTS. THE LOW KEY AND HIGH KEY
CONTRASTS WILL ADD TO A NICE EFFECT AND MAKE THE PERFORMANCE OF THE SONG STAND OUT.
LIGHTING

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Treatment sheet

  • 1.
  • 2.
  • 5. DURING THE FILMING WE WILL HAVE INCLUDE A MULTITUDE OF SHOTS TO MAKE IT MORE INTERESTING, WE WILL INCLUDE CLOSE UP SHOTS TO CATCH THE EMOTIONS OF THE ACTOR AS HE IS GOING THROUGH A ROUGH TIME IN HIS LIFE; ESTABLISHING SHOTS WILL BE USED TO SET THE SCENE WHEN WE CHANGE PLACES IN THE VIDEO, THE STARTING INSTRUMENTAL WILL SHOW THE PUB THAT WE WILL BE FILMING A LOT OF THE VIDEO AT. WE WILL HAVE TO THINK ABOUT FRAMING DURING THE FILMING AS THIS WILL BE KEY WHEN IT COMES TO GETTING EVERYTHING IMPORTANT IN SHOT SUCH AS THE ACTORS EXPRESSIONS, THE PROPS, AND THE A SETTING (BAR, HOUSE, CAR AND PARK) CAMERA
  • 6. DURING THE EDITING WE WILL HAVE TO MATCH THE CUTS TO THE BEAT OF THE MUSIC FOR EXAMPLE AT THE END WHERE THE MUSIC SPEEDS UP AND GETS LOUDER WE SHOULD HAVE A MONTAGE OF SHOTS FROM THE REST OF THE VIDEO BEFORE THE SONG SLOWS DOWN AGAIN AND WE COME BACK TO PRESENT TIME. THE EDITING WILL BE SLOW PACED DURING THE BUILD UP TO THE CHORUS, TO REPRESENT THE SLOW LYRICS IN THE VERSES, BUT THEN THE FAST CHORUS’ THE EDITING PICKS UP, THE EDITING WILL BE DONE ON FINAL CUT PRO, AS IT IS THE ONE THAT EASILY ACCESSIBLE TO ME AND MY TEAM, IT’S ALSO STRAIGHT FORWARD AND EASY TO USE. EDITING
  • 7. THE LIGHTING IN THE MUSIC VIDEO WILL BE VERY LOW KEY, ESPECIALLY IN THE PUB SCENES, TO ADD TO THE GRIM ATMOSPHERE OF THE PUB, AND ALSO TO LINK TO THE NARRATIVE OF THE LOST LOVER. HOWEVER IN THE PERFORMANCE OF THE BAND SCENES AND SHOTS THE LIGHTING WILL BE HIGH KEY, IN A DARK ROOM TO GIVE A NICE EFFECT AND EMPHASIZE THE BAND AND THEIR INSTRUMENTS. THE LOW KEY AND HIGH KEY CONTRASTS WILL ADD TO A NICE EFFECT AND MAKE THE PERFORMANCE OF THE SONG STAND OUT. LIGHTING