Maarten Kleinhout - Fabricating the future - from vision to realisation
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APM Project Management Conference 2017 - Making the Mould.
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Maarten Kleinhout - Fabricating the future - from vision to realisation
- 2. Fabricating the future From vision to realisation Manufacturing the future
- 3. The enjoyment of making I consider Self-realisation, function and recognition of same; fundamental to the wellbeing of any individual and key to sustainability of the team and the business. We are all Entrepreneurs: It’s a Mindset Setting a culture…
- 4. CSI Projects Committed to offsite construction since 1986
- 6. The realisation of complex geometric forms
- 7. Charly Chaplin – Modern Times Knowing why “…the parts of something are intimately interconnected and explicable only by reference to the whole…” Swallowed by the ‘machine’ Aministrative V Entrepreneurial PRESSURES
- 8. Digital transitionFrom camouflage to self identity Echoes from the industrial revolution Like the machines that shrug off their domestic encasements in pursuit of their own language ‘the digital’ is trying to free itself from the need to imitate.
- 9. Catenarymodel,AntoniGaudí Physical handcrafted forms are replaced by computational modelling, simulations, CNC production of formwork and precast components
- 10. The Digital/creative process could be considered ‘distant’ - it will require expertise, specialist knowledge which has the potential to remove the creator/originator away from the direct making and intuitive sense of materials to the point that the digital world is recreating itself whilst being disguised as being natural. Digital barrier – when can we all step over the wall?
- 11. Wearing it… Designer Vito Acconci. It was printed in sections using a new flexible filament, printed by MakerBot (www.evolo.us) Camouflage has become identity
- 12. …we have run out of money; now we have to think… Sir Winston Churchill
- 13. now we have to think… The recession intensified our use of digital modelling, prototyping and production techniques to cost effectively translate creator ideas into physical reality.
- 14. From skill by hand to machine
- 15. The enjoyment of making it work…
- 19. Evolution within CSI… Selected projects: “On reflection - we have always been gravitating towards the ‘new’ with focus on opportunity rather than limits, driven by and with a sense of pride that comes with delivering projects we have all come to identify with…”
- 20. Selected project: Martello Tower 2003 A kit of parts…
- 23. A kit of parts…
- 29. Selected project: Lister Mills 2006 “The virtual ‘Unfolding’ of the Volume to physical reconstruction”
- 33. Selected project: Hurlingham Club
- 44. Selected project: By Tobias Putrih “Vertical Shell” 2015
- 45. 1250 unique fin plates - 2500 spacer Tubes -55000 discs and bolts - 432m2 of 3mm aluminium
- 49. Selected project: Kew House
- 62. Selected project: Slipstream T2 By Richard Wilson
- 65. Linear Length: 76m. Weight: 77 tonnes. Surface area: 1,650 sq. m. Height off the ground: 6 – 20m
- 66. LAYER-BY-LAYER
- 80. • Surface material: aluminium and rivets • Made with 1.1km of 1.5m aluminium roll • Finished with approx. 250,000 rivets.
- 81. SITE:Recreation of the factory environment
- 89. What next…? From digital manufacture offsite to digital assembly onsite...?
- 90. And - of course it is not always plain sailing… Thank you
Editor's Notes
- Add Maarten Kleinhout Our story
- My treehouse in Denmark Introduction of myself – architectural education and gene The need for self –realization Setting of a culture – environment by removing the risk from the individual. When we think innovative and act on that innovation we are entrepreneurs provided we remove the risk Cultivating team work…
- Medley of CSI façade projects Incorporation 1986
- The cost effective
- Charly Chaplin – Modern Times Make reference to the construction industry Contractual framework – D&B V MC Being a specialist sub-contractor Whilst government and Seek to minimize the risk for the individual to act freely
- We are all in a continues state of flux – the boundaries between one era and the next are usually determined by historians – a digital ‘revolution’ (or rather a digital transition) is in motion. 3D printing of fully wearable dresses
- image: catenary model, Antoni Gaudí
- Rhino3DM Grasshopper Despite vast improvements in the last decade in modelling techniques in pursuit for user freedom the digital/creative process could be considered emotionally ‘distant’ i.e. it will require expertise, specialist knowledge which has the potential to remove the creator/originator away from the direct making and intuitive sense of materials to the point that the digital world is recreating it-self whilst being disguised as being natural.
- Have we become the camouflage... Printing clothing at home http://www.evolo.us/architecture/3d-printed-dresses-a-new-fashion-trend/ Printed by Makerbot
- Now we have to think Origin of the phrase Accelerated by the recent recession – push for digital based innovation Meaning Frugal Innovation/resourcefulness/entrepreneurial mindset (gentlemen) removed
- Now we have to think Origin of the phrase Meaning Frugal Innovation One that I like as it seems to resonate with many of my projects
- craftmanship
- The act of deskilling / removing the hand from making…
- Add note re teamwork at work
- As a kit of slightly tweaked parts Low level CAD modeling Full factory assembly & disassembly for delivery Architect: Piercy & Company Engineer: Price & Myers
- Martello tower – Bawdsey Beach
- Now we have to think Origin of the phrase One that I like as it seems to resonate with many of my projects
- Now we have to think Origin of the phrase One that I like as it seems to resonate with many of my projects
- Full 3D parametric modeling – repetitive geometry ‘Self-jigging’ cassette components Final shape controlled and supported by Steel primary structure Architect: David Morley Engineer: Price & Myers
- Now we have to think Origin of the phrase One that I like as it seems to resonate with many of my projects
- Now we have to think Origin of the phrase One that I like as it seems to resonate with many of my projects
- Now we have to think Origin of the phrase One that I like as it seems to resonate with many of my projects
- Architect: David morely architects Engineer: Price & Myers MC: Bowmer & Kirkland
- Full parametrics - Small scale prototyping - Digital output Inspirational Concepts: The concept for Vertical Shell originated from part of an oyster shell discovered on the banks of the River Thames. The body of the structure is built almost entirely from aluminium, with a deep purple exterior intended to emphasise the contrast between the organic work and the surrounding architecture. When observed from the street, Vertical Shell appears almost solid, but as the viewpoint changes so does the density of the piece, becoming translucent and fragile as the viewer moves to the entrance Artist: Engineer: Price & Myers MC : MACE
- Now we have to think Origin of the phrase One that I like as it seems to resonate with many of my projects