Compare And Contrast Of Mount Of Holy Victory, By Paul...

Compare And Contrast Of Mount Of Holy Victory, By Paul...
One of Paul Cezanne's exquisite paintings was that of Mount Sainte–Victoire. Dating back to around
1902, Cezanne's "mount of holy victory" painting has many unique characteristics that make it
unlike other paintings of that time. Cezanne's style encompasses many aspects of modernism within
it. Modernism is the idea that the world is represented by experiences, rather than as one may have
thought it to previously be. In this work of art, Cezanne uses a few contrasting colors and creates
several implied lines that draw the eye to notice the volumes in which the space is filled. He uses
color in the way in which it constructs a three dimensional view, while constructing form. Cezanne
had a unique process of painting that did not reflect nature.
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Paul Cézanne
Another artist of the Impressionism era that was impacted by the great wave of Japanese artwork
was Paul Cézanne. In Cézanne's case, his relationship with Japanese art forms was vague in
comparison to the other Impressionists. He was not an avid collector of Japanese prints such as
Degas, nor was he privy to the fascination with these unique objects. Cézanne was an artist "who
admired Puget and Michelangelo for their sculptural volume: he was temperamentally incapable of
adopting Japanese prints as his ideal," (Berger 112). Studies have shown that Cézanne paid closer
attention to what was going on in the art world than his counterparts, therefore, it is hard to
determine how Cézanne could have possibly overlooked Japanese art (Berger 113). ... Show more
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Looking at figure 8, the spectator can notice the "rocky massif emerging in its basic forms,
increasingly grand, looming majestic, as the emphasis shifts away from the foreground and towards
a surface tissue of color," (Berger 113). Cézanne studied this mountain copiously, the theme allowed
him to take notice of new pictorial motifs, and "Japanese art showed him the possibility of what may
be called 'free scale', in which above and below, before and behind, large and small, become fluid,
interchangeable, freely recombinable, as elements of the formal design," (Berger 114). Katsushika
Hokusai's Mount Fuji in a Storm (Figure 9) was constructed in a similar manner, the inspiration
cannot be

Cezanne Research Paper
Cezanne's doubt is an biography based off of this French painters strengths and weaknesses. This
also explains the type of artist cezanne was. In the beginning, it expresses his love for painting and
How he painted the day his mother die. Which shows how much effort he put in his art. cezanne was
also visually visually impaired. He wondered whether that would affect his paintings, in the
beginning of his career. Furthermore, it explains how much anxiety cezanne had. He even wrote his
will at 42. On the other hand, the rest of the bioganry was about him and his relationship his
relationship with art and how he managed and proceeded with his career. Cezanne was an
impressionist painter. I found it interesting that he was such a vibrant painter,

Cézanne
As for what I learned during this unit, Cézanne was a father of cubism when cubism was unknown!
Therefore, as he uses geometric shapes, we can find a same draw style in Matisse's paint and Picasso
too. Of course, Picasso had influenced from that style, but he used to exaggerate more these
geometric shapes!
In fact, between paints of Joy of Life and The Large Bathers, for example we find similarities as
both of them used a landscape in their paints, then "in both works trees are planted at the sides and
in the far distance, and their upper boughs are spread apart like curtains, highlighting the figures
lounging beneath. In addition, like Cézanne, Matisse unifies the figures and the landscape. Cézanne
does this by stiffening and tilting his trunk–like figures. In Matisse's work, the serpentine arabesques
that define the contours of the women are heavily emphasized, and then reiterated in the curvilinear
lines of the trees".(1)( HenriMatisse.org,nd)
Regarding Picasso's paint, critics says that this paint was done in reaction of Matisse's paint.
We know that, in their life, Matisse and Picasso established a relationship on mutual respect and
rivalry. They were two extremely different people and personalities. Picasso was the first modern
celebrity artist, egotistical and ... Show more content on Helpwriting.net ...
Then Picasso immediately recognized the originality and innovation apparent within this work and
took it as a challenge to create something even more phenomenal. He set to work on Les
Demoiselles d'Avignon (1907), a striking, large–scale painting of five female figures within a
brothel.(2)( masterworksfineart,nd

Claude Debussy Essay
Impressionism is the movement in the arts that favored exploration of the elements that include
light, color and sound over literal presentation. This effort in music was more concerned with human
perception and how the artwork would be impressed on us rather that expressionism is concerned
with gestures and how they reflect internal psychological mindsets. One of the most innovated
composers that is considered an "impressionist" composer is Claude Debussy, who focuses his
artwork on the visual aspect. In his first book of Préludes there are two pieces of music that show
Debussy's uses of impressionism are "Violes" by the influence from painter Monet. The start of
Debussy as an impressionist came from the help of mentor, Erik Statie, who influenced Debussy to
follow lead of painters such as Monet in order to develop music. Taking his mentor's advice we can
see the link between the music of Debussy and the paintings of Monet by the movement away from
harmonic ... Show more content on Helpwriting.net ...
Debussy uses a whole–tone scale in this piece because with half a step missing created
disagreements that left Debussy with the unique set of colors to paint a special picture he is thinking
of. In the opening of the song we hear a musical descriptions that Debussy is hoping we see as the
ship's sails being gently pulled, and then the pulsing tone we hear represents the ship's anchor, which
makes us hear a sense of a calm harmony that is interrupted by the tugging against is making the
opening flow in to a picture. The musical materials that he used in the prelude include tenary form
and a pentatonic scale makes the piece vague but the piece uses imagery over structure. We can see
that he doesn't pay attention to structure because we can't hear where the B section end. Debussy's
music over time ended as fragments of melodic material layered in rich

Claude Debussy
Impressionism is a style of music that derived in the late 19th century thanks to French composer
Claude Debussy. It was almost analogous to the impressionist art at the time, which was supposed to
leave an "impression" on the audience, having meaning but never a clear one. The use of "color", or
timbre in the case of music, was heavily used to create the atmosphere of the pieces, achieved by
orchestration and texture. This style was seen as a response to Romanticism, getting rid of the
forward direction of standard harmonic progression, resulting in an obscure tonality and harmony.
The father of this style, Claude Debussy, was born in Saint–Germain–en–Laye, France on August
22, 1862, and having died in Paris on March 25, 1918. "Clair de Lune" ... Show more content on
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For instance, textural reference to the sky or light might be expressed by a rising melodic line.
Symbolism was often found in Claude Debussy's work. Prélude à l'après–midi d'un faune or Prelude
to the Afternoon of a Faun, is an orchestral symphonic poem, based on the poem poem L'après–midi
d'un faune by Stéphane Mallarmé that was composed in 1894 by Debussy. Debussy used layered
orchestration and a free form texture to evoke the feeling of the original poem. Postmodernism in
music often follows characteristics that also adhere to other areas of postmodernism, like embracing
the absence of a single defining structure or ideology. It is not seen as a specific style of music but
rather music in the postmodern era. American composer John Milton Cage Jr, born on September 5,
1912 in Los Angeles and having died on August 12, 1992 in New York. Music for Piano, composed
through the years 1952–1962, consists of 85 indeterminate compositions for piano. The works
contained paper imperfections that were then turned into sounds using chance

Impressionism Research Paper
Behind every piece of artwork is a story. The era of impressionism stands out because of its
technique and use of vibrant color. I enjoy the soft look and feel the paintings usually have which is
why I have decided to discuss this artistic movement in my paper. Furthermore I will touch upon the
birth of impressionism and its contributors.
Since the 18th century, paintings were classified by the genre they fit in. History paintings were
viewed to be superior, followed by portraits, landscape, genre scenes, and still life. The upcoming
style to break this hierarchy would be Impressionism. Impressionism started around 1869 and would
soon birth a variety of incredible artists still acknowledged today. Now let's start to break down what
defines this new style called impressionism. The term Impressionism developed from a scolding
critique by Lewis Lee rod where he described a painting as just a minor impression. This ... Show
more content on Helpwriting.net ...
Renoir had moved to Paris in order to study art, which is were he met Claude Monet, and other great
impressionist painters. Renoir shared Monet's interests yet regularly liked to catch manufactured
light in spaces like dance halls and focused on the female frame, as opposed to landscape. He was
also the first Impressionist to detach from the movement's ultramodern direction but his excitement
for painting was evident to all who met him and watched his work. A master at depicting facial
expressions, Renoir tended to paint youthful portraits of his associates, most of whom were artists
and writers. His early art works captured real life scenarios and his themes were always pleasant and
non–serious.Taking enormous pleasure in his craft, Renoir drew inspiration from a variety of
sources and experimented with new techniques all throughout his vocation. Renoir's exotic works,
for example, The Bathers and Nude in the Sun are probably the most acclaimed and reproduced
pieces

The Large Bathers Essay
Cézanne painted a series of paintings at the end of his career. The Large Bathers (1906) was called
this because it was Cézanne's largest painting in his series, and was the last to be made. When
making The Large Bathers, Cézanne was trying to make a piece that would be lasting. He did not
follow popular painting trends and techniques and felt no pressure to follow nineteenth–century
methods. Some people have described the women in the painting "goddesses in the middle of
nature". The trees are playing as the theater and the figures are watching their moves. There is a
distinct triangle shape that makes the viewer focus on the lake and the small figures in the
background. Even though the movement in the picture, there is a sense of calmness ... Show more
Matisse paints wildly sensual figures in his art piece. Matisse used bright colors and the white
canvas to create a light–filled quality in his paint. Unlike the painting of Cézanne, Matisse's work
does not illustrate the design of the piece that recedes in the background and decrease in scale. If
you look the figures in the foreground and the middle ground of painting, you will see that the scale
is poorly skewed. The difference of scale between the player of the double flute, located in the
bottom center, and the couple kissing, located in the bottom right, is believable, but if we take the
flute player to be a child, what about the others? Compared to the figures standing, who are
obviously grown women, located in the center, these women are of largely proportioned. They are
simply too big to make sense of the traditional style of Western painting. The painting was shocking
to the art community for its style and for its content. Each figure is enjoying its own life: in nature,
naked, and wildly sensually. Matisse said the "depiction of hedonistic joy represented his dream for
'an art of balance, of purity and serenity, devoid of troubling or depressing subject matter'" ("La joie
de vivre: the top 10 list",

Research Paper On Paul Cézanne
Paul Cézanne (1839–1906) was a French painter, born in Aix, France. Cézanne was born to a
middle–class family, being his father the co–founder of a banking firm. Cézanne attended to good
schools due to his family's background. Paul was registered to the Bourbon College where he
enhanced his skills. After meeting Émile Zola in the Bourbon College, Cézanne was encouraged to
go deeper in his artistic career. Both of them had the idea of success in the industrial Paris. His
father derailed his plans when he denied him to continue his artistic career. Paul was offered by his
father to study law at the University of Aix–en–Provence. Cézanne accepted the offer and continued
studying law for a time. After persuading his father to allow him to go to

Cezanne, Lowry and Landscapes Essay
Cezanne, Lowry and Landscapes
Cezanne
Paul Cezanne, who was the son of a wealthy banker, became a painter in the 1860s in Paris when he
quit his studies of Law. By 1874 he was painting landscapes in the Impressionist manner and had
some of his work included in their first exhibition held during that very same year. He painted in the
Impressionistic manner, but sheared off in a different direction to the main body of Impressionist
painters. The main body of Impressionist painters were concerned with the 'fleeting effects of light
and colour', and in order to capture the surface impression of that moment 'they had to work fluently
and quickly'. 's analysis was far more prolonged and pains–taking; He spent so long
analysing ... Show more content on Helpwriting.net ...
But as they dissolve into tonal marks we are still conscious of the reality of the scene, the way the
road twists out of sight past the rocks into a cool tree–filled valley. His way of working is so
explicit; as we look at the surface of the picture we are aware of his every brushmark, and we can
imagine his subtle colour mixing and careful balancing of colour and tone. He used colour not to fill
in outlines, but, as a true colourist used it to create forms. He believed that colour and line were
inseparable and interwove them, applying one over the other in his work. His angled brush strokes
set up a nervous sense of agitation in his late works like "Route
Tournante". This may be a combination of his irascible temperament with an ageing painter's
awareness of the need to realise his objectives while he still had time.
was a great painter of the immediate landscape of Provence around his home, often painting the
view seen from his studio. The quality of this landscape – the light, the colour of the earth, the roll
of the hills affects the way the artist reacts to it. Many artists who work from landscape begin to
identify with feelings that the physical area arouses. One can argue that we are all affected by the
physical nature of the area where we live. In this sense was similar to many other landscape artists,
many of who have come you be associated with the place Lowry with

The Large Bathers Essay
Paul Cézanne was an Impressionist painter that helped bridge the gap between Impressionism and
Cubism. Both Henri Matisse and Pablo Picasso said he was "The father to us all".(Paul Cézanne,
2016) Both artists took inspiration from the Cézanne's painting The Large Bathers and made
paintings of their own from the ideas Cézanne started.
The Large Bathers show us a scene of women bathing in a river. The colors we see are mostly blue
with some browns and greens mixed in. It's thought that this painting was unfinished as Cézanne
died in 1906, and you can see some of the figures in the bottom right seem incomplete. Matisse took
the idea of bathing women but added his own signature color schemes. In Bonheur de Vivre he used
bright primary colors to pull focus to the figures, while Cézanne used perspective to bring focus.
Matisse's painting lacks any normal perspective, figures appear next to ... Show more content on
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Les Demoiselles d'Avignon was painted in 1907 and translates to The Young Ladies of Avignon, a
brothel. He returned to Cézanne's color palette with browns and blues to tone down the joy that is in
Matisse's painting. And he made the women the main focus by closing them in by the world around
them. While Matisse used open space, Picasso made the background come to the foreground with no
perspective being used at all, this makes the painting look flat and the ladies become the focus. The
figures are also very angular and do not show off a sensual human body like Matisse does. The
figures on the right have very odd looking faces, which Picasso was pulling from African art. (Harris
& Zucker, n.d.) So Picasso was incorporating even more influences into a reaction of other
paintings. Matisse and Picasso were both pushing each other into new territory in the art world.
(Harris & Zucker, n.d. 2) By trying to upstage each other the art became more and more different
than the accepted art at the

Picasso, Matisse, And Cezanne: Art Analysis
An inspection of the paintings by Picasso, Matisse, and Cezanne points the viewer to one major
component, figures, and bodies in the nude. It is evident that Matisse's Bonheur de Vivre and
Picasso's Les Demoiselles d'Avignon was inspired to some extent by Cezanne's painting The Large
Bathers. This essay will discuss further how Cezanne's artwork was an inspiration to Matisse and
Picasso as well as how these two artists work broke free from Cezanne's stylistic elements. The
beginning of the 20th century brought about a new way in which the human body was portrayed by
artists in their paintings. Artists such as Cezanne began to deconstruct the way he painted human
body, the stylistic elements of the former art periods such as the Renaissance ... Show more content
on Helpwriting.net ...
Picasso's work abandoned traditional composition and perspective in painting (MoMA, 2013) . As
with Cezanne's painting, Picasso's work also features nudes, however, we now see a distortion of the
body with the use of geometric forms to represent the females painted in Picasso's painting. This
approach in which Picasso chose, posed a challenge towards the expectations of Art the World from
times past. Female body paintings were often used to represent beauty, but here we have Picasso
creating a painting that focuses on five naked prostitutes in a brothel. A stark contrast to even
Matisse and Cezanne's paintings which highlighted the sensuality of the body. The use of linear
perspective has been abandoned, we see an absence of chiaroscuro which dominated paintings from
the Renaissance and other earlier stylistic periods. His painting is confrontational and engages the
viewer immediately, however this engaging involves danger. We see a mixture of styles and
influences in Picasso's painting: influences from Cezanne and the faces of the women on the right
can be interpreted as influenced by African masks. Overall, we see that Matisse and Picasso
explored further on ideas put forth by Cezanne, they turned away from the traditional approach of
body representation paving the way for Modern art to grow into what it has become today. Cezanne
being the first to move away from the traditional standards which

Cézanne, Brancusi, And Van Gogh
LEARNED CREATIVITY
Artists are often born with the innate ability to draw, but any adult can learn the skill. Becoming a
master draftsman requires countless hours of hard work, immeasurable amounts of patience, an
endless supply of perseverance, a burning passion for art, and dedication to self–expression. These
traits are not easily accumulated but certainly attainable for anyone who is willing. Guidance from
an instructor can facilitate the act of learning but, is not the only route artists have taken. They have
accomplished the impossible, they have taught themselves the elements and principles of art through
experimentation, abundant practice, and diligent effort.
Despite difficulties, artists like Cézanne, Brancusi, and Van Gogh were

Paul Cezanne Research Paper
In this essay, I intend to explore how the French Post–Impressionist painter Paul Cezanne (1839–
1906) has had an influence upon the development of Cubism, an avant–garde approach brought
about in the early 20th century. Although some artists such as Kosuth would argue other painters
like Duchamp gave art its self–identification, I will argue that Cezanne's heavy influence on Cubism
has played an important role with art having its own identity along with the significant impact he
made on Cubists such as Picasso and Braque.
Firstly, it can be seen in their approach that subject matter did not hold much importance for Cubists
as they focused their attention on the forms of objects and their arrangement. Similarly, after
Cezanne had distanced ... Show more content on Helpwriting.net ...
Therefore, it is possible to draw comparisons between Cezanne's work and the art of Cubists
including Picasso; the distortions that are present in his work, for example in 'Still Life with
Compote and Glass' (1914–15) have also been used by Cezanne in paintings such as 'A Basket of
Apples' (1893), whose "deformation of nature" (Alan Clutton–Brock) was new at the time which
shows how it was of great importance to early Cubists.
The first thing that attracts the attention of the viewer are the brightly coloured apples scattered on
the table that have seemed to have fallen from the basket that is tilted on the table. From observing
the picture, it is important to mention that the table is lower on the left side than it is on the right
which is why the apples still in the basket look like they are on the verge of falling out. Cezanne
depicts something similar in his piece 'Still Life with Cherries and Peaches' (1885–1887), in which
the plate of cherries lay tilted towards the viewer on a flat table as if they are in danger of falling off
the plate, whereas

Compare And Contrast Cezanne And The Large Bathers
Unit 7 Written Assignment Can Matisse's Bonheur de Vivre and Picasso's Les Demoiselle's
d'Avignon can considered inspired by Paul Cézanne's, The Large Bathers? Introduction To
understand the relationship between the above works and Cezanne's The Large Bathers it is
important to firstly understand the work which is deemed to be influential. Cezanne's painting is
certainly an influential piece. What makes this piece of particular fascination is not the subject but
the approach and style. This is not an image of privileged people at leisure being depicted in an
image of beauty and glamor. Instead, the people featured are misshapen and distorted. This is a long
departure from the classical idea of a nude. Another interesting feature that ... Show more content on
Helpwriting.net ...
The three paintings overall, have a significant part to play in the revolution of art. Making a
statement, portraying emotions and looking life while at the same time challenging how art can be
perceived. When these paintings were exhibited for the first time, they must have been captivating,
while at the same time as being an inspiration, the artists have also distanced themselves from this
work. As discussed previously The Large Bathers is not a vivid image of beauty. Upon looking at
the Matisse's Bonheur de Vivre we see that ultimate departure. My interpretation is of this painting
is that it is certainly a contrast with the bright colors while at the same time also having a somewhat
distorted view of reality and of the human form. This painting was certainly significant in making a
bold statement of the human form as well as of human existence being viewed as being leisurely and
indulgent. The second painting, could be seen as a departure, just as discussed taking the
dehumanization to a different level. The distortion is far more angular and of course, as noted above,
the background follows this distortion and further emphasizes this style of

Paul Cezanne
In Paul Cezanne's Mont Sainte–Victoire, the artist uses a Japanese influence to paint a light filled
panoramic landscape, and harmonized patches of bright colors to convey his post–impressionist
view of the parallel to nature that the mountain represented to him. In the foreground, is a tree which
is on the left side of the painting. This tree gives the viewer the feel of the Japanese influence with
its sharp contours and compressed space. The tree's branches are encased in pine needles which
appear to be woven into the sky. The tree's trunk and branches give depth and perspective to the
painting, as well as draws the eye to the mountain in the background. The contour lines outline the
mountain top and separate it from the light blues and yellow swirled together to ... Show more
Cezanne applied his paint in thick layers with broad, discrete, and methodical brushstrokes,
remaining true to the architectural ideal that every portion of the canvas must contribute to the
structural integrity of the painting. With each brushstroke, Cezanne was constructing a picture as
apposed to painting it (Paul Cézanne Biography). In contrast, Monet used a single color, applying it,
using a bold, flat and evenly loaded brush. This technique is called tache, a French word for blot.
This technique moved paintings away from the blending of colors on the canvas, and led to the
application of different colors to represent the ripples across water and how the light falls on the
subject, as seen in Monet's painting On the Bank of the Seine ("Brushwork"). Alternatively, Thomas
Cole came from the Hudson River School where he learned to render crisply defined forms in paint.
He avoided painterly flourishes that called attention to his techniques. He used a thin wooden board
which rested on the artist's arm to mix his paints ("Hudson river, Pallet"). Cole would sketch the
scene and then return to the studio to paint the

Guy Cervey: Museum Analysis
In this museum, we will be showing you artwork throughout history that all shares a similar theme
in all of them. All of the art pieces in this museum all involve nature and seascapes, many artists
throughout history have drawn nature and the ocean that is around them or beautiful place that they
made up, but many of these beautiful landscapes were made with no specific theme in mind except
beauty, many of these painting are supposed to depict beauty in the eye of the beholder, but many of
these painting may still seem dark and gloomy.
The first painting in the museum is by Guy Harvey, he painted a beautiful underwater theme, with
the waves crashing above the sailfish as it chases small fish for food. Guy Harvey painted this
painting and many of his others to portray the natural beauty of the ocean and everything inside of
it.
The second painting in the museum is painted by Ivan Konstantinovich Aivazovsky, a famous
Russian painter for his seascapes, and known as one of the best artists who painted seascapes. Ivan
was a world–renown ... Show more content on Helpwriting.net ...
This painting depicts a rocky shore being slowly wettened by the calm, beautiful ocean.
The ninth painting in the museum is "Night: Mediterranean Coast Scene with Fishermen and Boats"
and was painted in 1753 by Claude–Joseph Vernet, this painting is very different from all of the
others because in this painting the artist depicts a small ocean town, as everyone gets home at night
from a long day of fishing. In this painting, everything is depicted in a dark, gloomy way, except the
bright moon in the middle of the painting , and the fire in the corner of the painting.
The tenth painting in the museum is by Winslow Homer and is titled " Sunlight and Shadow, Prout's
Neck" and was painted in 1894 in watercolors. Winslow depicts a rocky shore with large, powerful
waves rolling in from the distance as dark clouds begin to roll in from the corner of the

The Large Bathers
Paul Cézanne is considered to be one of the most important artists of the 20th century.
His work influenced several artistic movements and many important artists. His paintings covered
themes like landscapes and nature. (Voorhies, 2004) The painting "The Large Bathers" was
exhibited for the first time in 1906.
Henri Matisse was a French painter who was an important artist of the Fauvism movement. The
main characteristics of Fauvism paintings were the usage of vivid colors and the usage of bold
brushwork. His paintings covered themes like landscapes, female nude and nature.
Some of his works were influenced by non–western cultures. (Spivey, n.d.) The painting
"Bonheur de Vivre" was exhibited for the first time in 1906.WRITTEN ASSIGNMENT UNIT 7
3
Pablo ... Show more content on Helpwriting.net ...
The creation of Cubism was a result of his collaboration with the French artist Georges Braque.
("Pablo", 2017) The painting "Les
Demoiselles d'Avignon" was created in 1907 and exhibited for the first time in 1916.WRITTEN
ASSIGNMENT UNIT 7
4
Discussion
By the time of his death, Paul Cézanne was highly admired as an artist. He did not have the time to
finish the painting "The Large Bathers", which was exhibited in a posthumous homage to him a year
later after his death. As such, many of the young artists in Paris at that time saw the painting as a
strong inspiration and creative challenge. Both Matisse and Picasso were influenced by Cézanne's
last painting.
Matisse's Bonheur de Vivre is similar to The Large Bathers in some aspects: it depicted nude figures
in nature. The main difference, when compared with Cézanne's work, is the difference in scale.
Matisse shifted the scale in what appears to be in a random way. As an example, there are two
human bodies next to each other that have different scales. The same does not occur with Cézanne's
work. Another difference is that Matisse used bright colors that did not match with reality. (Harris &
Zucker,

The Large Bathers By Paul Cézanne
Modern art takes the best of artists and their art work and adapts it, adding new techniques and
personal styles of each. When one carefully analyzes different pieces of art with openness to
emotional impression and introspection it allows appreciation and pleasure towards other artists as
well as their works. This paper will provide information on the artist Paul Cézanne and his work The
Large Bathers, look into Matisse's Bonheur de Vivre (Joy of Life) and Picasso's Les Demoiselles
d'Avignon. It will also discuss the influence Paul Cézanne had on the aforementioned artists upon
producing their masterpieces.
Paul Cézanne, The Large Bathers, 1906, oil on canvas, 210 x 250.8 cm (Philadelphia Museum of
Art)
The Large Bathers is the largest ... Show more content on Helpwriting.net ...
His passionate and often exasperating life and his drive for re–invention fed into his prolific
production of several works of art. Les Demoiselles d'Avignon is a prime example of this. Picasso's
unique style of painting followed ideas and traits from both Cezanne and Matisse. He went on to
combine characteristics of both styles and add his own personal touch to create this shattering
masterpiece.
Picasso's appearance brought rivalry to Matisse and his styles and as they lived on the next few
years, they figuratively battled one another and always comparing and contrasting each other's
paintings. We can only be thankful and appreciate this art war between these two unique artists
which created a platform for future artist and individuals alike.
To conclude, the life of artistic techniques and principles have taken a drastic change from when it
began. As we saw the art work of Cezanne lived through to Matisse where it took a change, a swing
into Matisse unique style until it got Picasso where the drastic change was made. The amazing
beauty of the same piece created multiple times exerting different moods and emotions for viewers.
The art world is spectacular and understanding that enables appreciation and love for

Impressionism vs. Cubism Essay
Impressionism vs. Cubism
Art, according to Webster's Dictionary, is a human skill of expression of other objects by painting,
drawing, and sculpture. People have used art as a form of expression for a long time. From the
Mesopotamian era to the Classical Greeks and the present. Art is expressed in many different ways
and styles, and is rapidly changing, one style replacing another. Impressionism and Cubism broke
away from the traditional style of painting. They were both looking for a new way to express
everyday life. Time is an important tool that is used in Cubism as well as Impressionism. This
element is expressed in Claude Monet's Sunrise and Pablo Picasso's Man with a Violin in different
ways. Impressionists' works ... Show more content on Helpwriting.net ...
It is composed of geometrical shapes, abstraction and time. There are no specific colors or objects
used. Cubists were looking for a different way to express human form as well as art in general. They
provided what we could almost call a God's–eye view of reality: every aspect of the whole subject,
seen simultaneously in a single dimension. According to Fiero, the Cubist image, conceived as if
one were moving around, above, and below the subject and even perceiving it from within,
appropriated the fourth dimension–time itself. In a sense, Cubism is four–dimensional: depth,
height, breath, and time, but seen all at once. It displays different viewpoints from different aspects.
The object is taken and looked at in many perspectives and is represented that way on the canvas.
Monet's painting Sunrise displays vivid color, which is commonly used among impressionists. The
painting is of the sun rising over the lake, over looking the bay and the boats within. "Sunrise is a
patently a seascape; but the painting says more about how one sees than about what one sees. It
transcribes the fleeting effects of light and the changing atmosphere of water and air into a tissue of
small dots and streaks of color–the elements of pure perception" (Fiero 114). This painting is typical
of its style because it captures light at that moment. The sun is rising and its color is projected to
everything in its path. Monet seems to capture this

Paul Cezanne Research Paper
An artist can draw inspiration from any source, including other artist. Paul Cezanne is an artist that
inspired other artist by his emotions of the world. Susan Stamberg (2009) reports for NPR that Pablo
Picasso considered Cezanne "the father of us all". Stamberg goes on to explain how Cezanne
infused his work with layers of shape and color. Before Cezanne's work The Large Bathers, he
created other works with the same impressionist type figures. Cezanne's work Bathers and
Fisherman with a Line (1872) displays the same nude forms with colors similar to The Large
Bathers (1906). Paulcezanne.org ("Paul Cezanne: 100 Famous Paintings Analysis, Complete
Artworks & Bio," n.d.) gives the biography of Cezanne as having lived from 1839 to 1906 and
studied art in Paris with impressionist such as Monet and Pissarro. It is believed that The Large
Bathers was Cezanne's last work before his death. ... Show more content on Helpwriting.net ...
The human figures in Cezanne's work were simple figures with a lack of details other than form that
are clustered together in the forms of a pyramid and void of motion. There is also framing with the
trees to center the subjects in the picture. Similar framing can be seen in Matisse's Joy of Life with
the image of trees depicting a frame in the work. The characters are similar to Cezanne in that they
lack definition and movement and appear as statues. Stamberg (2009) reports that Matisse actually
bought The Large Bathers and later donated it to the city of Paris. The statuesque look is further
portrayed in Pablo Picassos work Les Demoiselles d'Avignon. Marilyn Stokstad (2005) describes
Matisse and Picasso not only being friends but rivals as well. With Matisse being heavily influenced
by Cezanne Picasso created Les Demoiselles d'Avignon as a competed against Matisse's Joy of

Analysis Paper : Paul Cezanne
Contextual Analysis Paper: Paul Cezanne One of the most influential painters of the twentieth
century was Paul Cezanne. He was willing to break the traditionally accepted artistic practices in
order to better portray his artistic creativity. Cezanne became part of the movement following the
Impressionists called the Post–Impressionism movement. The artists who were the driving forces
behind this movement were Gauguin, Van Gogh, Seurat, and Cezanne. These artists were grouped
together because they were the avant–garde artists of the time period, who wanted to be able to
express their emotions rather than simply representing what they saw. Cezanne's Mont Sainte–
Victoire seen from The Bibemus Quarry was painted in 1985. Mont Sainte–Victoire is a mountain
that is in the South of France and overlooks the Aix–en–Provence, which happens to be the
hometown of Paul Cezanne. This work exemplifies the Post–Impressionistic techniques because
Cezanne utilized the avant–garde techniques, while at the same time demonstrating the relationship
between the artist and the work. This work embodies the period style because it contains avant–
garde geometric shapes to define the forms, colors, and interpretations that were important to the
Post–Impressionists. First off, the harshness of the lines goes hand in hand with the shapes that exist
in the work. The shapes tend to be simplified which demonstrates that Cezanne wanted things to
appear as if they could be broken down. He utilized an

Monet Vs Cézanne
Emotional Artists Throughout history, artists have used a variety of ways to convey their emotions.
For many, art can be an outlet, allowing them to express to the public a mental state in a certain
period of time. Emotions can greatly influence the products of our creation, and in turn, transferred
onto the audience. They can bring sadness to what could otherwise be a pleasant scene, such as a
peaceful forest, in Paul Cézanne's Rocks in the Forest. On the opposite spectrum, emotions can
reveal how beautiful nature really is like in Claude Monet's The Artist's Garden at Giverny. These
two artists were founding fathers of the impressionist period which was when the world of art
changed drastically. Artists started to paint with more colors and relied heavily on natural light.
Monet is known for his use of strong colors, while Cézanne was of the first to mold impressionism
into cubism. Distinct techniques used by two different artists can portray contrasting moods or
feelings even if the paintings share a similar theme. ... Show more content on Helpwriting.net ...
Both paintings give a sense of isolation, but Monet's appears happy while Cézanne's is depressing.
Monet's use of bright colors is perceived as more light–hearted. Cézanne used dark shades of green,
brown, and gray, which emphasizes a bleaker feeling. Another distinctive opposite between the two
is their use of lines. Rocks in the Forest and The Artist's Garden at Giverny are both oil paintings;
however, the artist's brush strokes are unalike. Monet had a soft, subtle series of strokes that really
emphasize on each color having its own function in the overall picture, while Cézanne's blended his
colors together in rough strokes to bring out the gloomy feeling to the picture. Both paintings have a
distinctive horizon line, although the garden looks welcoming whereas the forest seems to end on a
cliff, giving no way

A Comparison Of Paul Cézanne And The Large Bathers
Matisse's Bonheur de Vivre (Joy of Life) and Picasso's Les Demoiselles d'Avignon, the two different
paintings that are simultaneously seen as inspired by and breaking free of Paul
Cézanne's, The Large Bathers. Let's see more in details why it can be.
The Large Bathers
The Large Bathers is a painting by the French painter Paul Cézanne. It is made in oil on canvas. It
measures 210.5 cm tall and 250.8 cm long. It was painted in 1906. It is located at the
Museum of Art in Philadelphia, United States. It is the largest fabric ever painted by Cézanne, who
worked for seven years at the workshop he had at Lauves, and is the most crafted of the three
conclusive judgments of the bather's theme, repeatedly treated by the painter, from 1870 until his ...
Show more content on Helpwriting.net ...
Matisse went a step further developing a style of greater sensitivity and sincerity. The big canvas
that he called "The Joy of Life" is actually the announcement of this style. Although the painting is a
synthesis of numerous sketches made by the painter a year earlier in Collioure, almost the work is
not a vision of a holiday scene, but something conceived: a mythical early paradise where
unobtrusive characters in dance cannons love and generality with nature.
Vibration colors are applied with no trace of distraction, and brush motions are in search for a pure
sensuality of color. The only movement is long–running curves of trees that continue and repeat in
the contours of the body. These harmonized rhythms, combined with the relaxed
shadesMODERNISM:1990 TO 1950
4
of two lying female figures in the center, create a sense of "calmness and rest from the stress of
everyday life," which Matisse has since wanted to dedicate to his art.
The Joy of Life. Source of photo: khanacademy.org
Les Demoiselles d'Avignon
Les Demoiselles d'Avignon is a large oil painting from 1907 by Spanish painter Pablo
Picasso (1881–1973). The work portrays five naked prostitutes from a brothel in Avinyó,
Barcelona. It is considered the first picture of Cubism.
Picasso painted this painting conceptually in the spirit of the earlier artistic aspirations of art history,
depicting the traditional theme of the female act. Even so, the position of the left figure reminds

The Large Bathers Analysis
As a 19th century painter, Paul Cézanne was known to be one of the greatest Post–Impressionist
artist (Bauer, 2016). The skills that Cézanne implemented in his art work include using a vivid pallet
and sensitive brushstrokes. By using these techniques, it makes the painting look more radiant and
complex. The Large Bathers is known to be part of a series called The Bathers, and they are
displayed in different museums such as London and Philadelphia. The Bathers is considered to be
one of the masterpieces of modern art and his finest art (Bauer, 2016). By examining his paintings,
Cézanne seems to studying nude and exploring the connections between people. Most of his work
was started in 1897, but was not completed until 1906. His traditions ... Show more content on
Helpwriting.net ...
The visual perception of exudes a relaxed and calm aura. Cézanne uses light and dark blues to create
a cloudy affect, while also using a yellow and gold tone to have some source of light. The tone of
each bather contrast well with the background. It blends well with the trees and the river. The mood
is very calm and collected. This analysis is based off of just the colors of the painting. It is difficult
to tell when you are looking at it from a virtual perspective. Being physically there and seeing it in
person would give the painting a slightly different feeling. Imagining the painting in real life, I could
sense the mood to be very symbolic or mystical. It gives a sense of classical myths and history. The
painting would stand out more and the colors would be more noticeable to analyze. Through the
physical aspect, I could imagine the brush strokes to be obvious but smooth at the same time. Paul
Cézanne was known to use obvious brush stroke, as it gives his work an unfinished quality. Through
pictures, you cannot tell whether he uses that technique. It looks very clean and sharp through the
online picture. Overall, through virtual or a physical perspective, the painting gives a harmonized
and balanced

Cézanne: Compare And Contrast Essay
In the memoirs, A Moveable Feast and The Autobiography of Alice B. Toklas, Ernest Hemingway
and Gertrude Stein explain their experience with the artwork of Paul Cézanne. Both writers find that
Cézanne's innovative post–impressionist and fauvist style held a greater meaning that applied to
writing. For Hemingway, this idea manifests in his use of true sentences, which ultimately assisted
him in writing more compelling short stories. This idea of using Cézanne as artistic inspiration came
from Hemingway's friendship with Gertrude Stein. Hemingway's introduction to Cezanne coming
from Gertrude Stein reveals the impact that the artist had on both of their writing styles. Stein's art
collection inspired many of her own stories.
Hemingway discusses Cézanne only a few times in his memoir. Compared to Stein, who repeatedly
mentions names of artists ... Show more content on Helpwriting.net ...
I was learning something from the painting of Cézanne that made writing simple true sentences far
from enough to make the stories have the dimensions that I was trying to put in them. I was learning
very much from him but I was not articulate enough to explain it to anyone" (Hemingway, 23).
Cézanne's use of thick, bold brushstrokes is constructed individually to create a unified painting.
This concept is what assisted Hemingway in writing true sentences. However, despite Hemingway
finding it easier to formulate true sentences, he still struggled to articulate them in a coherent way.
Much like impressionistic painting, each sentence of Hemingway's writing became a brushstroke
that needed to blend together with other sentences (colors), creating a complete story (painting). As
a young writer, Stein teaches Hemingway to write through artwork. She lectures him on the
importance of buying paintings in the chapter Miss Stein Instructs, in which she

Paul Cazanne
Paul Cézanne's "Mount Sainte–Victoire" Paul Cézanne is often called the first modernist painter, and
in his essay, "Cézanne and the Unity of Modern Art" Clement Greenberg, identifies Cézanne as the
"most abundant generator of ideas and the most enduring in newness"(Greenberg,83). This, coming
from one of the most influential art critics of the twentieth century, is not to be taken lightly.
Cézanne was extremely influential to the modernist painters of the early twentieth, including Pablo
Picasso and George Braque in their development of Cubism (Orfila,3). At the beginning of his
career, Cézanne painted in the impressionist style that was common for the avant guard painters of
the time, but he was disinterested in capturing the "transitory ... Show more content on
Helpwriting.net ...
He created a new way of observing nature. A type of analysis wherein he deconstructs what he sees
and then reconstructs it on the canvas, giving it a new structure. The impact of Cézanne's work is
seen throughout modern art for many years after his death. In 1907, the year after his death, there
was a retrospective of Cézanne's life, which is said to have been how the majority of the avant–
garde was won over by his work (Ofila,3). "Mount Sainte–Victoire", being painted in the final years
of his life, is a great summation of Cézanne's technique and artistic style. It is therefore, a good
representation of his brand of modernism. All the techniques that Cézanne developed over the
course of his life were employed in this painting, which makes it, though not a very famous one, a
great

Matisse's Le Bonheur De Vivre
As instrumental as Matisse and Picasso were to the development and evolution of modern art, they
were inspired by Cézanne. In this essay, I will describe how Paul Cézanne's The Large Bathers
(1906) inspired Matisse and Picasso but also how they evolved.
It is evident that while still embracing the abstract style emerging in the turn of the century, Cézanne
still chose to compose his painting in a classical way. (Harris & Zucker, n.d.) There is still a
believable perspective in the painting, even if the forms of the women are abstract but familiar.
Henri Matisse's Le Bonheur de Vivre (1906) strays away from the classical style by creating a
perspective that is unreal. The couple in the bottom right corner are significantly larger than the
woman next to them, but also nearly equal in size to the women in the middle of the painting. The
composition is very skewed because of the liberations he took in regards to perspective. There is
also a more playful feel to Matisse's painting than Cézanne's. Not only are the figures carefree, but
so are the contrasting colors and brushstrokes. This is very different from The Large Bathers but also
very different ... Show more content on Helpwriting.net ...
It is why this painting is seen as the beginnings of Cubism. There is no perspective; the picture is
completely flat. The women are nonrepresentational and weird. This style will carry forward into the
rest of Picasso's career. (MoMA, n.d.) Whereas Cézanne and Matisse also painted nude women,
their representation isn't vulgar. This is not the case for Picasso's painting. "Picasso turned Matisse's
sensuality into violent pornography." (Harris & Zucker, n.d. para. 11) Their poses are raunchy and
shocking. It is not as sensual or lively as Matisse's painting nor as intimate or accurate as Cézanne's.
However, despite all these differences, you can see stylistic similarities such as the pastel colors

Paul Cezanne Essay
PAUL CÉZANNE
Post Impressionism, as the name would suggest, is the art movement that directly followed
Impressionism. One artist, who led the Post Impressionism movement, was French artist, Paul
Cézanne. Much of his early work was pure Impressionism and, although he was introduced to the
style and guided by Camille Pissarro, Cézanne's works showed a distinctive uniqueness. Cézanne
broke away from Impressionism because of the lack of composition; he felt the desire to depict
subjects in the third dimension as well as appearing flat. Cézanne did not agree with the
Impressionistic trait of portraying the world through light, instead, he built up images by a generous
use of colour. ... Show more content on Helpwriting.net ...
He did not have the same attraction towards light as did many Impressionist, he believed that the
structure of objects should be portrayed through colour, not light, "I seek to render perspective
only through colour". Cézanne created the illusion of depth in his works by adding numerous
layers of colour to distinguish the form of his subjects. He would perfect the design in his works by
distorting objects and having multiple viewpoints on the same object. In "Still Life with
Apples and Peaches" (1905), the table is seen from two different sides, as well as from above
and some of the objects on the table are viewed front on, while others are viewed from above.
Cézanne would create a 3D effect in his works by giving each object many planes he would add to
this effect with his vast use of colours. He took advantage of how 'warm' colours (reds and oranges)
and 'cool' colours (blues and greens) draw the eye closer or push it away. An example of this is in
"Mont Ste.– Victoire Seen from Bibemus Quarry" (1898–1906), the mountain in the
background use blues and greys to emphasise its position in relation to other objects. The boulders
in the foreground demonstrate Cézanne's use of planes; the areas that protrude are in blocks of red,
whereas the areas that are sunken in are in blocks of orange or yellow, giving the impression that it
has many faces.
Cézanne's later works

Le Peintre De La, By Charles Baudelaire
First Impressions
"... from the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a
three–dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with
such intensity they destroyed the old lines, the old solidity, to make a vision like those states which
I'm nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps."
(Rice) (Background of Impressionism) The first impressionist artists of the 19th century started the
most famous French painting revolution by challenging prevailing art standards for art relating to
realism and naturalism due to the writings of Freud and Baudelaire the resulting art reflected the
increasing belief that the ... Show more content on Helpwriting.net ...
Impressionist artists painted in diversely different techniques and the works created were seen as
unfinished and incomplete by conservative judges. This shows that the Impressionist artist went
against the accepted way that art was presented and painted. Their paintings are known for it's
originality, it's rejection of traditional art standards, the way it introduced new art techniques and
styles, and how it represented everyday life. Impressionist paintings stood out more to the eye due to
the use of illuminating colors that were different than the more sober colors used in Academic
paintings. Many Impressionist artists were not acknowledged by the art critics but even though
Impressionism was not seen as an important style of art, they had support and reassurance from
other creative figures. Edmond Duranty described the Impressionist style as one that portrayed a
contemporary figure in a innovative way in his 1876 essay called La Nouvelle Peinture. The artists
avoided choosing a name for themselves to avoid implying a collective movement or school but
eventually some accepted the the term, Impressionists. The Impressionists painted new scenes such
as theaters, cafés, concerts, and dances and sought to throw away emotional pictures and plain
accounts to adopt a perspective that simply showed what was happening.

The Art Of Paul Cezanne
Introduction Henri Matisse and Pablo Picasso were both profoundly influenced by the art of Paul
Cézanne, somewhat ironically since the latter is reported to have been quite uncertain of his artistic
contributions and anxious about his legacies (Merleau–Ponty, 1945). Picasso described Cézanne as
"my one and only master" ; while Matisse noted that "it is undoubtedly to Cézanne that I owe the
most" . The Large Bathers was one of two final paintings produced by Cézanne in 1906, the year of
his death. At this stage Matisse had acquired a reputation as an upcoming artistic leader via an
exhibition in 1905 (Bio, n.d. #1); while Picasso was a 25 year old prodigy who had already secured
lucrative patronage (Bio, n.d. #2). The three paintings of interest must be considered in the context
of their artists' evolution. To examine the relationship between the three paintings, I will first briefly
summarise the artistic trends of the day to provide context, then examine The Large Bathers. I will
then compare and contrast Matisse's Bonheur de Vivre and Picasso's Les Demoiselles d'Avignon,
both with The Large Bathers and with each other. Europe, 1906 The turn of a century brings with it
opportunities for reflection about the old and wonder about the new – along with both excitement
and trepidation. At the entry to the twentieth century, social and technological change were
continuing at historically unprecedented pace. The signs and pressures of development were all
around and Europe was

In My Bath? It's More Likely Than You D Think Analysis
Turtles? In My Bath? It's More Likely Than You'd Think. Sometimes live gives you lemons, and we
all have varied responses to the newly discovered citrus, but other times life gives you turtles, which
elicits a plethora of new and mysterious reactions. Bathers with a Turtle shows a s¬cene of three
lovely ladies bathing within a pool, but everything changed with the turtle appeared. Throwing a
wrench into their plans, Henri Matisse displays an intriguing and outspoken representation of the
human condition and depth of expression through his composition, painterly line work, and vibrant
use of color. Bathers with a Turtle towers over those around it, both in the grandiosity of its canvas–
its figures being only slightly smaller than life size– ... Show more content on Helpwriting.net ...
The green of the bottom section represents harmony and growth. Upon the turtle's entrance into the
bath, the figure on the left has remained calm and merely accepted the turtle's existence to the point
of welcoming it in harmony. The blue of the middle section represents melancholy. The right–hand
figure has no intense reaction to the turtle, but her facial expression seems to be slightly grief ridden.
The distinct line on top of her cheek and the stiffness of her eyebrows show her displeasure with the
situation at hand. She also has her arms folded on top of her legs in a sort of retracted manner, as
though she does not want to interact with the turtle. Finally, the top division is a muddied mix of
blue and green, which represents uncertainty and clouded judgement. The middle figure has an
intense overreaction to the turtle, clutching her hands together and biting her

The Influence Of Impressionism
Impressionist art, in its spectacular focus on atmosphere and the elusively delicate movement of
light and air, such as Monet's ethereal "Vetheuil in the Fog" (1879), was innovative, going against
everything taught as traditional and proper by the Salon authority. We see artists such as Manet
defying artistic traditions with racy confrontation in "Le déjeuner sur l'herbe" (1863), and
impressions of modern middle class life, rather than historical figures, as we see in Cassett's "At the
Opera" (1880). Impressionists captured instants in time in the lives of the middle class people, rather
than the classical focus on divine scenes or images of the elite. The ground–breaking beliefs and
styles of the Impressionists, along with their persistence ... Show more content on Helpwriting.net ...
In my opinion, all are influenced in some way, however minor, to the movements which came
before it, even if it is in the form of rebellion. I believe that together, all modern art movements, of
which there are even more than I have discussed here; treat us to a fabulous panorama of life and the
extent of human feeling. The depths of our darkest thoughts are plumbed in one painting, while the
next causes our heart to soar with the joy of feeling alive. Perhaps the famous Dada artist Arp
summarized art best, even from his own movement that tried to go against art itself, in that the work
of art is unfinished without us (TheArtStory.org, n.d.). Impressionist or otherwise, we become part
of the final work of art and complete

Visual Analysis Of Hercules
Standing eight feet tall in the Metropolitan Museum of Art, is a marble statue of what is known as a
youthful Hercules. Sculpted during the Early Imperial period, with several restorations made in the
17th century, this Roman masterpiece dominates the room with its god–like essence. Chiseled with
great detail, Hercules is holding a skinned lion in his left hand while his right hand is gripping a club
behind his back. This colorless statue stands with confidence and empowerment, capturing the
rhytmos of Hercules' right after he kills the Nemean beast, transporting the viewer directly to the
scene, while at the same time also demonstrating Hercules' emotional essence. Hercules is built as
the ideal man; his physical characteristics, pose, and ... Show more content on Helpwriting.net ...
Although, he is standing contrapposto, which was commonly used by Greek and Roman artists, this
pose also exemplifies Hercules' calm and composed demeanor after killing the lion, as if to say that
to this task was not difficult for him. By combining the stern facial expression with Hercules' pose,
the artist is able to pull the viewer into this moment by creating a balance of tension. Although, his
facial expression is stern due to killing a vicious beast, his sense of pride as the ideal man and a
demigod are heightened and can be seen by his calm and confident body

Classical Characteristics Of Baroque Art
Beginning with the Baroque period, the Baroque was an art movement in the 17th and early 18th
century which comes after the Renaissance before the Enlightenment, Neoclassicism. It's origins,
like renaissance art, were in Italy and the historical context really have is two historical movements
that are associated with the Baroque. First, the Counter Reformation and second, Absolutism. As far
as the Baroque tradition it represents a rejection of renaissance restraint. When looking at the School
of Athens by Raphael, we can see this very technically perfect painting from the Renaissance where
it looks like it could've been posed for which is what renaissance art is, restraint, that you are
supposed to think about balance in the composition, and you're supposed to hold something back.
Renaissance art was not very emotional. One thing we should note is this painting of Aneas Fleeing
Burning Troy by Federico Baroccci, is not restraint. We see a bunch of running around, burning
fires, it's not balanced, and there's more action, but at the same time we still see this framework of
classical themes. When looking at Baroque art, we'll still be able to see themes that are very
religious or grounded in the Greco Roman classical traditions. More characteristics of Baroque art
we can see are motion, emotion, grandeur, and contrast. A piece of work where we can see almost all
of these characteristics would be St. Michael the Archangel by Guido Reni. We see St. Michael
trampling the devil,

Cezanne Vs Matisse
Introduction
Henry Matisse's Le bonheur de vivre (The Joy of Life) and Picasso's Les Demoiselles d'Avignon are
considered as great artworks of modern art. The both are inspired by postimpressionism and also
broken the old style that is depicted by Cezanne. In this essay, I would like to argue how the two are
inspired by Cezanne art piece and how eminence they are.
Paul Cezanne's The Large Bathers
Cézanne got rid of the traditional presentation of paintings that is point on the space and colors. And
he deliberately followed firm format than changing colors. He also reduces the basic essentials of all
natural things to express with the circle, cylinder or cone. By so doing, we say this kind of artists are
"Post–Impressionists." The Post–Impressionists ... Show more content on Helpwriting.net ...
In his painting Les Demoiselles d'Avignon, he is considered as the first Cubist painting. The subject
of prostitution is from Manet's Olympia, or Cezanne's painting. But the landscape is not the same
breaking style. This is the practice of exorcising painting. He created it with multi–figure
composition than the domain of the single figure. That was depicted by emotional and intellectual
control.
In Conclusion, Matisse and Picasso's painting not only were not inspired by the Cezanne's The
Large Bathers but also broke the old rule through their appealing quality form and style. Cezanne is
considered as a Post–Impressionists, Matisse was a Fauvist, which focus on emotion expressing
colors, and Picasso created a multi–figure composition in the early of 21st–century

Cezanne, The Large Bathers
Introduction
Matisse, Bonheur de Vivre (Joy of Life) 1905–1906, oil on canvas
Picasso, Les Demoiselles d'Avignon, 1907, oil on canvas
Cezanne, The Large Bathers, 1906, Oil on canvas
Cezanne started by reaching toward 'Classicism by using architectural forms, the lines and opening
up the central space bring our eye to the center.'–Khan, 2015 This makes us focus on the overall
picture. While Michelangelo focused on the form and each aspect, Cezanne focused on a the still
and captured the female form in a consistent manner. Using warm and cool colors for the bodies,
one can feel as though he is looking at the past and not nudes but on the form of color and texture.
Colors
While Cezanne's painting is cold, with hues of muted blues, greens and browns, Matisse and Picasso
use earth tones and exaggerated oranges depicting life and happiness. Color evokes emotion and
feelings. When one looks at the Cezanne painting it is almost cold, as though you are looking into
the past but not required to feel anything other than the scene. ... Show more content on
Helpwriting.net ...
I could almost imagine him thinking that while the form is beautiful and invokes feelings many
times a person overlooks the personality and true image of the person.
Going even further away from Picasso, Matisse evokes an almost sinful approach to presenting the
form. The colors of the painting stimulate and make the eye focus on every part including the more
"seedy" parts.
Each person or persons is surrounded by varying vibrant colors in essence creating mini paintings of
scenes you can get lost into. He very much leaves it to the imagination to determine to what extent
something is

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