This document provides details on 25 shots for a film scene. Shot 1 introduces the scene with a logo and sound effect. Shot 2 is an establishing shot of a police station at night in black and white with music playing. Shot 3 is a close up shot. The following shots describe a detective, DI Harding, stealing files from the police station at night while looking over her shoulder nervously. She burns the files in a bathroom sink and leaves suspiciously. The final shots show her getting in a car with her boyfriend, the man she was covering for in the stolen files.

1. Shot
No.
1
Type of shot,
movementand
angle.
Dialogue.Sound. Setting.
Colour.Lighting.Mise-en-scene.
There isa soundeffectusedat
the start whenthe logois first
on as itgets the viewers
intriguedsotheycarry on
watching.
Frame
duration
10
seconds
Editingnotes
Cut

2. Shot
No.
2
Type of shot,
movementand
angle.
Establishingshot/
longshot.
Straightangle.
No movement.
Dialogue.Sound. Setting.
Colour.Lighting.Mise-en-scene.
Black andwhite lighting.
Low keylighting.
Soundtrack playing.
Frame
duration
3
seconds
Editingnotes
Cut

3. Shot
No.
3
Type of shot,
movementand
angle.
Close upshot.
Straightangle.
No movement.
Dialogue.Sound. Setting.
Colour.Lighting.Mise-en-scene.
Frame
duration
3
seconds
Editingnotes
Cut

4. Shot
No.
4
Type of shot,movement
and angle.
Long shotof DI Harding
walkingthroughthe
office – doorswingsshut.
Dialogue.Sound. Setting.Colour.Lighting.Mise-en-
scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white blouse.
Minimal make up.
Handheldtorchso the character can see whatshe is
doingwithoutdrawingattentiontoherself. Asitis
handhelditwill make itlookmore realisticwithher
nerves.
Frame
duration
10
seconds

5. Editingnotes
Cut
Shot
No.
5
Type of shot,movement
and angle.
Mid shotof DI Harding
walkingovertothe filing
cabinet.
Dialogue.Sound. Setting.Colour.Lighting.Mise-en-
scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white blouse.
Minimal make up.
Handheldtorchso the character can see whatshe is
doingwithoutdrawingattentiontoherself. Asitis
handhelditwill make itlookmore realisticwithher
nerves.
Frame
duration
10
seconds
Editingnotes
Cut
Shot
No.
6
Type of shot,movement
and angle.
Close upof the filing
cabinetandhands.She
opensthe cabinetand
flicksthroughfiles;
retrievesafile andplaces
Dialogue.Sound. Setting.Colour.Lighting.Mise-en-
scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white blouse.
Minimal make up.
Frame
duration
10
seconds

6. it ontop of the cabinet. Handheldtorchso the character can see whatshe is
doingwithoutdrawingattentiontoherself. Asitis
handhelditwill make itlook more realisticwithher
nerves.
Editingnotes
Cut
Shot
No.
7
Type of shot,movement
and angle.
We are thenshowna
close upof the
informationonthe file.
Dialogue.Sound. Setting.Colour.Lighting.Mise-
en-scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white
blouse.
Frame
Duration
15 seconds

7. Minimal make up.
Handheldtorchso the character can see whatshe
isdoingwithoutdrawingattentiontoherself. Asit
ishandhelditwill make itlookmore realisticwith
hernerves.
There isa score playingall the waythrough.
Editingnotes

8. Cut
Shot
No.
8
Type of shot,movement
and angle.
Mid shotof DI Harding
takingan envelopeand
putsthe pagesfromthe
file intoherbag.She
thensubstitutes’the
documentsinthe
envelopeforthe onesin
the cabinet.She puts
the documentsintothe
file.
Dialogue.Sound. Setting.Colour.Lighting.Mise-
en-scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white
blouse.
Minimal make up.
Handheldtorchso the character can see what she
isdoingwithoutdrawingattentiontoherself. Asit
ishandhelditwill make itlookmore realisticwith
hernerves.
There isa score playingall the waythrough.
Frame
Duration
10 Seconds
Editingnotes
Cut
Shot
No.
Type of shot,movement
and angle.
Dialogue.Sound. Setting.Colour.Lighting.Mise-
en-scene.
Frame
Duration

9. 9 Thenthere isa close up
of the editedfile.
Handheldcamera.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Handheldtorchso the character can see whatshe
isdoingwithoutdrawingattentiontoherself. Asit
ishandhelditwill make itlookmore realisticwith
hernerves.
There isa score playingall the waythrough.
10 seconds
Editingnotes
Cut
Shot
No.
10
Type of shot,movement
and angle.
Mid shotDI Harding
exitingthe officeand
lookingbackand around
the corridor before
Dialogue.Sound. Setting.Colour.Lighting.Mise-
en-scene.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white
Frame
Duration
5 seconds

10. leavingsoffice.
No movement.
Handheldcamera.
blouse.
Minimal make up.
Her facial expressionsare veryworriedasshe bites
herlipsand looksaroundparanoid.
She looks pensive.
Handheldtorchso the character can see whatshe
isdoingwithoutdrawingattentiontoherself. Asit
ishandhelditwill make itlookmore realisticwith
hernerves.
Editingnotes
Cut
Shot
No.
Type of shot,movementand
angle.
Dialogue.Sound. Setting.Colour.Lighting.
Mise-en-scene.
Frame Duration

11. 11 Mid shotfollowingHarding
downthe corridor.She turns
and looksbehindasif someone
isfollowingher;she speedsup
the close she getsto the endof
the corridor.
INT.Police Stationlate atnight.
Emptycorridor.
Low – keylighting.
Black shoes;blackblazer;blacktopor white
blouse.
She walksfastto showshe is nervousand
wantsto get itoverand done withquickly.
10 seconds
Editingnotes
Cut
Shot
No.
12
Type of shot,movement
and angle.
DI Hardingentersthe
toiletsandthe doorslams
shutbehindher. Itis a mid
shotof the female.She
placesherbag on top of
the toiletcistern.She
Dialogue.Sound. Setting.Colour.
Lighting.Mise-en-scene.
INT.Police Stationlate atnightin
the toilets.
Low – keylighting.
Black shoes;blackblazer;blacktop
or white blouse.
Minimal make up.
Frame Duration
10 seconds

12. retrievesthe pagesfrom
out of her bag andholds
theminher lefthand.
Handheldcamera.
No facial expressions’atthispoint.
Editingnotes
Cut
Shot
No.
13
Type of shot,movement
and angle.
Cuts toa midshotas she
takesthe lighteroutof
herpocket;the camera
tracks herhand as she
bringsthe lighterupto
Dialogue.Sound. Setting.Colour.
Lighting.Mise-en-scene.
INT.Police Stationlate atnightinthe
toilets,
Low – keylighting.
Black shoes;blackblazer;blacktopor
white blouse.
Frame Duration
15 seconds

13. level of the files. Minimal make up.
Lighter.
Editingnotes
Cut
Shot
No.
14
Type of shot,movement
and angle.
Cuts toover the shoulder
shotas Hardinglooksat
the documentsandthe
lighterinherhandsand
staresback at herself in
the mirror.She is
breathingheavily.No
movement.
Dialogue.Sound. Setting.Colour.
Lighting.Mise-en-scene.
INT.Police Station late atnightinthe
toilets.
Low – keylighting.
Black shoes;blackblazer;blacktopor
white blouse.
Minimal make up.
Her facial expressionsare veryworried
as she bitesherlipsandlooksaround
paranoid.
She lookspensive.
Frame Duration
10 seconds
Editingnotes
Cut

14. Shot
No.
15
Type of shot,
movementandangle.
Cuts toa Mid close shot
and highangle shotof
Hardingsettingfire to
the documentsand
droppingtheminthe
sink.
No movement.
Dialogue.
Sound.
Setting.
Colour.
Lighting.Mise-
en-scene.
INT.Police
Stationlate at
nightinthe
toilets.
Low/High –
keylighting.
Black shoes;
blackblazer;
blacktop or
white blouse.
Minimal make
up.
She looks
pensive.
Lighter.
Frame Duration
15 seconds
Editingnotes
Cut
Shot
No.
16
Type of shot,
movementandangle.
Cuts toa close upof
the sinkas Hardingas
Dialogue.Sound.
Setting.Colour.
Lighting.Mise-en-
scene.
Frame Duration
5 seconds

15. she stepsback from
the sinkas the
documentscatch.
INT.Police Station
late at nightin the
toilets.
Lighter.
Flames.
Editingnotes
Cut
Shot
No.
17
Type of shot,
movementandangle.
Mid shotof the female
and the door.She
walksoutside and
thenlooksup
suspiciously.
Handheldcamera.
No movement.
Dialogue.Sound.
Setting.Colour.
Lighting.Mise-en-
scene.
EXT. Stationcar
park.
Low – keylighting.
Black shoes;black
blazer;black top or
Frame Duration
5 seconds

16. white blouse.
Minimal make up.
Her facial
expressionsare very
worriedasshe bites
herlipsand looks
aroundparanoid
breathingheavily.
She lookspensive.
Editingnotes
Shot
No.
18
Type of shot,
movementandangle.
There isa longshotof
the car and the
headlightsjustbefore
the Camera tracks
Hardingto the car.
Dialogue.Sound.
Setting.Colour.
Lighting.Mise-en-
scene.
EXT Stationcar park.
Low – keylighting.
Headlights.
Frame Duration
5 seconds

17. Editingnotes
Cut
Shot
No.
19
Type of shot,
movementandangle.
Long shotof the
female andthe car. DI
Hardingwalkstowards
the car and goesalong
the side of it. She
bendsdownslightly
and looksthroughthe
passengerwindow.
Dialogue.Sound.
Setting.Colour.
Lighting.Mise-en-
scene.
EXT Stationcar park.
Low – keylighting.
Black shoes;black
blazer;blacktop or
white blouse.
Minimal make up.
A score of daunting
musicwhenshe
walkstowardsthe
car.
Frame Duration
10 seconds

18. Editingnotes
Cut
Shot
No.
20
Type of shot,
movementand angle.
Mid shotof Harding
lookingthroughthe
car window.No
movement.
Dialogue.Sound.
Setting.Colour.
Lighting.Mise-en-
scene.
EXT Stationcar park.
Low – keylighting.
Black shoes;black
blazer;blacktop or
white blouse.
Minimal make up.
A score of Daunting
music.
Frame Duration
10 seconds
Editingnotes
Cut
Shot
No.
Type of shot,
movementandangle.
Dialogue.Sound.
Setting.Colour.
Frame Duration

19. 21 Mid shotof the car
and the female.She
opensthe car door
and getsinit.
Handheldcamera.
Lighting.Mise-en-
scene.
EXT. Stationcar
park.
Soundbridge of the
score carrying on
fromthe previous
shot,
Headlightsonthe
car.
10 seconds
Editingnotes
Cut
Shot
No.
22
Type of shot,movement
and angle.
Mid shotof the Harding’s
‘boyfriend’ –the male who
isdrivingthe car and also
whoshe was coveringfor.
Dialogue.Sound. Setting.
Colour.Lighting.Mise-en-
scene.
INT.Inside the car.
Soundbridge of the score
carryingon from the previous
Frame Duration
5 seconds

20. shot.
Dimspotlight.
Editingnotes
Cut
Shot
No.
23
Type of shot,movement
and angle.
Flashbackof the file DI
Hardingdestroyed.
Handheldcamera.
Dialogue.Sound. Setting.Colour.Lighting.
Mise-en-scene.
‘Whoosh’soundeffecttosignifythe
flashback.
Black andwhite toshowthe flashback.
Frame duration
5 seconds

21. Editingnotes
Cut
Shot
No.
24
Type of shot,movement
and angle.
close upof DI Hardingand
the drivershandsplacedon
the gear stickon top of
eachother.
Handheldcamera.
Dialogue.Sound. Setting.Colour.
Lighting.Mise-en-scene.
INT.Inside the car.
DI Hardinghas an engagementringon
herfinger.
Frame Duration
5 seconds

22. Editingnotes
Cut
Shot
No.
25
Type of shot,movement
and angle.
Mid shotof DI Harding
and the driver. Theythen
leaninand kiss.
Handheldcamera.
Dialogue.Sound. Setting.Colour.Lighting.
Mise-en-scene.
INT.Inside the car.
Low-keylightingsoit’scleareronthe
camera.
Dimspotlightonthe female andthe driver.
Frame Duration
5 seconds

23. Editingnotes
Cut