SlideShare a Scribd company logo
1 of 8
Zara Iqbal UpdatedVersion Of Completed Screenplay
PROPS
FADE FROM BLACK.
IN A DARK ALLEWAY.
THREE INDIVIDUALS ARE IN AN ALLEYWAYTOGETHEER.
ONE INDIVIDUAL IS CALLED ZOE AND SHE IS PINNED DOWN
TO THE FLOOR BY A PERSONCALLED HANNAH.WHEREAS
THE THIRD PERSONCALLED DANIELLE WATCHES ZOE.
DANIELLE:IT’S NOT TOO LATE,YOU KNOW. (DANIELLE
PROCEEED TO STARE DOWN AT ZOE AS SHE LEAN AGAINST
THE WALL OF THE ALLEYWAY.)
ZOE: NOT TOO LATE FOR WHAT?(ZOE TRIES TO RAISE HER
HEAD SLIGHTLYBUT DANIELLE STAMP ONHER HEAD TO
BRING IT DOWN TO THE GROUND. )
DANIELLE:TO CONFESS YOUR CRIMES.IF YOU DECIDE TO
DO IT NOW, I’LL MIGHT LET YOU OFF THE HOOK.
ZOE: (TAKE A DEEP BREATH AND EXHALE IN SLIGHT PAIN)
FINE I DID IT. IT WAS ME THAT RATTLED MICHAEL OUT TO
THE COPS.(UPOM HEARING THIS,THE TWO MAFIA
MEMBERS EXCHANGEDEYE CONTACT WITH EACH OTHER
AS DANIELLE GIVES THE SIGNAL HANNAH. HANNAH
PROCEEDS TO GET A BAT WITH NAILS STAMPED INTO IT OUT
OF HER JACKET.ZOE CATCHES A GLIMPSEOF THIS.)
ZOE: WHAT ARE YOU DOING?! YOU’RE TAKING BACK YOUR
WORD.(HANNAH READYTHE BAT INTO POSITIONAS SHE
WAIT FOR THE SIGNAL FROM DANIELLE.)
CAMERA CUT TO DANIELLE.
DANIELLE:(GET A CIGARETTEOUT OF HER POCKET AND
PUT CIGERATTE IN HER MOUTH) I NEVER SIGNED A
CONTRACT WITH YOU. (DANIELLE LIGHT UP HER
CIGERATTE AS SHE TAKES A PUFF. THIS IS THE SIGNAL
Zara Iqbal UpdatedVersion Of Completed Screenplay
THAT HANNAH IS WAITING FOR. BANGING SOUND IS HEARD
AS HANNAH SMASH ZOE’S HEAD.)
CAMERA CUT TO HANNAH.
HANNAH: I’LL GET THE BAGS AND YOU GET THE CAR READY.
HERE’S THE KEYS. (TOSS THE KEYS TO DANIELLE)
(DANIELLE CATCHES KEY, BUT A PHONE GOES OFF IN THE
DISTANCE,BOTH OF THEM TRACE THEIR EYES TOWARDS
THE NOISE COMING BEHIND THE TRASHCAN.BOTH
MEMBERS WALK TOWARDS THE TRASHCAN.)
(DANIELLE GET THERE FIRST AND GRABBED ONTOMARI’S
HAIR AND YANKED HER OUT BY HER HAIR AND PULLED HER
OUT FROM HER HIDING SPOT BEHIND THE TRASHCAN.MARI
SCREAMS IN PAIN WHILE SHE SHOUT INTO HER PHONE
THAT SHE IS HOLDING IN HER RIGHT HAND WHILE
STRUGGLING AGAINST HANNAH.)
MARIA:WILL, HELP ME! THEY’RE GOING TO KILL ME!
(DANIELLE PUT HER GLOVED HAND OVER HER MOUTH
WHILE HANNAH SNATCH MARI’S PHONE FROM HER HAND
AND HANGED UP. HANNAH TOSSES THE PHONE AWAY.)
*
CAMERA CUT TO WILL ENTERING HIS APARTMENT.(WILL
PLACE HIS GYMBAG IN THE PASSENGEWAY.WILL WALKED
INTO THE KITCHENAS HE GET HIS PHONE OUT FROM HIS
POCKET.WILL NOTICE HE HAVE A VOICEMAILAND DIALLED
THE NUMBER AND PUT THE PHONE ON SPEAKER AS HE
PLACED THE PHONE ON THE WORKTOP.)
(WILL PROCEED TO GET A GLASS AND FILL THE GLASS WITH
WATER AS HE PLACED IT UNDER THE TAP THAT BELONGED
Zara Iqbal UpdatedVersion Of Completed Screenplay
TO THE SINK. HIS HUMMING AND THE RUNNING WATER
CREATES A MOMENT OF CALM.BEFORE THE QUIETNESS IS
INTERRUPTED BY THE VOICEMAIL.)
VOICE MAIL:WILL, HELP ME! (WILL LOOK STARTLEDAND IN
A STATE OF SHOCK AS HE LISTENED TO THE VOICE MAIL. IN
A STATE OF PANIC,WILL DROP HIS GLASS INTO THE SINK
AND RUSHED TO HIS PHONE.)
(WILL PICKED UP HONE) WILL:MARI,WHAT’S WRONG!?!?
(WILL WAIT FOR AN ANSWER TILL HE REALISED THAT IT’S A
VOICEMAIL WHILE THEVOICEMAILCOME TO AN END.
(IN A STATE OF SHOCK,WILL STAND THERE IN SILENCE
WHILE HE LOOKS AT HIS PHONE. WILL PROCCEED TO RING
MARI AGAIN BUT IT GOES STRAIGHT TO VOICEMAIL.IN
RETURN WILL STARE AT HIS PHONE IN A NUMB STATE.
(THE PHONE BUZZ AND ON AN IMPULSE WILL ANSWER THE
CALL HOPING THAT IT’S MARI DESPITETHE CALLER ID
SAYING UNKOWN)
WILL:MARI?
UNKNOWN ID: NO THIS ISN’T MARI BUT I KNOW WHAT HAS
HAPPENED TO HER.
WILL:(WILL TAKE A DEEP BREAHE.)WHAT HAPPEN?
UNKOWN ID: MEMBERS OF A MAFIA THAT MY UNIT HAVE
BEEN KEEPING AN EYE ON FOR MONTHS HAVE KIDNAPPED
HER.
WILL:WHAT? WHO ARE YOU?
UNKNOWN ID: YOU CAN CALL ME IVAN AND I WORK WITH
THE POLICE.ARE YOU INTERESTED IN GETTING YOUR
GIRLFRIEND BACK IN ONE PIECE?
WILL:......YES I AM.
Zara Iqbal UpdatedVersion Of Completed Screenplay
UNKNOWN ID: BE READYTO MEET ME TOMNORROW THEN.
I’LL MESSAGE YOU THE DETAILS OF THE LOCATION.
(BEFORE WILL CAN SAY ANYTHING, IVAN HANG UP BUT A
MOMENT LATER WILL,LOOK AT HIS PHONE AGAINSINCE
HE HEARD A BUZZ SOUND FOR A MESSAGE.AS WILL LOOK
AT HIS PHONE HE SEES A MESSAGE THAT HAVE AN
ADDRESS IN IT.
*
CAMERA CUT TO IVAN SITTING AT HIS DESK AS HE NOTICED
WILL STANDING OUTSIDE THEIR OFFICE.(SARA WHOSE
SITTING ON IVAN’S DESK MOTIONED WILL TO COME IN WITH
HIS ROLLED UP NEWSPAPER.
(WILL ENTER BUT IS ON GUARD AS HE REFUSED IVAN’S
SIGNAL TO SIT DOWN ON THE CHAIR IN FRONT OF HIS DESK
WHILE IVAN SMILE IN AMUSEMENT WHILE SARA
CHUCKLES.)
DESMOND:WE’RE NOT YOUR ENEMIES,EX-OFFICER
GRAYSON.
WILL:TRUE BUT CONSIDERING YOU GUYS MUST HAVE
LOOKED AT MY FILES THAT STATED I USED TO BE A POLICE
OFFICER.IT PROVE TO ME THAT YOU GUYS CAN’T BE
TRUSTWORTHY.
IVAN: WELL I HOPE YOU GET WHY WE CALLED YOU IN NOW.
ANYWAYS LET CUT DOWNTO THE CHASE. (IVAN GESTURE
ONE LAST TIME AT THE CHAIR AND RECULTANTLY WILL
DECIDE TO SIT DOWN.)
WILL:WHERE’S MARI?
IVAN: SHE’S UNDER THE CUSTODYOF A MAFIA RUN BY A
TOP CRIMINAL CALLED JANE WILSON.
Zara Iqbal UpdatedVersion Of Completed Screenplay
(WILL’S EYES WIDENIN SHOCK.)
WILL:JANE WILSON?
IVAN: OH SHE WAS AROUND BACK IN YOUR TIMES AS A
POLICE OFFICER TOO?
WILL:THE MOST WANTED CRIMINAL IN MY TIMES AND
YOU’RE TELLING ME 6 YEARS LATER THAT SHE STILL
HASN’T GOT CAUGHT?(WILL GROW FRUSTATEDAND STAND
UP FROM HIS CHAIR,HE LEAN FORWARD WITH HIS HANDS
ON IVAN’S DESK WITH HIS FACE INCHES AWAYFROM IVAN’S
FACE.)
WILL:AND SHE HAS MARI IN HER CLUTCHES?
IVAN: NOW CALM DO-
(SARA CUT OFF IVAN AND LET OUT A WHISTLE)SARA:CALM
DOWN, LOVER BOY.
(WILL GRAB ON TO SARA’S NECKLACEAND PULLED HIS
FACE TOWARDS WILL.THEIR FACES ARE INCHES APART
FROM EACH OTHER AS THE TWO EXCHANGED EYE CONTACT
WITH EACH OTHER.)
WILL:CALL ME THAT AGAINAND I-
SARA: DO WHAT?(SARA SMIRK AT WILL AS WILL’S GRIP
TIGHTENED ONHER NECKLACE BEFORE IVAN
INTERRUPTED HIM.)
IVAN: IF YOU WANT TO SAVE YOUR GIRLFRIEND WILL,LET
GO OF DETECTIVE SARA RIGHT NOW OR I’LL ARREST YOU
FOR ATTEMPTEDASSAULT.
(WILL LET GO OF SARA’S NECKLACE AND PROCEED TO SIT
DOWN AGAINWHEREAS SARA JUST WATCHES HIM WITH A
SMIRK ON HER FACE WHILE IVAN LET OUT A COUGH TO
SIGNAL SARA TO BEHAVE HERSELF.)
Zara Iqbal UpdatedVersion Of Completed Screenplay
WILL:WELL WHAT’S YOUR PLAN THEN?
IVAN: WE WANT YOU TO WORK UNDER US AS OUR DOUBLE
AGENT THAT WILL INFLIRATE JANE’S MAFIA.ONCE YOUR
TRAINING IS COMPLETE WE CANBRING HER DOWN ONCE
AND FOR ALL.
*
CAMERA CUT TO WILL.
(WILL ENTER THE ABANDONDIMLY LIT WAREHOUSE.HE
CAN SEE THE BRIEF OUTLINES OF TWO SILHOUTTES.THEN
A LIGHT ILLUMANITED THE WAREHOUSE THAT CAUSED
WILL TO SHUT HIS EYES FOR A MOMENT.WILL’S EYES
SQUINT FOR A MOMENT BEFORE HE OPEN HIS EYES TO SEE
JANE STANDING BEHIND A CHAIR. MARI IS TIED TO THE
CHAIR WITH A BLINDFOLD ON HER EYES.)
(WILL’S EYES WIDENIN SHOCK AS HE QUESTIONED JANE.)
WILL:WHAT THE HELL IS THIS?(WILL SHOUT AT MARI
BEFORE HE TAKES A STEP TOWARDS THEM.)
JANE: I WOULDN’T DO THAT IF I WERE YOU.
(WILL COME TO A STAND STILL AS HE SEE THE GUN IN
JANE’S HAND WHILE MARI RECOGNISED WILL’S VOICE.)
MARI; WILL?
(WILL TRY TO SAY SOMETHING BUT JANE PLACED THE GUN
ON MARI’S HEAD AND MARI BEGINTO WEEP OUT OF FRIGHT.
NOT HAVING A CHOICE WILL IS FORCED TO REMAIN
SILENT.)
JANE: OKAY NOW SHOOT HER BEFORE I’LL RUN OUT OF
PATIENCE AND KILL YOU BOTH.(JANE THROWS THE GUN AT
Zara Iqbal UpdatedVersion Of Completed Screenplay
WILL AND HE CATCHES,MARI START PANICKING AS SHE
TRASHES OUT OF HER CHAIR.)
(WILL NOTICE THE HANNAH AND DANIELLE STANDING
BEHIND HIM THAT HAVE APPEAREDOUT OF NOWHERE.)
MARI: PLEASE DON’T HURT ME! (MARI BEGIN TO SOB AS
WILL SHAKILYBRING UP THE GUN TO SHOOT HER.)
WILL:SORRY. (WILL SHOOT MARI IN THE KNEE.)
*
CAMERA CUT TO WILL.
(WILL WALK INTO HIS HOUSE AND DUMP HIS BAG IN THE
CORRDIOR.)
WILL:CASSANDRA????
(WILL WALK INTO THE FRONT ROOM TO SEE CASSANDRA
LAYING ON THE FLOOR AND HE IS SHOCKED TO SEE MARI
STANDING IN FRONT OF HIM. MARI HOLDS A GUN POINTING
AT HIM.)
WILL:MARI? YOU’RE ALIVE?
MARI: YES I AM.
WILL:WAIT CALM DOWNAND WHAT DID YOU DO???? (WILL IS
TAKENABACK AS HE LOOKED AT THE KNOCKED OUT FORM
OF CASSANDRA.HOWEVER HE CANNOT SEE HER FACE
SINCE HER FACE IS FACED AWAYFROM HIM.)
MARI: SHE’S DEAD.
WILL:ARE YOU SERIOUS???
MARI: SIT DOWN,WILL.(SHE AIMED THE GUN AT HIM AND
MOTIONED HIM TO SIT DOWN ON THE SOFTA.)
Zara Iqbal UpdatedVersion Of Completed Screenplay
(WILL BEGIN TEARING UP BUT OBLIGED AS HE SIT DOWN ON
THE SOFTA.)
WILL:HOW ARE YOU ALIVE???YOU’RE SUPPOS-
(MARI CUT WILL OFF)
MARI: YOU GUESS WRONG.WHILE YOU WERE GOING OFF
WITH THIS SLUT, I WAS GOING THROUGH HELL.AND YOU
DIDN’T EVEN TRY TO RESCUE ME. SOME PRINCE CHARMING
YOU ARE.
(WILL BREAK DOWN INTO TEARS AS HE ATTEMPT TO SPEAK)
WILL:THAT’S BECAUSE I DIDN’T KNOW YOU WERE ALIVE.
MARI: THIS IS MY REVENGE FOR YOU LEAVING ME BEHIND
AND GOING OFF WITH THIS WHORE.

More Related Content

What's hot

Sara fawkes anything he wants
Sara fawkes   anything he wantsSara fawkes   anything he wants
Sara fawkes anything he wants
rykinz
 
Ship to lemuria
Ship to lemuriaShip to lemuria
Ship to lemuria
pequeez
 
Music video narrative analysis michael rumble
Music video narrative analysis michael rumbleMusic video narrative analysis michael rumble
Music video narrative analysis michael rumble
MichaelRumbleG321
 
Final project
Final projectFinal project
Final project
trastear1
 
Conduit [EIGHTH DRAFT]
Conduit [EIGHTH DRAFT]Conduit [EIGHTH DRAFT]
Conduit [EIGHTH DRAFT]
Liam Cairns
 
Fast and furious
Fast and furiousFast and furious
Fast and furious
Scrutton
 
The good guys die and the bad guys win
The good guys die and the bad guys win The good guys die and the bad guys win
The good guys die and the bad guys win
Natalie DelaNoche
 
THE SEER_script
THE SEER_scriptTHE SEER_script
THE SEER_script
Rio Ingram
 
Cries wolf 2nd Draft Of Script
Cries wolf  2nd Draft Of ScriptCries wolf  2nd Draft Of Script
Cries wolf 2nd Draft Of Script
mrsmajortom
 

What's hot (19)

When worse comes to worse
When worse comes to worseWhen worse comes to worse
When worse comes to worse
 
Halloween by john carpenter and debra hill (for educational purposes)ליל כל ה...
Halloween by john carpenter and debra hill (for educational purposes)ליל כל ה...Halloween by john carpenter and debra hill (for educational purposes)ליל כל ה...
Halloween by john carpenter and debra hill (for educational purposes)ליל כל ה...
 
Sara fawkes anything he wants
Sara fawkes   anything he wantsSara fawkes   anything he wants
Sara fawkes anything he wants
 
Pitch
PitchPitch
Pitch
 
guardian angels
guardian angelsguardian angels
guardian angels
 
IG1 Task 1 - Amelia and Michael
IG1 Task 1 - Amelia and MichaelIG1 Task 1 - Amelia and Michael
IG1 Task 1 - Amelia and Michael
 
Ship to lemuria
Ship to lemuriaShip to lemuria
Ship to lemuria
 
Music video narrative analysis michael rumble
Music video narrative analysis michael rumbleMusic video narrative analysis michael rumble
Music video narrative analysis michael rumble
 
Final project
Final projectFinal project
Final project
 
Conduit [EIGHTH DRAFT]
Conduit [EIGHTH DRAFT]Conduit [EIGHTH DRAFT]
Conduit [EIGHTH DRAFT]
 
Fast and furious
Fast and furiousFast and furious
Fast and furious
 
Talk at Six
Talk at SixTalk at Six
Talk at Six
 
The Gestalt Legacy 1.2
The Gestalt Legacy 1.2The Gestalt Legacy 1.2
The Gestalt Legacy 1.2
 
Script draft 4
Script draft 4Script draft 4
Script draft 4
 
Comic Analysis Donikowski
Comic Analysis DonikowskiComic Analysis Donikowski
Comic Analysis Donikowski
 
The good guys die and the bad guys win
The good guys die and the bad guys win The good guys die and the bad guys win
The good guys die and the bad guys win
 
A Whisker Past Midnight, an animated feature screenplay
A Whisker Past Midnight, an animated feature screenplayA Whisker Past Midnight, an animated feature screenplay
A Whisker Past Midnight, an animated feature screenplay
 
THE SEER_script
THE SEER_scriptTHE SEER_script
THE SEER_script
 
Cries wolf 2nd Draft Of Script
Cries wolf  2nd Draft Of ScriptCries wolf  2nd Draft Of Script
Cries wolf 2nd Draft Of Script
 

Viewers also liked

Viewers also liked (19)

January SCT Feature
January SCT FeatureJanuary SCT Feature
January SCT Feature
 
Historia de slide share
Historia de slide shareHistoria de slide share
Historia de slide share
 
Ateji PX for Java
Ateji PX for JavaAteji PX for Java
Ateji PX for Java
 
Ejercicio con funciones
Ejercicio con funcionesEjercicio con funciones
Ejercicio con funciones
 
MRS annual report 2007
MRS annual report 2007MRS annual report 2007
MRS annual report 2007
 
Análisis comparativo entre las organizaciones tradiciones y actuales
Análisis comparativo entre las organizaciones tradiciones y actualesAnálisis comparativo entre las organizaciones tradiciones y actuales
Análisis comparativo entre las organizaciones tradiciones y actuales
 
MRS annual report 2005
MRS annual report 2005MRS annual report 2005
MRS annual report 2005
 
Dangote cement annual report 2015
Dangote cement annual report 2015Dangote cement annual report 2015
Dangote cement annual report 2015
 
Trabajo corte 1 laura castañeda
Trabajo corte 1 laura castañedaTrabajo corte 1 laura castañeda
Trabajo corte 1 laura castañeda
 
San Sergio martir
San Sergio martirSan Sergio martir
San Sergio martir
 
2016Portfolio
2016Portfolio2016Portfolio
2016Portfolio
 
Ateji PX manual
Ateji PX manualAteji PX manual
Ateji PX manual
 
Webinar Series: Public engagement, education and outreach for CCS. Part 4: Is...
Webinar Series: Public engagement, education and outreach for CCS. Part 4: Is...Webinar Series: Public engagement, education and outreach for CCS. Part 4: Is...
Webinar Series: Public engagement, education and outreach for CCS. Part 4: Is...
 
Bea
BeaBea
Bea
 
Dangote cement annual report 2011
Dangote cement annual report 2011Dangote cement annual report 2011
Dangote cement annual report 2011
 
Film treatment
Film treatmentFilm treatment
Film treatment
 
Screen play
Screen playScreen play
Screen play
 
Screen play
Screen playScreen play
Screen play
 
crecimiento económico y social en bucaramanga
crecimiento económico y social en bucaramanga crecimiento económico y social en bucaramanga
crecimiento económico y social en bucaramanga
 

Similar to Screen play (10)

Screenplay of 'Two Worlds'
Screenplay of 'Two Worlds'Screenplay of 'Two Worlds'
Screenplay of 'Two Worlds'
 
The bulgarian prophet 5
The bulgarian prophet 5The bulgarian prophet 5
The bulgarian prophet 5
 
Screenplay of 'Two Worlds'
Screenplay of 'Two Worlds'Screenplay of 'Two Worlds'
Screenplay of 'Two Worlds'
 
Screenplay
ScreenplayScreenplay
Screenplay
 
The observer script pdf
The observer script pdfThe observer script pdf
The observer script pdf
 
Teardrop - Police Station Scene
Teardrop - Police Station SceneTeardrop - Police Station Scene
Teardrop - Police Station Scene
 
Hannibal episode 109 trou normand
Hannibal episode 109 trou normandHannibal episode 109 trou normand
Hannibal episode 109 trou normand
 
The observer script update
The observer script updateThe observer script update
The observer script update
 
Merged scripts 3
Merged scripts 3Merged scripts 3
Merged scripts 3
 
Final Script
Final ScriptFinal Script
Final Script
 

More from Zara Iqbal (20)

Film noir
Film noirFilm noir
Film noir
 
Title research
Title researchTitle research
Title research
 
Schedule
ScheduleSchedule
Schedule
 
Blocking 2
Blocking 2Blocking 2
Blocking 2
 
Blocking
BlockingBlocking
Blocking
 
Storyboard
StoryboardStoryboard
Storyboard
 
Film treatment
Film treatmentFilm treatment
Film treatment
 
Story Broad
Story Broad Story Broad
Story Broad
 
Magazine cover, analysis, double spread page
Magazine cover, analysis, double spread pageMagazine cover, analysis, double spread page
Magazine cover, analysis, double spread page
 
Photoshoot plan
Photoshoot planPhotoshoot plan
Photoshoot plan
 
Photoshoot plan
Photoshoot planPhotoshoot plan
Photoshoot plan
 
Copy 2
Copy 2Copy 2
Copy 2
 
Copy
CopyCopy
Copy
 
Media studies context page copy
Media studies context page   copyMedia studies context page   copy
Media studies context page copy
 
Photo analysis of r & b magazine
Photo analysis of r & b magazinePhoto analysis of r & b magazine
Photo analysis of r & b magazine
 
Double spread plan blocking
Double spread plan blockingDouble spread plan blocking
Double spread plan blocking
 
Media studies context page copy
Media studies context page   copyMedia studies context page   copy
Media studies context page copy
 
Media studies context page
Media studies context pageMedia studies context page
Media studies context page
 
Alexandra burke double spread page analysis
Alexandra burke double spread page analysisAlexandra burke double spread page analysis
Alexandra burke double spread page analysis
 
Photoshoot plan
Photoshoot planPhotoshoot plan
Photoshoot plan
 

Recently uploaded

1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
QucHHunhnh
 
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
fonyou31
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdf
QucHHunhnh
 

Recently uploaded (20)

The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13The Most Excellent Way | 1 Corinthians 13
The Most Excellent Way | 1 Corinthians 13
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
 
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
 
fourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingfourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writing
 
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communication
 
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111Call Girls in Dwarka Mor Delhi Contact Us 9654467111
Call Girls in Dwarka Mor Delhi Contact Us 9654467111
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdf
 
1029 - Danh muc Sach Giao Khoa 10 . pdf
1029 -  Danh muc Sach Giao Khoa 10 . pdf1029 -  Danh muc Sach Giao Khoa 10 . pdf
1029 - Danh muc Sach Giao Khoa 10 . pdf
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot Graph
 
Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"Mattingly "AI & Prompt Design: The Basics of Prompt Design"
Mattingly "AI & Prompt Design: The Basics of Prompt Design"
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
Introduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The BasicsIntroduction to Nonprofit Accounting: The Basics
Introduction to Nonprofit Accounting: The Basics
 
Advance Mobile Application Development class 07
Advance Mobile Application Development class 07Advance Mobile Application Development class 07
Advance Mobile Application Development class 07
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across Sectors
 
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
 
Student login on Anyboli platform.helpin
Student login on Anyboli platform.helpinStudent login on Anyboli platform.helpin
Student login on Anyboli platform.helpin
 
General AI for Medical Educators April 2024
General AI for Medical Educators April 2024General AI for Medical Educators April 2024
General AI for Medical Educators April 2024
 

Screen play

  • 1. Zara Iqbal UpdatedVersion Of Completed Screenplay PROPS FADE FROM BLACK. IN A DARK ALLEWAY. THREE INDIVIDUALS ARE IN AN ALLEYWAYTOGETHEER. ONE INDIVIDUAL IS CALLED ZOE AND SHE IS PINNED DOWN TO THE FLOOR BY A PERSONCALLED HANNAH.WHEREAS THE THIRD PERSONCALLED DANIELLE WATCHES ZOE. DANIELLE:IT’S NOT TOO LATE,YOU KNOW. (DANIELLE PROCEEED TO STARE DOWN AT ZOE AS SHE LEAN AGAINST THE WALL OF THE ALLEYWAY.) ZOE: NOT TOO LATE FOR WHAT?(ZOE TRIES TO RAISE HER HEAD SLIGHTLYBUT DANIELLE STAMP ONHER HEAD TO BRING IT DOWN TO THE GROUND. ) DANIELLE:TO CONFESS YOUR CRIMES.IF YOU DECIDE TO DO IT NOW, I’LL MIGHT LET YOU OFF THE HOOK. ZOE: (TAKE A DEEP BREATH AND EXHALE IN SLIGHT PAIN) FINE I DID IT. IT WAS ME THAT RATTLED MICHAEL OUT TO THE COPS.(UPOM HEARING THIS,THE TWO MAFIA MEMBERS EXCHANGEDEYE CONTACT WITH EACH OTHER AS DANIELLE GIVES THE SIGNAL HANNAH. HANNAH PROCEEDS TO GET A BAT WITH NAILS STAMPED INTO IT OUT OF HER JACKET.ZOE CATCHES A GLIMPSEOF THIS.) ZOE: WHAT ARE YOU DOING?! YOU’RE TAKING BACK YOUR WORD.(HANNAH READYTHE BAT INTO POSITIONAS SHE WAIT FOR THE SIGNAL FROM DANIELLE.) CAMERA CUT TO DANIELLE. DANIELLE:(GET A CIGARETTEOUT OF HER POCKET AND PUT CIGERATTE IN HER MOUTH) I NEVER SIGNED A CONTRACT WITH YOU. (DANIELLE LIGHT UP HER CIGERATTE AS SHE TAKES A PUFF. THIS IS THE SIGNAL
  • 2. Zara Iqbal UpdatedVersion Of Completed Screenplay THAT HANNAH IS WAITING FOR. BANGING SOUND IS HEARD AS HANNAH SMASH ZOE’S HEAD.) CAMERA CUT TO HANNAH. HANNAH: I’LL GET THE BAGS AND YOU GET THE CAR READY. HERE’S THE KEYS. (TOSS THE KEYS TO DANIELLE) (DANIELLE CATCHES KEY, BUT A PHONE GOES OFF IN THE DISTANCE,BOTH OF THEM TRACE THEIR EYES TOWARDS THE NOISE COMING BEHIND THE TRASHCAN.BOTH MEMBERS WALK TOWARDS THE TRASHCAN.) (DANIELLE GET THERE FIRST AND GRABBED ONTOMARI’S HAIR AND YANKED HER OUT BY HER HAIR AND PULLED HER OUT FROM HER HIDING SPOT BEHIND THE TRASHCAN.MARI SCREAMS IN PAIN WHILE SHE SHOUT INTO HER PHONE THAT SHE IS HOLDING IN HER RIGHT HAND WHILE STRUGGLING AGAINST HANNAH.) MARIA:WILL, HELP ME! THEY’RE GOING TO KILL ME! (DANIELLE PUT HER GLOVED HAND OVER HER MOUTH WHILE HANNAH SNATCH MARI’S PHONE FROM HER HAND AND HANGED UP. HANNAH TOSSES THE PHONE AWAY.) * CAMERA CUT TO WILL ENTERING HIS APARTMENT.(WILL PLACE HIS GYMBAG IN THE PASSENGEWAY.WILL WALKED INTO THE KITCHENAS HE GET HIS PHONE OUT FROM HIS POCKET.WILL NOTICE HE HAVE A VOICEMAILAND DIALLED THE NUMBER AND PUT THE PHONE ON SPEAKER AS HE PLACED THE PHONE ON THE WORKTOP.) (WILL PROCEED TO GET A GLASS AND FILL THE GLASS WITH WATER AS HE PLACED IT UNDER THE TAP THAT BELONGED
  • 3. Zara Iqbal UpdatedVersion Of Completed Screenplay TO THE SINK. HIS HUMMING AND THE RUNNING WATER CREATES A MOMENT OF CALM.BEFORE THE QUIETNESS IS INTERRUPTED BY THE VOICEMAIL.) VOICE MAIL:WILL, HELP ME! (WILL LOOK STARTLEDAND IN A STATE OF SHOCK AS HE LISTENED TO THE VOICE MAIL. IN A STATE OF PANIC,WILL DROP HIS GLASS INTO THE SINK AND RUSHED TO HIS PHONE.) (WILL PICKED UP HONE) WILL:MARI,WHAT’S WRONG!?!? (WILL WAIT FOR AN ANSWER TILL HE REALISED THAT IT’S A VOICEMAIL WHILE THEVOICEMAILCOME TO AN END. (IN A STATE OF SHOCK,WILL STAND THERE IN SILENCE WHILE HE LOOKS AT HIS PHONE. WILL PROCCEED TO RING MARI AGAIN BUT IT GOES STRAIGHT TO VOICEMAIL.IN RETURN WILL STARE AT HIS PHONE IN A NUMB STATE. (THE PHONE BUZZ AND ON AN IMPULSE WILL ANSWER THE CALL HOPING THAT IT’S MARI DESPITETHE CALLER ID SAYING UNKOWN) WILL:MARI? UNKNOWN ID: NO THIS ISN’T MARI BUT I KNOW WHAT HAS HAPPENED TO HER. WILL:(WILL TAKE A DEEP BREAHE.)WHAT HAPPEN? UNKOWN ID: MEMBERS OF A MAFIA THAT MY UNIT HAVE BEEN KEEPING AN EYE ON FOR MONTHS HAVE KIDNAPPED HER. WILL:WHAT? WHO ARE YOU? UNKNOWN ID: YOU CAN CALL ME IVAN AND I WORK WITH THE POLICE.ARE YOU INTERESTED IN GETTING YOUR GIRLFRIEND BACK IN ONE PIECE? WILL:......YES I AM.
  • 4. Zara Iqbal UpdatedVersion Of Completed Screenplay UNKNOWN ID: BE READYTO MEET ME TOMNORROW THEN. I’LL MESSAGE YOU THE DETAILS OF THE LOCATION. (BEFORE WILL CAN SAY ANYTHING, IVAN HANG UP BUT A MOMENT LATER WILL,LOOK AT HIS PHONE AGAINSINCE HE HEARD A BUZZ SOUND FOR A MESSAGE.AS WILL LOOK AT HIS PHONE HE SEES A MESSAGE THAT HAVE AN ADDRESS IN IT. * CAMERA CUT TO IVAN SITTING AT HIS DESK AS HE NOTICED WILL STANDING OUTSIDE THEIR OFFICE.(SARA WHOSE SITTING ON IVAN’S DESK MOTIONED WILL TO COME IN WITH HIS ROLLED UP NEWSPAPER. (WILL ENTER BUT IS ON GUARD AS HE REFUSED IVAN’S SIGNAL TO SIT DOWN ON THE CHAIR IN FRONT OF HIS DESK WHILE IVAN SMILE IN AMUSEMENT WHILE SARA CHUCKLES.) DESMOND:WE’RE NOT YOUR ENEMIES,EX-OFFICER GRAYSON. WILL:TRUE BUT CONSIDERING YOU GUYS MUST HAVE LOOKED AT MY FILES THAT STATED I USED TO BE A POLICE OFFICER.IT PROVE TO ME THAT YOU GUYS CAN’T BE TRUSTWORTHY. IVAN: WELL I HOPE YOU GET WHY WE CALLED YOU IN NOW. ANYWAYS LET CUT DOWNTO THE CHASE. (IVAN GESTURE ONE LAST TIME AT THE CHAIR AND RECULTANTLY WILL DECIDE TO SIT DOWN.) WILL:WHERE’S MARI? IVAN: SHE’S UNDER THE CUSTODYOF A MAFIA RUN BY A TOP CRIMINAL CALLED JANE WILSON.
  • 5. Zara Iqbal UpdatedVersion Of Completed Screenplay (WILL’S EYES WIDENIN SHOCK.) WILL:JANE WILSON? IVAN: OH SHE WAS AROUND BACK IN YOUR TIMES AS A POLICE OFFICER TOO? WILL:THE MOST WANTED CRIMINAL IN MY TIMES AND YOU’RE TELLING ME 6 YEARS LATER THAT SHE STILL HASN’T GOT CAUGHT?(WILL GROW FRUSTATEDAND STAND UP FROM HIS CHAIR,HE LEAN FORWARD WITH HIS HANDS ON IVAN’S DESK WITH HIS FACE INCHES AWAYFROM IVAN’S FACE.) WILL:AND SHE HAS MARI IN HER CLUTCHES? IVAN: NOW CALM DO- (SARA CUT OFF IVAN AND LET OUT A WHISTLE)SARA:CALM DOWN, LOVER BOY. (WILL GRAB ON TO SARA’S NECKLACEAND PULLED HIS FACE TOWARDS WILL.THEIR FACES ARE INCHES APART FROM EACH OTHER AS THE TWO EXCHANGED EYE CONTACT WITH EACH OTHER.) WILL:CALL ME THAT AGAINAND I- SARA: DO WHAT?(SARA SMIRK AT WILL AS WILL’S GRIP TIGHTENED ONHER NECKLACE BEFORE IVAN INTERRUPTED HIM.) IVAN: IF YOU WANT TO SAVE YOUR GIRLFRIEND WILL,LET GO OF DETECTIVE SARA RIGHT NOW OR I’LL ARREST YOU FOR ATTEMPTEDASSAULT. (WILL LET GO OF SARA’S NECKLACE AND PROCEED TO SIT DOWN AGAINWHEREAS SARA JUST WATCHES HIM WITH A SMIRK ON HER FACE WHILE IVAN LET OUT A COUGH TO SIGNAL SARA TO BEHAVE HERSELF.)
  • 6. Zara Iqbal UpdatedVersion Of Completed Screenplay WILL:WELL WHAT’S YOUR PLAN THEN? IVAN: WE WANT YOU TO WORK UNDER US AS OUR DOUBLE AGENT THAT WILL INFLIRATE JANE’S MAFIA.ONCE YOUR TRAINING IS COMPLETE WE CANBRING HER DOWN ONCE AND FOR ALL. * CAMERA CUT TO WILL. (WILL ENTER THE ABANDONDIMLY LIT WAREHOUSE.HE CAN SEE THE BRIEF OUTLINES OF TWO SILHOUTTES.THEN A LIGHT ILLUMANITED THE WAREHOUSE THAT CAUSED WILL TO SHUT HIS EYES FOR A MOMENT.WILL’S EYES SQUINT FOR A MOMENT BEFORE HE OPEN HIS EYES TO SEE JANE STANDING BEHIND A CHAIR. MARI IS TIED TO THE CHAIR WITH A BLINDFOLD ON HER EYES.) (WILL’S EYES WIDENIN SHOCK AS HE QUESTIONED JANE.) WILL:WHAT THE HELL IS THIS?(WILL SHOUT AT MARI BEFORE HE TAKES A STEP TOWARDS THEM.) JANE: I WOULDN’T DO THAT IF I WERE YOU. (WILL COME TO A STAND STILL AS HE SEE THE GUN IN JANE’S HAND WHILE MARI RECOGNISED WILL’S VOICE.) MARI; WILL? (WILL TRY TO SAY SOMETHING BUT JANE PLACED THE GUN ON MARI’S HEAD AND MARI BEGINTO WEEP OUT OF FRIGHT. NOT HAVING A CHOICE WILL IS FORCED TO REMAIN SILENT.) JANE: OKAY NOW SHOOT HER BEFORE I’LL RUN OUT OF PATIENCE AND KILL YOU BOTH.(JANE THROWS THE GUN AT
  • 7. Zara Iqbal UpdatedVersion Of Completed Screenplay WILL AND HE CATCHES,MARI START PANICKING AS SHE TRASHES OUT OF HER CHAIR.) (WILL NOTICE THE HANNAH AND DANIELLE STANDING BEHIND HIM THAT HAVE APPEAREDOUT OF NOWHERE.) MARI: PLEASE DON’T HURT ME! (MARI BEGIN TO SOB AS WILL SHAKILYBRING UP THE GUN TO SHOOT HER.) WILL:SORRY. (WILL SHOOT MARI IN THE KNEE.) * CAMERA CUT TO WILL. (WILL WALK INTO HIS HOUSE AND DUMP HIS BAG IN THE CORRDIOR.) WILL:CASSANDRA???? (WILL WALK INTO THE FRONT ROOM TO SEE CASSANDRA LAYING ON THE FLOOR AND HE IS SHOCKED TO SEE MARI STANDING IN FRONT OF HIM. MARI HOLDS A GUN POINTING AT HIM.) WILL:MARI? YOU’RE ALIVE? MARI: YES I AM. WILL:WAIT CALM DOWNAND WHAT DID YOU DO???? (WILL IS TAKENABACK AS HE LOOKED AT THE KNOCKED OUT FORM OF CASSANDRA.HOWEVER HE CANNOT SEE HER FACE SINCE HER FACE IS FACED AWAYFROM HIM.) MARI: SHE’S DEAD. WILL:ARE YOU SERIOUS??? MARI: SIT DOWN,WILL.(SHE AIMED THE GUN AT HIM AND MOTIONED HIM TO SIT DOWN ON THE SOFTA.)
  • 8. Zara Iqbal UpdatedVersion Of Completed Screenplay (WILL BEGIN TEARING UP BUT OBLIGED AS HE SIT DOWN ON THE SOFTA.) WILL:HOW ARE YOU ALIVE???YOU’RE SUPPOS- (MARI CUT WILL OFF) MARI: YOU GUESS WRONG.WHILE YOU WERE GOING OFF WITH THIS SLUT, I WAS GOING THROUGH HELL.AND YOU DIDN’T EVEN TRY TO RESCUE ME. SOME PRINCE CHARMING YOU ARE. (WILL BREAK DOWN INTO TEARS AS HE ATTEMPT TO SPEAK) WILL:THAT’S BECAUSE I DIDN’T KNOW YOU WERE ALIVE. MARI: THIS IS MY REVENGE FOR YOU LEAVING ME BEHIND AND GOING OFF WITH THIS WHORE.