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Our teaser trailer was between one to two minutes long, we decided this due to
typical thriller trailers being this long, we also believed this would be long enough
for us to introduce key parts like characters and the setting but not give too much
information away. When making our thriller trailer, we followed certain codes and
conventions to help make our film look professional and also challenge forms of
real media products. By researching thriller trailers, soundtracks and genre, it
helped us to be able to have more knowledge about the film industry before
starting. the first thing we analysed was thriller trailers, and the codes and
conventions they followed. We found that in a thriller trailer especially, the
narrative was very important in order to engage an audience. We looked at some
trailers for our favourite thriller and physiological thriller films such as 'taken',
which were inspired the most by, 'Law Abiding Citizen' and woman in black etc.
We also looked at different theorists so we could choose which one our trailer could
aim to follow.
Thriller
Trailer
Our thriller trailer uses conventional thriller titles as a way to introduce and
inform the audience on our genre, we got influence from many psycological
thriller trailers that we watched and analysed, such as ‘berlin syndrome’.
we used dull blue grey colours as they reinforced the dark theme of thrillers.
we also included inter- titles initially however we decided to remove them as we
thought our trailer would be more effective if we followed todorov's theory of the
narrative not being so clear cut.
How our thriller
trailer uses and
develops conventional
thrillers: Titles
In preparation for our trailer we looked at how the thriller for ‘taken’
used dramatic camera angles such as close ups p.o.v etc to create more
tension. After adding dramatic camera angles to our trailer during
editing we found that this helped to develop and helped the narrative
move along.
How our thriller trailer
uses and develops
conventional thrillers:
camera angles
We found that camera angles could be used
effectively to show relationships between two
characters, therefore we used this technique in our
trailer during our establishing shot.
An isolated location is a factor that we decided we needed to include in
our final trailer therefore we chose the woods where the two characters
were fighting away from civilization and environment this typical in
psychological thrillers. Dark settings shadows used to our
advantage.
How our thriller trailer uses
and develops conventional
thrillers: Location/Setting
The Gift
Villains in psycological thrillers usually look normal and don’t sand out
by wearing casual clothes fitting in with the theory we had that, most
psycological thrillers are set in an urban and modern settings. In
addition the identity of the villian is usually hidden and kept a
mystery influenced from 'I know what you did last summer’.
How our thriller trailer uses
and develops conventional
thrillers: Costumes
we gained most of our inspiration from watching psychological thrillers such as
the film ‘die hard’ we found that the film ‘die hard’ follows todorov’s theory, and
therefore we decided to somewhat follow the setup, of there being a state of
equilibrium, then a disruption of that order by an event (in our case the
daughter getting kidnapped.) followed by a recognition that the disorder has
occurred then an attempt to repair the damage done by the disruption. and then
a return or restoration of a new equilibrium. However, our sequence somewhat
challenges this theory as the equilibrium does not get restored.
How our thriller trailer uses
and develops conventional
thrillers:
Narrative/Storyline
During genre research we found that the thriller genre has a tendency to be very
diverse in its storylines and narrative structure, which means that the trailers do not
always follow a specific structure, or adhere to certain conventions. Whilst there are a
lot of similarities, the main selling point of many of thrillers is an original plot, perhaps
with a twist at the end, therefore we tried to make our storyline as enticing as possible.
Low key lighting and muted colours are a common convention of thrillers, as seen in
Shutter Island, which uses them to convey the unsettling setting of the film, and to
show the audience that it has a very dark and disturbing plot line. This lack of colour
also shows the mystery in the story.
How our thriller trailer
uses and develops
conventional thrillers:
Genre
In our trailer we subtly introduced our characters and left some as a mystery we
used this as an effective way to intrigue our audience and give them an enigma. we
also used close up shots with inspiration from the trailer for Memento which also
uses a lot of close ups, both of the face and body of the main character, we found this
effective way to stress the characters emotions and feelings about the current
situation.
How our thriller trailer
uses and develops
conventional thrillers:
Characters
Tense and often eerie music is another convention of the thriller genre, with all
three trailers using it to great effect. They match the tones of the music with the
editing for the trailer, meaning it flows very seamlessly and is actually a very good
tool when choosing what to draw attention to and when. Shutter Island couples this
with fast cuts which show the audience enough to intrigue them, but not so much as
to give away plot, sometimes the cuts are so fast that it may take a second or third
watch to catch what has been seen. In our trailer we used the speed and volume of
our soundtrack as an effective way to assist with building tension for example it
started off very quiet and steady paced at the beginning but by the end it was
evident and fast
How our thriller trailer
uses and develops
conventional thrillers:
Soundtrack

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The Gift: How Our Thriller Trailer Develops Conventions

  • 1. Our teaser trailer was between one to two minutes long, we decided this due to typical thriller trailers being this long, we also believed this would be long enough for us to introduce key parts like characters and the setting but not give too much information away. When making our thriller trailer, we followed certain codes and conventions to help make our film look professional and also challenge forms of real media products. By researching thriller trailers, soundtracks and genre, it helped us to be able to have more knowledge about the film industry before starting. the first thing we analysed was thriller trailers, and the codes and conventions they followed. We found that in a thriller trailer especially, the narrative was very important in order to engage an audience. We looked at some trailers for our favourite thriller and physiological thriller films such as 'taken', which were inspired the most by, 'Law Abiding Citizen' and woman in black etc. We also looked at different theorists so we could choose which one our trailer could aim to follow. Thriller Trailer
  • 2. Our thriller trailer uses conventional thriller titles as a way to introduce and inform the audience on our genre, we got influence from many psycological thriller trailers that we watched and analysed, such as ‘berlin syndrome’. we used dull blue grey colours as they reinforced the dark theme of thrillers. we also included inter- titles initially however we decided to remove them as we thought our trailer would be more effective if we followed todorov's theory of the narrative not being so clear cut. How our thriller trailer uses and develops conventional thrillers: Titles
  • 3. In preparation for our trailer we looked at how the thriller for ‘taken’ used dramatic camera angles such as close ups p.o.v etc to create more tension. After adding dramatic camera angles to our trailer during editing we found that this helped to develop and helped the narrative move along. How our thriller trailer uses and develops conventional thrillers: camera angles We found that camera angles could be used effectively to show relationships between two characters, therefore we used this technique in our trailer during our establishing shot.
  • 4. An isolated location is a factor that we decided we needed to include in our final trailer therefore we chose the woods where the two characters were fighting away from civilization and environment this typical in psychological thrillers. Dark settings shadows used to our advantage. How our thriller trailer uses and develops conventional thrillers: Location/Setting The Gift
  • 5. Villains in psycological thrillers usually look normal and don’t sand out by wearing casual clothes fitting in with the theory we had that, most psycological thrillers are set in an urban and modern settings. In addition the identity of the villian is usually hidden and kept a mystery influenced from 'I know what you did last summer’. How our thriller trailer uses and develops conventional thrillers: Costumes
  • 6. we gained most of our inspiration from watching psychological thrillers such as the film ‘die hard’ we found that the film ‘die hard’ follows todorov’s theory, and therefore we decided to somewhat follow the setup, of there being a state of equilibrium, then a disruption of that order by an event (in our case the daughter getting kidnapped.) followed by a recognition that the disorder has occurred then an attempt to repair the damage done by the disruption. and then a return or restoration of a new equilibrium. However, our sequence somewhat challenges this theory as the equilibrium does not get restored. How our thriller trailer uses and develops conventional thrillers: Narrative/Storyline
  • 7. During genre research we found that the thriller genre has a tendency to be very diverse in its storylines and narrative structure, which means that the trailers do not always follow a specific structure, or adhere to certain conventions. Whilst there are a lot of similarities, the main selling point of many of thrillers is an original plot, perhaps with a twist at the end, therefore we tried to make our storyline as enticing as possible. Low key lighting and muted colours are a common convention of thrillers, as seen in Shutter Island, which uses them to convey the unsettling setting of the film, and to show the audience that it has a very dark and disturbing plot line. This lack of colour also shows the mystery in the story. How our thriller trailer uses and develops conventional thrillers: Genre
  • 8. In our trailer we subtly introduced our characters and left some as a mystery we used this as an effective way to intrigue our audience and give them an enigma. we also used close up shots with inspiration from the trailer for Memento which also uses a lot of close ups, both of the face and body of the main character, we found this effective way to stress the characters emotions and feelings about the current situation. How our thriller trailer uses and develops conventional thrillers: Characters
  • 9. Tense and often eerie music is another convention of the thriller genre, with all three trailers using it to great effect. They match the tones of the music with the editing for the trailer, meaning it flows very seamlessly and is actually a very good tool when choosing what to draw attention to and when. Shutter Island couples this with fast cuts which show the audience enough to intrigue them, but not so much as to give away plot, sometimes the cuts are so fast that it may take a second or third watch to catch what has been seen. In our trailer we used the speed and volume of our soundtrack as an effective way to assist with building tension for example it started off very quiet and steady paced at the beginning but by the end it was evident and fast How our thriller trailer uses and develops conventional thrillers: Soundtrack