Dezyne E'cole College student portfolio made after her 1year duration of study at the college.M.Sc.Fashion Technology student are given technical inputs to make them industry ready .presenting her work just after 9 months of her period of study at Dezyne E'cole College ,Ajmer.

1. PORTFOLIO
Anshuma Jain
M.Sc. FT 1st year
Dezyne E’cole College, Ajmer
Diploma in Fashion Technology

2. Project report on
Women's western wear
Submitted to
Dezyne E’cole college
towards the partial fulfillment For
the award of diploma in
fashion technology
as technical knowledge Development of
women's wear
By
Anshuma Jain
Dezyne E’cole College
106/10, civil lines, Ajmer
0145-2624679
www.dezyneecole.com
2014-2015

3. Dezyne E’cole College
Civil lines Ajmer
www.dezyneecole.com
This Project of Anshuma Jain has been checked and has been graded as -
______________________________________________________
Thanking You
Principal
(seal & signature)

4. Fashion is an ever changing area where each and every person wants to look good.
Fashion adoption reflects the personality and image of the person in the society and
in peer group.
“Fashion” usually is the newest creation made by the designers.
I am deeply grateful to all those whose guidance has been of tremendous value and
enabled me to complete this project successfully.
Anshuma Jain
MSc in Fashion Technology

5. 1. Fashion as a person image
2. Fashion Industry
3. Learning experience
4. Foundation design- colors
5. Corel Draw
6. Illustrations
7. Textile Studies
8. Pattern Engineering
9. Draping
10. Fabric Manipulation
11. Fashion History
12. African Tribal Art
13. Idea Development

6. Fashion is more than wearing good clothes it is about presenting a person’s image
in the society, we generally see people accepting fashion due to the peer pressure,
image in the society and when a person wants a change to brighten his life. There
are many reasons we wear what we wear.
 Protection from cold, rain and snow: - mountain climbers wear high-tech outwear
to avoid frostbite and over- exposure.
 Physical attention:-many styles are worn to inspire “chemistry”.
 Emotions: - we dress “up” when we’re happy and “down” when we’re upset.
 Religious expression: - orthodox Jewish men wear long black suits and Islamic
women cover every part of their body except their eyes.
 Identification and tradition: - judges wear robes, people in the military wear
uniforms, brides wear long white dresses.

7. Within the sphere of
technology industries,
design technology is
perhaps the fastest growing
today. With new
technologies emerging
rapidly and industries
changing complexion, more
and more job opportunities
are up for the taking. It is
estimated that India will
have a shortfall of five lakh
people.. Today, only one in
every four designers is
employable and only 10%
of the design graduates
manage to get employment
in the design industry.
Hence the students should
understand the basic
requirement of the industry
and exhibit that ability.

8. This is what I learnt here at Dezyne E’cole College Creating fashion doesn’t just entail a vivid
imagination and instinct for creativity. It also involves many decisions and myriad techniques, focused
on a central idea. Dezyne E'cole Fashion Design has made me build a strong foundation in terms of
design sense, conceptualisation, independent research, creative application and individual artistic
expression.

9. As a part of fashion industry I am training my self through formal education in Bachelor Degree of
Science in Fashion Technology and industry oriented diploma programme in built with this study.
During the course duration of Diploma programme I had an exposure towards practical working in
Fashion Design
.

10. FOUNDATION DESIGN - COLORS

11. COLOR IMPACT IN DESIGNING
Color is one of the
most vital tools in
the hands of a
Designer. It is the
most perceptible
and prominent
aspect of any
designer, and hence
is central to the
success or failure of
a design scheme. It
is therefore very
important that a
Designer has the full
knowledge and
understanding of
this tool.

12. COOL AND WARM COLORS
Variations of Cool Color - BLUE
Variations of Warm Color - RED
Variations of Warm Color - YELLOW

13. COMPARATIVE VALUES OF COLORS
Value of Red is
more than Yellow
Value of Brown is
more than Green
Value of Green is
equal to Brown
If the edges between the two areas
disappears, the Values are Equal
Value of Blue is
more than Orange

14. SIMULTANEOUS CONTRAST

15. GRADATION THROUGH COLORS

16. GRADATION THROUGH SIZE

17. SHAPES WITH DIFFERENT COLOR SCHEME

18. COREL DRAW

20. ILLUSTRATIONS

21. Bertha Yoke Style Bertha Deep Neckline
Bertha DrapedBertha Knotched
Bertha Braid Edged Trim Capellet Piorret Style

22. Layered Sleeve Tulip SleeveCape Sleeve
Puff SleeveBushirt Sleeve

23. Straight Pant Bell BottomHarem
Jodhpuri PantsSweat Basic

24. Kangaroo Buttoned Bellow Kangaroo Buttoned
Flap Basic Cargo front Flap Edged Channel Style

25. Simple Cuff Side Button CuffDraw String Cuff
Elastic CuffButton Tab Cuff

26. TEXTILE STUDIES

27. TEXTILESTUDIES
For any fashion designer it is very important to study about fabrics and its properties.
For designing new age clothes a fashion designer should be aware about fabric
finishes like fire repellency, water repellency, aroma fabrics , anti wrinkled fabrics. Of
fabrics.
A small report on fabric is presented here.-

28. PROPERTIES OF NATURAL FIBERS

29. CONTENTS
 Introduction
 Natural Fibers
 Burning test
 Tearing test
 Physical properties
 Chemical properties
 Biological properties
 Aftercare properties

30. INTRODUCTION
What is FIBERS?
• Raw material of yarn
• Initial stages of making garments
• Fibers is converted to yarns for making garments
• Comes from different sources
• Quality of garments depends on quality of fibers.
• There are two types of yarns- natural and man made fibers.

31. NATURAL FIBERS
Natural fibers are the fibers that are produced by natural processes and
found in naturally occurring materials. Types of natural fibers are -
Cotton Linen
Silk Wool

32. BURNING TEST

33. TEARING TEST

34. PHYSICAL PROPERTIES

35. CHEMICAL PROPERTIES

36. BIOLOGICAL PROPERTIES

37. AFTERCAREPROPERTIES
DRY CLEANING
COTTON WOOL SILK
P PP
BLEACHING
COTTON WOOL SILK
Cl

38. COTTON WOOL SILK
COTTON WOOL SILK
WASHING
95 4060 30
DRYING
AFTERCAREPROPERTIES

39. ENGINEERING
PATTERN

40. Fashion design runs the garment from eveningwear to sportswear, women’s wear to
menswear, and kids wear to knitwear. Garment Construction popularly called as Pattern
Engineering has a great importance in the fashion design industry. The companies like Van
Heuson, Dockers, Levis, Adidas etc. are all providers of perfect fit and this is what we learn
at Dezyne E’cole through the art of pattern making.
A sloper pattern (home sewing) or block pattern (industrial production) is a custom-fitted,
basic pattern from which patterns for many different styles can be developed.
The draping method involves creating a muslin mock-up pattern by pinning fabric directly
on a form, then transferring the muslin outline and markings onto a paper pattern or using
the muslin as the pattern itself.
The flat pattern drafting method is the most commonly used method in menswear
PATTERN ENGINEERING

41. The flat-pattern method is where the entire pattern is drafted on a flat surface
from measurements, using rulers, curves and straight-edges. As a fashion designer
I use various tools and measuring devices to create a toile pattern on dummy.
Scissor Tailor Chalk
Thread Seam Ripper
Inch tape

42. Cutting Line Hem Line
Grain Line Bust Point
Gathers Combine Button
On Fold button Hole
Alteration Line Button Position
Seam Allowance Snap Fasteners
Various signs and symbols of pattern marking which I generally use on pattern are:-

43. Darts Double notches
Pleats Triple notches
Tucks Zipper placement
Balance mark Bust Point
Waist lines
Markings to be
transferred from
the pattern pieces
Single notches Snap Fasteners

44. NOTCHES:-
1. Seam
Allowances
2. Dart Legs
3. Identification
of Joining
parts
4. Facings
5. Waistlines
6. Centre Line
7. Identification
of Front &
Back
8. Zipper
Placement
9. Hemlines
10.Shoulder
Tip
11.Placements
of Trims &
Pockets
12.Sleeve Cap
Punch Circles:-
1. Dart Intake
2. Corners
3. Buttonholes/Buttons
4. Trimmings
5. Pocket Placement
Jog Seam:-
A Jog Seam is used to
indicate a change in the
seam allowance
Seam Allowance:-
¼ Inches:-
1. All faced areas
2. Sleeves, Armhole
½ Inches:-
1. Side Seam
2. Centre line
1 Inches:-
1. Shoulders
2 Inches:-
Straight Hemlines

45. 1. Center Front Neck
2. Center Front Waist
3. Bust Point
4. Center Front Bust Level
5. Side Front(princess)
6. Mid Armhole
7. Shoulder at Neck
8. Shoulder Tip
9. Armhole Ridge
10. Plate Screw
11. Armhole Plate
SYMBOL KEY
CF - Center Front
CB - Center Back
BP - Bust Points
SS - Side Seam
SW - Side Waist
SH – Shoulder
HBL – Horizontal Balance Line

46. Flat patterning begins with the creation of a sloper or block pattern, a simple, fitted
garment made to the wearer's measurements. The different ways of taking
measurement on the dress form are as follows:
 Circumference measurement
 Horizontal measurement
 Vertical measurement

48. SIZE = 34”
Round Bust= 34”
Round Abdomen= 36”
Round Waist= 26.5”

50. Across chest- 6.5” Across shoulder(front)- 7”
Across back- 6.6”Across shoulder(back)- 6.6”

52. Center Front Length- 14” Center back Length- 16”
Side Length- 7.5”

56. Dart manipulation introduced the slash spread
and pivotal transfer pattern making technique to
transfer dart excess from one location to
another for design variation. It is the beginning
of pattern manipulating process for generating
design patterns. It requires both artistic and
technical skills to mange and control the
pattern.
There are three principles for dart manipulation.
PRINCIPLE 1
A dart may be transferred to any location
around the patterns outlines from a designated
pivotal point
Without affecting the size or fit of a garment.
 ONE DART SERIES
 TWO DART SERIES
PRINCIPLE 2 Added fullness
To increase fabric in a garment to an amount
greater than that provided by the dart excess of
the working
pattern. The length and width within the
pattern’s outline must be increased.
PRINCIPLE 3 Contouring
To fit the contours of the upper torso closer
than does the basic garment the pattern must
be reduced within its frame to fit the dimension
of the body above, below and in between the
bust mounds and shoulder blades.
Mid neck
Shoulder tip
CF neck
Mid armhole
Side dart
CF waist
French dart
French dart
French dart
CF bust
Mid shoulder

57. Mid Armhole Dart Mid Shoulder Dart

58. Square shape neckline
Double stitched hemline
Mid armhole dart

59. Mid Armhole and Waist Dart Mid Shoulder and Waist Dart

60. V shape neckline
Gores
Center front waist dart
Side dart

62. Abutted seam Bound seam
Flat fell seam
Abutted seams are
suitable for material which
don’t ravel.
Usage-foundation
garments and interfacing.
It is suitable for tailored,
reversible, unlined garment
and light most semi finished
seams. It is sturdy, durable
seam which will stand heavy
wear and frequent
laundering.
These seams are used in
finishing neckline, sleeves,
hems and in finishing
seams or unlined jackets
and coats.

63. Top seam French seam
Plain seam
It is versatile and easy. Top
stitch seams are the most
popular decorative seam by
changing the size, color and
kind of the thread.
Plain seam joints two
pieces of fabric together
face to face by sewing
through both pieces. These
seams can be used on
woven and knitted fabrics.
These seams are used on
light weight woven, sheer
and other delicate fibers.

66. French Dart
Front View
Side View
Back View

67. Front View
Side View
Back View
Mid-Shoulder Dart

68. Front View
Side View
Back View
Mid-Armhole Dart

69. Front View
Side View
Back View
Mid-Shoulder & Waist Dart

70. Front View
Side View
Back View
Mid-Armhole & Waist Dart

71. Front View
Side View
Back View
Side And Waist Dart

72. Front View
Side View
Back View
Waist Tuck Dart

73. Waist Pleat Dart
Front View
Side View
Back View

74. Neck Radiating Dart
Front View Back View
Side View

75. Front View
Side View
Back View

76. Front View
Side View
Back View
CLASSIC PRINCESS STYLINE

77. Front View
Side View
Back View
CLASSIC PRINCESS STYLINE (MID ARMHOLE)

78. Front View
Side View
Back View

79. FULLNESS AROUND PRINCESS PANEL
Front View
Side View
Back View

80. WAIST DART CLUSTER
Front View
Side View
Back View

81. SHOULDER DART CLUSTER
Front View
Side View
Back View

82. FULLNESS AROUND NECK BAND
Front View
Side View
Back View

83. Front View
Side View
Back View

84. MID SHOULDER PRINCESS PANEL (TORSO)
Front View
Side View
Back View

86. For any fashion designer fabric
first needs to be prepare with
textures and then used for style
and design development.
Style require plain texture and
sometime textured fabric to
create better style.
Presenting few best ideas which
one learned at my study of fashion
design at Design E’cole College.

87. 1.

88. 2.

89. 3.

90. 4.

91. 5.

92. 6.

93. 7.

94. 8.

95. 9.

96. 10.

97. 11.

98. 12.

99. 13.

100. 14.

101. 15.

102. 16.

103. 17.

104. FASHION HISTORY

105. COMPLETING THE LOOK WITH ON
TREND LOWERS

106. 1. Tapered Trousers
2. Slightly Pegged
3. Tulip Skirt
4. Culottes Trousers
5. Paper Back Skirts
6. Pleated Skirts
CONTENTS

108. 1. Tight fitting pantaloons
2. Fashionable among the upper class
3. Used in office wear
4. Fabrics used are:-
 twills
Canvas
Denim for formal look
Silk
Taffetas
Satin for casual look

109. FORMAL LOOK ROCK CHIC FOR PARTIES

110. 1. Illusion of an inverted triangle
2. Pegged waist with slightly tapered hems
3. Inspired by tapered trousers
4. Casual and stylish look in solid but bright colours
5. Variations can be given by varying length and depth of the
pleats and patterns
6. Fabrics used are:-
 Denim
 Linen
 Cotton
 Twills

111. PARTY WEAR OFFICE WEAR

112. CASUAL LOOK

113. 1. Most feminine effects
2. Parties and informal looks
3. Variations can be made edgy by adding a metallic waist band
4. Feminine by adding more drapes
5. Most stylish long skirts forecasted
6. Fabrics used are:-
 Georgette
 Satin
 Crepe
 Jerseys

115. PARTY WEAR
OFFICE WEAR
FORMAL WEAR

117. 1. Long split skirt
2. Women's trousers knee length or calf length
3. Full cut to resemble a skirt
4. Modifications by flares, adding prints, adding
broad belts
5. Fabrics used are :-
 satin
 cotton voile

118. FORMAL LOOK CASUAL LOOK

120. 1. Fashion history of the 1960 mini skirt, straight had front and back
2. Slim effect on wearers waist
3. Adding pleats on elastic at the waist
4. Shorter lengths and flared styles
5. Variations by adding sleek skirt under a flared paper back peplum
6. Colors used are metallic look elegant, bold and prints
7. Fabrics used are:-
 Satin
 Silk
 Chiffon
 polyester

121. PARTY WEAR FORMAL WEAR

123. 1. School girls wore pleated skirts
2. Tiered skirts with horizontal layers came in vague
3. Gives solid and dying effects
4. Thickness and type of pleats lengths may vary
5. Fabric used are:-
 Nylon
 Georgette
 Satin

124. PARTY WEAR FORMAL AND PARTY WEAR

125. AFRICAN TRIBAL ART

126. African art is a term
typically used for the art
of Sub-Saharan Africa.
Wooden carvings, tribal
masks, Maasai figurines,
paintings, prints and
sculptures are most
popular in African art.
AFRICAN TRIBAL ART

127. Lines :- In the African tribal art they use different lines with different thickness.

128. Shapes :- Geometric shapes are usually seen on the African art. Triangular
shapes and lines are widely used in this art. But natural or organic shapes are
also used in the designs.

129. Forms :-They used geometric forms but edges of forms always are not
regular. They use these forms into the jewelry, sculptures, figurines, masks,
Wooden carvings etc.

130. Color:-In this tribal art people use only organic colors without mixing any other
color or pigments.

131. Texture:- In African civilization we can see that there are texture are widely used
element. We can see the textures onto the wooden and stone artifacts, weapons of
hunting and also on there skins which is created by blades and sharp pointed
stones.
.

132. Prints:- African prints are most popular in the whole world. They are always set a
fashion statement. Example :-animal print (leopard ,zebra),triangular prints.