Dezyne E'cole College student portfolio made after her 1year duration of study at the college.B.Sc.Fashion Technology student are given technical inputs to make them industry ready . Presenting her work just after 9 months of her period of study at Dezyne E'cole College , Ajmer.

1. PORTFOLIOHeena Soni B.Sc. FT 1st year
Dezyne E‘cole College
Diploma Fashion Technology

2. Project report on
Women‟s western wear
Submitted to
Dezyne E‟cole College,
towards the Partial fulfilment for
the awards of Diploma in
Fashion Technology as
technical knowledge development of
women's wears
included with the bachelors degree
program of fashion technology
By
HEENA SONI
Dezyne E‟cole College, Ajmer
106/10, civil lines, Ajmer
Tel. no. 0145 2624679
www.dezyneecole.com
2014-2017

3. The project of Ms. Heena Soni has been checked & has been graded as____________________
______________________________________________________________________________
Thanking You
Principal
(Seal & signature)
Dezyne E'cole College
civil lines, Ajmer
www.dezyneecole.com

4. I am deeply grateful to all those whose guidance has been of tremendous value and enabled me to
complete this project successfully.
I am thankful to all my mentors of Dezyne E‟cole who gave me an opportunity to show my abilities by
working on this project on the esteem organization..
HEENA SONI
Bachelor of Science in Fashion Technology
ACKNOWLEDGEMENT

5. CONTENT
• Introduction To Fashion
• Fashion Industry
• Learning Experience
• Foundation Design Colors
• Corel Draw
• Fashion Illustration
• Fabric Study
• Garment Construction
• Seams & Hemlines
• Draping
• Fabric Manipulation
• Elements And Principles Of Design

6. Fashion is more than wearing good clothes it is about presenting a person‟s image in the society, we
generally see people accepting fashion due to the peer pressure, image in the society and when a person
wants a change to brighten his life. There are many reasons we wear what we wear.
 Protection from cold, rain and snow: - mountain climbers wear high-tech outwear to avoid frostbite
and over- exposure.
 Physical attention:-many styles are worn to inspire “chemistry”.
 Emotions: - we dress “up” when we‟re happy and “down” when we‟re upset.
 Religious expression: - orthodox Jewish men wear long black suits and Islamic women cover every
part of their body except their eyes.
 Identification and tradition: - judges wear robes, people in the military wear uniforms, brides wear
long white dresses.
Fashion As A Person's Image

7. Within the sphere of technology industries, design technology is perhaps the fastest growing today. With
new technologies emerging rapidly and industries changing complexion, more and more job opportunities
are up for the taking.
It is estimated that India will have a shortfall of five lakh people in the design sector by 2010- 11, thus
bringing the gap between talent and the skills required by the industry is important.
Today, only one in every four designers is employable and only 10% of the design graduates manage to
get employment in the design industry.
Hence the students should understand the basic requirement of the industry and exhibit that ability.
Fashion Industry-

8. This is what I learnt here at Dezyne E‟cole College Creating fashion doesn‟t just entail a vivid imagination
and instinct for creativity. It also involves many decisions and myriad techniques, focused on a central
idea. Dezyne E‟cole‟s Fashion Design has made me build a strong foundation in terms of design sense,
conceptualisation, independent research, creative application and individual artistic expression.
Learning Experience-

9. As a part of fashion industry I am training my self through formal education in Bachelor Degree of Science
in Fashion Technology and industry oriented diploma programme in built with this study.
During the course duration of Diploma programme I had an exposure towards practical working in Fashion
Design.
Learning Experience-

10. FOUNDATION DESIGN- COLOR

11. Color is one of the most vital tool in the hands of designer.it is the most perceptible &
prominent aspect of any designer, hence is central to the success or failure of a
design scheme.it is very important that a designer has the full knowledge &
understanding of its tool.
COLORS
Color Impact In Design

12. COLORS
Simultaneous Contrast

13. Variations Of Warm & Cool Colors
COLORS A range of Red, from warm bright Red at the left to a light Red
at the right.
A range Yellow, from deep dark Yellow at the left
to a light Yellow at the right.
A range of Blue, from warm deep dark Blue at
the left to a light and cool Blue at the right.
A range of Green, from dark Green at the left
to a light and cool Green at the right.

14. The Yellow is a lighter
value than the Red
The Blue color is a darker
value than the Orange
The Green is the lighter
value than the Brown
The Dark Green is equal in
the value to the Brown
Compare the Blue and Red rectangles to the gray rectangles or either side of each color.
Which Gray is equal in value to the color ? It may be helpful to stand at a distance and blur your
eyes. If the edge between the two areas disappears, the values are equal.
Comparing Value of Colors
COLORS

15. COREL DRAW

16. GRADATION
Variation In Colors(Tints And Shades)

17. GRADATION
Gradation Threw The Colors

18. GRADATION
Gradation Threw The Size

19. GRADATION
Gradation Threw The Size & Color

20. CORELDRAW
Text Editing Styles

21. ILLUSTRATION

22. Bertha Yoke Style
Bertha Deep Neckline
Bertha DrapedBertha Knotched
Bertha Braid Edged TrimCapellet Piorret Style
ILLUSTRATION
Collars

23. Layered Sleeve Tulip SleeveMagyar Sleeve
Puff Sleeve Bushirt Sleeve
Sleeves
ILLUSTRATION

24. Flap Basic Cargo front Flap Edged
Kangaroo Buttoned Bellow
Kangaroo Buttoned
Pockets
ILLUSTRATION

25. Simple Cuff Side Button CuffButton Tab Cuff
Elastic Cuff Draw String Cuff
Cuffs
ILLUSTRATION

26. Straight Pant Bell BottomHarem
Sweat Basic Jodhpuri Pants
Pants & Trousers
ILLUSTRATION

27. FABRIC STUDY

28. For any fashion designer it is very important to study about fabric and its properties.
For designing new age clothes a fashion designer should be aware about fabric finishes like fire
repellency, water repellency, aroma fabric, anti wrinkled fabrics.
A small report on fabrics is presented here.
Fabric Study
(From Fiber To Fabric)

29. Kinds & Types Of Cotton Fiber-
Content-
1. Introduction
2. Kinds and types of
cotton
3. Cotton based upon
area:-
i. Upland Cotton
ii. American Pima
iii. Egyptian Cotton
iv. Asiatic Cotton

30. Introduction
Fiber is the raw material of yarn.it is the initial stage to make a fabric.
Fiber Yarn Fabric Garment
Cotton has been derived from Arabic word-qutunll or-quotonll which meant plant
found in conquered lands.
Cotton is the world`s major textile fiber. Cotton is grown all over the world.
Cotton is grown about 80 different countries. The most important producers are:
USA, China, India, Pakistan, Brazil, Turkey, Australia, Egypt.
Cotton is the member of the Mallow Family.
COTTON

31. Kinds & Types Of Cotton Fiber-
Variations among cotton fibers
because of growth conditions:-
i. Soil
ii. water
iii. Climate
iv. Fertilizers
Quality of fiber based on its:-
i. Color
ii. Length
iii. Fineness
iv. Strength
COTTON

32. COTTON American upland cotton is the 99%of united
state.
Color:- white or dull(no luster).
Length:- 7/8 inch to 1:1/4.
Strength:- strong and stable.
Grown at:- in all over USA..
Upland Cotton

33. Used in:- Expensive fabrics & delicate cotton
fabrics.
Categorized as:-
i. Short staple
ii. Medium staple
iii. Long staple
Upland Cotton
COTTON

34. American Pima Cotton
COTTON American pima cotton is a fine, strong and
luster's fiber.
Color:- lusters crème brown
white
Length:- 1:3/8 to 1:1/2
Strength:- fine, strong.
Grown at:- The Upper Rio Grand
Valley Of Texas, New Mexico,
Arizona and Southern California.

35. American Pima Cotton
COTTON Used in:- sewing thread`s & decorative
threads. Because of its tensile strength.

36. Egyptian Cotton
COTTON Egyptian cotton fiber has same qualities and
properties as American pima cotton fiber.
Color:- Light Brown
Length:-1:1/4 To 1:1/2
Strength:- Good
Grown at:- Egypt, Turkey Or
Middle East.

37. Egyptian Cotton
COTTON Used in:- Majorly in sewing thread`s and also
used in wear able fabrics.
Imported into:- United states in small
quantity.

38. Asiatic Cotton
COTTON Asiatic cotton are produced in India, China
and the near east.
Color:- lusters crème brown
white.
Length:- less than 1 inch.
Strength:- poor
Texture :- coarse fiber.

39. Used in:- Major used in the united state is in
surgical supplies.
Asiatic Cotton
COTTON

40. Velvet
Oxford
Corduroy
COTTON
Types Of Cotton Fabric
Chintz
Damask
Denim

41. COTTON
Types Of Cotton Fabric
Buckram
Terry Towel
Cambric
Poplin
Gabardine
Pique

42. Fashion design runs the garment from eveningwear to sportswear, women‟s wear to menswear, and kids wear to knitwear.
Garment Construction popularly called as Pattern Engineering has a great importance in the fashion design industry. The
companies like Van Heuson, Dockers, Levis, Adidas etc. are all providers of perfect fit and this is what we learn at Dezyne
E‟cole through the art of pattern making.
A sloper pattern (home sewing) or block pattern (industrial production) is a custom-fitted, basic pattern from which
patterns for many different styles can be developed.
Garment Construction

43. Tools & Equipments-
The flat-pattern method is where the entire pattern is drafted on a flat surface from measurements, using
rulers, curves and straight-edges. A pattern maker uses various tools such as measuring tools, marking
tools, cutting tools, pins & needles etc.
Scissor Measurement Tape Needles Drafting Scale
Tailors Chalk French Curve T-Pins

44. Symbols & Pattern Marking-

45. Symbols & Pattern Marking-

46. Notches-
Notches
• Seam allowances
• Centre lines
• Ease and gather control
• Dart legs
• Identification of front (1 notch) and back (2notches)
• Identification of joining parts (notches at various
locations)
• Zipper locations
• Facing
• Hemlines
• Waistlines
• Shoulder tip
• Placement of trims and pockets
• Shoulder/neck of collars
• Sleeve cap
Punch circles
• Dart intake
• Corners
• Button holes/buttons
• Trimmings
• Pocket placement
Jog seams
• It is used to indicate a change in the seam allowances.

47. Landmarks-
1. Center front neck
2. Center front waist
3. Bust point
4. Center front bust level
5. Side front(princess)
6. Mid armhole front (at level with plate)
7. Nape of the neck
8. Shoulder tip
9. Armhole ridge or roll line
10.Plate screw
11.Armhole plate

48. Flat patterning begins with the creation of a sloper or block pattern, a simple, fitted
garment made to the wearer's measurements. The different ways of taking measurements
from a dress form:-
• Circumference Measurements
• Horizontal Measurements
• Vertical Measurements
Measuring Technique-

49. CIRCUMFERENCE MEASUREMENT

50. Waist Measurement
Abdomen Measurement
Bust Measurement
CIRCUMFERENCEMEASUREMENT

51. HORIZONTAL MEASUREMENT

52. HORIZONTALMEASUREMENT
Bust arc Measurement
Waist arc
Measurement
Hip arc Measurement

53. VERTICAL MEASUREMENT

54. VERTICALMEASUREMENT
Front length Measurement
Side seam
Measurement
Center front length
Measurement

55. BASICPATTERNSET
Basic Bodice Block

56. BASICPATTERNSET
Basic Skirt Block

57. BASICPATTERNSET
Basic Sleeve Block

58. Dart manipulation introduced the slash spread
and pivotal transfer pattern making technique to
transfer dart excess from one location to another
for design variation. It is the beginning of pattern
manipulating process for generating design
patterns. It requires both artistic and technical
skills to mange and control the pattern.
There are three principles for dart manipulation.
PRINCIPLE 1
A dart may be transferred to any location around
the patterns outlines from a designated pivotal
point
Without affecting the size or fit of a garment.
 ONE DART SERIES
 TWO DART SERIES
PRINCIPLE 2 Added fullness
To increase fabric in a garment to an amount
greater than that provided by the dart excess of
the working pattern. The length and width within
the pattern‟s outline must be increased.
PRINCIPLE 3 Contouring
To fit the contours of the upper torso closer than
does the basic garment the pattern must be
reduced within its frame to fit the dimension of
the body above, below and in between the bust
mounds and shoulder blades.
Mid neck
Mid shoulder
Shoulder tip
CF neck
Mid armhole
Side dart
CF waist
French dart
French dart
French dart
CF bust
DARTMANIPULATION Dart Manipulation

59. DARTMANIPULATION Dart Manipulation
Mid Shoulder Dart Mid Armhole Dart

60. Scalloped Neck
French Dart
A Line Skirt
Facing
Plain Seam
Book Hem
SPECIFICAION

61. DARTMANIPULATION Dart Manipulation
Mid Armhole & Waist Dart Mid Shoulder & Waist Dart

62. SPECIFICAION
Boat Neck
Waist Dart
Pleated Skirt
Facing
Mid armhole dart
Full puff sleeve

64. Flat fell seam is suitable for tailored,
reversible, unlined garments and work cloths
in medium weight fabrics and light most self
finished fabrics.
Abutted seams are suitable for material
which don‟t ravel. Usage foundation
garments & interfacing
Seams & Hemlines

65. Lap top over bottom ,front over back, center
over side bodice collar lapped bodice, bands
lap skirts and cuff lap sleeve garment
centers lapped right over left at the back.
Plain seam joints two pieces of fabrics
together face to face by sewing through both
pieces, the seams can be used an woven
and knitted fabrics.
Seams & Hemlines

67. French Dart-
Side View
Front View
Back View

68. Mid Armhole Dart-
Side View
Front View
Back View

69. Side View
Front View
Back View
Mid Shoulder Dart-

70. Side View
Front View
Back View
Mid Shoulder & Waist Dart-

71. Side View
Front View
Back View
Mid Armhole & Waist Dart-

72. Side View
Front View
Back View
Side &Waist Dart-

73. Side View
Front View
Back View
Tuck Dart-

74. Side View
Front View
Back View
Pleat Dart-

75. PARALLELDART
Side View
Front View
Back View
Parallel Dart-

76. Side View
Front View
Back View
Radiating Dart-

77. Side View
Front View
Back View
Classic Princess Style Line (Waist)-

78. Side View
Front View
Back View
Classic Princess Style Line (Torso)-

79. Side View
Front View
Back View
Mid Armhole Princess Style Line (Torso)-

80. DARTCLUSTER
Waist Dart Cluster-
Side View
Front View
Back View

81. GATHERS
Side View
Front View
Back View
Gathers at Waist-

82. Side View
Front View
Back View
Fullness At Princess Panel-
FULLNESS

83. Side View
Front View
Back View
FULLNESS
Fullness Around Neck Band-

84. FABRIC MANIPULATION

85. For any fabric first needs to be prepared with textures and
than used for style & design development.
Style requires plain textures and some times textured
fabric to create better style.
Presenting few best ideas of textures which I learnt at my
study of fashion design at Dezyne E`cole college.

102. ELEMENTS & PRINCIPELS OF DESIGN

103. 1. Angular Uppers
2. Asymmetric
Shapes
3. Collared Dresses
4. Dropped Armhole
5. Fit-n-flare
6. Kurta/Tunic
7. Maxi
8. Sweater Dresses
Spring
Summer
Upper Torso's Spring Summer 2013
Content-

104. Tops and dresses, with angular shapes ,panels and cut outs impart the feeling of Technical
Advancement.
Spring
Summer
UpperTorso's
Angular Uppers

105. Spring
Summer
UPPERTORSO'S
Maxi Dress
The classic maxi can be converted to a beach dress by using a printed cotton fabric and can
be converted into an evening gown by using a rich fabric like velvet or brocade.

106. Asymmetric Shapes
With the changing fundamentals of balance and proportion in fashion known as asymmetric
shapes.
Spring
Summer
UPPERTORSO'S

107. Collared dresses are many type like ex:-like summer overcoats, by adding big
buttons and broad collars and belts.
Spring
Summer
UPPERTORSO'S
Collared dresses

108. Spring
Summer
UPPERTORSO'S
Dropped Armhole
Translating the ever growing need of comfort in clothes, the silhouettes for s/s13 have been
forecasted to be loosen and airy, creating a need for dropped armhole.

109. Spring
Summer
UPPERTORSO'S
Fit-N-Flare
A touch of feminity „Fit-N-Flare‟ dresses accentuate the waist while making the wearer appear
taller.

110. Spring
Summer
UPPERTORSO'S
Kurta/Tunic
Adding an Indian touch of ethnicity Kurta style dress are made more global translated into a
loose or semi fitted silhouette and varied in lengths.

111. .
Spring
Summer
UpperTorso's
Sweater Dresses
Light knits provide comfort as well as style. As the silhouette are mostly semi fitted it provides
ample space to add panels, prints and surface textures

112. TRIBAL ART OF INDUS VALLEY CIVILIZATION
Content-
1. Line
2. Shape
3. Form
4. Color
5. Texture

113. TRIBALART
1. Line:-
In Indus valley civilization people used
composet lines which means straight and
curve lines both are used in a
composition. We can find these lines onto
the stamps, paintings, jewelry and
artifacts.

114. TRIBALART
2. Shape:-
In this civilization we can found that
mostly they used organic shapes like the
animals, trees. And geometric shapes only
used for writing symbols. In the sculpture
of priest which is most popular sculpture
of Indus valley civilization. we can found
flower shape on to its shawl (Scarf).

115. TRIBALART
3. Form:-
The things which is found at Mohan jodaro
and haddapa we can see both forms
geometric and organic. In this civilization
they used different forms-
• Cuboids as bricks of houses
• Cubes as stamps
• Spheres in jewelry

116. TRIBALART
4.Color-
They used not so much colors as painting
but they used colored objects like
iron(black),animal bones(white and pale
yellow),sand and rocks(earthy colors).at
some places we can found drawings on to
the walls.

117. TRIBALART
5.Texture:-
In this ancient civilization people are used
different textures on the stamps and
artifacts.